Lynnwood Music Lessons

Looking for private in-home or in-studio lessons? Our Lynnwood teachers are ready to get you started. Find your teacher today!

Featured On

How it Works

From finding the perfect teacher to managing payments, scheduling and tracking your progress, we take care of all the details, so you can focus on learning. Learn More

Search for a teacher

Compare hundreds of teachers based on the criteria that matter to you, including background checks, age and experience.

Schedule your lessons

When you've found the perfect match, schedule your lessons online using the teacher's real-time availability.

Connect with your teacher

Your teacher will welcome you with a personalized curriculum to meet your specific goals and you'll be able to manage your entire schedule through our free online account.

Can't find a teacher in Lynnwood?

No problem. Our online lesson platform connects you with any teacher, anywhere. All you need is a reliable Internet connection, a webcam and a microphone.

Convenient

Zero travel time is great for a busy schedule.

Affordable

Typically priced lower than local lessons.

Effective

Online students stick with lessons as long as local students.

Learn More

Average Cost of Music Lessons in Lynnwood, WA

The average cost of 60-minute music lessons in Lynnwood is $68. While the exact cost will vary depending on the teacher, type of lesson, and your location, you should expect to spend anywhere between $54 and $80 per hour.

30-min $35
 
$42 average
$49
45-min $45
 
$55 average
$64
60-min $54
 
$68 average
$80

For the best experience, we typically recommend 60-minute music lessons. However, students looking for a more affordable option may want to consider a shorter lesson length of 45 or 30 minutes. On average, 45-minute music lessons are 20% less expensive at $55, and 30-minute lessons cost 39% less at $42.

Curious how much music lessons cost in your area? Do a quick search to get local prices for the best music teachers near Lynnwood.

Music Lesson Reviews from Students

Students are raving about their Music instructors on TakeLessons. Check out some of these recent reviews.

And they're not alone!

Our teachers have taught

2 , 5 4 3 , 1 5 6

lessons and counting!

Popular Music Teachers near Lynnwood

Check out some of our most popular teachers near Lynnwood including Seattle, Bellevue, Tacoma, Snohomish and Bothell.

Showing 10 of 200+ results View More

About Ben G.

Close
Profile_132976_178624_1327352145
Kenmore, WA

View Full Profile
About Ben
I have been teaching French Horn, piano and composition privately for about nine years, mainly in Snohomish and King counties. I have also coached horn players in local school bands during this time, as well as helping students with learning disabilities. There are many difficulties that students encounter when studying music, and I want to help you turn weaknesses into strengths, and help you find out where your greatest strengths (and interests) lie in music. I'll work with you to help you understand your own musical desires and goals, so that you can get the most out of your lessons. I am committed to understanding each of my students, and to sharing my love of music with each one of them. I teach French Horn, piano, music theory and composition as well as songwriting. Currently, I teach in the South Snohomish County and North Ki
ng County areas.

I was eight years old when I started taking piano lessons in Tacoma, WA. When I was 12, I discovered that I had perfect pitch while playing church hymns with my dad. This ability has served me well on a number of occasions. I discontinued formal piano lessons when I started college, but I continued to play piano on a nearly daily basis from that point on, keeping my technical skills at a very advanced level. I played trumpet in school bands starting in the 5th grade, and switched to French Horn in the 8th grade. The appeal of the horn may have had something to do with its rich, warm sound, its intricacy and complexity, and the demands that it placed on me to play with a high degree of pitch accuracy. I loved the challenge of playing accurately on the horn then, and I still do. As a horn student, I have studied with Jacqueline Shannon, Kathy Farner, Kathy Colton, Lawrence Lowe, Elizabeth Ward, Jeff Snedeker, Rodger Burnett and Stacie Eliason. As a horn performer, I have played with community and regional professional orchestras in the Seattle area, Central Washington, Olympia, in the Tacoma Youth Symphony, and in numerous ensembles in college.

I have studied music at Tacoma Community College, Brigham Young University and Central Washington University. I received Bachelor of Arts in Music at Central Washington University. I plan on attending graduate school in the future, focusing on music composition and film composition, as well as French Horn and piano performance.

As a music composer, I have written works for many different ensembles, choral works, solo piano pieces, and works for solo instruments. I am drawn to rich harmonies and beautiful melodies, as well as interesting timbres and musical variety, in my own music and that of the music I listen to. I am easily able to visualize music in color, and I have a thorough understanding of how the elements of music combine together to affect emotions in listeners. This is one of the reasons that I am currently pursuing film and media composition.

As a student, teacher, performer and music composer, I know that there are countless musical topics that students are curious about. I feel that students should feel free to ask any question in the field of music, even if it may seem like a "dumb" question. I value the sincerity and passion for good music that so many students have. I will help you acquire the knowledge and skills that you need, so that you can see more clearly your own musical goals. Previous and current students I have, each have made improvements in their own playing and knowledge of music, some of whom have made vast improvements in their playing and knowledge of music.

As I have taught music privately for a little while now, and can reasonably compare how I teach with other instructors that I know well, I can say with certainty that there are at least a few areas of my teaching that are somewhat unique and highly beneficial for certain students, if not most students. I value ear training and using flashcards with beginner students quite a bit, and am fond of teaching not only the "nuts and bolts" of music, but also, how music "works", such that a student of mine can write their own music if they have the desire to do so. I also try to assign a wide variety of music for each student (which differs according to each student's musical interests, abilities, and areas of their playing that need to be improved), especially as they improve and approach the intermediate levels of playing. There are many reasons I do this, but for the student, it is very important that they do not feel particularly "bored" with the music they are playing. I also have found that students who have a more sensitive nature tend to be more comfortable with the way I teach, as I reserve higher, stricter expectations for more advanced, older students. I also try to always be as patient, kind, and considerate with every student as I can be. Lastly, I highly encourage questions and feedback at any time during a lesson, and I try to create an atmosphere where the student feels comfortable to do so.

I accept students from five years old on up, but I prefer horn students to be at least ten years old before starting lessons, unless they have noticeably greater abilities to focus for a certain period of time than other children their age.

Employment and Musical Experience:

Transcription Work for David Templeton, Composer, 2010

Private Composition Instructor, January 2009-Present

Private Horn Instructor, January 2009-Present

Private Piano Instructor, Fall 2006-Spring 2007, January 2009-Present

Summer Camp Counselor: Lutheran Summer Music, Summer 2006

Principal Horn: Ensign Symphony Orchestra, December 2014

Fourth Horn: Olympia Symphony, September 2012

Third Horn: Mid-Columbia Symphony, February-May 2007

Second Horn: Washington East Opera, Barber of Seville, January 2006

Substitute Third Horn: Yakima Symphony, Winter 2006

Third/Fourth Horn: Wenatchee Symphony, Fall 2005

Substitute Horn: Leavenworth Summer Music Theater: Summer 2005

1st Horn: Shoreline Community Church, Christmas 2004

Principal Horn: Central Washington University Symphony, Chamber Orchestras

Principal Horn: Central Washington University Wind Ensemble

Finalist, Northwest Horn Workshop Mock Auditions, March 2005

Education:

Graduate, Pacific Northwest Film Scoring Program

Post-Baccalaureate Music Education Courses: Central Washington University, 2006-2007

Bachelor of Arts in Music: Central Washington University, Summer 2006

Associate of Arts and Sciences: Tacoma Community College, Fall 2002

Other:

Eagle Scout

Served 2 Year Mission for The Church of Jesus Christ of Latter-Day Saints

Music Composer/Arranger

*** Lesson Details ***
I have always wanted people I interact with to be, as a general rule, comfortable and relaxed in any setting. This certainly applies to the students I teach. However, students can expect that musical improvement will only occur through daily practice and constant effort. That being said, I am more interested in helping students overcome any difficulties in this area through reviewing their own practice habits and motivations, rather than using harsh discipline. It is crucial that students see the connection between their own practicing and musical improvement. Once this occurs, they can take more responsibility for their own progress with that added awareness.

The material chosen for each student will vary considerably, depending on their current knowledge, experience and ability level, innate abilities, musical tastes and priorities. The progress that is made will, to a large extent, be determined by the student's practice habits and natural ability. However, over the course of a few months or so, students should see noticeable improvement in their own musical abilities, if they practice and pay attention during lessons.

*** Studio Equipment ***
Piano, music stand, computer/printer, metronome

*** Travel Equipment ***
-French Horn: pencil, mute, tuner/metronome, maintenance/cleaning supplies, some books depending on if it is a first lesson, etc. I bring my own horn, and expect the student to have their horn. I also expect them to have a music journal to use as a reference for practicing and keeping track of their progress. Occasionally, I will employ a recording device for the purpose of assessing personal teaching effectiveness, or for the student to evaluate their progress/record their practicing.
-Piano: Metronome, pencil, some books if it is a first lesson, music journal, possibly a recording device from time to time.
-Music Theory/Composition: Music paper, pencil, music journal.

*** Specialties ***
Regarding method of instruction/teaching style, I am student oriented, and tend to adapt to each student's personality and learning style. I tend to teach more in the classical genres, with some pop/film music thrown in for variety (from time to time). I prefer using the Bastian, Alfred, and/or John Thompson piano methods, and Pottag-Hovey, Maxime-Alphonse books, etc. for French Horn.
...
Reviews
Silhouette-80
Tam October 10, 2017
· Piano · In home
Ben is a wonderful teacher! He is very dedicated and patient. My kids play piano greatly improved since they started with Ben.
Silhouette-80
Lynn September 14, 2017
· Piano · In home
Ben is great if you want your child to love piano. He is a fun teacher and was very patient with my son, who was a bit turned off from music due to prior experiences. He actually wrote songs for my son to play since he needed more time at the beginner level. He was great when my son was nervous at recitals and festivals and had strategies to help him deal with nerves.
Silhouette-80
Ryan /. September 14, 2017
· Piano · In home
Not good for beginners. Ben is knowledgeable, however.
View Details
View Profile
Ben G.

Ben G.

Kenmore, WA 98028
(15)
starting at
$35 / 30-min

About Cameron A.

Close
Profile_91414_pi_12621964_10208849682425641_1796082218039861197_o
Seattle, WA
View Full Profile
About Cameron
Cameron began playing guitar at the age of 14, as a kid who found great Inspiration in classic rock music, idolizing such groups as Led Zeppelin, Black Sabbath, The Beatles, and many more. This was only the beginning of a life long intimate relationship with music and guitar playing. Since his first introduction to the guitar he quickly grew, establishing a love for blues and all of its incarnations, from Chicago Blues to the varying acoustic and electric styles found in New Orleans, Mississippi, and South Carolina among other places.
Through high school Cameron played in rock and blues bands writing original music and getting his first real experiences as a composer and a bandleader. High School was also the place where Cameron discovered his interest in Jazz music as he began playing guitar in the school's Jazz band. Following hi
gh school Cameron began playing more jazz music as he attended Bellevue College studying theory and composition with Dr. Brian Cobb and guitar performance with Mark Hillard Wilson. After this he soon met renowned Jazz Guitarist Chris Spencer, with whom he studied with for years to follow.
Cameron eventually found himself at Cornish College of the Arts where he received a Bachelors degree in Music Composition. While at Cornish he had the opportunity to play guitar and compose for Jazz Orchestras, Latin Jazz ensembles, and Modern Jazz groups while playing under the direction of internationally know musicians such as Wayne Horvitz, Tom Varner, Jovino Santos Neto and Chuck Deardorf.
In the realm of composition Cameron studied privately with composers Jarrad Powell and Tom Baker, with a deep focus in contemporary classical music. He is now the composer for the quickly rising interdisciplinary arts group the Pendleton House.
Currently Cameron spends his time working as a guitar player in Seattle while also writing chamber music for various ensembles and art groups. He performs on a regular basis with a variety of groups in the Seattle area including the Seattle based jazz trio Honeysuckle Rye, folk and bluegrass group Modern Bygones, as well as the orchestral pop band Sebastian and the Deep Blue.

*** Lesson Details ***
In the world of music education it is important to recognize that everyone learns differently and there is no universally prescribed teaching method that works for all students. Everyone must find how he or she learns best. As a teacher I acknowledge this and incorporate it into my method of instruction. Anyone can find success as a proficient instrumentalist if they are able to learn on there own terms and find what they are doing enjoyable.
Lessons will start with an assessment of what the student wants to learn and what their goals are. From there, we will determine the proper approach to meet those goals while keeping things fun and interesting. Once a particular skill level and interest are established I will develop an individualized lesson plan for the student to fit their wants and needs. The goal with beginning students is to get them up and running right away with chords and melodies, learning the fundamentals while being able to play their favorite songs. For all students I like to extensively focus on knowledge of the fret board and the many possible approaches to mastering it, as well as looking at creative practice methods and daily routines. A musician’s method of practicing can greatly determine their rate of improvement. For more intermediate and advanced students the general focus will shift to topics such as ear training, rhythm, music theory and music notation (if desired) and, their application to the guitar.
For students interested in composition, we will focus more on analysis and the application of theory. We will look at songs or pieces that are of interest to the student and take them apart to figure out what makes them great. We will also look at many different kinds of music and their construction. A large part of music composition in the 21st century is the integration of electronic and computer music. For students looking for an introduction into pre-recorded and live electronic music with or without the use of guitar or other instruments, this is strength of mine that I love to teach.
Whether you are a serious musician or just looking for a fun hobby, I can get you where you want to be in your musical life. I’m fun, friendly and music is my passion and profession and I love to share it.

*** Travel Equipment ***
I can bring extra guitars if needed, acoustic or electric.

*** Specialties ***
I specialize in getting beginners up and running right away while helping each guitarist to find there own voice and have fun at the same time! When playing non-original music I specialize in blues, jazz and popular music.

Website:

http://www.cameronarmstrongmusic.com/

Music Links:

JAZZ TRIO: HONEYSUCKLE RYE:

https://soundcloud.com/honeysucklerye

ACOUSTIC FOLK DUO VIDEOS: MODERN BYGONES

https://vimeo.com/187979926

https://www.facebook.com/elbrindiscocktails/videos/1046510482133705/
https://modernbygones.bandcamp.com/releases

VIDEO'S OF ACOUSTIC BLUES AND FOLK PERFORMANCES:

Summertime Acoustic
https://vimeo.com/130905051

In the Pines
https://vimeo.com/130905033
...
Reviews
Silhouette-80
Sam B. February 7, 2018
· Ukulele · Online
Thumb_108906_pi_IMG_1502
Citlali July 28, 2017
· Ukulele · In studio
Citlali had a really good time! Thank you.
Thumb_105182_pi_IMG_1509
Kallie G. June 4, 2017
· Guitar · In studio
Cameron was straight up awesome!! He is extremely talented and a great instructor!!! I have particular goals I want to achieve, and with Cameron, I know I will reach them. Cameron listens, understands and creates a lesson geared just for you! I am beyond excited for my next lesson and can't recommend high enough!!
View Details
View Profile
Cameron A.

Cameron A.

Seattle, WA 98108
(10)
starting at
$35 / 30-min

About David L.

Close
Profile_29008_pi_941078_164720273695963_1032379207_n
Seattle, WA

View Full Profile
About David
Many years of drum instruction with students who have learned best with alternative learner-centered approaches including: extreme patience, slow to fast repetition of patterns and exercises, focused breathing, as well as sight-reading, rhythm and ear training. Students with: Asperger's, Autism, Dyslexia and related states have benefited greatly.
...
Reviews
Silhouette-80
Jacob February 26, 2016
· Drum · In home
David is a great instructor. My son is 9 and a beginner and David is very good with him.
Silhouette-80
Eric September 21, 2015
· Drum · In home
David is a good and patient teacher. He really helped me with honing the fundamentals.
Silhouette-80
Steven July 8, 2015
· Drum · In home
Great teacher! David is a talented drummer, teacher, & he is great with kids! My 10 year old loves David and has been steadily improving since beginning. I have also noticed a big improvement in my son's confidence. Priceless!
View Details
View Profile
David L.

David L.

Seattle, WA 98125
(5)
starting at
$42.50 / 30-min

About Jared C.

Close
Profile_105720_pi_18519440_1703049276378320_3513029468100458808_n
Seattle, WA

View Full Profile
About Jared
I have been playing instruments and performing live since I was 11 years old. Initially trained in classical piano I added guitar to my musical palette at the age of 14. In college I spent time continuing my studies in both piano and guitar and received a bachelors of fine arts with a concentration in jazz guitar from Columbia College Chicago in 2004.

I have since moved to Seattle, WA and have become a regular fixture in the music community as a guitar and theory teacher, songwriter/guitarist of the pop rock bands Electric NoNo and Warren Dunes, and co founder and producer of the The Big Ass Boom Box Festival Seattle and the Seattle X Southwest showcase at SXSW Festival in Austin. I have released five studio albums that have received regional and national attention, toured regionally and nationally, and perform regularly at Seattle ma
instays including The Crocodile, The Sunset, Columbia City Theater, and many more. My band recently performed at The Upstream Music Festival in downtown Seattle in March 2017.

I consider myself a life long student of music and I pride myself on my dedication to a complete understanding of my instrument. I offer beginner - advanced lessons for guitar and songwriting, and beginner - intermediate lessons for ukulele. I also administer a variety of workshops throughout the year for guitar, songwriting, and music theory, as well as bi annual student recitals.
...
Reviews
Silhouette-80
Diane March 16, 2018
· Ukulele · In studio
I am so impressed with Jared’s ability to teach me in a way I wanted to learn. I am probably the most difficult student Jared ever had. I wasn’t particularly interested in strumming. I just wanted to play in a way that the songs would be recognized without any accompaniment. I was also very specific about the pieces I wanted to learn. Jared was always so patient with me and I suspect he spent a great deal of time outside of class figuring everything out for me.
Silhouette-80
Bill March 5, 2018
· Guitar · In studio
I had been playing for 25+ years and wanted to learn some applied theory and some jazz. I made a great decision choosing Jared. I took lessons from Jared for 3 years, it was a great experience!

A few key things about Jared I want to share:
- He is always prepared and does his homework
- Incredibly knowledgably and patient
- He finds a way to explain things so they make sense
- Always goes above and beyond what I expected
- He provides materials to aid in learning from videos, backing tracks, tablature and musical notation
- Always smiling and happy to be teaching music

I easily recommend Jared as a teacher to players looking to learn music from beginner though to advanced level. It was an absolute pleasure to be Jared’s student.
Silhouette-80
Rachel March 5, 2018
· Acoustic Guitar · In studio
Jared is patient, encouraging, extremely knowledgable, and the perfect teacher for me. I had learned some chords from Youtube but Jared's style of teaching is to not only teach what you need to know now, but set up for later stages of guitar playing.
Jared breaks down songs into pieces, and provides a slowed down recording to play along with. I find this the absolute best part about practicing, to play along with Jared's recording. It also means if I haven't played a song for a while I can go back to the recording for the strum/structure.
Without Jared I don't think I would have stuck with the guitar, and after almost 18 months Jared is encouraging me to explore the electric guitar and take the lessons in a new direction.
There are regular performances with all the students, it's no pressure, and I haven't had one go perfectly yet while on the actual stage (in practice they are perfect) but they give students an opportunity to perform in an environment where they can make mistakes and just get out there and try it!

I would strongly recommend Jared as a guitar teacher - the recordings, the encouragement, the performances, he is a very dedicated teacher.
View Details
View Profile
Jared C.

Jared C.

Seattle, WA 98103
(12)
starting at
$25 / 30-min

About Michael D.

Close
Profile_106534_pi_IMG_20160805_185826480_HDR
Camano Island, WA
View Full Profile
About Michael
I have been teaching trombone privately for 7 years. I love teaching, especially building confidence and a sense of pride in the skills which my students attain. I work towards also being able to impart the true end goal, a lifetime of musical enjoyment.
I am living on Camano this summer. Feel free to request a lesson if you're unsure of my availability. I'm happy to clarify!
I perform in any place and setting I can get my hands on. In small combos, in medium ensembles and in big bands, as a back-up for vocalists and miscellaneous. I love engaging an audience, a skill I have used also performing and hosting with an improv troupe for more than 3 years.
...
Reviews
Silhouette-80
Brooks December 11, 2017
· Trombone · In home
Excellent knowledge and ease of communication
Silhouette-80
John July 2, 2017
· Trombone · In home
Michael is an excellent musician and teacher. He is patient, nurturing, encouraging, enthusiastic, and fun. I highly recommend him.
Silhouette-80
Dan July 2, 2017
· Trombone · In home
Michael is an excellent teacher as he communicates well with his students and has such a welcoming personality that encourages students to do their best. He gives students appropriate music that will challenge them at their current playing ability along with making it fun to learn and move on to the next level.He would be an excellent choice for a private teacher for trombone.
View Details
View Profile
Michael D.

Michael D.

Camano Island, WA 98282
(4)
starting at
$20 / 30-min
View More
View Previous

About Jeff B.

Close
Profile_109950_pi_Bowen%204
Seattle, WA

View Full Profile
About Jeff
I’m a composer and guitarist, with 20 years of experience playing and performing on classical and electric guitars. I’ve given solo and chamber performances across the United States, with recent Seattle performances including Astor Piazzola’s complete "Histoire du Tango", the world premiere of Brian Cobb’s "Campfire Songs," and the Seattle premiere of James Bonney’s electric guitar concerto "darkLIGHTness."

In 2010, I received a Bachelor of Arts degree in classical guitar performance and composition from Stanford University, where I performed solo recitals of Bach, Mozart, Turina, and Henze, collaborated with the Stanford New Ensemble on contemporary chamber pieces, and played lead guitar in the heavy metal band Full Metal Apocalypse.
I recently received a Doctorate in music composition from the University of Washington in Seattle, wher
e I’ve taught music theory, composition, and musicianship at the college level for seven years, and where I continue to perform with the UW Modern Ensemble, Inverted Space Ensemble, and Seattle Modern Orchestra.

A major priority of my guitar teaching is to have students making expressive, compelling music every time they touch the instrument. And as I believe that a good guitarist is, first and foremost, a strong musician, I fold a number of diverse activities into weekly lessons, developing skills in music theory, fretboard knowledge, ear training, sight reading, composition, and improvisation, all of which reinforce the acquisition of strong technique.

I teach a wide array of styles—including classical, folk, rock, flamenco, and heavy metal—and I look forward to helping you realize your musical goals!
...
Reviews
Silhouette-80
David Cate March 8, 2018
· Classical Guitar · In home
Easy going and patient teacher!
View Details
View Profile
Jeff B.

Jeff B.

Seattle, WA 98112
(1)
starting at
$45 / 30-min

About Grant R.

Close
Profile_108389_pi_Good%20picture
Seattle, WA

View Full Profile
About Grant
I have studied with some of the finest trombonists in the world, have performed in the nation's top orchestras, and am firmly committed to excellence in the trombone field. Music is one of the most indescribably powerful and moving things in the entire world, and I want students to, above all, simply enjoy playing and experiencing this wonderful gift. The trombone is, of course, merely a means to an end in this regard; yet its rich, golden, and versatile sound is what particularly draws me to it. My approach to playing the trombone is simple: producing the most beautiful sound on every note, as easily as possible. I think it is necessary to have the best sound that you can possibly make on the trombone in your head from day one, and to this end, I strive to play as much as possible for and along with the student so that they may develop t
heir OWN ideal sound concept. I of course couple this with instruction on all the other fundamentals of trombone playing and music making (scales, rhythms, playing in tune, breathing, etc). But never forget that the ultimate goal is to perform the music the way it goes. By this I do not not mean playing all the correct notes, but instead performing the music in the correct style and context as the composer intended. Always remember that music is to be shared with others, and that making a statement with the music we play, in a way expressing our deepest emotions, is what this is all about!
...
Reviews
Silhouette-80
Chase W. June 23, 2018
· Trombone · In home
I now have a better idea of the steps I need to take to begin seeing improvement!
Silhouette-80
Alexa July 27, 2017
· Trombone · In home
My son needed some extra help with trombone. He was struggling in his school program and wanted to be better. After studying with Grant for a few months, his band teacher sent me an email about how quickly he is improving and he moved up from last chair to third chair. He is very approchable and my son loves him.
Silhouette-80
Maggie July 24, 2017
· Trombone ·
Grant is an amazing musician. From the 2 years I’ve worked with him, he’s been very professional, great to work with and always plays with a beautiful tone. He is very passionate and knowledgable in both playing the trombone and the music he plays.
View Details
View Profile
Grant R.

Grant R.

Seattle, WA 98133
(6)
starting at
$40 / 30-min

About Alina T.

Close
Profile_110289_pi__MG_2546-Edit
Seattle, WA
View Full Profile
About Alina
I've been involved in everything art-related as long as I can remember myself, whether it was music, dance, or theater.
I performed on any occasion, and at every opportunity. I always noticed how much joy it brought to people. That notion stuck with me to this day.

Music plays a big role in our lives. It is therapeutic, helps build self-confidence, and is a great way to express your individuality.

I consider myself a laid back teacher, and focus on instilling a long-term love and appreciation for music and performance.
My approach to music education is holistic. I incorporate all musical aspects during lessons -- rhythm, ear training, sight reading, theory, and technique.
I believe that anyone can learn music, and I enjoy empowering students by helping them achieve their goals.

Come, learn in a fun and professional environme
nt, in my fully equipped studio!
...
Reviews
Silhouette-80
Ido August 23, 2017
· Piano · In studio
Alina is a very detailed and very patient teacher.
She is making sure that my kids are having the right material to take home, and to practice. She is very kind and easy to work with.
I would recommend Alina to any parent that is looking for Piano lessons for their kids or themselves.
Thumb_599e4b73aed3b_review_IMG_20170505_164040589
Brittani August 23, 2017
· Piano · In studio
Alina is an amazing teacher for my 9 and 7 year old, she is very patient caring, and constructive.
I recommend any parent to have their kids taught by Alina.
Silhouette-80
Va August 21, 2017
· Vocal Training · In studio
Alina is attentive and patient. She seems knowledgeable and makes sure the concepts get across in various ways.
View Details
View Profile
Alina T.

Alina T.

Seattle, WA 98116
(3)
starting at
$35 / 30-min

About Miguel D.

Close
Profile_127859_pi_5A304F7D-DF97-4D18-BAAE-C6DA2CF23273
Seattle, WA
View Full Profile
About Miguel
Three time Grammy nominated composer pianist. Advanced and beginning students accepted. 40 years of teaching and concert experience.
...
View Details
View Profile
Miguel D.

Miguel D.

Seattle, WA 98164
starting at
$84 / 30-min

About Kai S.

Close
Profile_134950_pi_32623084_10157521769744741_1929541017237716992_o
Seattle, WA

View Full Profile
About Kai
I’ve been performing, touring, and recording as a drummer and percussionist for 25 years. My background in trumpet also provided me with ear training and music theory that I use as a composer. I’ve recently taken up theremin–a fretless and touchless instrument that challenges my intonation abilities. Through these experiences, I have a broad perspective on instrumentation, texture, and the integration of percussion and music.

I always tailor my private lessons to the goals of my students. As we work toward your goals, I weave in core concepts while encouraging each student’s own voice or style. My primary philosophy is that music should be rewarding, so I want to help you have fun today, see progress tomorrow, and also build a foundation to set you up for success in future challenges.

Drum lessons
My focus as a performer and recordin
g artist is on the drum kit, which is a superset of the core snare drum. Within customized lesson plans, I typically include the following key concepts: Hand technique, relaxation, time-keeping, sight-reading, rudiments, music styles, listening/watching, dynamics, phrasing, rhythmic feel, creativity, performance, and more. These concepts are learned in context of your personal needs, and I always make sure we’re having tons of fun!

I also specialize in snare drum concepts, as well as electronic drums. I have a strong background in music theory, and can show you how to use the theory to help you be productive and creative.

Whatever we’re working on–I approach it holistically as music education, not just percussion technique.

Additional music topics
For other musical instrumentalists and songwriters, I can help you take your playing to the next level by teaching percussion concepts in context of your chosen musical instrument. Understanding how to integrate this often overlooked aspect of performance and composition can dramatically improve the rhythmic feel of your portfolio. Learn how to take advantage of rhythmic concepts and elements to improve your sense of time, note placement within each measure, sight reading, push and pull time across phrases, rhythmic feel, pragmatic use of a metronome, and more. As a composer, I can work with you to understand how a percussionist approaches a score or lead sheet, how we think, what we find useful, and so on.
...
View Details
View Profile
Kai S.

Kai S.

Seattle, WA 98144
starting at
$42 / 30-min

Recent Music Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music articles on our blog.

How to Fit Singing Practice Into Your Daily Routine

How to Fit Singing Practice Into Your Daily Routine

Life can get a little crazy sometimes - we get it. But if you really want to become a better singer, you'll need to make the commitment to practice! Here are some tips for fitting in singing practice from online singing teacher Liz T.:    So you want make a good habit of a daily singing practice routine, but don’t exactly have the time for a private lesson everyday? (Nor should you be overusing your voice everyday!) You might be getting frustrated because you work all day, are tir … Read More

How to Fit Singing Practice Into Your Daily Routine
Life can get a little crazy sometimes - we get it. But if you really want to become a better singer, you'll need to make the commitment to practice! Here are some tips for fitting in singing practice from online singing teacher Liz T.:    So you want make a good habit of a daily singing practice routine, but don’t exactly have the time for a private lesson everyday? (Nor should you be overusing your voice everyday!) You might be getting frustrated because you work all day, are tir
Do I Need to Learn Scales on the Ukulele?
New to the ukulele and curious if you'll need to learn scales? Music teacher Aaron B. shares the pros and cons of studying ukulele scales... The ukulele is mostly a chordal instrument and usually does not play solos or single note melody lines. So, the use of scale patterns on the neck is not essential. However, knowledge of scales and harmony is absolutely essential in the comprehension of music. Scales help us understand which notes work well together and why. Each key has its own innate
The Importance of Hydration for Singers
There are many important reasons to stay hydrated for general health, but for musicians - particularly vocalists - hydration is a key to success. In order for your body to function properly, hydration is vital. Our bodies are made of 70% water, and hydration affects every organ and cell in your body! Hydration for Singing Singers need to take extra precautions, because your entire body is your instrument. With excessive use, vocal cords can be easily damaged, as they are made of extremely
Violin Techniques: How to Get a Stronger Bow Arm
Do you want to improve your violin skills? Bow arm movement and direction are important violin techniques every beginner should master. Below, violin teacher Julie P. shares some tips on how to get a stronger bow arm...  In violin playing, the bow is what creates the sound. The bow arm has two basic movements: moving the bow vertically between strings, and moving the bow horizontally across strings. In order to achieve a beautiful tone, these movements must be understood and continually p
10 Problems Only Bass Players Will Understand
Don't let anyone tell you the bass is easier than a regular guitar just because it has less strings! Bass guitar teacher Kevin S. shares the unique challenges you face as you learn bass guitar... 1) Capos are Misleading Any bassist who has regularly played with a guitarist who uses a capo has discovered that this simple tool can be confusing to deal with at first. This is a where good transposing skills come in handy, especially if the guitarist is referring to the chords they are playing

Get Started with Free Resources

Why TakeLessons?

Play-button

Are You a Teacher?

Find out how TakeLessons can help you grow and manage your business

Learn More