Woodstock, MD Shakespearean Acting Lessons
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As an actor, Joshua graduated from the University of North Carolina School of the Arts and studied at the American Academy of Dramatic Arts and Judith Blazer’s 2005/2007 company of the Artist’s Crossing.
Performance credits include roles in The Trojan Women, Godspell, Burn This, Comedy of Errors, Children of Eden, Othello, Show Boat, Sunday in the Park with George, The Chosen, Sweeney Todd..., The Laramie Project, and Les Miserables to name a few.
As a director, Joshua directed three sold out productions of Hedwig and the Angry Inch in NC and DC, received rave reviews for his work with Neil LaBute’s Some Girl(s), and just completed production for a series on the making of Oklahoma!. Other
Joshua has worked as a Musical Director for many shows within the NY/NJ/DC tri-state area and coaches a handful of select students. The musical play, Definition of a Housewife, conceived and written by himself and Jeffery Self had a workshop production in the summer of 2006 at Columbia University.
Most recently he appeared in Arena Stage’s production of Fiddler on the Roof, Signature Theatre’s production of Soon and is currently in the Broadway revival of Les Miserables. He is also attached to a new musical (A House of Glass) about Tennessee Williams in which Joshua will be playing the prolific writer.
Joshua was the founding Artistic Director of No Rules Theatre Company for 6 years and sits on the board of the Artists Crossing in NY, NY.
*** Lesson Details ***
I believe that all singing comes from the same place, technically (Opera, Musical Theatre, Pop, etc.). I work more on building a strong foundation from which everything else comes. That includes breath, placement and the stripping away of bad vocal habits that inhibit us from making healthy productive sounds. A strong foundation does usually mean having a stronger sense of your "legit" voice because it takes more work to involve your palate and breath which makes Musical Theatre/Pop seem like a piece of cake. I like to work with dedicated students who are open to challenging themselves and exploring other schools of thought in order to take themselves to the next level.
I have a strong background in musical theatre but believe that it all comes from the same place. Good technique is good technique which stems from more of a "classical" background. Bel canto, if you will. It's like dancing. Dancers who study ballet are much better dancers than those who don't because they have a strong foundation from which to work.
With my actors, I start from building a foundation of a sense of truth which is inherent in all of us. We talk through/explore a number of "approaches", in order to find the individuals process. From there, we begin work on how to approach text (actions, objectives, targets, meanings, etc.)
*** Studio Equipment ***
A space for lessons with a large library of music/plays. An upright piano.
*** Specialties ***
I only work on a flex schedule with my students, so when booking lessons- rather than selecting a specific day and time for lessons, we schedule each lesson from week to week as we go. I have lots of open hours for teaching, though they are not reflected on my calendar, as my schedule tends to fluctuate.
· Singing · In studio
· Film Acting · In studio
· Broadway Singing · In studio
Overall he is very involved in actually helping you developed yourself and your craft towards what ever direction you wish to take it. Highly recommend one of his lessons and experience as a mentor
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THEY'RE JUST WORDS. Some of the greatest stage classics in the English-speaking world are by Shakespeare. His characters are some of the richest and most challenging you will ever play.
He tells stories of love, revenge, stories, dramas, there's even Shakespeare sit-com. The language can be intimidating, but it's just people talking. That's how they talked in Shakespeare's day. Learn how to demystify the language and present it so your audience can follow it.
Voice – Anyone can sing. If you want to and have always thought you couldn't, you will be delighted when I prove you wrong. Training for the voice is pretty much the same, whatever style you are interested in. Then I'll coach you in your chosen style and we'll pick songs you like.
Singing beautifully is not enough. I can't tell you how many times I heard in grad school "beautiful voices are a dime a dozen." I will teach you how to OWN the song. That's what keeps people coming back.
Speaking – Every public spe
Writing – I have been a professional writer and editor for over eight years, with many books, articles, posts, newsletters, etc. to my name. I use – and teach – practical grammar, not just correct grammar. I can also help you make your words more powerful.
· Film and TV Acting · In home
· Voice Acting · In studio
· Acting · In studio
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Shakespeare, from the page to the stage; interpretations from the actor's Point of View as well as staging it from the director's view.
We will talk about the text, what it means, how it can be interpreted, ways to explore it, why it has stood the test of time.
A Takelessons Blog Post about Shakespearean Acting:
My name is Larry, and I was born and raised in Chicago and now call the Phoenix, AZ metro area home. I have two Master's Degrees in Education (Higher Ed. and Teaching and Learning with Technology), and am working on another M.A. currently in History. I have a tutoring business of my own, working with excellent education partners like Takelessons.
My tutoring business is geared towards middle, high school,and college students, and my specialization is geared in three arenas:
1) The Humanities: History (U.S., European, Oriental, and World), English, Literature (with a special passion for all things Shakespeare), and Social Studies (including American Government and Political Sci
2) Papers: Research papers (and how to do the research for them), essays, creative writing - everything to do with papers you ever wanted to know.
3) Drama (the Theatre kind of drama, not life drama): Acting, directing, staging, analysis, including the aforementioned Will Shakespeare.
***My Promise to You***
I will treat you like an individual - that means that we'll find out how YOU learn best, and we'll work that way. I don't teach "to the test", I don't teach memorization. I teach by asking and answering questions, as well as providing information.
***My Expectation of You***
That you will come with an open mind, come with questions, come with not just the willingness to learn and have fun, but the expectation to do both.
The reason so many people go screaming into the night when confronted with lessons in things like history, or government, or English for that matter, are all the names and dates to memorize. I don't teach that way. We begin with things you want (or need) to know. From there, we cover how those things affected other things, It's a huge world out there, and how we got here from where we started is a wonderful and complicated trip. History doesn't happen in a vacuum, and we learn who we are by knowing where we come from.
Obviously I won't write your paper for you, but I will show you how and where to start your research (and how to sort it as well). I will also proof-read for grammar and/or organizational errors and show you how to structure it in general terms.
I have acted, I have directed. From the community to professional levels. We will talk about character creation, about staging, about working with your director as well as your fellow actors. We will mostly brainstorm, and you will be able to experiment in vision as well as technique.
· AP English · Online
· AP English Literature · Online
· Stage Performance · Online
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Approaching Shakespeare's text from an actor's point of view is the best way to understand and engage with the vitality of Shakespeare's language. Shakespeare embedded clues for his actors to unlock the meaning and emotion within the words. By learning a few fundamentals, students will physically connect with Shakespeare's text and be able to make strong character choices. Whether you are a student studying Shakespeare as literature, an actor wishing to work on classical texts, or a litigator or executive wishing to improve your public rhetoric, studying Shakespeare in performance is incredibly valuable.
· Speaking Voice · Online
· Method Acting · In home
· Voice Acting · In home
Breathing, Voice, Acting, the whole thing.
Michael will give you exercises, tips, tricks and ideas to excel to the next level with your voice.
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Have you always had that itch that makes you stay up late a night dreaming about what your life could be if you followed your dreams? Is your child overly dramatic and they need a creative outlet? No fear, Valeka J Holt is here. I'm a professional broadway, tv and film actress. I have over 10 years of experience in teaching acting and I want to teach you how to be comfortable in your skin and follow your dreams!
Adept in theater, film, acting, coaching, writing, and producing, Valeka is an artist with some serious promise. She stars as Eileen in the film "The Runaways," working with award winning cinematographer, Mike Wilson. In addition to being a Jet Beauty of the Week, Valeka is the current DC Co-Captain of Ava Duverney’s distribution company ARRAY. Additionally, her documentary film “Non-Critical” premiered at Cannes in the Short Film Documentary Corner, and it received the 2015 J
Previous credits include a host of theater roles, notably the role of Nina in acclaimed playwright Dominique Morisseau's "Sunset Baby." Broadway world stated "Playing the role of Nina is Valeka who is astonishing. I predict a great future is ahead of her. One gets to see her transformation from the hardened criminal to that of a young woman who has just lost her mother, when she strips herself from her make-up, wig, and clothes into a bathrobe, sits on her couch, covers herself in a wrap which was covering the couch and weeps. It's a powerful moment." DC Metro Arts stated "Valeka walks the trickiest line when it comes to winning our sympathy as Nina. But she will reduce you to a puddle in one scene when she comes upon a photo of herself as a toddler with her father, and suddenly all the pain of her childhood is reeled back and her face blossoms with a shy, girlish delight." Maryland Theatre guide states “Valeka is one of the most relaxed and unselfconscious actors I’ve seen on stage - ever... She is sensual and powerful – a performance to remember.”
· Film and TV Acting · Online
If you're looking for an acting coach, do yourself a favor and reach out!
· Acting · Online
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Bailey Roper is a teaching artist, local performer, and movement artist living in Philadelphia. They have a BFA in Acting from University of the Arts. They have also trained at University of Miami, Pig Iron School, Dallas Theatre Center, and Shakespeare Dallas.
They currently work as a Theatre Educator at Wolf Performing Arts Center, Theatre Horizon, and Philadelphia Young Playwrights. They have taught classes in acting, monologue coaching, voice and speech training, comedy/improv, playwriting.
Bailey is a great fit to work with students on college auditions, finding monologues, monologue coaching, and basic acting skills. They served as a college level voice and speech tutor primarily helping coach Shakespearian speeches and sonnets.
Bailey also has a strong dance background and is experienced in making original work. They can be helpful in helping to coach and direct solo pieces and adding movement to work.
References are available upon request.
· Acting · In studio
· Improv Acting · In studio
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I just graduated with a BFA in Musical Theatre, so my acting/teaching techniques are modern. I also know what it’s like to be a student in this field.
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Having both earned Masters Degrees from The Shakespeare Theatre Company's Academy for Classical Acting at George Washington University, Thomas Keegan and Alyssa Wilmoth Keegan combine for more than 25 years of professional theatrical experience. In 2017, they were named as two of "DC's 12 Stage Dynamos."
Alyssa should be familiar to most Washington theatre-goers, having recently appeared in Ford's Theatre's production of the Tony-nominated Broadway hit, Come From Away. That same year, she received the Helen Hayes Award for Best Actress in a Play, for her portrayal of the iconic Maggie the Cat, in Round House Theatre's production of Cat on a Hot Tin Roof. In 2017/18, Alyssa will appear in The Kennedy Center's World Premiere production of Digging Up Dessa, as well as the US Premiere of Botticelli In the Fire, at Woolly Mammoth Theatre Company.
Most widely known for his portrayal of Ensign Baker in AMC's revolutionary war drama, TURN: Washington's Spies (available on Netflix), Thomas ...
· Acting · In home
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