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Tulsa, OK Music Theory Lessons

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Popular Music Theory Teachers near Tulsa, OK

Check out some of our most popular teachers near Tulsa, OK including Broken Arrow, Bixby, Jenks, Mounds and Coweta.

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About Christian R.

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Tulsa, OK

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About Christian
Music is my passion. I've been playing music since I was a child but didn't get serious with it until I was 14, that's when I got my first electric guitar. So, from then on I've been playing and studying music for over 16 years. I play and teach guitar, piano, drums, and bass guitar. Aside from taking years of private lessons with a number of teachers I also studied music and audio engineering in college. I'm constantly learning more. I keep my chops up by practicing and reading books by other professionals and songwriters. So, I have an arsenal of books and musical knowledge. When I'm not teaching I spend most of my time writing and recording my original solo music. I have a rock band that I've been playing with for over a decade. We are currently in the studio recording our first professional album.

*** Lesson Details ***
I'm a ver
y patient teacher. I understand that not everyone learns the same way so I specialize in breaking things down and making music as simple as it can be for each kind of student. I don't use just one method, I pull from my arsenal of acquired knowledge, books, and my own studies. I keep lessons fun and interesting. A normal lesson with me would consist of two parts the first 30 minutes we would focus on learning and practicing warm ups, exercises, licks, notes, scales, chords, arpeggios, timing, rudiments, dynamics, ear training, theory, technique, etc. And the second half we would work on a song or jam together. Depending on the age and level of student, after spending six months studying with me you will be a rock star! LOL. Well, you may not have a recording contract, but you will have gained a volume of knowledge and taken your playing up a few levels. It's all about how much time and practice you put in and how much you want it. Every student has there own pace and desire so I do my part to help them become the best that they want to be.

*** Studio Equipment ***
Home Studio: drum set, practice pad, piano and keyboard, guitar amps, chairs, parents can sit in on lesson.

Broken Arrow Music Studio: drum set, guitar amp, piano, and lobby room for parents.

*** Specialties ***
I specialize in working with beginner to advanced level students. I teach all styles of music.
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Reviews
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Bailey H. August 30, 2018
· Piano · In home
Christain is a great instructor. He is very, very patient with our 8 year old daughter. She likes going because of him. He has a lot of knowledge and knows how to relate to her. We really appreciate him. Thanks Christain!
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Michael L. October 31, 2017
· Piano · In home
Excellent! He is working with me on exactly what I was wanting to learn.
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Mike October 17, 2017
· Piano · In studio
I needed some lessons in music theory and got what I needed. Christian knows his stuff and was very helpful in explaining some new info to me. I've got lots of homework.
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Christian R.

Christian R.

Tulsa, OK 74133
(22)
starting at
$25 / 30-min

About Nicholas M.

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San Jose, CA
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Learn and be proficient with the concepts, scales, melodies, chords, rhythm, and progressions that are used to make up the various genres of music and performance.

About Nicholas
Nicholas M. is available to give voice and piano lessons in-home and in-studio.

What to expect in a voice lesson:

Vocal warm-ups
Technique and style development
Selected songs to practice
A recorded copy of the lesson to review and practice with.

As a private instructor, Nicholas seeks to develop students of his own to build excellent technique that they may become confident and comfortable singers and pianists in any style they desire.

Nicholas' Choral Experience:

Past Conductors:
Dr. Sharlene Archibeque, Dr. Amanda Quist, Lou De La Rosa, Daniel Hughes and Dr. Jeffrey Benson.

Past Choir Concert Tours:
Europe 2005 with De La Rosa and 2010 with Dr Quist.
"Star Wars in Concert" October 2009 (Sacramento and San Jose)
"€œAndrea Bocelli in Concert"€ November 2012 (San Jose)
"The Rolling Stones 50 and Counting Tour" May 2013 (Oakland and San Jose)

Other Productions:
Eric Whitacre€™s "Virtual Choir"€ (Beta, 1, 2, 3)

*** Lesson Details ***
Voice and Piano Lessons

+ Vocal and/or piano warm-up exercises
+ Technique and style development
+ Selected songs to practice
+ A recorded copy of the lesson to review and practice with.

As a private instructor, Nicholas seeks to develop students of his own to build excellent technique that they may become confident and comfortable singers and pianists in any style they desire.

*** Studio Equipment ***
Piano Keyboard with Music Stand.
Piano and Vocal Song Books
Lesson Recording Device

*** Travel Equipment ***
I provide a selection of music books to read from, a piano keyboard if the student does not have one, and a lesson recording device. Students may provide any music they wish to work on.

*** Specialties ***
I specialize in singing and teaching Art Song and Opera/Concert Arias.
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Reviews
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Nathan October 8, 2018
· Singing · In home
He is great with teaching
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Tammy March 14, 2018
· Singing · In studio
Nicholas is an excellent vocal coach who meets you where you are and helps you improve to meet your goals. Thanks so much to Nicholas for helping me prepare for an important event.
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Kris May 27, 2017
· Singing · In studio
Patient !
Skillful !
Great !
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Nicholas M.

Nicholas M.

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(12)
starting at
$40 / 30-min

About Travis C.

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Lone Tree, CO
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I have served as a music theory tutor in college and can help you find your unique way of comprehending!

About Travis
Travis C. classical guitarist, teacher and performer recently completed his Masters of Music at the Lamont School of Music located at the University of Denver, where he also completed his Bachelors of Music in 2009. A native Coloradan, he has established a diverse private guitar studio while performing professionally in weddings, special events, and solo performances throughout the Rocky Mountain Region. He has gained recognition with his musical pursuits in both solo and chamber performances, resulting in numerous honors including his honorable mention in the 2010 Lamont School of Music Chamber Competition. He was accepted into several prestigious music programs including the New England Conservatory of Music and the University of Southern California. During the Fall of 2009, Travis studied in Milano, Italy where he performed with vari
ous chamber ensembles in Milano and Genoa. Currently, Travis is performing with the Sage Ensemble as one of its founding members, performing as a soloist, and building his private guitar studio of over 40 students while being on the music faculty at Avanti Music Academy and Allegretto Music Lessons LLC.

*** Lesson Details ***
Learning a musical instrument should be a fun and rewarding experience that enriches your life!

With over 7 years of teaching guitar and over 13 years performing, I know that efficient practice habits and solid technique can unlock your inner potential.

As a student of mine, you can expect a fun and challenging learning environment where bad habits will never be an issue. I primarily teach classical guitar, although all styles are welcome!

My curriculum covers the basics of right and left hand technique, sight reading, ensemble playing, music theory, and performance practice.

It is my personal guarantee, with your dedication and hard work, within 3-6 months, you will have a competent grasp of basic guitar technique, note reading and musicality.

I look forward to working with you!

Sincerely,
Travis C.

*** Studio Equipment ***
I teach primarily at the Newman Center for the Performing Arts, Lamont school of Music, in their studio spaces and private practice rooms.

*** Travel Equipment ***
I can provide classical guitar footstools, music stands, as well as music theory text books to get started. I require the student to provide their own guitar. I am also available to consult on the purchasing of a guitar.

*** Specialties ***
I specialize in Classical Guitar and teach many methods depending on the students needs. I can teach the Suzuki method and the Parkening method but primarily teach out of "Bridges" The Royal Conservatory of Music graded repertoire series.
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Reviews
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Kent D. October 28, 2013
· Guitar ·
Travis is a great instructor

Travis has been a great instructor and I am very pleased with the results. He is a great teacher, an amazing guitar player, and is very patient and can handle all of my scheduling issues. I would highly recommend taking lessons from Travis.
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TomR1 July 28, 2012
· ·
Really enjoyed taking my first lesson with Travis. He made the experience enjoyable and I could understand clearly what the goals were and what follow up work needed to be done.
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JenniferS4 November 5, 2011
· ·
Great experience so far!

I've certainly enjoyed my beginning guitar lessons with Travis. He takes the time to answer my questions and explain things to I understand the music and the best techniques to use. He is also very encouraging and supportive of my just enjoying the guitar, even with mistakes. So far, I am having a great time!
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Travis C.

Travis C.

Online
(3)
starting at
$30 / 30-min

About Carl S.

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Broken Arrow, OK

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My doctorate is in music and I have experience teaching music at multiple universities, as a public schools teacher, and as a private instructor.I have experience as a Lecturer of Music Theory to Graduate Students and I have been a Graduate Teaching Assistant of Music Theory previously at the university level. I have helped my university students with theory in their private lessons and taught jazz improvisation to my ensemble members. For booking, please sign up with TakeLessons today, and then we'll arrange a mutually agreeable meeting time. I look forward to hearing from you!

About Carl
Carl is currently working with Palen Music Center. He is also teaching at the University of Tulsa as an adjunct faculty member. He maintains an online music studio through TakeLessons, where he teaches several instruments privately and in group settings including saxophone, guitar, oboe, music theory, flute, clarinet, and piano.

Carl taught at Oklahoma State University as a Lecturer of Saxophone and Music Theory during Dr. Jeffrey Loeffert's sabbatical in Fall 2017. His duties included graduate saxophone lessons, graduate music theory review, graduate saxophone pedagogy, and saxophone studio class.

Prior to working at OSU, Carl was Instructor of Jazz and Saxophone at South Dakota State University from 2014-2017. His responsibilities included directing the annual SDSU/Brookings Optimist Jazz Festival, directing Jazz Ensembles I-II, J
azz Combo, Jazz Improvisation lessons, Jazz Pedagogy, online Jazz Appreciation, private saxophone lessons, saxophone quartets, private oboe lessons, and group guitar class.

Carl completed his Doctor of Musical Arts degree in saxophone performance at the University of Kansas in 2014, and his Master of Music Pedagogy and Performance from Oklahoma State University in 2011. He graduated from Harrah High School in 2002, earned his Bachelor of Music Education from Southwestern Oklahoma State University in 2008, and was a 5th-12th grade Head Band Director at Fairview Public schools. He is currently a member of the North American Saxophone Alliance, the Jazz Education Network, Music Teachers National Association, National Association of College Wind and Percussion Instructors, and an Honorary Member of Tau Beta Sigma. He has held previous memberships with Kappa Kappa Psi, Phi Mu Alpha Sinfonia, Kappa Delta Pi, and the Oklahoma Bandmasters Association.

While at KU, Carl was also a graduate teaching assistant for the saxophone studio and jazz studies program. His responsibilities included Assistant Director of the KU Jazz Festival, directing Jazz Ensembles II-III, directing Jazz Combo III-VI, directing Saxophone Quartets II-III, teaching private saxophone lessons, assisting in saxophone studio class, and teaching the music education woodwind methods course. His Lecture Recital Document, A Performer’s Analysis of Selected Jazz Works for Saxophone Quartet, featured an interview with Bob Mintzer. Carl was a member of KU Jazz Ensemble I, KU Saxophone Quartet I, and KU's Helianthus New Music Ensemble. As a member of KU's Jazz Ensemble 1, Carl has performed with Dave Douglas, Kurt Rosenwinkel, Alex Sipiagin, Steve Owen, Gary Foster, Steve Houghton, Clint Ashlock, David von Kampen, Peter Epstein, Jeff Miley, James Miley, Roger Shew, and Brian Hamada, Brandon Draper, Rich Wheeler, Beau Bledsoe, Jeff Harshbarger, and Matt Otto. In July 2014, Carl went on a European tour with KU Jazz Ensemble I featuring Steve Leisring and Deborah Brown. Together, they performed at the Montreux Jazz Festival in Switzerland, the Vienne Jazz Festival in France, and performed in several cities in Germany. Recordings by this band resulted in KU winning the DownBeat Student Award (Graduate College Large Jazz Ensemble Division) in 2015.

While at OSU, Carl was a GTA for the saxophone studio and music theory programs. His responsibilities included Music Theory I-IV tutoring and grading, sight-singing grading, piano labs, classical and jazz saxophone lessons, saxophone quartet coaching, saxophone studio Webmaster, and saxophone studio class. Carl was a member of the OSU Wind Ensemble and Jazz Ensemble 1. He had a regularly performing jazz trio and played in OSU's X2End saxophone quartet. The X2End quartet performed locally at the 2011 Navy Band Saxophone Symposium in Washington D.C., at the 2011 NASA Region IV Conference, and has won the state and division rounds of the 2010-2011 MTNA Chamber Music Competition. The X2End quartet went on to win the 3rd place prize at the national final round of the MTNA Chamber Music Competition. They also were the Division II Chamber Ensemble winners at the 2011 Hubbard Music Competition where they were awarded the 2nd place prize in the overall finals. Carl's final degree paper at OSU was a study of composer/performer collaboration. He traveled to Texas, Michigan, and Ohio to interview saxophonists and composers including David Dees, Peter Fischer, John Sampen, Marilyn Shrude, Joe Lulloff, and Charles Ruggiero. He has presented his lecture at the 2011 Navy Band Saxophone Symposium, the 2011 NASA Region IV Conference, and the 2012 OSU Single Reed Summit. As a member of OSU's Jazz Ensemble 1, he has performed with Bob Sheppard, Conrad Herwig, Wayne Bergeron, and Andy Martin.

While at SWOSU, Carl performed as a member of the marching band, wind ensemble, Jazz Ensemble A, saxophone quartet, and his own jazz combo named Five-Seven. As a member of SWOSU's Jazz Ensemble A, he has performed with Dan Haerle, Bob Bowman, Jack Mouse, Fred Forney, Janice Borla, Eddie Daniels, Pamela York, Lynn Seaton, Carl Allen, Dr. Michael Cox, Tom Williams, Dr. Robert Chambers, Dave Hanson, Drori Mondlak, Delores Williams, Byron Stripling, Frank Wess, Kenny Drew Jr., Dennis Mackrel, Bill Watrous, Rich Eames, Jennifer Leitham, and Randy Drake.

Carl's primary saxophone instructors have been Vince Gnojek, Dr. Jeffrey Loeffert, Dr. Ann Bradfield, Dr. Keith Talley, and William Rodney Hull. He has had additional instruction in lessons and masterclasses from Gary Foster, Dr. Joseph Murphy, Dr. Michael Cox, Bob Sheppard, Johnny Salinas, Dr. Kimberly Goddard Loeffert, Dr. Geoffrey Deibel, Dr. Jonathan Nichol, Dr. Griffin Campbell, Dr. James Laughlin, and Dr. David Dees. Carl's jazz directors have included Dan Gailey, Bob McCurdy, Dr. Jonathan Martin, Dr. Keith Talley, and Dr. Terry Segress.

Carl enjoys recording several instruments in his home studio and composing new music. His compositions that have been performed include his big band arrangement of Cat Battles by Joshua Redman, September in the Refrain (alto saxophone and electronics), Funk-o-matic (jazz combo), Smooth (jazz combo), and The Deadline Arrives at Dawn (alto saxophone and electronics). As an advocate of new music involving the saxophone, he has participated in a commissioning consortium for Alone Together by composer David MacDonald through Kick Starter. In 2013, Carl performed the premier of Cuento #3 by Nelson Ramirez Diaz. During summer of 2014, he recorded selections from Dr. John Walker's "The Alto Saxophone in the Attic," published by Carl Fischer. At the 10th Annual SDSU/Brookings Optimist Jazz Festival in 2015, Carl directed SDSU Jazz Ensemble I's premier of Dog, Tired by David von Kampen.

Carl is a Conn-Selmer Endorsing Artist. He hosted the North American Saxophone Alliance Region 3 (ND, SD, NE, MN, IA) Conference at South Dakota State University on March 17-18, 2017. On Saturday, April 8, 2017, Carl performed Dreams in the Dusk by David Biedenbender with South Dakota State University's Wind Symphony, directed by Dr. Jacob Wallace. On Monday, February 6, 2017, Carl performed the premiere of Lhotse for alto saxophone and percussion by Steve Danyew with Dr. Aaron Ragsdale. In April 2017, Carl performed solo tenor saxophone and orchestral clarinet in Ethan Bortnick's national PBS Special called "Generations of Music," which featured special guest, Peter Yarrow, from Peter, Paul and Mary.
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Reviews
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Alex November 8, 2018
· Saxophone · Online
My son enjoyed the class
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Ronald November 7, 2018
· Trombone · Online
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Lillie H. November 7, 2018
· Flute · Online
Carl was very friendly with my daughter. He set her at ease. Asked many questions of her, but helped her when she was struggling to answer. Probably gave her more hints and new tools to use in 30 minutes than she has received in 2 years of band. Very impressed!
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Carl S.

Carl S.

Broken Arrow, OK 74012
(135)
starting at
$29.95 / 30-min

About Cheong K.

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New York, NY
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You can learn about either or both classical and jazz theory.
From there you will understand how music works, which can help you compose one as well.

With jazz theory, you can also learn how to transcribe so that you
can apply your transcription skills to your performance.

Also, there are different scales and modes in jazz, which create different harmonies, chords, and tensions.

About Cheong
Professional musician, with a BA of Contemporary Writing & Production from Berklee College of Music. I can teach jazz/classical piano, basic to advanced music theory, composition, arranging, production in any styles and purposes (TV, radio, film, live performance, studio recording, accompanying)
...
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Cheong K.

Cheong K.

Online
starting at
$35 / 30-min
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About Thomas C.

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Austin, TX
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I have studied theory in my private lessons and have studied 8 semesters of music theory at the conservatory level. I have also studied 2 semesters of jazz theory.

About Thomas
Classical guitarist
...
Reviews
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Michael January 27, 2017
· Music Performance · In studio
Tom is a great teacher. I have been studying with him at FSU for a for a few months, and he has greatly improved my strength of sound. He has also helped me work on my musical expression.
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Josh January 26, 2017
· Classical Guitar · In studio
Tom is a very good instructor. He is very patient and will work with you on whatever you need. He will find the weak spots in your playing and bring them to your attention. He also never hesitates to compliment you if you deserve it. Tom is also very good at helping you achieve a high level of musical expression. Overall Tom is a great teacher.
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Cole January 18, 2017
· Classical Guitar · In studio
Definitely knows what he is doing in terms of playing and instructing. He gives constructive criticism and tips necessary to improve your playing each lesson.
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Thomas C.

Thomas C.

Online
(7)
starting at
$30 / 30-min

About David S.

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Rutherford, NJ
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My goal as a teacher is to give you the facility to express yourself through music. The key parts to developing this facility are:

1. theory -- if you know your theory, you know the best way to express your idea without having to think about it
2. technique -- the last thing you want is for your technique to hinder your ability to express your idea. Having good technique lets your ideas flow naturally

When you take lessons with me, you get out of it what you put in. Your job as student is to be honest with what you expect to achieve and my job as teacher is to give you the tools to achieve it

About David
I am a bass player first, not a guitarist who also teaches bass. Students will learn technique, theory and groove from a teacher who understands that as bass players, we are in a unique position. Since bass is both a harmony and rhythm instrument we have the opportunity to develop into leaders in a way other instrumentalists don't. I will encourage students interested in exploring this aspect of their instrument

I have a degree in jazz performance from The Ohio State University and have played in numerous rock, jazz and off-broadway bands over the last 20 years. Now playing is something I do primarily for fun and my #1 goal is always that my students have as much fun playing as I do
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Tomoya January 18, 2018
· Bass Guitar ·
David is a fantastic bassist. Every time I play with David, I am amazed how he plays solid groove and touching lines. He has good ear too, so it’s truly enjoyable to interplay with him.
Very contributive, patient, and friendly. David brought me a lot of ideas and consideration in detail. Nice guy!!
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Nick January 9, 2018
· Bass Guitar · In studio
David is fantastic. He is very smart and his formal education in music shines through in his teachings. He teaches the proper foundational techniques which may be harder to adopt initially but without it, advancement to high level playing is much more difficult and time consuming. David's direct teaching style creates very efficient sessions and maximum progression. David has the right balance of formal music education to ensure proper technique, and his personal band side project to ensure that you are enjoying the process since that's what's most important.
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Matthew January 6, 2018
· Bass Guitar · In home
David is always a joy to play with. His playing is sensitive, intuitive, and very musical. He brings a mastery of his instrument and adapts it to the material. He also happens to be a super nice guy, which makes him easy to work with.
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David S.

David S.

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$30 / 30-min

About Mimi D.

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Tulsa, OK
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I make Ear training and music theory fun and meaningful to the music you are playing. I teach music theory for all music instruments, styles and music genres.
We will explore all you need to know to improve your music playing and make sure you will pass any music theory tests.
I will tutor you and help you get high marks in music theory.
You will have lots of fun increasing your understanding of the fundamentals of music and how to apply them to improving greatly your performance skills and test results.

About Mimi
Mimi is a world class musician. She has been teaching Viola, Violin, Composition and Improvisation techniques for over 25 years.

Mimi studied personally for several years with Itzhak Perlman, the great, legendary, violin concert soloist.

Mimi toured with Barbra Streisand and also recorded movie scores in Los Angeles. In New York City she has played in The Metropolitan Opera Orchestra, The New York Philharmonic, and debuted as a soloist at Carnegie Hall.

Mimi also played in The San Francisco Ballet Orchestra as principal violist, The San Francisco Opera Orchestra and The San Francisco Symphony.

Mimi has also recorded and released 5 CD's featuring her as a soloist.
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Rick Brooksworth October 29, 2018
· Violin · Online
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Maggie Bloodworth October 9, 2018
· Viola · Online
It is a very delightful experience to work with Mimi. She is helping me get those deep lovely tones from the viola and helping me with techniques to help me play without fatigue so I can play longer and with more enjoyment!
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Maria M. October 8, 2018
· Violin · Online
I am learning so much! I enjoy my weekly lessons and I am always looking forward to the next one. She is an encouraging and patient teacher.
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Mimi D.

Mimi D.

Tulsa, OK 74137
(6)
starting at
$30 / 30-min

About Jeff M.

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Jamaica Plain, MA

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Interested in composing and improvising music? Recent New England Conservatory graduate has a unique training in Composition, Jazz Piano, and Music Theory. This is coupled with real world professional experience including his time playing with main stage entertainment, accompanying broadway style singers, and performing nightly solo lounge piano throughout Alaska, Canada, and the Caribbean. His curriculum nurtures the dialectic between love, passion, and excitement being the forefront of musical studies, and a stern understanding of the practical necessities required if a student wishes to take the pursuit to a conservatory and/or professional level. This includes studies in technique relevant to their specific discipline, music theory, ear training, and most importantly listening assignments that broaden the student’s musical palate. All ages and levels welcome.

About Jeff
Boston-based composer and jazz pianist Jeffrey earned his Bachelor of Music degree from the New England Conservatory of Music in Boston, where he studied with Frank Carlberg, Anthony Coleman, Kati Agocs, Bert van Herck, and John Malia. An experienced and devoted teacher of piano and composition, he has a particular interest in training students in the skills of improvisation, composition, and music theory.

At NEC, Jeff wrote a number of original compositions, all performed by the NEC Jazz Composers’ Workshop Orchestra under Jeff’s direction. After three years at NEC, he took a leave of absence in order to research different tuning systems and gain a better conceptual understanding of harmony. During this time, he worked as a showband pianist with Norwegian Cruise Lines and traveled throughout the East Caribbean, West Caribbean, the Ca
nadian Maritimes, and Alaska, playing jazz sets and accompanying cabaret singers and other guest entertainers on the mainstage. While aboard ship, Jeff devoted his free time to his own musical development and composition, culminating in the work All the Anthills, an etude for solo violin in 5-limit extended just intonation. (This piece was later premiered by violinist Isabella Costanza and was the subject of Jeff’s Capstone project for his Theory Minor at NEC.)

Jeff’s teaching career began coaching musical theater students at the Theater Arts Workshop in his native Westchester County, New York. While still in his early teens, Jeff maintained a busy performing schedule, participating in and having works performed by ensembles such as the Manhattan School of Music Precollege Jazz Big Band and Small Jazz Ensemble and the InterSchool Orchestras of New York Symphony. He was concurrently selected to conduct a six week internship directing the school bands in his own elementary and middle schools. During the summers, he worked as a counselor at summer music festivals such as the New York State Summer Music Festival and French Woods Festival of the Performing Arts. During his time at NEC, Jeff completed another semester-long teaching internship, which included mentoring a college student at Emmanuel College in music reading skills, piano, and music theory. Since his recent graduation from NEC in May 2018, he has kickstarted a private music teaching studio in a pursuit to give back to the musical community from which he has learned so much.
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Jeff M.

Jeff M.

Online
starting at
$25 / 30-min

About Kristina P.

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Medford, MA
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My lessons are concentrated to help students learn and understand music theory.

About Kristina
I was graduated from Kaliningrad Regional Music College as a piano and theory of music teacher. I have an experience of teaching for 2 years in music school. Remembering myself as a kid going to music theory classes was a scariest thing for me, cause i didn't have any preparation before the 1 year in music school. After couple years of hard work on home tasks i realized that i was one of the smartest kids in the group that had all "A" grades. During college years i found a great teachers that showed me how to find the options to explain even hardest lessons in a simple way and make feel students/kids comfortable and happy about studying. Collecting all those knowledges i would love to make our lessons full of positive and delightful moments.
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Kristina P.

Kristina P.

Online
starting at
$40 / 30-min

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

All in Order: Tricks for Identifying Key Signatures

All in Order: Tricks for Identifying Key Signatures

What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou … Read More

All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou
Can You Pass This Basic Music Theory Quiz? Test Your Knowledge!
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As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many

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