Puyallup Music Lessons

nly way to improve is to work hard. I use a variety of curriculum depending on the student's level and desire. For example, for beginning adults I use the curriculum "Everybody's Singing". After several months with me, a student will have gained a great deal of confidence and seen an improvement in his or her overall technique, as well as intonation and pitch.

*** Studio Equipment ***
Lessons in the music room, keyboard, no pets, driveway parking for students

*** Travel Equipment ***
I provide my own copies of my curriculum. I expect my student to provide his/her copy of the curriculum, as well as a keyboard/piano.

*** Specialties ***
Pop, classical, contemporary, contemporary Christian

. Jeff prides himself on customizing every student's lessons based on their particular preferences, goals and skill level. "It's a very personalized kind of instruction, as I never take a cookie-cutter
approach to teaching…".
Jeff's 3 promises to all students is to give them personalized lessons, be attentive to their needs and goals. and to make them feel like every lesson is worth their investment of time and money. As long as students practice regularly, they can expect to dramatically increase their clarity of playing, their chord "inventory", their musical ear and awareness and play the songs they've always wanted to learn.

After honing his craft as a songwriter and performer, Jeff created and taught music classes at colleges, universities, and music schools throughout the country for many years, including UCLA Extension, Santa Monica College, Pasadena City College and The Harrison School Of Music. Jeff is currently teaching ukulele classes and songwriting classes at Tacoma Community College and Pierce College, both in Washington state.

When asked to summarize his views on teaching and music: "Teaching and playing music always puts a smile on my face; especially when I see that the student is having fun, learning what they want to learn and feeling the passion about music that motivated me to pursue my own musical career".

As a working singer/songwriter/guitarist, Jeff is known for his memorable melodies, intelligently crafted lyrics and heartfelt vocals. His compositions have earned him over 50 awards from various national and international songwriting contests and he's a former staff songwriter for the long-standing New York City-based publisher, Bourne Music. He has also won best music video awards at 3 international film festivals.

Some of the artists that Jeff has been compared to as a guitarist and vocalist include Keb' Mo', James Taylor, Kenny Loggins, Ry Cooder, John Mayer, Bill Withers, Jim Croce, and Don Henley.

Jeff is a NJ native, but lived and performed in Los Angeles for many years, where he worked in the studio or shared the stage with well-known artists such as Dave Koz, Norman Brown, John Daversa, Hiroshima, Little Richard and N'Dea Davenport.

Jeff catalog of over 450 songs and compositions spans virtually every genre, but many of his tunes are amalgams of pop, blues, jazz, R&B, country and rock. Quite a number of Jeff's songs
have appeared in film and TV. One that Jeff is particularly proud of, is the dynamic pop ballad, "Journey Of The Heart" (co-written by Jeanne Smith), which was licensed by the N.C.A.A. (National
Collegiate Athletic Association), who deemed it "the official anthem" of their NCAA Hall Of Champions facility in Indianapolis.

Jeff has commercially released 4 CD's of his original material: The most recent of these is his 2013 release, "Blujanova" (a merging of blues, jazz and bossa nova), which was praised by platinum selling and Grammy-nominated jazz star, Dave Koz: "Jeff's voice is so clean and pure...the production is lovely...warm and inviting...I love the interesting and surprising takes on some classics too, especially 'I Feel Good'…that brought a smile to my face!".
The other CD's stretch into other genres. "Truthteller" (bluesy pop/rock and singer/songwriter material) "Me, Myself, and I" (acoustic) and "The Spin" (pop, rock, and country-tinged singer/songwriter material). All of Jeff's albums are on his label, Relevant Records. The late great John Braheny, author of the best-selling "The Craft And Business Of Songwriting (Writer's Digest Books), gave high praise to Jeff's CD, "The Spin", calling it "honest, crafty, melodic and the songs are all exceptional". Patch called Jeff "a consummate songwriter".

*** Lesson Details ***
At the first lesson, I will ask you to tell me what songs you want to play and artists you want to play like and I will set the table for that by providing the chords you'll need, chord and scales and exercises to enable you to play them and guidelines and tricks on how to make it happen as quickly as possible. I know a wide variety of songs in all styles and styles, including current hit songs as well as pop, rock, blues, jazz, country songs. if you have a song or artist that I don't know already, I will learn it (often on the spot) and if not right then, at the next lesson. I have taught my students to play songs by artists as varied as Taylor Swift, U2, Jason Mraz, Adele, Eric Clapton, Django Reinhardt, Doc Watson. And that's just naming a few.

I always make it clear to my students at the first lesson: "There is no such thing as a stupid question". I want you to feel comfortable to stop me at any time to clarify what I am teaching you, ESPECIALLY if it is too difficult or vague. I pride myself on always being organized for your lesson and making sure that you grasp whatever it is I am teaching you. The goal is to get you to be able to play what you want as quickly as possible. This will take practice and dedication on your part, but I will do everything in my power to help you get there.

I never force anything on any of my students. but I feel it would be beneficial for you to learn to read music OR read tablature and chord diagrams. You tell me which one and we'll go in that direction. If you'd like to read music, then we can decide on a book for you. I have used Hal Leonard instructional books (with CD's! this way you can play with a backing track and get a sense of rhythm, which is very important), but I'm open to other method books you might have or like.

After 3 to 6 months, you will feel you are significantly more skilled on the guitar than you were before we started lessons. You will know more chords (and move from chord to chord), be able to do at least some basic fingerpicking and be able to read some music or tablature.

*** Specialties ***
Acoustic fingerstyle guitar (a la James Taylor, John Mayer, Eric Clapton, Keb' Mo', Jason Mraz, John Martyn, Jim Croce, etc.

Blues guitar a la Eric Clapton, B.B. King, Keb' Mo', Jorma Kaukonen, Ry Cooder, etc.

Bossa nova guitar

Songwriting (any aspect and any level; musically, lyrically, structurally, etc.)

the songs of Taylor Swift---quite a few of my younger students want to play her material, so I have about 15 songs ready to teach you and always learning more (by popular demand)

Adapting songs that are keyboard-based and creating arrangements of them for acoustic guitar. Examples include songs by Adele, songs by Elton John, Irina Menzel's huge hit song from "Frozen", John Legend's "All Of Me", Coldplay's "Viva La Vida", etc.

Recording on Garageband.
I became so skilled with Garageband that I was asked to give seminars at Apple Store locations, showcasing my recordings and how to use the program.

Voice-overs; performance, recording, etc.

utside. Skiing, fly-fishing, and backpacking are some of my favorite things in the world.

*** Lesson Details ***
I teach guitar (beginning through advanced), and beginning violin, viola, and cello, as well as offering Spanish tutoring.

Although classical guitar is my primary strength, I am more than willing to teach any style that a student may want to learn. If you want to learn rock, blues, jazz, etc. I'd be thrilled to teach you that particular genre. To me, style is simply a vehicle to learn over-arching musical ideas and skills.

The most important musical skill that I can help students develop is reading music. If a student can read music, regardless of current technical ability, ambition, or musical preferences, they will be able to learn more music than I will ever be able to teach them. Linguistically, the most important skill I can develop in students is listening (though I do, of course, teach students to read, write, and speak as well). This is the base of so much future learning, as they will hear much more than simply what they are learning in tutoring sessions.

I make it my serious goal to teach myself out of a job, to give students the tools that they need to go out and learn as much as they possibly can (or want to), so that when our lessons eventually come to an end, they have a solid base from which to grow.

My personal style is fairly laid back. I am a very easy-going individual, but I do expect that my students practice. As long as a student is practicing and putting forth effort, I will bend over backwards to help them.

*** Travel Equipment ***
I have my own instruments and books. I expect students to have their own instrument and be willing to buy books as well.

*** Specialties ***
Classical Guitar

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As well as being a prize winner in the National Flute Association's Baroque Artist Competition, Joshua has appeared in concert on baroque flute in every major city on the West Coast with the American Bach Soloists, Portland Baroque Orchestra, the Byron Schenkman and Friends concert series, Pacific Music Works, Early Music Underground, and Agave Baroque. On baroque flute, Joshua has taken lessons with Janet See, Wilbert Hazelzet, Claire Guimond, Sandra Miller, Stephen Schultz, Philippe Allaine-Dupre, and Greer Ellison.
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Joshua currently holds the 3rd Flute/Piccolo chair with the Tacoma Symphony Orchestra and is on faculty at Music Works Northwest. Joshua’s primary teachers have been Timothy Day, Marianne Gedigian, Jeffery Zook, and Janet See.

*** Lesson Details ***
Joshua believes in giving students the tools to express and perform at their highest level by instilling a strong sense of core fundamentals and musical awareness. With these tools, students can leave lessons inspired and with a clear idea of how to improve during their private practice.

*** Studio Equipment ***
Three music stands
Metronome
Tuner
Music Library

*** Travel Equipment ***
One to three music stands
Metronome
Tuner

*** Specialties ***
Orchestral performance and auditioning
Solo recital preparation and performance
Competition preparation and performance
Concerto preparation and performance
Piccolo Performance
Historical performance practice on baroque flute.

e I’ve taught music theory, composition, and musicianship at the college level for seven years, and where I continue to perform with the UW Modern Ensemble, Inverted Space Ensemble, and Seattle Modern Orchestra.

A major priority of my guitar teaching is to have students making expressive, compelling music every time they touch the instrument. And as I believe that a good guitarist is, first and foremost, a strong musician, I fold a number of diverse activities into weekly lessons, developing skills in music theory, fretboard knowledge, ear training, sight reading, composition, and improvisation, all of which reinforce the acquisition of strong technique.

I teach a wide array of styles—including classical, folk, rock, flamenco, and heavy metal—and I look forward to helping you realize your musical goals!

nt, in my fully equipped studio!

rt and end of each lesson for equipment gathering.

I'm excited to meet you so we can learn from each other!

een principal cellist of the Eastman School Symphony Orchestra, and was very lucky to have been a part of Boston University Tanglewood Institute's Young Artists Orchestra in 2015, where I also served as one of the principal cellists. I've studied cello privately for 9 years with teachers including Ching-Jung Lee, Efe Baltacigil, and am currently studying with David Ying at the Eastman School of Music.

Practicing the cello is a commitment, but a deeply gratifying one. I look forward to meeting you and helping you achieve your musical goals!