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What Kind of Instrument is the Piano: Percussion or Strings?

January 12, 2021

What Kind of Instrument is the Piano: Percussion or Strings?

The piano is an ingenious invention and, since its creation, its impact on music has probably been greater than any single instrument. The invention of the piano was, indeed, a total game-changer in western music. 

How do we categorize the piano?  

The acoustic piano is both a percussion and a string instrument. If we want to get technical, some pianos may also be considered an electronic instrument since digital pianos are now very popular, especially among students. 

Digital pianos use sound sampling technology to simulate the tone and timbre of an acoustic piano. Sampling is a complex process that employs recordings of an analog sound. In this case, the individual keys (small black and white levers) of the piano are sampled to create a digital or binary waveform. Digital pianos are quite impressive. However, nothing beats an expertly crafted acoustic piano, and we will focus on acoustic pianos in this blog.   

What is an acoustic piano? 

There are two types of pianos:  

1.) The Horizontal (usually called a grand) 

There are six sizes of grand pianos on the market today. From smallest to largest,  they are: 

  1. Petit grand 
  2. Baby grand 
  3. Medium grand 
  4. Parlor grand 
  5. Semi-concert grand 
  6. Concert grand 

The concert grand is truly a grand instrument reaching up to 9 feet long!

a grand piano is a great way to understand what kind of instrument a piano is

2.) The Vertical (usually called an upright) 

Vertical pianos also have different sizes. From smallest to largest they are:  

  1. Spinet 
  2. Console 
  3. Studio 
  4. Full upright 

The larger the piano, the more robust and rich the tone and resonance becomes.  

Let’s Take a Closer Look at How a Piano Works

There are several moving parts on a piano. The most significant of these are the felt hammers attached to the hammer shanks (round wooden dowels). The most prominent feature of the piano is the striking action of the hammers. When the  performer presses down a piano key, the hammer is engaged, and it raises to strike the strings. 

It may seem like an inconsequential detail now, but in 1700, this hammer action was an extraordinary development.

Harpsichords and clavichords, the leading  keyboard instruments of the baroque era, could not play with dynamics. (Dynamics  refers to the loudness or softness of a sound.) However, the piano could play a  whole range of dynamics! 

The first pianos were called the pianoforte. Sometimes the two words were inverted so that the name becomes fortepiano. This inverted name is typically used to refer instruments made in Austria during the 18th century. Either way, all pianos can be played loud and soft (and many dynamics in between). This dynamic range gives composers and performers the ability to create music with much greater musical expression.  

Some composers, like J.S. Bach, were slow to embrace the piano but, over time, even the most doubtful musicians became enchanted by it. By the classical era  (1730-1820), composers such as Franz Joseph Haydn, Wolfgang Amadeus Mozart,  Ludwig Van Beethoven, Muzio Clementi, and many others wrote extensively for  the instrument. Throughout the romantic era (1800-1910), the 20th century, and  beyond, the piano has remained in the spotlight. Often, musicians will say the piano is “the orchestra at your fingertips.”   

How was the piano developed? 

The inventor of the piano was Bartolomeo Cristofori (1655-1731). He was an instrument maker from Padua, Italy. Before his work on the piano, he had invented  two variations of the harpsichord called the spinnettone and oval spinet, respectively. 

Bartolomeo Cristofori di Francesco, inventor of the piano (1655-1731)

Various design changes occurred on the piano during the 1700s and early 1800s,  including further development of the hammers, frame, soundboard, pedals, and  strings. Sometimes, these innovations were regressions rather than improvements. But eventually, the modern grand piano was born, and the much larger frame (including a heavy cast iron plate) became the standard design for the piano. 

Cristofori pianoforte c. 1720 

Companies such as Chickering & Sons were popular in the early 1800s. However, Steinway & Sons, founded in 1853, eventually produced the most sought after pianos by professionals and music directors alike. Many other brands of pianos exist too. Yamaha makes excellent pianos, and several boutique companies also arose in the 20th century. One of these is Fazioli, which has been making amazing pianos since 1978. 

In addition to the hammer and the strings, the most critical feature of the piano is  the soundboard.

When the strings are struck by the hammers, and they vibrate  inside the case, the tone is amplified by the soundboard. Soundboards are thin,  delicate wooden plates, and they are usually made of spruce. The soundboard – or sound diaphragm – is largely responsible for creating the beautiful sonority of the piano.    

Hammers with felt tips on a modern piano 

The modern piano contains two rows of 88 black and white keys. The lowest note is called A0 and the highest note is called C8. The 52 white keys of the instrument  make up the seven notes of the C major scale (C, D, E, F, G, A, and B). In addition to the white keys, the piano contains 36 shorter black keys, which are located  above the white keys, and set further back on the key bed. All totaled, the piano  contains 8 full octaves, plus some extra keys on the bottom end. Piano music uses the bass clef to notate pitches in the low to middle ranges, and the treble clef to  notate pitches in the middle to high ranges. It’s clear that the piano is here to stay and its influence on musical development since 1700 is truly indispensable. 

Photo and Illustration Captions:  

Bartolomeo Cristofori di Francesco, inventor of the piano (1655-1731) Cristofori pianoforte c. 1720 

Hammers with felt tips on a modern piano 

Modern grand (horizontal) piano 

Modern upright (vertical) piano  

Extensive Range of the piano

author
Eric is a third generation musician from Western New York. A multitalented artist, Eric has worked as a composer, percussionist, pianist, author and educator for most of his life. As a composer, Eric has received four prestigious Meet the Composer grants, a Utah Arts Council grant, NEA Foundation grants and more. In 2007, the premiere of his concerto for saxophone and strings received a standing ovation at The Lighthouse: Poole's Centre for the Arts (Dorset, England). ​ In October of 2018 Eric 's "Twelve Pieces for Solo Piano" and "Movement I: Time" from "Between the Sandhills and the Sea" were performed at Weill Recital Hall at Carnegie Hall. Earlier in March of 2018, "Twelve Pieces" was premiered at Kleinhans Music Hall in Buffalo, NY. Both performances featured pianist Michelle Alvarado and "Movement I: Time" was performed by Alvarado with cellist Hannah Holman. ​ Eric 's jazz band, The Eric Group, has released two critically acclaimed albums and his group has performed at Lincoln Center for the Performing Arts, among other venues. His albums have received international radio play and rave reviews in Downbeat Magazine, The Jazz Journal, Jazzwise Magazine, the All Music Guide and over a dozen additional publications worldwide. Brian Morton, publisher of the Penguin Guide to Jazz called his album Such Is Life “One of my favorite releases of the year.” Iconic drummer, Bill Bruford, called Eric “an extremely welcome new addition to the club [of percussionist composers]” and famed composer Steve Reich wrote, “I’m impressed with the directness of Eric’s music and the craft with which he has written it. His music would appeal to a wide variety of listeners.” As an author and educator, Eric has written five books about music for Adams Media, Inc. Two of them have been translated into Spanish. In 2010, Eric was a featured speaker at Loyola University New Orleans' Beiver Guest Lecturer Series. Since 1995, he has also appeared as a guest artist and clinician at many high schools and colleges throughout the country. Eric currently resides in the lower Hudson Valley where he also teaches private lessons to dozens of music students. Additionally, the Starr Music Studio hosts two student recitals every year at The Chapel Restoration in Cold Spring, NY.

Eric Starr