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Hauppauge, NY Piano Lessons

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Popular Piano Teachers near Hauppauge, NY

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About Trina G.

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New Hyde Park, NY

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Fun, engaging, personalized, and productive, lessons with me are enjoyable and highly effective. As a professional piano teacher of 16 years and a classically trained pianist, teaching piano is my passion. I want the love of music, the feeling of accomplishment, and the ineffable joy of learning to play piano to be the reason my students want to practice piano and attend lessons.

The rapport between student and teacher is one of the most important factors of your First Class lessons. I consider it a priority that each student feel comfortable with me, feel at-home in my studio, enjoy their lessons, and develop a love and knowledge of music that will last a lifetime.

New concepts and homework/ practice assignments are explained and documented in easy-to-understand ways. Proper technique is stressed regardless of experience level or age. Lessons also include music theory and ear-training in addition to sight-reading.

Students have the opportunity to showcase their talent ...

About Trina
I'm a friendly, patient, enthusiastic, experienced teacher, joyfully instructing piano professionally since 1999. Music transcends words, and I have a deep understanding of music/ piano/ teaching which I truly enjoy sharing with my students.

I have a Master's Degree in music theory and am a classically-trained pianist, I've been playing keyboard "by ear" from very early childhood, and took piano lessons at age 6 through high school. In college, I studied piano, music theory/history and psychology in addition to fieldwork and internships in music therapy. I have extensive experience working with students with special needs. In graduate school, I studied classical piano and music theory.

Lessons with me are personalized. I focus on each student's personal musical needs and goals. Overall, I want the love of music to be the reason they
want to practice and attend lessons. The rapport between student and teacher is tantamount.

I want my students to develop a love of music that will last a lifetime.

Proper technique is stressed regardless of experience level or age.

I hold annual Student Piano Recitals at the end of the school year.

NYSSMA preparation offered for all levels. My students average score is "outstanding".

*** Studio Equipment
Piano, keyboard; den dedicated to music. Extensive musical library.

*** Specialties ***
Students with special needs
Lessons for young beginners
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Reviews
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Christie G. March 9, 2017
· Piano · In studio
She is wonderful!
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Roldan March 11, 2016
· Piano · In studio
Wonderful teacher.
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Anthony. March 10, 2016
· Piano · In studio
Trina uses techniques to make piano fun and interesting (i.e. ipad, youtube recordings, etc).
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Trina G.

Trina G.

New Hyde Park, NY 11040
(20)
starting at
$40 / 30-min

About Michael Douglas J.

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Patchogue, NY

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Experienced piano teacher of 15 years available for eager students of all experience levels and ages! I structure my lessons so students learn what they want to learn, while also building a strong foundation of piano skills. I specialize in performance skills and typically use the Alfred Adult or Beginner books.
I have played piano since age 5 when I began playing by ear. I learned to read music much later in my life and have gone on to work in many different capacities as a pianist in the professional world. I have worked with many cabaret artists as musical director, arranger and accompanist. Most notably, Debbie Boily's "Thank You for the Music"a one woman show with me at the piano, recorded live at Ovations in June 2004 Houston, Texas and subsequently performed in France, England and New York.

About Michael Douglas
I maintain very active performing and teaching careers. I have private voice studios on Long Island and in Manhattan and have taught singers and pianists in every genre of music for the last 27 years. I was on the faculty of New York University in the Music and Music Professions Department for 5 years. I was a coach in the Banff Centre's 'Voice through body and movement' workshop. Throughout my career as a vocal coach, I have worked with many cabaret artists as musical director, arranger and accompanist. Most notably, Debbie Boily's "Thank You for the Music"a one woman show with me at the piano, recorded live at Ovations in June 2004 Houston, Texas and subsequently performed in France, England and New York. Most recently, I recorded an opera with Jazz legend Anthony Braxton and a Jazz CD with Fred Ho. I have recorded operas in progress fo
r Atlantic Records and new works of composers on the BMI label. As a performer I won the prestigious Jessie award for "outstanding performance by an actor in a leading role" for my creation of the Marquis in "120 Songs for the Marquis de Sade" in the world premiere co-produced by Modern Baroque Opera and Vancouver New Music. My international debut was in Sweden, singing the lead role of Director in "Kafka's Chimp" by Welsh composer, John Metcalf. Originally from Hawaii I now reside in New York where I garden and raise chickens. Experience
Fall 2000-2006 New York University NY, NY
Vocal Instructor for undergraduate and graduate students in the Music and Music Professions degree programs.
Instructor of Italian Diction
Music Director/Vocal Coach for ODIN, a new rap opera.

Spring 2003-present State University of New York at Stony Brook Stony Brook, NY
Vocal Coach for chamber groups for performances, which begins with selection of repertoire and continues to final dress.

Summer 2002-2004 Banff Centre for the Arts Banff, Alberta
Guest Lecturer/Vocal Instructor working with each singer individually for festival opera productions as well as attended rehearsals and production meetings.

*** Lesson Details ***
I endeavor to teach you a natural and easy vocal production; to teach you a good solid technique of singing and to help you develop confidence and a polished delivery as a singing artist on and off the stage.

Our work together is an intuitive journey of discovery. Your participation in giving feedback about what you are experiencing during our sessions together as well as what happens in your practice sessions and in your performances is an invaluable tool for us to discover and develop your voice.

Practice: I encourage you to practice 20 minutes a day. An hour is ideal. Singing is like anything that you want to master: it improves with work and investigation. The voice is a curiously individual element of each person and aside from the basics of technique no two voices work the same. Our work together is to develop your unique voice and to discover how it works. Working outside our sessions on a regular basis will help you take ownership of your voice and technique.

Auditions/Performances: Please bring all music that you plan to sing in public to your sessions well in advance of the performance. We need time to investigate the music and its demands together; it will make you more confident and polished in your presentation.

In our Vocal sessions you will learn…
…how to use and blend the entire range of your voice.
… a healthy and free voice management.
1) You want to know what to expect from your vocal instrument on any given note and on any given word.
2) Training makes singing technique second nature; training relieves struggling to get the sound out and allows more focus on the performance.
3) Training allows for more tone coloration, a wider dynamic range, a full use and blending of the registers and greater stamina.
4) Extensive training and practical voice work gives a singer with long-range career aspirations the tools necessary to succeed in an incredibly competitive business. Whether the music is rock, pop, jazz, rhythm and blues, country, musical theater or classical, the trained singer can better meet the demands of a life on the stage as a singer.

*** Studio Equipment ***
Dedicated Music Space, music stand, grand piano, three windows

*** Specialties ***
Onstage singing: I have 29 years experience on the operatic, music theater and cabaret theatre stages.
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Reviews
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Angelica March 28, 2017
· Singing · In studio
Great first lesson!
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Chris D. July 5, 2016
· Singing · In studio
i haven't sung in 10 years, Michael gave me faith in myself and encouragement to get back into it which was great. Very personable lessons made it feel like it was catered to me and not a cookie cutter lesson, he knew what to focus on with me and how to work with me.
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John H. April 12, 2016
· Piano · In studio
Michael was very patient. He has excellent teaching skills and made me feel very comfortable from the start.
5 stars !!!!!
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Michael Douglas J.

Michael Douglas J.

Patchogue, NY 11772
(22)
starting at
$45 / 30-min

About Andrew S.

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New Rochelle, NY

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About Andrew
I've been studying music for 10 years now. Having come to music later in life than most, I find that I am more empathetic to the perspective of the beginning student than many teachers. I spent the Summer of 2009 teaching music fundamentals to groups of severely physically and mentally disabled children of all ages. Since then I've completed my Bachelors degree in Music, taught privately and with several established music schools.

To me, music is above all about transformation. Beautiful sound transforms our experience of the environment, and learning an instrument can help students approach life as one big instrument they need to practice to master.
Learning to play an instrument is also an experience of training one’s nervous system to gradually act and respond in new ways, and that kind of persistent, focused
, training is applicable to any new skill.
Last and definitely not least, playing music is fun.

*** Lesson Details ***

I plan my lessons around getting students to enjoy playing music as soon as possible, whether that means learning how to strum a chord rhythmically, playing their favorite song, or how to take a blues solo.
There are steps that have to be climbed to do more complex things and I encourage students to practice a little every day rather than for a long time once or twice a week. Developing a love of music and steady practice habits are more beneficial over the long term than practicing until your limit.

*** Studio Equipment ***
I currently have a living room space where I can teach, but it's small so it might be preferable to travel to you.

*** Travel Equipment ***
If necessary I can provide amplification, cables, and a microphone.

*** Specialties ***
Jazz, Folk, Blues, Rock, Hip-hop, Funk, Reggae.
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Reviews
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Dimico M. August 7, 2015
· Piano · In home
Andrew is great, very patient. My son is five and Andrew was able to keep him focus on the task at hand, he makes the lesson so enjoyable that my Dimico was practicing long after Andrew left. We are looking forward to more lessons with him.
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Mushka W. July 14, 2015
· Guitar · In home
It was our first class, and my daughter felt comfortable with Andrew. Looking forward to having her grow in her guitar playing in the coming lessons
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richie July 14, 2015
· Guitar · In home
Very happy with the teacher. Andrew is very patient and encouraging. Always on time and normally stays a little longer than the allotted time . Recommended definitely
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Andrew S.

Andrew S.

New Rochelle, NY 10801
(7)
starting at
$24.99 / 30-min

About Peter B.

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Stratford, CT

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Instructions are conducted by using custom curriculum for every student. The curriculum is based on student's desires and abilities. Teaching material is combined from several books that include American and European authors

About Peter
I am energetic, experienced and creative music teacher with a proven ability to get the very best out of pupils, an expert at identifying the appropriate resources required for a subject matter and ensuring that they are used efficiently and effectively Most of my students read and play simple music after 2-3 classes of active instruction.

I posses an extensive classical music and music pedagogy training. All my musical knowledge and expertise was attained in Eastern Europe. I play and teach piano, upright bass, bass guitar and a range of other instruments. Over the years I taught basic piano, the beginner violin, viola, cello and a variety of school instruments such as recorder and xylophone. I also teach advanced music theory, harmony and basics of composition and orchestral arranging required for music colleges. I especially
find it rewarding working with beginners and the opportunity to show them the amazing world of listening, playing and making music.

The teaching begins with identifying student's musical needs, goals and tastes. Students are taught a stimulating, thorough, and graduated course of recital solos, theory, technical studies, and classic repertoire. For those wishing to pursue more of a classical approach to music, there are proven methods to accomplish that goal established by European master teachers and pedagogues. Also, I can teach the know-how of Jazz and Blues though gradual lessons that cover basic theory, scales and chords up to melody and harmony development.

*** Lesson Details ***
The learning process should be, for the most part, fun and based upon a strong relationship between the teacher and the student. Curriculum and lesson plans are based on student's abilities and aspirations with appropriate balance between theoretical and practical work. The lesson material is always carefully chosen, and when necessary, adapted to specific learning needs.

With a proper approach, everyone can learn to play music. Whether you want to pursue a music career, or just play for fun and enjoyment I can help you attain your goals. From basic piano and stringed instruments, to advanced theory, harmony, composition and improvisation to jazz, pop and rock.

Classes are not based on a single source or book. I provide other exercises in printed form for students to keep and take home.

*** Studio Equipment ***
Two high end digital keyboards, two violins, viola, cello, upright bass, bass guitar and amplifier, music stands, stereo equipment with a large CD collection of just any conceivable music style.. Assorted school instruments: recorder (soprano and tenor), xylophone. Various music charts and a large library of music resources and other books; Extensive e-library and ability to print any required material on the spot. Instant access to many on-line sheet music resources.

*** Travel Equipment ***
Full size and a school grade digital keyboards , bass guitar, amplifier, staff paper and other printed resources, violin, viola, spare parts, maintenance tools and equipment.

*** Specialties ***
Pop, Classical, Jazz, Ethnic and Modal music, Composition, Arranging, Harmony, Counterpoint, Advanced Music Theory
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Reviews
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Callum ". August 19, 2017
· Piano · In home
Peter got right down to business and it is clear he knows what he is doing. My son is 5 and Peter kept his attention for the full 30 minutes, which is really saying something. At the end of the first lesson, my son was introduced to and could repeat note names; could play a five-note scale; and was learning his right hand from his left. I myself went to Juilliard and Yale for music and am so pleased Peter will be teaching our child(ren).
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glen April 20, 2017
· Upright Bass · Online
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Bekah S. October 7, 2016
· Upright Bass · Online
Peter provides great instruction and has a fantastic rapport with his students!
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Peter B.

Peter B.

Stratford, CT 06615
(22)
starting at
$30 / 30-min

About Penny H.

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Westbury, NY
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About Penny
Born in Cebu City, Philippines in 1990, raised primarily in Phnom Penh, Cambodia and other Southeast Asian countries, and pursuing further education in the United States of America, Hopengrace ("Penny") is a Global Nomad currently situated in the Greater New York City Area.

She started taking music lessons from her mother at the age of four and learned to read music at the same time she started to read storybooks. ​From the age of ten, Hopengrace took violin lessons, during her parents' rare furloughs, from Mr. Frederico Regner, a World War II veteran returned from the United States. While in the Philippines for a combined year of junior and senior level high school, she took violin lessons from Mr. Marc Hamlet Mercado and Mr. Rodelio Flores. Hopengrace has also taken coaching from Ms. Princess Christine Ybañez to prepare for competit
ion in the Solo String (Bowed) category of the 14th National Student Convention in which she won 2nd Place.

In 2007, Hopengrace received a Presidential Scholarship from Tennessee Temple University (TTU). There she studied violin under Mrs. Laura Minor (B.Mus. Vanderbilt University, MA Music NYU). She also took piano from Mrs. Carolyn Kemp​ (BS Mus.Ed. Baptist Bible College, MA Mu. Ed. University of Tennessee at Chattanooga) and voice from Dr. William Knowles and Mr. Michael Mays (BS Mus. Perf. University of Tennessee at Chattanooga, MA Church Music Southwestern Baptist Theological Seminary).

In 2008, as a member of TTU's Weigle Concert Choir, Hopengrace had the privilege to be chosen to sing with a combined choir in Carnegie Hall's Stern Auditorium with the Manhattan Chamber Orchestra under the baton of Dr. David Thye, Principal Conductor-in-Residence of MidAmerica Productions. She became a member of the Chattanooga Symphony and Opera Youth Orchestra (CSOYO) ​in the fall of that year and continued performing with them for three seasons. She also participated in the special orchestra for the annual Chattanooga Boys' Choir "Singing Christmas Tree" concerts at the Tivoli Theatre. In 2010, world-renowned violinist Midori chose CSOYO as one of two youth orchestras for her annual Orchestra Residencies Program, and Hopengrace had the rare opportunity to perform with one of her inspirations in concert.

Hopengrace​ became a registered Suzuki Method Violin Teacher with the Suzuki Association of the Americas on July 2011. She has also trained in Orff-Schulwerk.

During her travels around the world, Hopengrace struggled to keep her art alive. However, she has often been complemented for her distinctive strong, full-bodied tone​ and adaptability. Her range varies from Baroque to Modern. She plays on a John Cheng 1737 "King Joseph" Guarneri model violin with both wood and carbon fiber bows.

​Hopengrace welcomes students and employment while she prepares for entrance in a Master of Music in Performance program. She hopes to start on that new chapter of her life in the fall of 2013. Inspired by the impact of Venezuela's El Sistema program and her own experiences during her travels, Hopengrace hopes to use her talents to enable or build similar programs both while she teaches and in the lands where she was raised. ​

*** Lesson Details ***
TEACHING PHILOSOPHY
“Play with heart. Play with living soul.”
— Dr. Shinichi Suzuki
As a teacher, my goal is to instruct as well as inspire each student to reach for his or her highest potential. I hope to give each student the tools to progress so that one day they can be their own best teacher, and play with a sound and style that is uniquely their own. Most importantly, I hope to instill a desire to learn and a mindset that the art of violin playing is fun and that it is just as we call it--playing. My teaching abilities range from beginning through advanced levels. Students must have a desire to learn and commit to daily (mindful) practice.

I am a Suzuki Violin teacher. This means that I am trained to work with even the youngest of musicians in a nurturing , fun and challenging way. Dr. Suzuki believed that it was important to develop a noble character in all children through the mastery of a musical instrument. He also believed that all children were capable of this mastery if the environment is saturated with music and love. My students enjoy playing the violin because they are given the tools they need to play beautifully and to make progress on their instrument. Each lesson will focus on proper set up and posture, technical work and musical direction/ideas that will inspire them to carry on their work throughout the week. I demonstrate quite a bit in the lessons, as I find it is the most effective way to communicate in music. However, I am only with the student once a week, therefore much of the lesson is geared towards helping the parent and child understand what his/her home tasks are, and how to carry them out successfully. 10 minutes of mindful practice is worth an hour of careless work.
“There is no born genius. Education is the way to develop ability.”
— Dr. Shinichi Suzuki
​Parental support and involvement is key to any child’s progress, especially at the beginning stages. Parents of young beginners are encouraged to take a few lessons before starting their child on the instrument. Parents serve as a practice coach/partner during daily home practice sessions and are required to attend and participate in their child’s lessons. Listening to recordings and attending live concerts are strongly recommended to increase musical awareness and enthusiasm in the student.

In spite of my rigorous Suzuki training, my unorthodox learning experience has taught me the value of being flexible and using methods that work best for a specific individual. I am not averse to seeking and applying a new method (eg. traditional, Masterclass, O'Connor, etc.) if the situation calls for it.

What should be expected from a Teacher/Student relationship?

I think a student should expect their teacher to give them honest, thoughtful feedback. Just enough that they can manage the information at that time. The teacher should give detailed instruction on ways the student can improve, without destroying the students sense of self worth or spirit. On the contrary, the teacher must always find a way to see the student as having great potential. This way, no matter how limited the current level of ability may be, there is hope for growth. Even without saying it, the student will feel the teachers' attitude towards him and may become that person (for better or for worse). The student should expect to be challenged, encouraged and inspired by their teacher. The teacher should expect that the student and the parents commit to daily practice, and have a desire to improve. The student must apply his/her teacher's feedback while always searching within himself for ways to develop. Mutual respect is key.

*** Studio Equipment ***
living room, baby grand piano, couch, two chairs, residential area, street parking

*** Travel Equipment ***
My own violin, music stand, and teaching books. I expect my students to provide their own instruments, music stand, and student books.

*** Specialties ***
Suzuki, Orff-Schulwerk, classical, film, fiddle, world music, new age, popular, contemporary classical
...
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Penny H.

Penny H.

Westbury, NY 11590
starting at
$40 / 30-min
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About Ada L.

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Commack, NY
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I like to give students an opportunity to play a wide variety of music: classical, folk, jazz, ragtime, show tunes, popular. It is most essential that basic skills be learned: note reading, scales, arpeggios, chords, technique. At every lesson, scales, chords, and arpeggios are reviewed. All major and minor keys are taught. NYSSMA preparation for auditions are encouraged, but not required.
I like to tailor the lessons to the needs and wishes of the student, to better motivate learning.

About Ada
I am a certified public school music teacher with a bachelors degree in music and a masters degree in music education with a concentration in piano. I have successfully prepared students for NYSSMA auditions for many years.
My philosophy of teaching is to fit the lessons to the student, always working on improving musical knowledge and skills. I like to use a combination of classical, folk, and popular music to keep the student's interest. Scales, arpeggios, and chords are introduced early and are an integral part of every assignment. I have held annual recitals to hone student's performance skills.
As a member of Music Teachers National Association, National Association for Music Education, and Suffolk Piano Teachers Foundation, I learn new ways to teach, as well as giving my students more opportunities to perform.
I enjoy w
orking with students of all ages, to see them grow musically and become able to learn the skills necessary for them to play whatever they wish.
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Ada L.

Ada L.

Commack, NY 11725
starting at
$50 / 30-min

About Francesco I.

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Carle Place, NY

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I possess more than 10 years of progressive experience in music education. My professional history includes positions such as president/instructor at Rockville Centre Music as well as classical guitar instructor at Long Island Conservatory.
Most recently, my responsibilities as owner at Rockville Centre Music match the qualifications you are seeking.

About Francesco
I possess more than 10 years of progressive experience in music education. My professional history includes positions such as president/instructor at Rockville Centre Music as well as classical guitar instructor at Long Island Conservatory.
Most recently, my responsibilities as owner at Rockville Centre Music match the qualifications you are seeking. As the Owner, my responsibilities included preparing schedules, creating lesson plans, and working with special needs children. I assisted in the successful completion of 10 annual student recitals that showcased over 50 student/teacher/family performances.
...
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Francesco I.

Francesco I.

Carle Place, NY 11514
starting at
$25 / 30-min

About Erik E. D.

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Massapequa Park, NY
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I generally teach with a long-term focus in mind. Want to learn how to play that piece that seems impossible to you now? I can show you how to get there. I'm happiest when I get a chance to open the flood gates on all the knowledge I've accumulated about the pieces I love, and that's also when you'll be getting the most out of me as a teacher.

About Erik E.
Basically, I'm very good at what I do. If you want someone who's a fountain of information, who can give you hours of background and detail on a Chopin piece or the like, and knows what it takes to get to the point where you can pretty much play anything, I'm your guy. If you want someone to teach your daughter Mary Had A Little Lamb, I can do that too, and that's often where it all starts!

I've been teaching for 12 years and have had well over 150 different students in that time: Kids, retirees, beginner to advanced.
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Brian February 14, 2017
· Guitar · In home
Erik varies the subject matter of each lesson which makes it very interesting and informative. He makes sure I am 'stretched' each time but his patience with a complete beginner makes his lessons very enjoyable
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Nelson O. September 3, 2016
· Acoustic Guitar · In home
Erik was very cool and knowledgable. Knows exactly how to explain and demostrate so you understand and learn!! Awesome teacher!!
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Brian August 16, 2016
· Piano · In home
Erik has been my piano/guitar teacher for about 6 years now and the experience has been amazing. His knowledge and skill in piano, guitar and music in general has helped learning a lot more simple and entertaining. He's always been patient with my brother and I and we both enjoy the lessons. I highly recommend having Erik as a teacher!
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Erik E. D.

Erik E. D.

Massapequa Park, NY 11762
(4)
starting at
$35 / 30-min

About Sharon C.

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Chappaqua, NY

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We will work on basic techniques such as reading music, scales, arpeggios and chords but we will also have fun learning whatever style of music you prefer. I can recommend music for you to learn or you can bring your suggestions. Whether you are a complete beginner or want a refresher we will work at your own pace.

About Sharon
Sharon is available for in-home or in-studio teaching for children and adults. Subjects taught are beginners piano/keyboard, recorder and music theory.

Sharon is a very patient instructor and we will work at your own pace.
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Issa April 1, 2017
· Piano · In home
Great teacher
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Emily K. December 20, 2016
· Piano · In studio
Excellent teacher. would recommend highly.
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Jeremiah August 13, 2016
· Music Theory · In studio
Had a great experience learning the basics of music. This helped me across various instruments including piano, trumpet and vocals. Her patience is well valued and her knowledge set me up for success
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Sharon C.

Sharon C.

Chappaqua, NY 10514
(4)
starting at
$35 / 30-min

About Daniel C.

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Queens Village, NY
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I adjust my teaching style to each student.

About Daniel
My name is Daniel Civilne and I'm 23 years old and have been playing the piano since around the age of 12. I go to York College CUNY and I am majoring is music and psychology. I also play on and off for the York College big band and choir and play a little at my church. My dream is to open a music school and help underprivileged kids and give kids an outlet to let out unhealthy emotions. I love helping people and would love to become a successful philanthropist/music therapist one day and to help make the world a better place.
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Daniel C.

Daniel C.

Queens Village, NY 11427
starting at
$34 / 30-min

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Average Cost of Piano Lessons in Hauppauge, NY

The average cost of 60-minute piano lessons in Hauppauge is $60. While the exact cost will vary depending on the teacher, type of lesson, and your location, you should expect to spend anywhere between $60 and $60 per hour.

30-min $35
 
$35 average
$35
45-min $45
 
$45 average
$45
60-min $60
 
$60 average
$60

For the best experience, we typically recommend 60-minute piano lessons. However, students looking for a more affordable option may want to consider a shorter lesson length of 45 or 30 minutes. On average, 45-minute piano lessons are 25% less expensive at $45, and 30-minute lessons cost 42% less at $35.

Curious how much piano lessons cost in your area? Do a quick search to get local prices for the best piano teachers near Hauppauge.

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Free Piano Lessons with an Expert Teacher

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Video #1:
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Intro to the Piano: Learn about the parts of the piano and how to find the all-important Middle C.

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Reading Piano Notes

Learn about the treble and bass clefs, and tips for remembering the notes on the piano.

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Video #5:
Understanding Rhythm

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Recent Piano Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Piano articles on our blog.

Need for Speed: 5 Piano Finger Exercises to Increase Speed

Need for Speed: 5 Piano Finger Exercises to Increase Speed

Do you have a need for speed? Below, piano teacher Ryan C. shares some piano finger exercises that will help you increase speed when playing the piano... What makes a great pianist fun to watch? Is it his or her sense of musicality and his or her ability to play gorgeous music with apparent ease? I think both. However, there is another skill that really makes a pianist great…speed! Have you ever watched an amazing pianist play ridiculously fast and wondered to yourself: “How in the … Read More

Need for Speed: 5 Piano Finger Exercises to Increase Speed
Do you have a need for speed? Below, piano teacher Ryan C. shares some piano finger exercises that will help you increase speed when playing the piano... What makes a great pianist fun to watch? Is it his or her sense of musicality and his or her ability to play gorgeous music with apparent ease? I think both. However, there is another skill that really makes a pianist great…speed! Have you ever watched an amazing pianist play ridiculously fast and wondered to yourself: “How in the
The Healthy (& Happy) Pianist: A Guide to Stress & Injury Prevention
No matter which piano method your instructor teaches, there are certain basics you need to know to avoid injuries and continue playing for years to come! Here, Chicago music teacher Sarah H. reviews the basics to remember...    No one said that learning the piano would be easy, but you’re up for the challenge. After all, if you ask how to get to Carnegie Hall, the answer will most likely be “Practice! Practice! Practice!” But what happens when all of that well-intentioned practicing s
How to Read Piano Music Faster: Intro to the Keys
When you're new to playing piano, you might feel overwhelmed by all the keys! But here's a secret: those 88 keys can be reduced to just seven piano notes, and a few essential patterns. Easy, right? Here, teacher Nadia B. shares a super-easy visual introduction...   Did you know the keyboard of a piano is full of tricks and secrets? Music is full of different patterns, and as you become more familiar with them, you'll learn how to read piano music faster, while playing confidently
3 Reasons Why Piano Players Should Also Learn the Organ
There are many reasons why a music student may find themselves learning to play piano on a keyboard rather than on a baby grand: cost, space, or simply lack of access, for example. Versatility on a range of keyboard instruments is also an extremely useful string for any pianist to have to their bow, and can lead to greater practice and public performance opportunities, and even excellent opportunities to earn a little money on the side. The organ, although not the most prevalent or popular musi
Videos: 4 Super-Effective Left-Hand Piano Exercises
Struggling with your left-hand piano technique? Don't worry -- it's a common challenge for beginners. Follow along with the videos in this post as teacher Liz T. shares a few helpful exercises...    One of the hardest parts about playing the piano is coordinating your two hands. Often your left hand and your right hand will be playing different notes and rhythms, and it can be really frustrating for beginners! You might also find you have one hand that is stronger than the othe

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