Seattle, WA Acting Lessons
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As an actor, Joshua graduated from the University of North Carolina School of the Arts and studied at the American Academy of Dramatic Arts and Judith Blazer’s 2005/2007 company of the Artist’s Crossing.
Performance credits include roles in The Trojan Women, Godspell, Burn This, Comedy of Errors, Children of Eden, Othello, Show Boat, Sunday in the Park with George, The Chosen, Sweeney Todd..., The Laramie Project, and Les Miserables to name a few.
As a director, Joshua directed three sold out productions of Hedwig and the Angry Inch in NC and DC, received rave reviews for his work with Neil LaBute’s Some Girl(s), and just completed production for a series on the making of Oklahoma!. Other
Joshua has worked as a Musical Director for many shows within the NY/NJ/DC tri-state area and coaches a handful of select students. The musical play, Definition of a Housewife, conceived and written by himself and Jeffery Self had a workshop production in the summer of 2006 at Columbia University.
Most recently he appeared in Arena Stage’s production of Fiddler on the Roof, Signature Theatre’s production of Soon and is currently in the Broadway revival of Les Miserables. He is also attached to a new musical (A House of Glass) about Tennessee Williams in which Joshua will be playing the prolific writer.
Joshua was the founding Artistic Director of No Rules Theatre Company for 6 years and sits on the board of the Artists Crossing in NY, NY.
*** Lesson Details ***
I believe that all singing comes from the same place, technically (Opera, Musical Theatre, Pop, etc.). I work more on building a strong foundation from which everything else comes. That includes breath, placement and the stripping away of bad vocal habits that inhibit us from making healthy productive sounds. A strong foundation does usually mean having a stronger sense of your "legit" voice because it takes more work to involve your palate and breath which makes Musical Theatre/Pop seem like a piece of cake. I like to work with dedicated students who are open to challenging themselves and exploring other schools of thought in order to take themselves to the next level.
I have a strong background in musical theatre but believe that it all comes from the same place. Good technique is good technique which stems from more of a "classical" background. Bel canto, if you will. It's like dancing. Dancers who study ballet are much better dancers than those who don't because they have a strong foundation from which to work.
With my actors, I start from building a foundation of a sense of truth which is inherent in all of us. We talk through/explore a number of "approaches", in order to find the individuals process. From there, we begin work on how to approach text (actions, objectives, targets, meanings, etc.)
*** Studio Equipment ***
A space for lessons with a large library of music/plays. An upright piano.
*** Specialties ***
I only work on a flex schedule with my students, so when booking lessons- rather than selecting a specific day and time for lessons, we schedule each lesson from week to week as we go. I have lots of open hours for teaching, though they are not reflected on my calendar, as my schedule tends to fluctuate.
· Singing · In studio
· Film Acting · In studio
· Broadway Singing · In studio
Overall he is very involved in actually helping you developed yourself and your craft towards what ever direction you wish to take it. Highly recommend one of his lessons and experience as a mentor
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I have taken acting classes myself over the years, and as the writer/director of a web series, I have to have a connection with the actors I work with. Specifically, I work with aspiring actors on reading, using nerves to their advantage, method acting and channeling experience through the character.
Music and film are both passions of mine. I graduated from Berklee College of Music where I studied Songwriting and Music Therapy. I was pushed to my absolute limits lyrically and musically within these majors, and I am so grateful for it now that I'm on my own creative journey.
I have a great deal of experience, but I am also still learning. I think it is very important as a teacher to always be learning, especially through their students. Teaching these lessons is, of course, about progress and advancement - but also about enjoyment, confidence building and positive encouragement.
· Singing ·
Finding Olivia was no coincidence.My 11 year old daughter is so psyched when she has her lessons!
It is in Liv's home,just a 10 minute ride from where we live,it's warm,safe,and filled with talent.
The passion of music is everywhere you look,Daphne and Olivia are
Ike old souls that just jive together perfectly.
Daphne has gained confidence,a mentor,and a ton of fun,
I thought Daphne was on a short lived path,as kids often jump from one idea to the next,but I believe singing is something she will definitely peruse.
I am so pleased with Take Lessons and especially Olivia.
· Guitar ·
She is very patient, organized, and makes things fun. She cares very much about what I personally want out of the lessons, and makes steady progress at a very natural pace.
I have taught and directed for 30 years in NY and DC. From lesson 1, students engage with a dynamic approach to acting through Meisner-based improv. During the 1st 12 weeks, we go from basic truthful acting to dynamic scene work, followed by 12 weeks of in-depth scene study, then extensive character training and in-depth film and audition technique. My students are successful in film, theater, commercials and TV in DC, NY and LA.
· Acting · In home
· Acting · In studio
· Acting · In home
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As the amazed grand-daughter of David Smason, a successful vaudeville Orchestra leader, I have enjoyed many years of educational and professional experiences as an actress, teacher, and director in venues of all sizes. Besides performing leading and supporting roles in over 30 productions, including Suzie-" Wait Until Dark", Rosemary- "How to Succeed in Business Without Really Trying", Miss Mazeppa-"Gypsy", Lalume " Kismet", I also performed and/or staged several original reviews such as SF's " The Distractions", " On Being Female", and " The Van Spronsen Variety Showcase". Directing/coaching "The Sound of Music", multiple productions of "Amahl and the Night Visitors" and "Your a Good Man Charlie Brown" leading orchestras, choirs, and workshops for churches, schools and communities has given me a strong appreciation for artistic collaboration. earning a BA in Theater Arts from SFSU, all ages and levels, comic to tragic, specializing in musicals, I have successfully ...
Vocal study began at age 15 with some great artists/educators in SF, Seattle, and Europe, including Bobby McFerrin, Mark Murphy, Adrian West from NYC Broadway, David Tigner- SF Opera, Davida Kagan-Seattle Opera, and Roland Wyatt-
Manhattan Transfer coach /NY Academy of Dramatic Arts. Through many teaching years, I've developed a very successful, uniquely simple 8 part method to help cross cultural individuals and groups sing optimally from thei
With a BA in Theater Arts from SFSU, and over 50 years directing, acting, and musical experience, including 15 years working successfully as an ESL educator, my experience has allowed me to help any student achieve their personal and/or professional goals.
· Singing · In studio
· Singing · Online
· English · In studio
She is not only a real teacher in English, but also in life.
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Acting is a vulnerable craft; we will start where you are most comfortable. Bring your own material, or request a recommendation from my vast pool of monologue and sides options. I work extensively to combat performance anxiety by focusing on the text - what story are you telling as this character? I will also work with you on voice, breathe, and body control through techniques inspired by the Suzuki and Viewpoints methods. Acting is about the whole body - even if it is a close up shot!
· Film and TV Acting · In home
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First and foremost, I'd like to hear your objectives for your lessons so I can structure each time to suit your goals.
For advanced/intermediate students, we may be working on monologues or sides you've been sent for an audition (looking for specificity and strong, clear choices) or selecting materials for your audition package for colleges or general auditions.
For beginners, we may work on gaining confidence speaking publicly, diving into characters, and working with text to tell stories.
· Acting · Online
· Dance · Online
· · Online
For me as an actor, the benefit of a great coach or director has always been that they've helped me reach places in my work I couldn't have achieved on my own. As a coach myself, I'm most thrilled by those small (or monumental!) breakthroughs that my students and I discover together during the coaching process. The cool thing is that I've found the progress my students make in their craft will often inspire me to new heights in my own. (A bonus to already enriching work)!
If you want to develop new material for upcoming auditions, hone and refresh (or completely change) your monologues, or simply work on the craft of acting, I can help. I work to gear your coaching sessions to the goals you need to achieve, offering an experience created around what you need to work on and want to learn.
With a BFA in Acting and Directing, an MFA in Classical Acting, and over 20 years of professional acting experience in the theatre and on-camera, I can offer tools for your tool belt ...
Here's how I can help.
SCENE WORK AND MONOLOGUES: Whether it's dusting off and refreshing monologues you've performed more times than you can count, or developing pieces or scenes for the first time for an upcoming stage or on-camera audition, we can break the material down togethe
SHAKESPEARE: Perhaps the most daunting of styles for a contemporary actor, we'll get down to the nuts and bolts of some of the most challenging (and rewarding) material. The famous soliloquies are famous for a reason and can certainly be intimidating, and more obscure material can seem thick and inaccessible. We'll chip away at the mystique of Shakespeare by digging in to the text and verse, activating the language with specificity, and cultivating your personal take on well-known characters or lesser known material they might not have seen before.
DIALECTS AND ACCENTS: From English to Irish to Southern American and beyond, a well executed dialect can be the edge you need to land (and play) that meaty role. I use a multipronged approach that involves ear training to develop an authentic sound, text analysis for clarity of sound substitutions (IPA Proficient), and exercises that pare away stilted and unnatural speech to cultivate an authentic sounding voice that will be your own.
VOICEOVER: I've been booking voiceover gigs on TV, radio, and the internet for over 10 years with clients like Microsoft, Liberty Mutual, UW Medicine, Tableau, Reno Toyota, and Golden One State Credit Union. I can offer tips and tricks of the trade, as well as techniques that can take your VO submissions to the next level and help you book these lucrative contracts.
Let's get started!
I want to bring out your best work!! I have many years of training and experience. I know techniques that will make your acting richer, deeper, more colorful and full of communication with your fellow actors. I love great acting and I will want to bring out your best.
I can also help with English and with giving effective speeches.
I am also a photographer so I can help with your headshot and other photography topics.
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Tony Nominated Broadway Producer Stephanie Rosenberg has been teaching acting for years both in class rooms and private settings to a variety of ages and level of actors.
A graduate of Samford Meisner's Neighborhood Playhouse School of Theater, a BFA in Acting from Adelphi University, and a working knowledge of what it takes to make it in the market today, Stephanie is passionate about supporting her students to meet their artistic goals.
Whether you are looking for a good basic technique on which to build your career, or how to nail your next audition, Stephanie will support you in an approach you can count on again and again.
Stephanie has also supported students in creating a game plan in approaching their career development.
Stephanie utilizes techniques by Meisner, Stanislvaski, and other great masters to support her students to reach their goals, all while coming from a compassionate point of view. Her technique will teaches her students how to be self empowered in ...
I look at my job as being a support system to give you the tools to help you get there. My teaching modalities come from Sandford Meisner, Stanislavski, and many of the other great teachers.
We look at your skill set to identify what is working for you. What should you keep, and celebrate. (Learning to act is a lot of work and it can be fun!). From there what needs to be adjusted becomes very apparent and we can start to tackle those elements one by one. We can also take the time to look at your career goals, and create a game plan to get there. This career is a journey.
The key is that you come out with skills you c
For private coaching in the NYC area, I teach out of many of the Professional Rehearsal Studios in NYC, such as: Shetler Studios; Ripley Grier; Simple Studios; Pearl, etc...Virtual coaching is also available.
To learn more about me as a producer please go to: TheEmpressProductions.com
Past productions include ANASTASIA, ON THE TOWN, MATILDA, GORE VIDAL'S THE BEST MAN, LAST SMOKER IN AMERICA.
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Typically priced lower than local lessons.
Online students stick with lessons as long as local students.
For the best experience, we typically recommend 60-minute acting lessons. However, students looking for a more affordable option may want to consider a shorter lesson length of 45 or 30 minutes. On average, 45-minute acting lessons are 22% less expensive at $45, and 30-minute lessons cost 39% less at $35.
Curious how much acting lessons cost in your area? Do a quick search to get local prices for the best acting teachers near Seattle.
A big part of becoming an actor is exploring various acting styles, and figuring out where your strengths are. Read on to learn about some of the different types, courtesy of Brooklyn, NY teacher Liz T... If youre an actor starting out in your training, get ready to plunge into a variety of acting styles! As an actor you should familiarize yourself with all of the different acting styles at first, and then choose one to focus on. It is best to be well-rounded and to know the meth … Read More