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Keego Harbor, MI Acting Lessons

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Popular Acting Teachers near Keego Harbor, MI

Check out some of our most popular teachers near Keego Harbor, MI including Bloomfield Hills, West Bloomfield, Auburn Hills, Pontiac and Waterford.

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About Glenda J.

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West Bloomfield, MI
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About Glenda
After studying at Cass Tech High School and Wayne State University in MI, I have enjoyed teaching privately, in groups, and at churches, I have performed vocally and instrumentally throughout the US and in 8 foreign countries, and taught at public, charter, and private schools. It is important to tailor each lesson to a student's individual needs and ability to ensure that their experience is as rewarding as possible!

*** Lesson Details ***
You will learn to play with ease and proficiency while learning the Music Theory that supports your playing. You will also receive ear training, which will make learning more rapid, and more thorough.

*** Studio Equipment ***
Studio with piano, organ, and sound system; parents can sit in on lessons.

*** Travel Equipment ***
When needed, I provide printed learning supplements or in e-mail.
The student should have his/her own instrument, so they can practice regularly.

*** Specialties ***
Gospel, Classical, Pop, Inspirational, Sacred, Wedding, etcetera
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Reviews
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Sandra M. July 19, 2017
· Singing · Online
Good first lesson. Looking forward to more.
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David May 18, 2017
· Organ · In studio
Church Organist needed in Brookshire TX. Call Pastor McDonald 281-690-3248 for more details
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Danyelle May 12, 2017
· Organ · Online
Thoroughly enjoyed my first lesson. Looking forward to showing Ms. Glenda my progress next week.
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Glenda J.

Glenda J.

Bloomfield Hills, MI 48301
(12)
starting at
$23 / 30-min

About Amy C.

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Weehawken, NJ

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I am a professional actress/ singer/ songwriter and directer. I employ my many years of experience as a performing artist, to help my students develop what is unique and compelling with in them. I believe that everyone has something of value to express. The key is finding creative ways to unleash it.

About Amy
I have been a voice, acting, and teacher of creative arts for over 25 years. My background includes ten years of classical training with Maestro Julio Berrocal, as well as vocal training through the Feldekrais approach with Marcy Lindhiemer. In acting I have studied with renowned Stanislavsky scholar Sonia Moore and Master acting teacher of the Strasberg Method, Marcia Haufrecht. I received a B.A. For comparative literature and creative writing at the State University of New York at Purchase and I am currently studying for a masters in social work at Walden University.
I believe, within all of us, Is the ability to express something distinctive and original. I work to help the student discover their individual and unique voice, weather it be through singing, acting or writing. I share with my students tools to gain the ability and con
fidence to achieve their goals. I empathize deeply with the challenges students may face when pursuing a life in the creative and performing arts, having worked professionally in those arena's for most of my adult life. I believe, it is the teachers job to respect each students individual process of learning.
My students have gone on to become recording artists, Broadway performers, movie actors, blues and cabaret artists and published writers.

*** Lesson Details ***
Voice
I am an empathetic teacher, sensitive to the students individual process of learning. My singing lessons usually start with breathing and relaxation exercises. Vocal exercise come next, then when the student is fully warmed up, we will begin to work on songs. It is important that the student be part of the process of picking material since the more they personally respond to the material the more apt they are to be engaged in their lessons and the more quickly they will learn. After three to six months they will understand the fundamentals of breathing and relaxation and its importance to proper vocal training. They will have begun the process of extending their range and will understand the principles of performance in song.
Acting
As an acting teacher and coach, I tailor my classes to the needs of each student. I utilize improvisatory and sensory techniques to help unleash spontaneity. I also encourage the students to use their personal experiences as a way to access a full range of emotions. I enjoy working with the student on script analysis, so as to discover the underlying motivations of the character the student is working on.
Creative and Lyric Writing
I use prompts as a way to get the student writing. Often, I will ask the student to write for stretches of time without editing themselves. It is important to unleash imagination before beginning the process of editing. Many times it is the unexpected that is the must compelling.

*** Studio Equipment ***
home- 10 minutes away from Manhattan with piano, seating for parents
-practice studio seating for parents

*** Travel Equipment ***
I provide a piano, cd/mp3 player and an large library of songbooks to work from. The student should bring sheet music of songs they want to work on and a recording device.

*** Specialties ***
I specialize in teaching how to sing rock, pop, musical theater, jazz, and blues without hurting the voice as well as method acting instruction.
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Reviews
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Kumiko March 16, 2017
· Jazz Voice · In studio
Amy is amazing singer and great teacher. I can't find anyone else who suggests right direction about singing. Singing from the Source.Now, I live in Japan and still singing. No matter how far from U.S., I always sing with the mind that Amy's saying ”Singing from the Sourse. I love Amy!
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Emma R. August 13, 2015
· Acting · In home
Great teacher! Amy is very experienced with kids and knows how to interact very well with my five year old. She has control of the lesson and most importantly my daughter loves going to her class.
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Richard G. October 7, 2014
· Singing · In studio
I just want to say that you are one of the most distinguished teachers with TAKELESSONS! - I read your bio and I was very impressed. I would recommend you to any musically inclined student! Keep up the good work!
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Amy C.

Amy C.

Online
(6)
starting at
$40 / 30-min

About Gabriel W.

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Westwood, NJ

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Acting with ease is mostly about really being relaxed and at peace while fulfilling a role. The best acting comes from having passion and confidence in the choices that you have made while you have prepared. The greatest obstacle? The inner critic, the inner skeptic, the inner dragon that works hard to put on the breaks and make us question ourselves and whether it is safe or not to let go. My job is to help you feel safe enough to be able to trust your creative instincts and your natural impulses. I'm more of a kind, compassionate, understanding and forgiving coach who nurtures the talent that is already in there. We all know you've got it -- who are we kidding?

About Gabriel
Gabriel W. ("Musiciano") is a fiery and passionate vocal instructor proficient in the fields of acting, singing and vocal development. A professional singer, actor and teacher with a BFA in Theater Arts.

Gabriel doesn'™t just possess a formal college education, but more importantly an "informal" education based on his experiences on the stage and in the studio in the real world. Gabriel'™s approach is direct, simple and to the core, getting straight to the heart of the matter: developing the voice from the inside out by breaking things down to the essentials.

An expert at creating vocal warm-ups, vocal exercises, and vocal cool-downs and deeply passionate about psychology, this is your guy for learning to keep your voice in shape and having access to helpful insights and advice. Learn to cultivate a healthy attitude and how to crea
te and survive a career in the world of performing arts.

With a kind and compassionate, yet stern and strong tone, Gabriel will work with you to develop the focus and dedication necessary to get your voice beyond what you even knew was possible.

*** Lesson Details ***
Regardless of the genre you sing, developing your voice with Gabriel's help will improve your tone, range, power and overall ability. You can expect to become a much better singer without losing any of your personal and unique traits.

His approach isn't a technical or mysterious one. It's all about re-learning the facts about how the voice functions best.

You can expect to clear away a lot of confusions regarding how the voice works and to take away the guesswork from the vocal development process.

If you want to improve your voice quickly, being guided by someone who understands how it all works and by someone who was where you are today and is now closer to where you want to be in the future is the best way to go. And Gabriel is that guy!

Gabriel's approach is quite simple, yet very effective at developing the entire voice.

"There are two basic levels that every singer must address. The first one is addressing the condition of the body and voice and the second one is addressing the functioning of the voice and body."

I - Silent Foundation

The silent foundation refers to the condition of your instrument as it is silent. If we are looking at the body as an instrument that sings, we first have to make sure that our instrument is in good condition. How healthy is your instrument? Is it well rested, well hydrated and loose? Or is it tired, dehydrated and tense? As you could guess, the condition of your instrument will have a significant impact on the quality of the sounds you make. So the first thing to be addressed is how your instrument is before it starts making sound.

II - Conditioning of Singing Behaviors

This is when we get busy. Once we have a well rested, healthy, hydrated and relaxed instrument we can start working it out. The goal is to condition our singing behaviors to be reflexive, reliable and strong. The way to do this is through a series of vocal exercises that will condition your voice to respond to the desires of your heart. Whatever it is that you want to express will be possible once your instrument is conditioned to the point where there is no gap between what you want to express and your ability to do so. Learning to sing is all about learning how to express yourself without barriers. You should be able to develop enough range, power, control and skill so that you can express your heart without feeling like you'™re incapable of achieving what you pursue. To achieve these abilities training is often necessary.

*** Specialties ***
ALL CONTEMPORARY GENRES!
Confidence Building, Warming-Up, Releasing Tension and Strain, Eliminating Stage Fright, Expanding Range, Improving Tone, Developing Vocal Power and Presence, Eliminating Doubt, Simplifying Singing, Strengthening The Voice, Improving Pitch, Building Stamina, Increasing Creativity, Performance Tips, Artist Development, Acting and Songwriting.

Once we have a good foundation any contemporary genre or style can be improved.
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Reviews
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David E. June 15, 2017
· Broadway Singing · Online
Very patient and easy to work with. Only one lesson so far but a very enjoyable experience!!
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nicolas castro May 24, 2017
· Singing · In studio
gabriel has been very helpful to me. he is patient and really pays attention to detail while listening to you vocalize. he has helped me unlock different parts of my voice that i didnt even know were possible. i highly recommend him to any one with the passion to sing and get better everyday.
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Dres Valenz March 26, 2017
· Vocal Training · In home
An incredible vocal coach, full of knowledge and a great teacher. Gabriel taught me how to sing without forcing myself and also how to remove those knots in my throat. An excellent ear to tell right away if you're flat or sharp. I recommend his knowledge to anyone who wants to take their voice to a whole new level.
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Gabriel W.

Gabriel W.

Online
(36)
starting at
$60 / 30-min

About Mary P.

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Croton on Hudson, NY
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Mary Bracken P. is a Tony nominated writer, actress, and teacher whose Broadway credits include Martha Jefferson in "1776" and Grace Farrell in "Annie". Off Broadway credits include her own musical, “Cradle Song” and the “The Perfect Party” by Pulitzer Prize winning playwright Charles Fuller. Former Head of Drama at the Wooster School in Danbury CT, she studied acting with Sanford Meisner in NYC, the Rheinhardt Seminar in Vienna, Austria and has been teaching and directing young and adult actors for over fifteen years. As a monologue and audition coach, she has successfully coached students into NYU, Emerson, Carnegie Mellon, Elon, American Academy of Music and Dramatic Arts, Muhlenburg, Suny Purchase and more. Former students have appeared on “Thirty Rock”, “Gilmore Girls”, “Law and Order”, "CSI" and others. She has a BA in theatre from the University of Kansas where she serves on the Advisory Board For the Department of Theatre and Film and has an MFA from the Graduate ...

About Mary
Mary is a Tony nominated writer, actress, and teacher whose Broadway credits include Martha Jefferson in "1776" and Grace Farrell in "Annie". She was a starring soloist In Leonard Bernstein's "Mass" at the Kennedy Center and the Metropolitan Opera and toured as featured vocal with Michel LeGand in concerts including Carnegie Hall. Off Broadway credits include her own musical, "Cradle Song". She studied voice with the great Sue Seton and later with opera star and tenor coach at the Metropolitan Opera, Felix Knight. She teaches a combination of both their legendary techniques. As an actor, she studied acting with Sanford Meisner in NYC, the Rheinhardt Seminar in Vienna, Austria and has been teaching and directing beginning, intermediate and professionsl singers and actors for over fifteen years. Former students have appeared on "Thirt
y Rock", Gilmore Girls", "Law and Order" and others. Her goal in working with her students is not only to teach healthy vocal technique, but in keeping with her theatre background, her strong belief that "Every song is a scene or monoglogue" leads her to make sure the student know what they are singing or speaking about, and can do so with a clarity of emotion and dramatic intent.
She has a BA in theatre/voice from the University of Kansas where she serves on the Advisory Board For the Department of Theatre and Film and has an MFA from the Graduate Musical Theatre Writing Program at NYU Tisch School of the Arts where she is a guest lecturer. She is a member of AEA, SAG/AFTRA, AGMA and The Dramatists Guild.
"Mary is able to reach not only those students who are already excited about theater but inspire those who have no previous knowledge of it. To watch these young men and women become more and more accomplished is a marvelous thing. She inspired them all."...Mark St. Germain, Obie winning playwright.

*** Lesson Details ***
In a one hour lesson, we will spend twenty five minutes on vocal exercises designed to teach support and placement. Having performed leads on and Off Broadway, I know that without good technique you can't do eight shows a week, do back to back sets in a nightclub or cabaret or tour as a pop or rock singer. The second half of the lesson is spent on songs. As an acting as well as vocal coach, I focus on dramatics as well as musical interpretation. A singer must be connected to the words as well as the music. I hope to teach you to love singing as much as I do.

*** Studio Equipment ***
casio keyboard, speakers, desk, extensive library of scripts and sheet music, internet

*** Specialties ***
pop and musical theatre singing
college and theatre auditions/monologues and song performance
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Reviews
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Alexa W. June 22, 2016
· Singing · In home
Nice teacher, looking forward to the next lesson.
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Maggie June 16, 2016
· Singing · In studio
Mary Phillips is excellent! I highly recommend her. Her knowledge of technique and her ability to explain it's proper applications helped my daughter improve not only her vocal quality but her range. Mary also worked on building her self confidence and attitude. I've notice a significant improvement in her approach to auditions. She is less nervous and more confident in her skills. We had a hard time trying to find an instructor who values someone with a lower range. I wish we had found her earlier!
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Harper March 25, 2016
· Acting · Online
Mary was an absolute godsend! I started lessons with her to help prepare for college theatre auditions. I was so overwhelmed with the whole process and didn't even know where to begin picking monologues and songs. Mary helped me so much by sending different monologues that she thought would fit and we would go from there. She was always there to answer any questions I had, and I had a lot! She is patient and encouraging and our lessons were always a lot of fun but I also learned so much! I also took voice lessons from Mary and in doing so, my voice has greatly improved and so has my confidence. I just finished all of my auditions and I truly could not have done this without her. I couldn't recommend her more!
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Mary P.

Mary P.

Online
(9)
starting at
$50 / 45-min

About Nicholas M.

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New York, NY
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Excited to teach all levels and skill sets.

About Nicholas
I have been an actor for more the 35 years having worked Off-Broadway and Regionally.

I've taught acting for 18 years privately as well as at Brooklyn College, St Frances College, Marymount Manhattan College, and the American Musical and Dramatic Academy.

"Nicholas is patient, insightful, friendly, and gets
results. After working with Nicholas, I felt great
about my auditions, got two callbacks, and landed
a touring job.
I would recommend him to any actor."

*Jonathan M.
Shakespeare Theater of New Jersey
Pennsylvania Shakespeare Festival
Millbrook Playhouse

I am the Producing Artistic Director of the Hudson Warehouse and have been since its inception in 2004. Known as "The Other Free Shakespeare in the Park," we produce free classical theater in Riverside Park during the summer months and we hav
e an indoor season during the winter months as well.

"Mr. Martin-Smith has been my director, coach and
mentor in productions and the classroom. His patience,
insight and his passion excites students, and makes
them feel safe and supported enough to take risks."

*Joseph H.
Shakespeare Theater of New Jersey
Pearl Theater Company
York Theater Company
Hudson Warehouse

*** Teaching Methods ***
I foster a safe, relaxed and engaging environment to explore truthful human behavior on stage.

The objective is 'the truth' to which end there is no one technique. Actors are encouraged to find their own tools and to draw from elements of different practices to discover a technique that works best for them as individuals.

I studied the methods of Constantin Stanislavski for acting with Sergei Pomerov of the Moscow Circus Theater. I am classically trained as well.

I work primarily as a guide to help navigate the way and to interpret ‘the signs.' I teach the lesson in the moment and address the challenges of both the beginner and the experienced actor.

***Classical Work***
My basic approach to classical work focuses primarily on the connection of the breath with the feeling on the word.

This is the foundation on which you can then build. From the ‘words’ to the ‘thoughts’ to entire ‘passages’ of text, as you work and explore, the richness of the playwright’s words comes to life. Your own unique emotional life is allowed to come through the text and you are able to fully embody the role.

*** Teaching Levels and Focuses ***
*Beginning Actors
-Work With Classical Text.
-Vocal Work.
-"Moment to Moment" Work.
-"Sense Memory" Work.

*Experienced Actors
-In depth Classical Text Analysis.
-Connecting to the Text.
-Audition Technique
-Monologue Coaching
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Reviews
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Affea Q. August 1, 2017
· Acting · In studio
Nicholas is a fantastic and patient teacher who is skilled at helping actors with nonverbal communication. He helped me organize my monologues into beats and we worked on transitions and changes of intention. After classes with Nicholas, I confidently made my debut on stage.
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Lance F. November 29, 2014
· Shakespearean Acting · In studio
I was always afraid I couldn't learn Shakespeare, but Nicholas explained the intent on the word, the intent on the line. Soon, I was so caught up in the meaning of the lines and the story I was telling in that moment that I was able to engage in the role, smoothly, without worrying that I was performing Shakespeare. He broke it down so I could understand it, and then feel confident doing it. Highly recommend!
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Sondra L. November 29, 2014
· Acting · In home
Nicholas knows Shakespeare and classical work. He really works with the text and helps an actor really understand the emotions in the scene, through the text. I've gotten so much out of his teaching and so have many of my friends. If you have an audition or play coming up, he's the one to get you ready for it! My friend nailed his audition, got the gig, all through his work with Nicholas. I've learned so much as an actor from Nicholas.
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Nicholas M.

Nicholas M.

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About Teresa V.

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Evergreen, CO
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Dive into detailed acting technique. Drama to Comedy. Harness means of character and emotional delivery, and find your versatility as a stage performer.

About Teresa
Teresa Anne V., originally from Boulder, Colorado, has taken her career from coast to coast, and abroad. She began her stage career as a classical ballerina, training and performing with such notable companies as The Joffrey Ballet and Pennsylvania Ballet. A graduate of Interlochen Arts Academy (Dance) and University of Utah (BFA- Theatre), Teresa has gone on to craft a dense and eclectic resume on both coasts and internationally as an Actress and as a Dancer/Choreographer (classical & contemporary works, Argentine Tango, musical theatre).
Teresa’s film credits include screen time with academy award winning actor, Sean Penn in “The Assassination of Richard Nixon,” leading roles in independent film gems such as “Life at Bay”, “The Hideout”, and “Seven Fallen Objects.”, and stars in nationally running commercials for Dyson Vacuums and An
imal Planet. Her vast theatre credit highlights include “Tango Fever”(TeatroLaTea, NYC), “Buried Child” (Aaron Davis Hall, NYC); ”Objectivity”(FischHouseThtr, SF), ”Scheme of Things”(El Portal Thtr, LosAngeles), ”Light in the Shadow”(The Complex, Los Angeles).
Prior to returning to New York in the Spring of 2012, Teresa dedicated her dance career to a tango dance partnership in Warsaw where she performed, toured, taught, and also stepped in as a dance consultant to the 2011 winners of the Polish edition of "Dancing With The Stars."
After her time abroad,Teresa taught/choreographed/performed full time in NYC until 2015. She is now based in her homestate of Colorado. Frequently she is a guest judge for Dance Competitions across the country.
In addition, Teresa has launched a series of specialized dance programs (“Slippers to Heels: Ballet Technique & Tango Stylization”), Choreographic and Acting intensives, and specialized workshops for professional/pre-professional dancers. She is a proud member of the Actors Equity Association.
...
Reviews
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Brittany June 20, 2017
· Stage Performance · In studio
She was really great, we have only had one lesson so far but she made me feel very comfortable and I feel like she will be perfect for me helping me get over my stage fright. She came up with quite a few ideas up front and can tell she is taking it seriously, which makes me even more confident in her because it is such a serious issue for me. I am looking forward to working with her.
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Gail April 2, 2016
· Ballet · Online
As an older person who never had ballet lesson, this could have been a very intimidating experience but Teresa was very patient and thoughtful about her instruction. She really wanted to be certain I understood the terms, technique and overall format of ballet. A great experience! I look forward to my next lesson!
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Lisa April 1, 2016
· Sewing · In studio
She made me feel right at home, talked through every step in the sewing process, gave me pointers without taking over built my confidence while guiding me along the way
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Teresa V.

Teresa V.

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starting at
$90 / 60-min

About Christine A.

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Sarasota, FL
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Rehearse your script with me. I can give you constructive criticism and new ideas to expand your character and physical choices.

About Christine
About Improv:
Improv is a form of theater where everything is made up on the spot. Nothing is scripted, everything is made up in the moment using random suggestions. Improv allows every person & idea to have value. I use the principles of improvisational theater to create better humans! I'm committed to creating an environment safe to make mistakes and providing a very safe and courageous place for people to have fun, learn and play in. You’ll be happily surprised with the outcome.

About Christine:
I have been improvising since 2001 and in 2003 began directing students from ages 5 to 84. My passion is to share the incredible art form of improv with excitement and humor.

Improv is a great learning tool for team building, spontaneity, listening, being present, speaking to groups, communicating one on one, saying yes, respecting one
another and so much more. It helps that each game played builds upon the next to reinforce the learning.

What you get:
One-on-One - 45 min - 1 hour of discussion / rehearsal with Christine - working on improv performance skills or personal communication skills. At the end of the session, you will be armed with new tools.

Improv Troupe Notes - 1 hour - for improv troupes needing an outside eye for notes, direction and ideas for marketing your troupe. At the end of the session, you will have new games and ideas to move your troupe forward.

Custom Course - 45min - 1 hour or weekly - Tell me what you would like to improve. Character choices? Initiations? Storyline? You tell me.

Improv empowers people. Let's empower each other.
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Reviews
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Blanka May 10, 2017
· ·
Christine is THE BEST EVER!! We started taking lessons with her in person and "Oh my!" She made my daughter (9 yrs) feel so comfortable from the minute they've met that I had no doubts from the beginning that she is THE ONE for us! She has such a warm,cheerful personality and passion about acting that it is hard not to take a note on it. She connected with my daughter instantly and their relationship has been deepening ever since. She knows exactly how to instruct her,talk to her,guide her. Extremely professional!! Gives her very useful advices,coaches her so well that my daughter thrives and improves tremendously. We are getting prepared for a great event and with her being on board I am absolutely confident that my daughter will deliver her best. She LOVES Christine! I highly recommend her! If you choose her to be your coach, great results will come to you! Guaranteed!!! Thank You Christine for everything! YOU ARE one of those rare kinds...-and of course we keep coming! :))
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Brittany April 28, 2017
· Improv Acting · In studio
Great instructor, made me feel very comfortable. Had a lot of fun and learned some valuable things!
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Steve D. September 23, 2015
· Improv Acting · In studio
Loads of fun! what a fantastic class! the first day i was honestly scared, within minutes of being around christine it is litereally impossible not to be comfterble! I can honestly say i havent laughed this hard in a long time!
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Christine A.

Christine A.

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(31)
starting at
$45 / 45-min

About Andy H.

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San Francisco, CA

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How to start, and keep going. How to feel good about the journey and create a great impression at the end - with new awareness, confidence and skills! Basic tasks in any personal endeavor, and having an audience watch you do it all is thrilling - and nerve-wracking! These are all learnable practices with inspiring work on "Meaning?", "Walking the Character", "Stress Words, Not Yourself", "The Gift of Public Speaking!", "Yes, and...", "I've Got Choices?" and "Your Method". Film, TV, Stage, Life.

About Andy
Andy is a positive, knowledgable teacher and coach for anyone having/wanting to work in front of an audience or meeting, having to memorize text, analyze lines, sentences, plots and sell a story. Sessions search for paths to confidence as well as competence. A performer, director and teacher for over 30 years, I've studied teachers and students to learn that whatever frees a person to be comfortable with a task, and with the effort to develop skills, is a wonderful 'method'. We'd use movement, what-ifs, and references to life and death! And humor. Clients include a featured Narrator for SFGMC's winter show, an actor needing a monologue coach for her move to L.A., peninsula teens auditioning for their school musicals, and Bay Area youth and senior theater companies, and local community and professional performers. I taught high school dram
a while directing and acting in new and published plays and musicals in San Francisco, Berkeley, Oakland, Ross, Pacifica, New Haven and Los Angeles.
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Ashley July 24, 2017
· Acting · In studio
Andy is awesome! He made me feel comfortable and guided me without judgment or criticism. Andy's teaching was great, especially for a total rookie like myself.
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Jason September 3, 2016
· Acting · In home
Andy was great! He is very passionate and enthusiastic about teaching. We are very happy.
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Aarav S. July 3, 2016
· Acting · In home
John is an amazing Instructor. He`s very talented & kind person. He knows in and out of acting. Really impressed with him. My son learnt acting lesson with him & improved a lot. He wants more and more lessons from him. Anyone who`s looking acting lesson for kids or adult, John is the best and John is great with kids. Appreciate Take lessons for providing very nice teacher to us. Thank You !!
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Andy H.

Andy H.

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$35 / 30-min

About Jessica O.

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Albuquerque, NM
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Private Tuition for BOTH BEGINNING AND ADVANCED STUDENTS

Whether you are a fully trained actor looking to keep your acting muscles flexed or a complete beginner, these classes are for you!

“Wow! what a difference. Never had a teacher/coach break it down as much as you did for me. Surprised myself even after working it.” ~ Bob Ross (Tim & Erik Awesome Show)

“I had a lot of new discoveries in my work… I love your class so much.” ~ Shahana Rajan

About Jessica
Trained at Italia Conti, London. Currently coaching at Talent Development USA. Theatre: Diva/ Shirley in Priscilla QOD, Shirley in Shirley Valentine, Audrey in Little Shop of Horrors. Film/TV: Manhattan, Better Call Saul, The Messengers, The Amateur, The Man-App & Mickey.

Testomonials:
“I was kind of in rut until I found your class… learned new things…You are a great teacher…” ~ Nick Lopez
“What I enjoy most about your classes is the feeling of myself resurfacing...going back to basics is refreshing and valued” ~ Tiffany Neeley
“If you’ve taken classes before or are a beginner... these classes...are a must! ~ Laramie Cooley
"Wow! what a difference. Never had a teacher/coach break it down as much as you did for me. Surprised myself” ~ Bob Ross
“It was really amazing for me. I had a lot of new discoveries in my work… I love your c
lass so much.” ~ Shahana Rajan
...
Reviews
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Ashleigh M. November 11, 2016
· Singing · In home
Was super willing to rearrange her schedule to accommodate an "in-house" lesson, though she was expecting an online lesson. My daughter felt very comfortable with Jessica, and is looking forward to more lessons.
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Chandni S. September 10, 2016
· Acting · Online
My daughter has been working with Jessica for almost 6 months and she is awesome. Jessica is very talented and makes learning acting and vocal training fun. She is well in tuned to what is needed in the entertainment industry and will coach you well accordingly and otherwise. Love her accent!
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Jordan M. September 10, 2016
· Vocal Training · Online
Jessica is very professional. She works well with kids. She has done both kids acting and vocal training with us. My daughter has improved in her diction and performance of monologues greatly after working with Jessica. My daughter gets many compliments after watching her presentation.
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Jessica O.

Jessica O.

Online
(4)
starting at
$30 / 30-min

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Audition Monologues for Kids, Teens, and Adults: Every Actor's Worst Nightmare!

Audition Monologues for Kids, Teens, and Adults: Every Actor's Worst Nightmare!

Struggling to find that perfect audition monologue? It can take some time, so be prepared to be patient! Read on as Courtney P., one of our acting teachers in the Orlando area, offers her advice: Let's face it, most actors HATE monologues. They are tedious, and most of the time, it's ridiculously hard to find the right one. Monologues are, however, necessary in the entertainment Industry, and many times your monologue can make or break an audition. The process of perfecting your monologue … Read More

Audition Monologues for Kids, Teens, and Adults: Every Actor's Worst Nightmare!
Struggling to find that perfect audition monologue? It can take some time, so be prepared to be patient! Read on as Courtney P., one of our acting teachers in the Orlando area, offers her advice: Let's face it, most actors HATE monologues. They are tedious, and most of the time, it's ridiculously hard to find the right one. Monologues are, however, necessary in the entertainment Industry, and many times your monologue can make or break an audition. The process of perfecting your monologue
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