Rob Taylor drummer/singer/songwriter/guitarist. Wrote, recorded and released his 2010 cd Artok - Above Ground on his own label Kanvas Productions.
Kanvas Productions for several years now has hosted artists, producers and engineers has assisted artists in management, production and music recording.
Rob also ran the famous Mint Studios in Los Angeles handling artists from (the Rolling Stones, Stray Cats, Ramones, John Cougar, Power Station just to name a few).
Rob has been a teacher for over 25 years and uses his own book "Rolls Around the Kit" exclusively with his students.
Drum teacher for this awesome music school.
Music and Production Credits
Recorded with Ronnie King (The Offspring), Boomkat, Joe Roncetti, Sheley Scott, Jonathan Balas, The Cloud
Performed with Bernard Fowler (Rolling Stones), Ivan Neville, Joe Elliot, Angus Thomas, Vessy Mink, Shaley Scott
Produced / recorded soundtrack for independent film, Blue Road by Oliver Cuker
Provided engineering assistance for Bernard Fowler, Damage, Boomkat, Dave Abbruzzeese, Slim Jim Phantom, Robbie Robertson, T’Bone Bernett, Bobby Womack, Ivan Neville, Robert Downey Jr., Vincent Gallow, Paul Allen, Waddy Wachtel, Harry Dean Stanton, and many more.
SOCAN (the Society of Composers, Authors and Music Publishers of Canada) is a not-for-profit organization that represents the Canadian performing rights of millions of Canadian and international music creators and publishers. SOCAN is proud to play a leading role in supporting the long-term success of its more than 130,000 Canadian members, as well as the Canadian music industry. Through licenses, SOCAN gives businesses that use music the freedom to use any music they want, legally and ethically. SOCAN licenses more than 125,000 businesses coast to coast and distributes royalties to its members and peer organizations around the world. SOCAN also distributes royalties to its members for the use of Canadian music around the world in collaboration with its peer societies. In addition, SOCAN plays a leadership role in mentoring emerging creators on various aspects of the craft and business of music. We also advocate on behalf of our members to ensure that copyright is respected and that creators are appropriately remunerated for the use of their work.