Haledon, NJ Reading Tutors

folk, punk, and experimental music. In my free time I like to circuit bend.

*** Lesson Details ***
When you take lessons from me expect to be inspired and pushed. I thoroughly love teaching music and want the best for my students. I try my best to involve and invite students to join or listen to live music ensembles, recitals, and performances of different genres. I teach all styles of music for voice, piano, and guitar. I am very diligent with practicing, teaching you how to practice, and keeping track of it. In 3 or 6 months you will have a basic understanding of music theory and a solid foundation of piano, voice, or guitar techniques. I thrive to boost self esteem and confidence in all the students that I teach. I also teach composition, students really enjoy writing their own songs and performing them.

*** Travel Equipment ***
I can provide a guitar. I expect students that want voice or piano lessons to have some kind of keyboard in working condition.

*** Specialties ***

As a member of of MTNA (Music Teachers National Association) I am able to give your students great resources and opportunities to enter competitions.

I am also a member of New York State Music Teachers Association.

I am also a Pro Tools certified user.

raduate from the University of Rochester/Eastman School of Music. Currently, I'm completing my Master's Degree at Hunter College in Manhattan in Music Education while maintaining a flexible schedule as to accommodate new students.

*** Lesson Details ***
I maintain a fun, understanding, patient, and straightforward approach to help you play what you want, while building essential techniques and skills using music of your choosing. In younger students this often perpetuates enthusiasm and develops taste. I also tutor music theory, composition, and/or songwriting, and upon request, will bring those skill sets into the lesson curriculum. I prefer to come to you, but am willing to host and have before. I will produce additional references and a resume upon request. If you commit to practicing and your lesson curriculum, you can expect noticeable improvement and a solid base of knowledge and essential skills, achieved through the music you love.

*** Studio Equipment ***
Upright piano; Fender Hot Rod 40W Tube Amp; Acoustic 15 W Solid State; Yamaha USB compatible keyboard; 5.1 surround sound with 40" monitor; Mac Mini; Multiple electric and acoustic guitars; USB Condenser Mic, Garageband and Logic Studio; Intel iMac; Buffet Tenor Saxophone, Yamaha Y-62 Alto Saxophone, Bundy II Alto Saxophone for rent

*** Travel Equipment ***
I have my own instrument, tuner, cables, etc. I generally expect my students to provide their own instrument, and be willing to purchase a few basic materials (book for lesson entries, one other instructional book). I'm a minimalist when it comes to this. I am always willing to consult on instruments, materials, or anything other query's you may have outside lessons, via phone or e-mail.

*** Specialties ***
As per my degree, I am especially knowledgeable regarding popular music, rock and roll, and jazz. I hold student recitals every year and I've had many students perform, as well as write their own music and gain a solid knowledge of beginner music theory. My education and experience have been comprehensive, and I am versatile within all genres of music.

nd confidence to achieve their goals. I empathize deeply with the challenges students may face when pursuing a life in the creative and performing arts, having worked professionally in those areas for most of my adult life. I believe, it is the teacher's job to respect each student's individual process of learning.
My students have gone on to become recording artists, Broadway performers, movie actors, Blues and cabaret artists, and published writers.

*** Lesson Details ***
Voice
I am an empathetic teacher, sensitive to the student's individual process of learning. My singing lessons usually start with breathing and relaxation exercises. Vocal technique exercises come next. When the student is fully warmed up, we will begin to work on songs. It is important that students be a part of the process of picking material since the more personally they respond to the material the more apt they are to become engaged in their lessons. After three to six months beginning students will have gained an understanding of the fundamentals of breathing, relaxation, and basic performance skills. With more advanced students the focus will be on range extension and the on-going development of vocal style through song interpretation and performance related exercises.
Acting
As an acting teacher and coach, I tailor my classes to the needs of each student. I utilize improvisatory and sensory techniques to help unleash spontaneity. I also encourage the students to use their personal experiences as a way to access a full range of emotions. I enjoy working with the student on script analysis, so as to discover the underlying motivations of the character the student is working on.
Creative and Lyric Writing
I use prompts as a way to get the student writing. Often, I will ask the student to write for stretches of time without editing themselves. It is important to unleash imagination before beginning the process of editing. Many times it is the unexpected that is the most compelling.

*** Studio Equipment ***
home- 10 minutes away from Manhattan with piano, seating for parents
-practice studio seating for parents

*** Travel Equipment ***
I provide a piano, cd/mp3 player and an large library of songbooks to work from. The student should bring sheet music of songs they want to work on and a recording device.

*** Specialties ***
I specialize in teaching how to sing rock, pop, musical theater, jazz, and blues without hurting the voice as well as method acting instruction.

orming the title role of Donizetti’s Don Pasquale as well as the Bonze in Puccini’s Madame Butterfly with Lyrique en Mer Opera Company in Belle Île, France with a national radio broadcast of Don Pasquale’s first act on the radio station, France Musique. In the fall of 2008, Brace had his debut with Toledo Opera as Count Ceprano in Verdi’s Rigoletto with a favorable mention in the Toledo Blade Newspaper that read “In supporting roles soprano Kirsten Chambers as Countess Ceprano and bass-baritone Brace as her indignant husband, Count Ceprano, were standouts in the first act, opening scene”. In March 2009, Brace was invited back to Toledo Opera to perform the 1st Nazarene and the Cappadocian in Strauss’s Salome.
Past performances include Jupiter in Offenbach's Orpheus and the Underworld with Bronx Opera which nabbed Brace a solid review in the New York Times stating that “The bass-baritone Brace, one of the better singers on Saturday, also demonstrated comic gifts as the swaggering, hypocritical Jupiter”; Figaro in Le nozze di Figaro with the Queens College Opera Studio; Christiano in Verdi's Un ballo in maschera with Des Moines Metro Opera where he received a review in the October 2008 issue of Opera News; Finalist in the Azuriales Opera Festival/Competition Concert Series performed in Beaulieu sur Mer, France; a Lincoln Center debut as Ali in an excerpts program of Rossini's L'Italiana as part of the Melody for Peace UNESCO Concert at Avery Fisher Hall; Gregorio in Romeo et Juliette and 2nd Armored Man in Zauberflote both with New Jersey Opera Theater; performer with the Lucerne Festival in Lucerne, Switzerland, under Maestro Pierre Boulez and Daniel Reusse; an Asian debut in Singapore with Singapore Theatreworks as the lead The Cowherd in The Silver River by Bright Sheng; and finalist in the Heinz Rehfuss Competition held in Orlando, Florida.

*** Lesson Details ***
I break up the lessons as follows, unless requested to do otherwise (based on an hour lesson):
-20 minutes warm-up
-20 minutes working range, movement, flexibility, dynamics, breath control and general strengthening of the voice
-20 minutes rep work: we work the song your brought to work on

*** Studio Equipment ***
Piano. Acoustic guitar. Electric guitar. Metronome. Living room seating for parents.

*** Travel Equipment ***
would be nice to have piano on hand if I come to someone's house.

*** Specialties ***
I am mainly an opera singer. That's definitely my forte but have performed and taught other styles, particulalry music theater. Could fiddle with jazz for a bit too but not to take someone to super advanced levels. General performing of any type of singing would also be something I could definitely help with- I myself am a successful performer signed by a major agent in the opera world.

** Studio Equipment ***

*** Travel Equipment ***
,

*** Specialties ***
Guitar, Piano, banjo, mandolin, Singing, Percussion, Didgeridoo, banjo

on that will alleviate the stress of your assignment, course, or subject matter and leave you feeling more confident in yourself and your ability to complete similar work in the future.

I genuinely want to and enjoy helping you become better and accomplish what you need to. I am excited to help out and hope to hear from you soon!

ofessional opera and musical theatre companies, in additional to large choral works as a soloist, and have a private studio in Washington Heights.

Prior to NYC I taught middle school choir for 200+ students, of which I received teacher of the year in 2012. I also still hold a valid teaching license in the state of Indiana and currently applying toward my NYS teaching certification.

I look forward to hearing your beautiful voice and helping you to embrace music. Feel free to check out my website for any further information!