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Tucker, GA Shakespearean Acting Lessons

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Popular Shakespearean Acting Teachers near Tucker, GA

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About Kristofer K.

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New York, NY
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Every actor has their own strengths and weaknesses. It is my goal to pull out strengths, develop, and help achieve a natural and realistic performance. From the audition to the final performance, my actors are ready for anything that is thrown at them.

​Becoming successful depends on your definition of success. It could be professional theatre, film and television, ​community theatre, school plays, or just to gain confidence in yourself. Whatever your path to success is, it’s all about using your strengths to help connect to each and every role you play. This is our focus, your strengths to achieve naturalism and realism.

No matter what your goals are, I am focused on helping you find the best possible path towards your version of success. Every road is different and that’s what makes every actors story so interesting.

About Kristofer
www.kristoferkauff.com

Currently in the NYC area, Kristofer Kauff began his career as an actor working on shows from Off-Broadway, Regional, Community Theater, Film and Television, as well as Walt Disney World and Universal Studios. His true passion, however, lies in directing where he has forged an extensive career over the last 19 years. He believes in a collaborative effort to reach honest and true performances. Kris's resourcefulness, experience, patience, and passion are the cornerstones of each production. He is a proud associate member of SDC.

Kristofer has a passion for developing new plays and the collaborative effort it requires from all involved. Over the last few years he has directed new projects here in NYC, as well as Washington D.C. and Florida. Recent "new work" include Bad Actor (NYC), The Prop Master (NY
C), Witchhazel (NYC), For I am Nothing If Not Critical (Washington, D.C.), Our Struggle to be Illustrious (Washington, D.C.) Paginas Latinas (Orlando, FL) Orlando the Television Show... on stage! (Orlando, FL)

Most recent directing credits include The Prop Master (NYC), Assassins (Fair Lawn, NJ), Witchhazel (NYC), Dinner With Friends (Arlington, VA), Godspell (NYC), FEARS (NYC), Why Torture is Wrong, and the People Who Love Them (Annapolis, MD), The Rocky Horror Show (Alexandria VA), Superior Donuts (Annapolis, MD), The Producers (Gaithersburg, MD), Pippin (Baltimore, MD), Little Shop of Horrors, Seussical The Musical, Inherit the Wind, Comedy of Errors, Orlando the Television Show… On Stage, and The Land of Counterpane. (For a more detailed list, please visit the productions page.)

Throughout his career, Kris has dedicated himself to directing shows with a natural and realistic approach, making productions accessible to new and seasoned audiences. In the rehearsal process he allow actors to search for the reality in their characters and relationships, always staying within the shows overall vision. Kris truly loves working with actors and designers, and believes in leading a collaborative effort.

Kristofer has taken great pride in sharing his passion and knowledge through workshops, classes, and private coaching. In 2000 he headed workshops and directed theatre for younger audiences with MicheLee Puppets in Orlando, FL. Since then he has served as the Theatre Director for Camp Echo Lake in NY (2004-2008) and is currently the Performing Arts Director at Maine Arts Camp (Since 2011).
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Kristofer K.

Kristofer K.

Online
starting at
$92 / 60-min

About Nicholas M.

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New York, NY
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My basic approach to classical work focuses primarily on the connection of the breath with the feeling on the word.

This is the foundation on which you can then build. From the ‘words’ to the ‘thoughts’ to entire ‘passages’ of text, as you work and explore, the richness of the playwright’s words comes to life. Your own unique emotional life is allowed to come through the text and you are able to fully embody the role.

About Nicholas
I have been an actor for more the 35 years having worked Off-Broadway and Regionally.

I've taught acting for 18 years privately as well as at Brooklyn College, St Frances College, Marymount Manhattan College, and the American Musical and Dramatic Academy.

"Nicholas is patient, insightful, friendly, and gets
results. After working with Nicholas, I felt great
about my auditions, got two callbacks, and landed
a touring job.
I would recommend him to any actor."

*Jonathan M.
Shakespeare Theater of New Jersey
Pennsylvania Shakespeare Festival
Millbrook Playhouse

I am the Producing Artistic Director of the Hudson Warehouse and have been since its inception in 2004. Known as "The Other Free Shakespeare in the Park," we produce free classical theater in Riverside Park during the summer months and we hav
e an indoor season during the winter months as well.

"Mr. Martin-Smith has been my director, coach and
mentor in productions and the classroom. His patience,
insight and his passion excites students, and makes
them feel safe and supported enough to take risks."

*Joseph H.
Shakespeare Theater of New Jersey
Pearl Theater Company
York Theater Company
Hudson Warehouse

*** Teaching Methods ***
I foster a safe, relaxed and engaging environment to explore truthful human behavior on stage.

The objective is 'the truth' to which end there is no one technique. Actors are encouraged to find their own tools and to draw from elements of different practices to discover a technique that works best for them as individuals.

I studied the methods of Constantin Stanislavski for acting with Sergei Pomerov of the Moscow Circus Theater. I am classically trained as well.

I work primarily as a guide to help navigate the way and to interpret ‘the signs.' I teach the lesson in the moment and address the challenges of both the beginner and the experienced actor.

***Classical Work***
My basic approach to classical work focuses primarily on the connection of the breath with the feeling on the word.

This is the foundation on which you can then build. From the ‘words’ to the ‘thoughts’ to entire ‘passages’ of text, as you work and explore, the richness of the playwright’s words comes to life. Your own unique emotional life is allowed to come through the text and you are able to fully embody the role.

*** Teaching Levels and Focuses ***
*Beginning Actors
-Work With Classical Text.
-Vocal Work.
-"Moment to Moment" Work.
-"Sense Memory" Work.

*Experienced Actors
-In depth Classical Text Analysis.
-Connecting to the Text.
-Audition Technique
-Monologue Coaching
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Reviews
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Affea Q. August 1, 2017
· Acting · In studio
Nicholas is a fantastic and patient teacher who is skilled at helping actors with nonverbal communication. He helped me organize my monologues into beats and we worked on transitions and changes of intention. After classes with Nicholas, I confidently made my debut on stage.
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Lance F. November 29, 2014
· Shakespearean Acting · In studio
I was always afraid I couldn't learn Shakespeare, but Nicholas explained the intent on the word, the intent on the line. Soon, I was so caught up in the meaning of the lines and the story I was telling in that moment that I was able to engage in the role, smoothly, without worrying that I was performing Shakespeare. He broke it down so I could understand it, and then feel confident doing it. Highly recommend!
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Sondra L. November 29, 2014
· Acting · In home
Nicholas knows Shakespeare and classical work. He really works with the text and helps an actor really understand the emotions in the scene, through the text. I've gotten so much out of his teaching and so have many of my friends. If you have an audition or play coming up, he's the one to get you ready for it! My friend nailed his audition, got the gig, all through his work with Nicholas. I've learned so much as an actor from Nicholas.
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Nicholas M.

Nicholas M.

Online
(3)
starting at
$50 / 60-min

About Maria M.

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Atlanta, GA

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About Maria
MISSION STATEMENT:

The mission of my studio is to create well-rounded, educated musicians who will always have a lifelong passion for the art no matter their long-term goals. I strive for my students to be:

(1) Lifelong learners who develop successful learning habits.
(2) Creative and critical thinkers who will become effective communicators.
(3) Responsible and respectful members of society who respect other cultures.
(4) Able to set short-term and long-term goals and be able to see them through to their success.

TEACHING PHILOSOPHY:

It is of the utmost importance that my students are well-educated in their chosen instrument; they must know and understand music and music-making. Students who can play are a dime a dozen, but students who understand the music they are playing are often hard to find. I teach students to kno
w music thoroughly, not just to “play.” I desire my students to comprehend elements of the score, to use their bodies effectively to make good sound, and to interpret music creatively and according to historical performance practices across all genres of music. Thus, I give students a purposeful education in technique, quality literature, performance and artistry, music theory, and music history.

Although students differ in ability and development, I maintain high expectations for our students. I expect attention and respect in lessons, faithful and diligent practice, careful adherence to instructions, and an “I’ll-do-my-best” attitude. If students regularly meet these expectations, then they will excel to the level that they are able. It is my joy to help students master their music, to do the best they can, and to strive for and achieve excellence.

Lastly, I want students to enjoy and appreciate their instrument, music, and music-making; and I know as as a teacher, I am very influential in making this happen. Students develop enjoyment of music by understanding music, experiencing success in music, being exposed to good and varied genres of music, and receiving instruction from a teacher who is enthusiastic and encouraging. It is my goal to provide all of these opportunities for students, and as a result their lives will be enriched as they enjoy their instrument.
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Jasmine July 22, 2017
· Acting · In studio
Best acting coach I've ever used. Helped me land a supporting role in an upcoming movie taping here in Atlanta. I would highly recommend her to anyone.
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Dan July 11, 2017
· Music Theory · Online
Great teacher. Much better than my theory teachers at Kennesaw State. If it wasn't for Maria I would have never gotten an A or even passed Music Theory or Aural Skills. I plan to start working with her in the fall to help me test out of Group Piano.
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Elizabeth Faye July 10, 2017
· Piano · In studio
Our child has done so well with Ms. Maria. Lauren has just completed Level 5 of the ABRSM exams this past spring and did fantastic. This is our 5th year with Ms. Maria and we know we made the right choice by switching studios. Lauren is happy and progressing much farther than others in her previous studio. Highly recommend.
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Maria M.

Maria M.

Atlanta, GA 30342
(17)
starting at
$35 / 30-min

About Emily B.

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Saint Paul, MN
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With more than two decades of experience working as a professional SAG-AFTRA/AEA actor in Los Angeles, New York, and many places in between, coaching others to build their best auditions and reach their potential as actors and performers has become a passion of mine.

Private Coaching services include, but are not limited to:

* Private Audition Coaching
* College-Specific Audition Coaching and Monologue Selection
* Audition Material Selection Assistance (especially for young women - I have a lot to look through!)
* Work Up a Challenging Role
* Vocal Work and Public Speaking
* Song-As-Monologue Coaching
* "I want to be an actor - where do I start?" Consultation

About Emily
Whether the focus of a session is on building a stellar repertoire of audition pieces, working in a difficult role, getting deeper into the language of Shakespeare, or song-as-monologue work for musical theater actors, my approach to private coaching is centered around meeting the needs of the client. My goal is to help you reach yours through the development of technique, confidence, and helpful tools you can use to further cultivate your talent outside of our sessions.
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Kennedy B. July 13, 2017
· Acting · In studio
I had my first lesson with Emily yesterday and I loved it! She was easy to talk to and super nice. She also had great tips to give me and helped me a lot and it has only been one day. I really like the way she teaches and I would highly recommend her.
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westin C. June 28, 2016
· Film and TV Acting · In home
FANTASTIC TEACHER
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Rex H. February 1, 2016
· Acting · In home
Emily is professional, fun and engaging. Our daughter looks forward to her time with her each week. We love her!
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Emily B.

Emily B.

Online
(4)
starting at
$40 / 30-min

About Michael L.

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Lakeland, FL

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Approaching Shakespeare's text from an actor's point of view is the best way to understand and engage with the vitality of Shakespeare's language. Shakespeare embedded clues for his actors to unlock the meaning and emotion within the words. By learning a few fundamentals, students will physically connect with Shakespeare's text and be able to make strong character choices. Whether you are a student studying Shakespeare as literature, an actor wishing to work on classical texts, or a litigator or executive wishing to improve your public rhetoric, studying Shakespeare in performance is incredibly valuable.

About Michael
Michael L has been a working actor in Theatre, Film and Television since 1998. Since graduating cum laude from George Washington University he has dedicated himself to teaching and practicing the craft of acting. Michael was a classical acting fellow at the Shakespeare Theatre Company in Washington,DC under the artistic direction of Michael Kahn. There he honed his classical acting skills and earned his equity card later becoming an affiliated teaching artist with the theatre. He has performed there as well as many of the country's finest regional theaters including: The Kennedy Center for the Performing Arts, Arena Stage, Williamstown Theatre Festival, Geva Theatre Center, Washington Shakespeare Company and most recently Actor's Playhouse in Coral Gables. Michael has appeared on television in numerous commercials and the Fox Network's dr
ama "Past Life" and has acted in many independent films. While in DC he was the Drama teacher at Fillmore Arts Center, a public magnet school for the performing arts, teaching children from Kindergarten to 8th grade. Michael is currently acting in Nickelodeon's new series "I Am Frankie" debuting this fall. He enjoys teaching both adults and young people as well as caring for his own spirited child.
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Elena B. February 14, 2017
· Method Acting · In home
Wonderful
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Jessica January 21, 2017
· Voice Acting · In home
Fantastic.

Breathing, Voice, Acting, the whole thing.

Michael will give you exercises, tips, tricks and ideas to excel to the next level with your voice.
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John W. December 8, 2016
· Speaking Voice · Online
Michael is very friendly and makes learning easy. He is very practical in his materials and subject. He is not a sales man that is trying to make you buy subscriptions or materials. I would recommend Michal if you are interested in improving your speaking voice.
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Michael L.

Michael L.

Online
(11)
starting at
$65 / 45-min
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About Wesley M.

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Los Angeles, CA
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Wesley M. has worked in film, TV and theatre for the last twenty-five years with Hudson Valley Shakespeare Festival in New York, Portland Center Stage, American Conservatory Theatre, The Arena Stage. He has taught Acting, Elements of Comedy, Improvisation at Hudson Valley Shakespeare Festival, The Inner Circle Theatre in Los Angeles, Voice and Speech at East/West Players. He has appeared on over thirty TV shows and movies. Most recently as Mr. Lawler on That's So Raven.

About Wesley
Wesley M. has worked in film, television and theatre for the last twenty-five years after completing his actor training at PCPA Theatrefest in Santa Maria, California. He has acted all over the country including ten seasons at the Hudson Valley Shakespeare Festival in New York, Portland Center Stage in Oregon, American Conservatory Theatre in San Francisco, Arkansas Rep, The Arena Stage in Washington DC, and the Arts Center Of Coastal Carolina on Hilton Head Island SC. He has taught Acting, Elements of Comedy, Improvisation at the Hudson Valley Shakespeare Festival, The Inner Circle Theatre in Los Angeles, Voice and Speech at East/West Players. His play The Good Life was produced by The Empty Space in Bakersfield Ca in 2009. He has appeared on over thirty television shows and nearly as many motion pictures.
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Daniele September 27, 2016
· Speaking Voice · Online
Wesley is just wonderful. I felt comfortable with him as soon as we met and I learned so much in just the first 30 minutes. And I already feel so much more confident that my speaking engagement will rock now that I have Wesley as my coach!
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Jenna J. September 9, 2016
· Child Acting · Online
AMAZING first session😊 The exchanges between Wes and Jenna were flawless...almost like two people that sparked up a conversation where they left off!! He acknowledged Jenna's dreams and goals and had experienced insight to provide! Jenna is looking forward to working on her assignments and lesson #2!!!
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Tony T. December 14, 2015
· Acting · In studio
It was great. He found a monologue for me with out me asking for it. He is very professional and he gives a lot of tips.
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Wesley M.

Wesley M.

Online
(7)
starting at
$70 / 30-min

About Eric P.

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New York, NY
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I'm a professional writer, director, and acting coach. For many years, I worked as the assistant to 21-time Tony Award-winning Broadway director/producer Hal Prince. I have expertise in classical and contemporary dramatic literature (and musical theatre) and can help you select the piece of material that will serve you the very best in the classroom, the audition room, or on the stage. You will quickly become totally comfortable onstage and unlock new ways to bring honesty and creativity to your performances.

About Eric
I'm a professional writer for the theatre. I live in NYC and have worked on and off Broadway, in London, and my work has been performed around the world. I have an MFA in Musical Theatre Writing and have also worked as a director, actor, and producer. For six years, I was the assistant to 21-time Tony Award-winning director Hal Prince and worked with him to develop new musicals and plays.

I teach students of all ages in several different disciplines: performing, writing, and literature. If you're interested in preparing for auditions, either for musicals or plays, I can help you select and perfect your audition material. If you want private instruction for Shakespeare, I'm your person. If you want lessons in reading, writing, or both--whether its literature, essays for class or college admissions, or your own creative writing, I'd lov
e to work with you.

So, send me a message and let me know what you have in mind!
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Eric P.

Eric P.

Online
starting at
$50 / 30-min

About Jason M.

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Bellevue, WA

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Prepping an audition for an upcoming show or for admission into an acting program? Want to hone and develop your audition monologues (especially Shakespeare)? Just need a coach to help you take your acting to another level? Then let's get started, online or in person. I can help.

I've been working as a professional actor in the theatre and on-camera for over 25 years. I've performed with the Shakespeare Theatre in DC, ACT Theatre in Seattle, Book-It Repertory, Seattle Shakespeare Company, and Shakespeare Santa Cruz to name a few. I've also been the featured voice in voiceovers for companies like University of Washington Medical, Golden 1 State Credit Union, Microsoft, and Surface Pro 3. On Camera Credits include short films, industrials, and commercials for Taco Time, Tulalip Casino, and Washington Dental Association.

I hold a BFA from the University of North Carolina at Greensboro and an MFA from the Shakespeare Theatre's Academy for Classical Acting in Washington DC. My ...

About Jason
I've been performing roles in the theatre and on-camera for over 25 years. My BFA in Acting and Directing and my MFA in Classical Acting have afforded me a wide variety of tools and skills to employ in the craft of acting. Performing with professional repertory companies like ACT Theatre, Book-It Repertory, Shakespeare Santa Cruz, and the Shakespeare Theatre in DC, I've gained personal knowledge of the art, craft, and business of being a working actor, which I will put to work for you, in a personalized one-on-one coaching session, either online or in person.

Here's how I can help.

SCENE WORK AND MONOLOGUES: Whether it's dusting off and refreshing monologues you've performed more times than you can count, or developing pieces or scenes for the first time for an upcoming stage or on-camera audition, we can break the material down togethe
r, work on the clarity of your choices and active objectives, and access your personal connection to the material so you'll be ready and confident with a one-of-a-kind performance that reflects the strengths you bring to acting and the story you want to tell.

SHAKESPEARE: Perhaps the most daunting of styles for a contemporary actor, we'll get down to the nuts and bolts of some of the most challenging (and rewarding) material. The famous soliloquies are famous for a reason and can certainly be intimidating, and more obscure material can seem thick and inaccessible. We'll chip away at the mystique of Shakespeare by digging in to the text and verse, activating the language with specificity, and cultivating your personal take on well-known characters or lesser known material they might not have seen before.

DIALECTS AND ACCENTS: From English to Irish to Southern American and beyond, a well executed dialect can be the edge you need to land (and play) that meaty role. I use a multipronged approach that involves ear training to develop an authentic sound, text analysis for clarity of sound substitutions (IPA Proficient), and exercises that pare away stilted and unnatural speech to cultivate an authentic sounding voice that will be your own.

VOICEOVER: I've been booking voiceover gigs on TV, radio, and the internet for over 10 years with clients like Microsoft, Liberty Mutual, UW Medicine, Tableau, Reno Toyota, and Golden One State Credit Union. I can offer tips and tricks of the trade, as well as techniques that can take your VO submissions to the next level and help you book these lucrative contracts.

Let's get started!
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Jason M.

Jason M.

Online
starting at
$34 / 30-min

About Cathy H.

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Pittsburgh, PA

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I've been a Professor of Acting/Directing for over thirty years. I've taught at a small liberal arts college in Vermont and in a professional training program in Las Vegas. I coach actors to personalize material and to create bold, innovative choices in a fun, supportive environment. I was recently awarded the Gold Medallion for extraordinary contributions in Teaching and Producing Theatre by the Kennedy Center. “ . . . It is the most prestigious award given by the Kennedy Center American College Theatre Festival and is considered one of the great honors of theatre education.” Eight Gold Medallions are awarded nationally each year by The Kennedy Center. I know that we'll have a great time as we explore your potential as a working artist!

About Cathy
I've been a Professor of Acting/Directing for thirty years. I direct professionally and love to explore the process of acting. It's exciting to discover moments in a monologue, song or scene that are personal and artistically original. It's time to make a difference in your work because no one is like you! Talent and competition are part of this business but what will set you apart are the strategies and techniques that make your choices stand out from the rest. Whether you want to act professionally or build more skills when you go to an audition, rehearsal or interview, I would love to meet you and work on the artistic process together.
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Reviews
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Evyn August 11, 2017
· Acting · In studio
I have been a student of Cathy for four years and the lessons she taught me helped shaped me into the successful actor I am today. We worked on a wide range of topics from Shakespearean acting, film and tv acting and on stage. Cathy excells in all of these topics, going in depth in every one to get to the root of the character, scene or narrative. She also coached me on audition techniques and monologue and scene choices, something that has been extremely helpful in my auditions in New York City. Her experience as a director and 30 plus years in the business make her an extremely valuable partner to anyone who works with her.
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Josh August 9, 2017
· Acting · In studio
Cathy was my teacher, director, and mentor for the three years I attended Saint Michael's College. She was the first professor I met on campus and the one I have always remained in touch with. She is the type of person who reached out to catch up with me while I lived in London and she was visiting with her husband. Her devotion to her students and her hope for their success are unwavering.

Three words to describe Cathy as an acting teacher: HONEST, CONCISE, and ENCOURAGING.

HONEST: Cathy does not sugarcoat. She tells you how she sees it. This is how she builds trust with her actors so that they can stop sabotaging themselves through internalizing and overanalyzing themselves. She creates a professional relationship with you to feel confident in making strong, bold choices and assessing the results after. This has made my experiences both in auditions and rehearsals extremely successful.

CONCISE: People in the theatre do a lot of talking. Cathy gets to the point both in how she speaks to her actors and how she directs. Acting is an art form but at the professional level there are prescriptive elements required of an actor so that text can be analyzed properly, choices can be appropriately made, and through it all there is always truth both in action and word. Cathy gets her actors to that point without grandiose tangents that, frankly, get the actor no where.

ENCOURAGING: Cathy wants everyone to succeed. She wants the story to be told truthfully. She expects a great deal from her students and in return guides you with empathy and patience so that you will be able to look back at your work and be equally as proud of yourself as she is of you.

I owe a great deal to Cathy. I have worked regionally and Off-Broadway since graduating and that has a lot to do with the tools she has given me. She helped me build a very strong artistic foundation and I continue to hone my skills because, as she always reminds her students, there is always more work that can be done.
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Katie Healy August 7, 2017
· Acting · In studio
I was fortunate enough to study with Cathy for 4 years. Cathy gave me the foundation that most actors lack by focusing on the ability to listen as an actor, how to create a role and how to do my work but also remain playful & open to what was happening in the moment on stage. Through Cathy I learned the dedication required to pursue a professional career in the arts. I credit so much of my success as an actor and producer in New York City theater to Cathy's unwavering support.
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Cathy H.

Cathy H.

Online
(6)
starting at
$50 / 30-min

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