I have studied under Strasberg expert, Marsha Haufrect for many years. I work with method techniques to help the student discover what is true and authentic in the character being portrayed.
I have been a voice, acting, and teacher of creative arts for over 25 years. My background includes ten years of classical voice training with Maestro Julio Berrocal, as well as vocal training through the Feldenkrais approach with Marcy Lindhiemer. In acting, I have studied with renowned Stanislavsky scholar Sonia Moore and Master acting teacher of the Strasberg Method, Marcia Haufrecht. I received a B.A. For comparative literature and creative writing at the State University of New York at Purchase and have recently completed my Master's degree in social work at Walden University. I believe, within all of us, Is the ability to express something distinctive and original. I work to help students discover their unique voice, whether it be through singing, acting, or writing. I share with my students an array of tools to gain the ability
and confidence to achieve their goals. I empathize deeply with the challenges students may face when pursuing a life in the creative and performing arts, having worked professionally in those areas for most of my adult life. I believe it is the teacher's job to respect each student's individual process of learning. My students have gone on to become recording artists, Broadway performers, movie actors, Blues and cabaret artists, and published writers.
*** Lesson Details *** Voice I am an empathetic teacher, sensitive to the student's individual process of learning. My singing lessons usually start with breathing and relaxation exercises. Vocal technique exercises come next. When the student is fully warmed up, we will begin to work on songs. It is important that students be a part of the process of picking material since the more personally they respond to the material the more apt they are to become engaged in their lessons. After three to six months beginning students will have gained an understanding of the fundamentals of breathing, relaxation, and basic performance skills. With more advanced students the focus will be on range extension and the on-going development of vocal style through song interpretation and performance related exercises. Acting As an acting teacher and coach, I tailor my classes to the needs of each student. I utilize improvisatory and sensory techniques to help unleash spontaneity. I also encourage the students to use their personal experiences as a way to access a full range of emotions. I enjoy working with the student on script analysis, so as to discover the underlying motivations of the character the student is working on. Creative and Lyric Writing I use prompts as a way to get the student writing. Often, I will ask the student to write for stretches of time without editing themselves. It is important to unleash imagination before beginning the process of editing. Many times it is the unexpected that is the most compelling.
*** Studio Equipment *** home- 10 minutes away from Manhattan with piano, seating for parents -practice studio seating for parents
*** Travel Equipment *** I provide a piano, cd/mp3 player and an large library of songbooks to work from. The student should bring sheet music of songs they want to work on and a recording device.
*** Specialties *** I specialize in teaching how to sing rock, pop, musical theater, jazz, cabaret, and blues without hurting the voice as well as method acting instruction.
A very good first lesson. We went over breathing exercises and scales. Also had time for Amy to critique my speaking style through a portion of a speech I will be giving in a month. Time well-spent.
She briefly went over the next lesson plan and gave me a little homework to do as well.
I got a lot out of this lesson and I can see how this will help me accomplish my goal of being a better public speaker and having a more controlled and stronger voice.
Looking forward to future lessons.
September 9, 2019
Patient. Gifted Teacher!
June 23, 2019
Amy is absolutely incredible. She showed keen interest in my concerns and challenges. She listened and knew exactly what I needed to do to get to where I want to be. She makes it easy for me to understand and she is truly a great coach. I can’t wait to see her again.
If you want to study method acting ...for real...come in...I coach all levels of actors with the intention of my actors getting work. And they do. I want you to explore what it's like to experience the unbelievable amount of satisfaction you can have by allowing yourself to study acting. I teach from a method base and will work on monologues, scenes, and audition materials, collaborating with you on what it is you need to understand how we go about doing this thing called acting. I can work virtually. One thing you must know about me, I am nice. I won't crush your dreams. I will, however, make sure you attain them. I can come to you or you can meet me where I teach. I am in SF and Los Angeles. I successfully work virtually with actors, too. I look forward to meeting you. I coach all levels of actors. I want you to explore what it's like to experience the unbelievable amount of satisfaction you can have by allowing yourself to study acting. I teach from a method base and will work ...
Kathryn K I am happy to be offering actors, performers and speakers private sessions to strengthen and ignite your work. Actors; we will address technique for film, stage, on camera work, audition technique, monologue, scene study, script analysis, self tapes and sessions that educate and support actors and performers to work in the industry. We will address you. Speakers: I offer one on one coaching in studio and online, offering tools to empower the speaker or executive to communicate with authenticity and confidence. I have worked with people from almost industry you can name. Many of my students work with me to overcome years of shyness. This work helps them speak more comfortably and confidently. I am so happy about this. Most of my actors and performers secure roles, agents and are accepted to the universities they desire, incl
uding but not limited to; NYU Tisch, Carnegie Mellon, Oxford, USC, UCLA and Chapman, to name a few.
I am a member of the Screen Actors Guild and American Federation of Television Artists and Actors Equity Association, a Critics Circle Award Winning Actor and Songwriter. I am always a working artist. I have worked as a producer in film and commercials and have packaged properties from inception to completion. I am committed to helping artists experience their craft in a supportive, safe and challenging environment. I am really nice. I am most influenced by Stanislavsky and Lee Strasberg. I studied at HB Studio, Mark Monroe Studios and Cincinnati College Conservatory of Music. I teach communication skills using tools that actors know to help professionals outside of show business communicate effectively and freely. It is extremely inspiring for people who are not in the arts for a living.
You can see my actors on shows such as, HBO's, Thirteen Reasons Why, WestWorld, Blue Jasmine, Touching Home, (too many to name) and productions at Equity theatres throughout the country and countless National commercials. Most have joined SAG-AFTRA and Actors Equity. When you study acting / singing performance w/ me you'll learn how to navigate the business because you must know how.
Auditions!! They are definitely the most difficult and nerve wracking part of being an actor or singer, right? Booking work means your audition has to be as good as opening night. Auditioning is about preparation and preparation takes consistent support. Look, showbiz is not a business about being alone. Artists thrive when working together. We are a collaborative bunch and collaborating to make sure you're ready and organized for your auditions makes sense. Stop trying to muscle through this necessary step alone. No one who works consistently does that! They ask for help. ASK FOR HELP!! Solidify your acting choices so you don't have to worry about them the day before your audition. Know your prep so you can internally drop into it when the casting director says, "Whenever you're ready." Have your music material and performance choices prepared ahead of time. BE AHEAD OF SCHEDULE. Work with me when your agent sends you your sides so you show up READY. Know your lines. It's OK if your struggling with memorization. Let's figure out How YOU memorize. Let me coach you for online audition submissions. If we are working virtually I will coach while you are taping yourself to submit your online audition. It works! Let me collaborate with on script analysis in order for you to you understand your material before you audition. Take your work seriously so you bring your most intelligent and inspiring work to the audition rooms. You'll be bringing the agents, casting directors, directors, producers and writers the inspiration they crave regarding their beloved projects. Do that and you're gonna book. I know you can work and I can't wait to make it happen with you. About Kathryn Kathryn is a member of the Sag-Aftra and Actors Equity and BMI and is a Critics Circle Award Winner. Kathryn has worked with such legends as Tennessee Ernie Ford, Ben Vereen, Word Baker, who directed the first a one-act version of “The Fantastics” and then the historic two-act show, Sandy Duncan, Loretta Lynn, Flip Wilson. She studied at the University of Cincinnati College-Conservatory of Music (CCM) and HB Studio in New York City. For Parents of Minor: I'm available to help you understand this somewhat confusing industry. Vocal Coaching Available - Vocal Coaching Music Performance - Technique and Performance- songwriting
About Kathryn and Music KATHRYN K is a soulful singer and prolific songwriter. You can find more about Kathryn's music and her life story, which has allowed her to be of service to many, in national and local media, including: The Oakland Tribune, the San Francisco Chronicle, the San Jose Mercury News, Broadway World, Reader's Digest, NPR, The Gil Gross Show, The Montel Williams Show, and The Mancow Muller Show, NPR and Woman Magazine, UK. Kathryn has released a video and CD with Multi - Grammy winning producer and drummer, Narada Michael Walden, Tarpan Records in Marin County, Ca. Walden says, "Kat is bringing the message of hope, light, love and faith to people's lives." Walden says. "I am proud of her and her divine mission." Gil Gross, Host The Gil Gross Show Radio, ABC "I have loved Kathryn's music from the day I first heard her sing, but even being a fan of her recordings did not prepare me for seeing her perform live. She is a great live performer holding her audience willing captives to each turn of a melody and the drama of every lyric. She more than sings. She inhabits a song and involves each member of the audience in its drama, joy or sorrow. There are performers for whom a performance is a night out. When Kathryn performs its a lifetime shared with us in a single evening. If you want to merely hear some tunes, there are many people who will do. If you want a real experience in music, there is Kathryn. Kathryn's latest show is being created with director David Ford (Marsh Theatre) and Kevin Gerzevitz and her concerts features a whos who list of world-renowned musicians: Gerzevitz and Grammy-Nominated Bassist, Michael Manring; Album of the Year Winner, Trumpeter, Jeff Oster; Master Percussionist, Joe Venegoni; Guitar Virtuoso, Tom Lattanand; Critically Acclaimed Pianist, Kelly Park; Celebrated Flutist, Barbara Else; and from the Steve Winwood Band, Brazilian-born Drummer, Celso Alberti. Kathryn has played a variety of venues, including the renowned Yoshi's Oakland Jazz Club, the Bitter End and Symphony Space in New York City, the Knitting Factory in Los Angeles, the Plush Room and the Fairmont in San Francisco, as well as Mill Valley's premier showcase, the Throckmorton Theatre, Theatre on the Square, the Beacon Theatre, Great American Music Hall,The Mint, The Fairmont, to name a few. She has Cd's at all outlets.
Kathryn is awesome! She gave me wonderful tools, insights, and suggestions to help me speak confidently in business presentations. I highly recommend her!
May 6, 2019
Kathryn has applied her knowledge to my storytelling efforts, and I've found her coaching and encouragement to be invaluable. After only a few lessons my stage presence and delivery have improved, and we've just begun!
April 16, 2019
AMAZING! Kathryn is a star and an excellent mentor!
See Acting. I am a member of the Actors Studio and understand the precepts from their origin. write to me with specific questions and I will be pleased to enter into a dialogue. I have very strong opinions on the methods and find it often misunderstood. I am a very good teacher of the Tension-Relaxation in the Chair work as well as the Sense Memory work. I have the original list of Sense Memory exercises passed down from Lee Strasberg to the two women who I spent years studying with. This is very important work and I believe in it and understand it.
I am in New York City and accepting new students as well as reconnecting with anyone who wants to return. I have two graduate degrees: one in Music and the other in Dance and Theater studies. My undergraduate degree is from The Juilliard School, in Dance.
I've taught children and grown ups for many years. I have a strong performing career and love the way teaching keeps me in a giving and learning place.
*** Lesson Details *** With beginning students I am very laid back and patient and believe strongly that in the play of games and experiments technique will develop and manifest. As the student becomes more advanced I become more demanding as do the materials.
As an Acting teacher I have the capacity to take students along all the way to professional and beyond. I'm a member of the Actors Studio, the performing unions and ha
ve studied since childhood at ACT and then all over the world including The National in London.
For Dance, I have a wide knowledge and can teach several forms as well as history and materials. I also teach Ballet and many forms of Modern Dance. I adore teaching dance composition. To help a dance student make their own dances is very fulfilling. I also teach choreography or composition. One of the aspects of dance composition that has recently captivated me is the composing of sound and music for the dance that is also being made. Using software, we can explore electroacoustic as well as language and text collage as sound score for your dance. It is super fun!!!
For the Visual Arts I teach Abstract Painting as well as Installation and Performance Art. *** Studio Equipment *** I have supplies and space. Visual Art students need to contribute to materials by finding or purchasing whatever they like and adding to the mix. My students are welcome to use what I have here and I am always adding materials. Many people throw away materials that are perfectly good for art making so keep your eyes open and you'll find all kinds of good things. Visual Art students need to book a 2 hour minimum and I will lower the price if you just let me know you need it.
My fees: I start at a higher fee and after you've been a regular student we can lower the fee for you if you need.
*** Travel Equipment *** just a space to work in - we can create a work space out of any space.
*** Specialties *** In dance I teach classical ballet principles for beginners or those who are returning and want to work carefully and privately. I teach from the tradition of Alfredo Corvino's principles of relationship to organic forms and structures for sound development. I studied with Mr Corvino for years and continue to study with Ernesta Corvino. For acting I teach a combination of classical acting technique with American sense memory and relaxation skills. I am well versed in the teachings of Lee Strasberg and then spent time in London to 'fill in the cracks' of my training with analytical skills as well as the various european influences that the Royal National embrace. I teach creative discovery in combination with classical devices so the student can discover their own artistry while learning actual classical devices for accomplishing specific goals.
Having earned Masters Degrees from The Shakespeare Theatre Company's Academy for Classical Acting at George Washington University, Alyssa was named as two of "DC's 12 Stage Dynamos."
Alyssa should be familiar to most Washington theatre-goers, having recently appeared in Ford's Theatre's production of the Tony-nominated Broadway hit, Come From Away. That same year, she received the Helen Hayes Award for Best Actress in a Play, for her portrayal of the iconic Maggie the Cat, in Round House Theatre's production of Cat on a Hot Tin Roof. In 2017/18, Alyssa will appear in The Kennedy Center's World Premiere production of Digging Up Dessa, as well as the US Premiere of Botticelli In the Fire, at Woolly Mammoth Theatre Company.
Most widely known for his portrayal of Ensign Baker in AMC's revolutionary war drama, TURN: Washington's Spies (available on Netflix), Thomas has been seen on HBO's VEEP, as well as CBS's Madam Secretary and Elementary. In the DC area, Thomas has recently ...
I have been a professional actor since 2003 and have been working and living in the DC area for the last 7 years. I have been a proud member of Actors Equity Association since 2009. I have coached privately for over a decade and specialize in audition preperation for both undergraduate and graduate submissions, as well as upcoming productions. I am also an accomplished voice over artist and can facilitate the creation of your very own demo reel. Named one of D.C. 12 acting dynamos to watch in 2017 by the Washington Post.
Alyssa is the best. I had a little less than a month to pick two contrasting monologues for an audition. Alyssa sent me a monologue that’s was absolutely amazing. Alyssa is patient, knowledgeable, and a ton of fun. Completely down to earth. (Judgment free zone). I would refer Alyssa to any and everybody. Amazing experience.
March 21, 2019
First session was basically a meet and greet, and I must say, she's got a pretty awesome personality as well as a very open and free flow vibe.
January 22, 2019
Alyssa is great. She has an in-depth knowledge of multiple teaching techniques that will help you improve as an actor. She is also extremely flexible and will tailor lessons to focus on what aspects of acting you wish to improve and what teaching methods help the most.
I've been a professional film, TV and stage actor for over 20 years. I have a lot of experience working in Hollywood as well as independent stage. From improv comedy to serious drama, I stress naturalism in everything I do and that is what I coach. When learning, I know how important it is to have positive encouragement and support for creative development, and providing that is always my first priority. My goal in coaching is to help actors become the best they can be, and to succeed wherever they are in their artistic journey.
I'm a passionate, caring acting coach whose number one goal is to help actors find their sincere, authentic truth and express that sincerity within the imaginary circumstances of film, television, and theater. Whether you are interested in a professional career in acting, just curious about the craft, or simply want to be the best actor you can be, I can help you get there. ---------- "NED LIEBL (SAG-AFTRA, AEA), is a versatile actor who has cultivated a multifaceted career that includes film, television, stage, and improv comedy.
Among his multiple film credits, Ned played vigilante priest ‘Saint’ in Sony Pictures Home Entertainment's CROSS and the sequel CROSS WARS with Michael Clarke Duncan, Tom Sizemore, Danny Trejo, Robert Carradine, and Jake Busey. Television credits range from the Discovery Channels's GUILTY or INNOCENT? where
Ned played the starring role of undercover narcotics officer 'Grady Gibson' to the dark comedy pilot SMALL BITS OF HAPPINESS where Ned starred with Jodie Sweetin as a suicide prevention therapist. Ned performed with David Spade and Kevin Farley in the improv mockumentary THE SHEBOYGAN IMPROV FESTIVAL. Ned also performed with the late Chris Farley in the improv comedy troupe “Mixed nuts”. Ned is also an established stage actor. Recent stage roles include: Leonard, a troubled genius writer in "Seminar" (Chance Theater), Lou D’Marco in "Light Sensitive" (Moth Theatre), Aviator in "The Little Prince" (Chance Theater), Mark Loomis in "American Wife" (Antaeus Theatre), and Mechanic in "Middletown" (Chance Theater).
Ned’s extensive coast to coast training includes Second City, William Esper Studio, Stella Adler Studio, Actors Movement Studio, Jeff Corey, Susan Batson, Jeff Goldblum, Miles Stroth, John Markland, Eric Morris, and Richard Seyd (Ned teaches Richard Seyd's Trigger Approach)
What you ultimately have in Ned Liebl is a highly experienced, knowledgeable, and passionately-driven actor/coach who cares about actors, the art of acting, and has over 20 years of professional acting experience on stage and 16 years in Hollywood film and television.
Ned also writes, directs, and enjoys spending time with his family."
I have been teaching for 7 years I can be really funny also i can teach you how to start off your emotions fake laughs and also your personality I can help change your personality in real life. Have you ever seen a tv show or movie wishing you had their personality brave smart and dont took bs someone like the Rock or funny like chris tucker. you ever look in the mirror before and was like I'm ugly well I can have you thinking you was the most best looking person ever invented which gives you confidence. You ever meet this boy or girl and to scared to talk to them well i can change that guaranteed.
Well I'm one of a kind you know I guess some could call me a genie cause I can make things happen in just a wish maybe not as quick as a normal genie but I can get the just done I guaranteed that. I could go on and on about where I graduated what am I doing with my life as of now how many years i been doing this and some of the things I like to do and where am i from well to be honest I'm just a normal human bean that's from west Philadelphia I grew up around alot of violence as a child and had alot of struggles at times i was homeless no food at only 8 years old of course my mom and dad were there as well we slept in the car or shelter for kids and women while my dad would go find a place so then I moved to delware with my grandma and aunts and from there I just started watching alot of movies hood movies like boyz in the hood or friday
sometimes even drama films and I just found it interesting about how people cry when someone dies or laugh when someone tells a bad joke and I also watch cartoons like the lion king and tom and jerry and spongebob and just watch my baby brother and sister laugh witch gave me joy just to see them laughing so I use to do puppet shows for them and they would laugh so hard witch inspired me to get into acting and now I want to help others like you.
I am a member of the National Alliance of Acting Teachers, MFA in ACting, and professional actor for 25 years. I know how to break down and help execute the actor's primary job.
David Robert Weber is a member of the National Alliance of Acting Teachers and has an MFA in Acting and Theatre Pedagogy from California State University Long Beach where he studied acting pedagogy under the direction of Alexandra Billings, Hugh O’Gorman, Ezra LeBank, Dr. Shanti Pillai, and Andrea Caban. He has worked as an education artist since 2002 with the Atlanta Shakespeare Company and has served as a teaching artist for Lookingglass Theatre Company, Stoop Feast Theatre, Emerald City, Alphonsus Academy and the Citadel in Lake Forest. He has been on faculty as Assistant Professor of Acting at Illinois State University and taught workshops on “playing action” at the University of Illinois at Chicago, Rockford University, and Aurora University. David has an acting career that spans twenty-three years in Chicago, Atlanta, and Los Angel
es. He has been recognized as one of the Top Ten Actors in Atlanta, Sunday Paper for his work in Terrence McNally’s A Perfect Ganesh. David is the recipient of the Chicago Bar Association Award at The University of Illinois at Chicago 2013 where he also received his BFA in Performance under the direction and mentorship of Yasen Peyankov, Tanara Marshal, Luigi Salerni, Jason Martin, Derrick Sanders, Richard Corley and Paola Coletto. His thesis is titled “Faith and the art of actor training” published by ProQuest and California State University Long Beach. He is working on an episodic of the backstory of Saint Patrick and he currently acts, directs, and teaches with his fellow collaborators at Young Harris College and at his own private practice with Promontory Productions and Stoop Feast Theatre in Chicago.
David's class was interesting, challenging, and intellectually stimulating. I left feeling both energized and pleasantly spent. He is exactly the kind of Acting Teacher that I benefited from having discussions with about "the craft." Direct, curious, and thorough. It's also a class that I believe is accessible to actors of all levels, from novice to professional!
September 23, 2019
I hired David to work with teen and adult actors for a feature length film I directed. The impact that David had on the actors and on the success of the film have been phenomenal. He is a brilliant teacher! One of the teen actors said that he learned more from David in six lessons than he had in dozens of summer acting camps over the years. The adult actors were equally impressed. If you get a chance to work with David, I wouldn't miss it.
September 16, 2019
David is a "one-of-a-kind" Acting Coach! I have been a professional in the industry for the last 10 years, and I attribute most of my success to David. David encouraged me to lean into my own interferences and self-consciousness in terms of acting, in order to get more comfortable with the unknown and my fears. I attribute David to my success because through this classes I was able to gain the rarest gift any acting teacher can give their student: confidence. I am a braver artist, a more present actor, and even a better person thanks to David's classes. Not only did David influence me as an actor/artist, I use his lessons every day when I teach my own Acting Classes in Chicago. I highly recommend him.
"James Walsh has helped me in more ways than can I could even imagine in the past 6 months I have trained with him. His challenges and ideas lit a creative
spark in my mind, helping me express myself through playing the role of a character nicely (absolutely loving the accent practice i am being taught in). He has also provided a very therapeutic healing for my mental health, helping me to be more spontaneous and witty, instead of the wooden and mechanical person I once was.
James has a ridiculous amount of connections, resources and ideas at his hands, and gladly offers him to me to help me in my Method Acting. For those looking for a career in Acting, Comedy, or Film, James is definitely your man for opening several doors.
Throughout the months, he has been very supportive and encouraging, oftentimes doing welfare checkups on me throughout the week and showing me new ideas and techniques in film, acting and spontaneity. He demonstrates patience with learning curves, and gives good assignments to work on through the week for the next time you meet up. He also is understanding if you cannot make an appointment.
In terms of the actual classes, they are phenomenal. Many classes, when deliberately practicing, feel more like an actual In-the-moment conversation rather than a mechanical " Do this than that" layout. He gives a lot of good and fair feedback for improvement at the end of the class, and following the advice never failed to be right. Be prepared for time to fly, though, as 45 minutes will feel like 10, especially if you are REALLY in character and going back and forth with him on random topics, which almost make you feel like you have a hidden persona lol.
All in all, James is very experienced and skilled in teaching students of all walks of life, from aspiring actors/actresses to would be filmmakers to people simply looking to learn life skills that are invaluable to life, career, relationships and even mental health! There is something for all in this coach's teachings, provided you are wiling to put in the work. Phenomenal teacher and an all around great person!"
"Very uplifting first class. Thank you Randy."
"Nicolas is one of the best mentor I have ever came across. He is a passionate about teaching and able to help you draw out the inner you. I was someone wh
o had a great deal of struggle connecting with my emotions and being able to express it in a sensible way. Within few weeks he taught me how to tap into my feelings and express it outwards. Need less to say he is an impressive teacher and if you have the chance, visit him. It will be beneficial for your personal life and career."
"I reached out to LK for lessons on a combination of method acting and dealing with social situations in a corporate context. She is engaging, directed and
to the point. I've enjoyed the interaction and would recommend her as an online coach"
"Great instructor and great listener. Jeremy will be a supporting and friendly coach while helping you to achieve your goals as an actor."
"James gave me some very important information about how to act well. He suggested I audition for a play, which I am planning to do, and he gave me some go
od professional and vocational tips, James is also very compassionate and funny. Definitely several points above average!"
"Never have a found an acting teacher so knowledgeable and dedicated to the art. He has a passion for delivering accurate, grounded, inspirational and powe
rful direction in the rehearsal room. He is a ton of fun, great with group classes and shows a love for each student as an individual. Highly recommend."
"Nicholas is a great coach and knows how to push me to get me to where I need to go. Highly recommended as an acting coach!"
"Jennifer is amazing! I went into my first lesson really nervous, but she assured me everything would be fine, and helped me push through the nerves. She t
ruly wants to know what interests you, and incorporates it. Would recomend 100 %!"