Joelton, TN Shakespearean Acting Lessons
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I want you to explore what it's like to experience the unbelievable amount of satisfaction you can have by allowing yourself to study acting and music. I teach from a method base and will work on monologues, scenes and audition materials, collaborating with you on what it is you need to understand how we go about doing this thing called acting. I can work virtually. One thing you must know about me, I am really nice. I won't crush your dreams. I will, however, make sure you attain them. I can come to you or you can meet me where I teach. I am in SF and Los Angeles. I successfully work virtually with many people. If you want to act, we can make it happen.
I am happy to be offering committed actors, singers and speakers private classes and vocal performance sessions including technique for film, stage, on camera, audition technique, monologue and scene study, script analysis and sessions that educate actors and singers about working in the entertainment industry. I coach in person and online. I want my students to be working actors and performers and they are.
I am a member of the Screen Actors Guild and American Federation of Television Artists and Actors Equity Association, a Critics Circle Award Winning Actor and I am a working artist. I am committed to helping artists experience their craft in a supportive, safe and challenging environment. I am really nice.
I am most influenced by Stanislavsky and Lee Strasberg.
I am a Method coach. I have also studied at HB Studio in NY
I also work extensively with many people who are in other industries. I teach communication skills using tools that actors use. It is extremely effective.
I am here to help you delve into your creativity in a supportive and joyful way.
My students are committed to exploring their craft of acting, singing performance, songwriting and screenwriting. Most land agent representation. They have booked many roles, too many to name, but here are a few, HBO's, Thirteen Reasons Why, WestWorld, Blue Jasmine, Touching Home, and productions at Equity theatres throughout the country and countless National commercials. Most have joined SAG-AFTRA and Actors Equity and I encourage this.
When you study acting / singing performance w/ me you'll learn how to navigate the business because you must know how.
They are definitely the most difficult and nerve wracking part of being an actor or singer, right? Booking work means your audition has to be as good as opening night.
Auditioning is about preparation and preparation takes consistent support. Look, showbiz is not a business about being alone. Artists thrive when working together. We are a collaborative bunch and collaborating to make sure you're ready and organized for your auditions makes sense.
Stop trying to muscle through this necessary step alone. No one who works consistently does that! They ask for help. ASK FOR HELP!!
Solidify your acting choices so you don't have to worry about them the day before your audition. Know your prep so you can internally drop into it when the casting director says, "Whenever you're ready."
Have your music material and performance choices prepared ahead of time.
BE AHEAD OF SCHEDULE.
Work with me when your agent sends you your sides so you show up READY. Know your lines. It's OK if your struggling with memorization.
Let's figure out How YOU memorize.
Let me coach you for online audition submissions.
If we are working virtually I will coach while you are taping yourself to submit your online audition. It works!
Let me collaborate with on script analysis in order for you to you understand your material before you audition.
Take your work seriously so you bring your most intelligent and inspiring work to the audition rooms.
You'll be bringing the agents, casting directors, directors, producers and writers the inspiration they crave regarding their beloved projects. Do that and you're gonna book.
I know you can work and I can't wait to make it happen with you.
Kathryn is a member of the Sag-Aftra and Actors Equity and BMI and is a Critics Circle Award Winner.
Kathryn has worked with such legends as Tennessee Ernie Ford, Ben Vereen, Word Baker, who directed the first a one-act version of “The Fantastics” and then the historic two-act show, Sandy Duncan, Loretta Lynn, Flip Wilson. She studied at the University of Cincinnati College-Conservatory of Music (CCM) and HB Studio in New York City.
For Parents of Minor:
I'm available to help you understand this somewhat confusing industry.
Vocal Coaching Available - Vocal Coaching
Music Performance - Technique and Performance- songwriting
About Kathryn and Music
KATHRYN K is a soulful singer and prolific songwriter.
You can find more about Kathryn's music and her life story, which has allowed her to be of service to many, in national and local media, including: The Oakland Tribune, the San Francisco Chronicle, the San Jose Mercury News, Broadway World, Reader's Digest, NPR, The Gil Gross Show, The Montel Williams Show, and The Mancow Muller Show, NPR and Woman Magazine, UK.
Kathryn has released a video and CD with Multi - Grammy winning producer and drummer, Narada Michael Walden, Tarpan Records in Marin County, Ca. Walden says, "Kat is bringing the message of hope, light, love and faith to people's lives." Walden says. "I am proud of her and her divine mission."
Gil Gross, Host The Gil Gross Show Radio, ABC "I have loved Kathryn's music from the day I first heard her sing, but even being a fan of her recordings did not prepare me for seeing her perform live. She is a great live performer holding her audience willing captives to each turn of a melody and the drama of every lyric. She more than sings. She inhabits a song and involves each member of the audience in its drama, joy or sorrow. There are performers for whom a performance is a night out. When Kathryn performs its a lifetime shared with us in a single evening. If you want to merely hear some tunes, there are many people who will do. If you want a real experience in music, there is Kathryn.
Kathryn's latest show is being created with director David Ford (Marsh Theatre) and Kevin Gerzevitz and her concerts features a whos who list of world-renowned musicians: Gerzevitz and Grammy-Nominated Bassist, Michael Manring; Album of the Year Winner, Trumpeter, Jeff Oster; Master Percussionist, Joe Venegoni; Guitar Virtuoso, Tom Lattanand; Critically Acclaimed Pianist, Kelly Park; Celebrated Flutist, Barbara Else; and from the Steve Winwood Band, Brazilian-born Drummer, Celso Alberti.
Kathryn has played a variety of venues, including the renowned Yoshi's Oakland Jazz Club, the Bitter End and Symphony Space in New York City, the Knitting Factory in Los Angeles, the Plush Room and the Fairmont in San Francisco, as well as Mill Valley's premier showcase, the Throckmorton Theatre, Theatre on the Square, the Beacon Theatre, Great American Music Hall,The Mint, The Fairmont, to name a few. She has Cd's at all outlets.
· Broadway Singing · In home
· Speech · Online
· Film Acting · Online
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The mission of my studio is to create well-rounded, educated musicians who will always have a lifelong passion for the art no matter their long-term goals. I strive for my students to be:
(1) Lifelong learners who develop successful learning habits.
(2) Creative and critical thinkers who will become effective communicators.
(3) Responsible and respectful members of society who respect other cultures.
(4) Able to set short-term and long-term goals and be able to see them through to their success.
It is of the utmost importance that my students are well-educated in their chosen instrument; they must know and understand music and music-making. Students who can play are a dime a dozen, but students who understand the music they are playing are often hard to find. I teach students to kno
Although students differ in ability and development, I maintain high expectations for our students. I expect attention and respect in lessons, faithful and diligent practice, careful adherence to instructions, and an “I’ll-do-my-best” attitude. If students regularly meet these expectations, then they will excel to the level that they are able. It is my joy to help students master their music, to do the best they can, and to strive for and achieve excellence.
Lastly, I want students to enjoy and appreciate their instrument, music, and music-making; and I know as as a teacher, I am very influential in making this happen. Students develop enjoyment of music by understanding music, experiencing success in music, being exposed to good and varied genres of music, and receiving instruction from a teacher who is enthusiastic and encouraging. It is my goal to provide all of these opportunities for students, and as a result their lives will be enriched as they enjoy their instrument.
· Opera Voice · In studio
· Acting · In studio
· Acting · In studio
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I studied Shakespearean acting extensively with Ben Reigel during my undergraduate studies and have performed Shakespeare works professionally. I will instruct you on how to interpret the original Shakespearean markings and perform Shakespearean works in a relevant way for a modern audience.
Meisner Training-Phoenix Theater with Bill Simmons 2017-2018
Destruction in Decatur 2017-Broadsword and Rapier and Dagger SAFD Certifications
Crittenden Opera Workshop 2017-Washington D.C.
CISCO 2017-Stage Combat Certifications
Vianden Summer Program 2016-Luxembourg
CISCO 2016-Stage Combat Certifications
MM in Vocal Performance, the University of Akron, May 2015
BFA in Musical Theater, Shorter University, May 2011
(Theatre minor and Equivalent of a piano minor)
Cosmetology Instructor's Certification and License, Gadsden State Community College, May 2007
Cosmetology Certification and License, May 2006
Vandi has extensive performance experience in multiple genres: professionally with opera, orchestra, chamber music, musical theater, straight theater, film, sacred works, church music, jazz, and contemporary music
· Singing · Online
· Piano · Online
· Singing · Online
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Whether you're a veteran of the Bard's work and need some extra assistance for an upcoming role, or have NO idea what all of that language means I can help you not only understand Shakespeare's work but have fun while doing it!
· Piano · In studio
· Guitar · Online
· Acoustic Guitar · Online
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I have extensive experience in theatre and now film. I think I offer ways for students to give honest performances, whether for auditions or scene study. Additionally, I have developed through my own experience successful approaches to auditioning that should benefit any student.
If an audition, I can help you allay those nerves and help you reach a place where you show to best advantage. You CAN be in charge of that audition space.
If scene study, I can help you break it down for maximum impact.
Whatever your needs, I'm here to help and facilitate.
I have many years of experience in theatre, both in Chicago and New York. I have recent experience in film (film I acted in was Best in Middle Coast Film Festival/1918).
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I have studied, worked as an actress and a director and taught in Berlin, London and New York - both in theater and opera. I was the first person to ever be offered the Juilliard Opera directing Fellowship two years in a row (where I worked primarily with Postgraduate students) and have worked with actors and singers across the country as well as in several German A-houses. After studying a variety of acting methods over the years, I have developed my own method of approaching a character or an audition monologue/song, which encompasses the physical, emotional and intellectual in order to create an easily accessible three-dimensional person. I will not only help you apply said method, but also teach you the tools so you may access it on your own at any time. Finally, I have received critical acclaim as a young director, and - as a teacher - I have a track record of helping people get hired from major auditions.
I graduated as an Associate of King’s College London with a degree in Philosophy and significant experience acting and directing for independent theater companies in London.
I then went on to work as an assistant director in major German opera houses, where I learned how to apply the same teaching and dierecting methods with singers.
At only 23 I was offered the Juilliard Opera Directing Fellowship - and I was the first person, to whom it was offered two years in a row. At Juilliard, I mostly worked with the few selected Postgraduate students.
I have considered accepting an adjunct teaching position, but chose to go on directing and tea
· Voice Acting · In studio
· Theater Acting · In studio
· Voice Acting · In home
As a German native speaker, she prepared me for all of my audition trips to Germany. With her guidance in perfecting diction and conversational style, I gave a confident tour. I also sought out her method when giving a series of masterclasses on how to interpret characters.
We worked together right before my first audition for the Met, and I got the job! You’ll love working with this director who has experience working with the greatest opera houses in the world."
- Kirsten Chambers - Soprano with the Metropolitan Opera, New York City Opera, Florida Grand Opera, Opera Hong Kong, among others Most Known for her portrayal of Strauss roles, particularly SALOME
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I am a professional performer, director, and acting coach with over 35 years of experience, and I love leading you to your best work! I can prepare you for a specific audition ( with monologue, sides, or song), or I can provide material so that we can work on a broad set of acting skills and techniques. I will provide guidance, feedback, training, and industry tools, all to have you feeling great about your newly-refined work on stage. My teaching style is energetic and encouraging, and layered with the insights I have gathered from my work as a producer, director, playwright, and performer in all stage genres ....Drama, Improv Comedy, Musical Theater, Comedies, Farce, Commedia dell'Arte. Let's work!
Her award-winning work as a theater-maker boasts numerous projects across a variety of genres, evidenced by a few of her current projects. She directed and produced the workshop and full production of"The Passion of Ethel Rosenberg" a evocative drama about the McCarthy-era convicted spy, and she was recently asked to write the screenplay for it. She wrote and directed "The Curious Picnic" a play for very young children that encourages STEM learning, which toured into schools in the fall of 2018 through
For seven years Carolyn was the Supervisor of Theater and Music for Metro Nashville Parks Cultural Arts, cultivating arts programming for Nashville's broad demographic. Her work included custom-crafting content to maximize success for older adults, and working with Parks' Disabilities Program to create a performance program for adults with disabilities. She also managed the Z.Alexander Looby Theater, and created the Centennial Black Box Theater.
Carolyn is a faculty member at the Nashville Jazz Workshop, where she created and teaches a series of classes for cabaret artists, including Cabaret Toolkit, Cabaret Repertoire, and Improv Comedy for the Musical Artist.
As a corporate soft-skills trainer, and as a consultant in a variety of arts-meets-real-world capacities, Carolyn brings her extensive producer/project-manager background, and her 35 years of creative-arts experience to every project. Her resume also includes work across all sectors (Corporate, Government, freelance, Non-Profit, and Volunteer) and her leadership infuses each project with her signature characteristics of dependability and creativity. Carolyn's expertise includes creation of content, soft-skills training, instructional design, and meeting facilitation. Her consulting expertise includes multi-use facilities, and patron-focused programming.
In 1998 Carolyn founded Spontaneous Comedy Company, which continues to perform improv comedy from their home-base Nashville Jazz Workshop, as well as regionally.
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We’ll explore the Elizabethan World Picture, the structure and meaning of the verse, prose vs poetry, line endings, rhyme, and double meanings as we dive into the beautiful, bawdy, and bountiful world of Shakepseare’s text.
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As an actor, your preparation is your key to success. I want to teach my students how to establish positive habits of practicing and audition preparation, including: how to identify character type, choosing audition songs/monologues, and building an understanding of character development.
I welcome students of all ages, seeking assistance in anything from college audition prep to middle/high school students looking to improve their skills.
Anna works regularly with Oklahoma Children's Theatre and has experience working with students of all backgrounds and ages.
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