Maple Valley Music Lessons
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Popular Music Lessons in Maple Valley, WA
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Music Lesson Reviews from Students
Students are raving about their Music instructors on TakeLessons. Check out some of these recent reviews.
Review by Abby
"A wonderful experience and I received so much good instruction!"
Seattle, WA teacher:
Rachelle M.
Review by Bridget
"My daughter is 14 years old and although she had been playing the guitar for several years she was ready to advance to jazz guitar. She began lessons with
Jesse and it was instant progress, she always enjoys the lessons and she is really good thanks to the constant support of her teacher Jesse, she plays in the school jazz band and has shown huge improvement over the past year. Jesse is extremely flexible which has really helped us with our daughters busy schedule. I would recommend Jesse to anyone interested in quality guitar lessons."
...
Seattle, WA teacher:
Jesse S.
Review by Fred
"I am over 60 and always wanted to learn music, especially the drums. Phil is not only a great teacher, but also has shown remarkable patients for someone
like myself with absolutely no music talent whatsoever."
...
Seattle, WA teacher:
Phil B.
Review by Marcie
"Jared is a patient, inspiring, and committed guitar teacher for my son."
Seattle, WA teacher:
Jared C.
Review by Sue
"It's back to the basics for me! That is good because I am a new bass player. Lots of good feedback!"
Seattle, WA teacher:
Chris J.
Review by Paul
"Holly turns the frustrations of learning the piano into fun. I highly recommend her as a teacher. Her instruction has greatly enhanced my enjoyment of try
ing to learn to play the piano as an adult. She is active in instruction, giving an excellent demonstration of the material and sometimes singing along. When she is enjoying herself teaching, I can't help but enjoy learning. She ensures that whatever is being learned, is mastered before proceeding. She gives clear directions as to what I should practice next, and even loaned out a book she though I might enjoy. I did."
...
Seattle, WA teacher:
Holly T.
Review by Megan
"My daughter had her first session yeaterday with Teri and came home very impressed and wanted to practice right away."
Seattle, WA teacher:
Teri H.
Review by Theresa
"I had my first singing lesson with Dan in person, and he was awesome. It started right away with me singing a song of my choice for him so that he could
get an idea of where I am at and how to work with me. From there, Dan explained in great depth and detail with helpful analogies and examples of basic techniques that I can use and apply right away after my first lesson. Already, I can tell I have found a very good teacher to help me on this new journey."
...
Seattle, WA teacher:
Dan H.
Review by Varun
"Eric is a super patient, and excellent Guitar teacher. I was so haphazard with my work schedule, but he always used to adjust me. I have been playing gui
tar for a while, and developing several anti-patterns, Eric was patient and never demotivated me. He corrected my techniques in a very positive way. I would highly recommend Eric for whoever wants music learning to be fun and not a task."
...
Seattle, WA teacher:
Eric W.
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Popular Music Teachers near Maple Valley
Check out some of our most popular teachers near Maple Valley including Seattle, Bellevue, Tacoma, Bothell and Sammamish.
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About Ben G.
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About Ben
I have been teaching French Horn, piano and composition privately for about nine years, mainly in Snohomish and King counties. I have also coached horn players in local school bands during this time, as well as helping students with learning disabilities. There are many difficulties that students encounter when studying music, and I want to help you turn weaknesses into strengths, and help you find out where your greatest strengths (and interests) lie in music. I'll work with you to help you understand your own musical desires and goals, so that you can get the most out of your lessons. I am committed to understanding each of my students, and to sharing my love of music with each one of them. I teach French Horn, piano, music theory and composition as well as songwriting. Currently, I teach in the South Snohomish County and North Ki
ng County areas.
I was eight years old when I started taking piano lessons in Tacoma, WA. When I was 12, I discovered that I had perfect pitch while playing church hymns with my dad. This ability has served me well on a number of occasions. I discontinued formal piano lessons when I started college, but I continued to play piano on a nearly daily basis from that point on, keeping my technical skills at a very advanced level. I played trumpet in school bands starting in the 5th grade, and switched to French Horn in the 8th grade. The appeal of the horn may have had something to do with its rich, warm sound, its intricacy and complexity, and the demands that it placed on me to play with a high degree of pitch accuracy. I loved the challenge of playing accurately on the horn then, and I still do. As a horn student, I have studied with Jacqueline Shannon, Kathy Farner, Kathy Colton, Lawrence Lowe, Elizabeth Ward, Jeff Snedeker, Rodger Burnett and Stacie Eliason. As a horn performer, I have played with community and regional professional orchestras in the Seattle area, Central Washington, Olympia, in the Tacoma Youth Symphony, and in numerous ensembles in college.
I have studied music at Tacoma Community College, Brigham Young University and Central Washington University. I received Bachelor of Arts in Music at Central Washington University. I plan on attending graduate school in the future, focusing on music composition and film composition, as well as French Horn and piano performance.
As a music composer, I have written works for many different ensembles, choral works, solo piano pieces, and works for solo instruments. I am drawn to rich harmonies and beautiful melodies, as well as interesting timbres and musical variety, in my own music and that of the music I listen to. I am easily able to visualize music in color, and I have a thorough understanding of how the elements of music combine together to affect emotions in listeners. This is one of the reasons that I am currently pursuing film and media composition.
As a student, teacher, performer and music composer, I know that there are countless musical topics that students are curious about. I feel that students should feel free to ask any question in the field of music, even if it may seem like a "dumb" question. I value the sincerity and passion for good music that so many students have. I will help you acquire the knowledge and skills that you need, so that you can see more clearly your own musical goals. Previous and current students I have, each have made improvements in their own playing and knowledge of music, some of whom have made vast improvements in their playing and knowledge of music.
As I have taught music privately for a little while now, and can reasonably compare how I teach with other instructors that I know well, I can say with certainty that there are at least a few areas of my teaching that are somewhat unique and highly beneficial for certain students, if not most students. I value ear training and using flashcards with beginner students quite a bit, and am fond of teaching not only the "nuts and bolts" of music, but also, how music "works", such that a student of mine can write their own music if they have the desire to do so. I also try to assign a wide variety of music for each student (which differs according to each student's musical interests, abilities, and areas of their playing that need to be improved), especially as they improve and approach the intermediate levels of playing. There are many reasons I do this, but for the student, it is very important that they do not feel particularly "bored" with the music they are playing. I also have found that students who have a more sensitive nature tend to be more comfortable with the way I teach, as I reserve higher, stricter expectations for more advanced, older students. I also try to always be as patient, kind, and considerate with every student as I can be. Lastly, I highly encourage questions and feedback at any time during a lesson, and I try to create an atmosphere where the student feels comfortable to do so.
I accept students from five years old on up, but I prefer horn students to be at least ten years old before starting lessons, unless they have noticeably greater abilities to focus for a certain period of time than other children their age.
Employment and Musical Experience:
Transcription Work for David Templeton, Composer, 2010
Private Composition Instructor, January 2009-Present
Private Horn Instructor, January 2009-Present
Private Piano Instructor, Fall 2006-Spring 2007, January 2009-Present
Summer Camp Counselor: Lutheran Summer Music, Summer 2006
Principal Horn: Ensign Symphony Orchestra, December 2014
Fourth Horn: Olympia Symphony, September 2012
Third Horn: Mid-Columbia Symphony, February-May 2007
Second Horn: Washington East Opera, Barber of Seville, January 2006
Substitute Third Horn: Yakima Symphony, Winter 2006
Third/Fourth Horn: Wenatchee Symphony, Fall 2005
Substitute Horn: Leavenworth Summer Music Theater: Summer 2005
1st Horn: Shoreline Community Church, Christmas 2004
Principal Horn: Central Washington University Symphony, Chamber Orchestras
Principal Horn: Central Washington University Wind Ensemble
Finalist, Northwest Horn Workshop Mock Auditions, March 2005
Education:
Graduate, Pacific Northwest Film Scoring Program
Post-Baccalaureate Music Education Courses: Central Washington University, 2006-2007
Bachelor of Arts in Music: Central Washington University, Summer 2006
Associate of Arts and Sciences: Tacoma Community College, Fall 2002
Other:
Eagle Scout
Served 2 Year Mission for The Church of Jesus Christ of Latter-Day Saints
Music Composer/Arranger
*** Lesson Details ***
I have always wanted people I interact with to be, as a general rule, comfortable and relaxed in any setting. This certainly applies to the students I teach. However, students can expect that musical improvement will only occur through daily practice and constant effort. That being said, I am more interested in helping students overcome any difficulties in this area through reviewing their own practice habits and motivations, rather than using harsh discipline. It is crucial that students see the connection between their own practicing and musical improvement. Once this occurs, they can take more responsibility for their own progress with that added awareness.
The material chosen for each student will vary considerably, depending on their current knowledge, experience and ability level, innate abilities, musical tastes and priorities. The progress that is made will, to a large extent, be determined by the student's practice habits and natural ability. However, over the course of a few months or so, students should see noticeable improvement in their own musical abilities, if they practice and pay attention during lessons.
*** Studio Equipment ***
Piano, music stand, computer/printer, metronome
*** Travel Equipment ***
-French Horn: pencil, mute, tuner/metronome, maintenance/cleaning supplies, some books depending on if it is a first lesson, etc. I bring my own horn, and expect the student to have their horn. I also expect them to have a music journal to use as a reference for practicing and keeping track of their progress. Occasionally, I will employ a recording device for the purpose of assessing personal teaching effectiveness, or for the student to evaluate their progress/record their practicing.
-Piano: Metronome, pencil, some books if it is a first lesson, music journal, possibly a recording device from time to time.
-Music Theory/Composition: Music paper, pencil, music journal.
*** Specialties ***
Regarding method of instruction/teaching style, I am student oriented, and tend to adapt to each student's personality and learning style. I tend to teach more in the classical genres, with some pop/film music thrown in for variety (from time to time). I prefer using the Bastian, Alfred, and/or John Thompson piano methods, and Pottag-Hovey, Maxime-Alphonse books, etc. for French Horn.
I was eight years old when I started taking piano lessons in Tacoma, WA. When I was 12, I discovered that I had perfect pitch while playing church hymns with my dad. This ability has served me well on a number of occasions. I discontinued formal piano lessons when I started college, but I continued to play piano on a nearly daily basis from that point on, keeping my technical skills at a very advanced level. I played trumpet in school bands starting in the 5th grade, and switched to French Horn in the 8th grade. The appeal of the horn may have had something to do with its rich, warm sound, its intricacy and complexity, and the demands that it placed on me to play with a high degree of pitch accuracy. I loved the challenge of playing accurately on the horn then, and I still do. As a horn student, I have studied with Jacqueline Shannon, Kathy Farner, Kathy Colton, Lawrence Lowe, Elizabeth Ward, Jeff Snedeker, Rodger Burnett and Stacie Eliason. As a horn performer, I have played with community and regional professional orchestras in the Seattle area, Central Washington, Olympia, in the Tacoma Youth Symphony, and in numerous ensembles in college.
I have studied music at Tacoma Community College, Brigham Young University and Central Washington University. I received Bachelor of Arts in Music at Central Washington University. I plan on attending graduate school in the future, focusing on music composition and film composition, as well as French Horn and piano performance.
As a music composer, I have written works for many different ensembles, choral works, solo piano pieces, and works for solo instruments. I am drawn to rich harmonies and beautiful melodies, as well as interesting timbres and musical variety, in my own music and that of the music I listen to. I am easily able to visualize music in color, and I have a thorough understanding of how the elements of music combine together to affect emotions in listeners. This is one of the reasons that I am currently pursuing film and media composition.
As a student, teacher, performer and music composer, I know that there are countless musical topics that students are curious about. I feel that students should feel free to ask any question in the field of music, even if it may seem like a "dumb" question. I value the sincerity and passion for good music that so many students have. I will help you acquire the knowledge and skills that you need, so that you can see more clearly your own musical goals. Previous and current students I have, each have made improvements in their own playing and knowledge of music, some of whom have made vast improvements in their playing and knowledge of music.
As I have taught music privately for a little while now, and can reasonably compare how I teach with other instructors that I know well, I can say with certainty that there are at least a few areas of my teaching that are somewhat unique and highly beneficial for certain students, if not most students. I value ear training and using flashcards with beginner students quite a bit, and am fond of teaching not only the "nuts and bolts" of music, but also, how music "works", such that a student of mine can write their own music if they have the desire to do so. I also try to assign a wide variety of music for each student (which differs according to each student's musical interests, abilities, and areas of their playing that need to be improved), especially as they improve and approach the intermediate levels of playing. There are many reasons I do this, but for the student, it is very important that they do not feel particularly "bored" with the music they are playing. I also have found that students who have a more sensitive nature tend to be more comfortable with the way I teach, as I reserve higher, stricter expectations for more advanced, older students. I also try to always be as patient, kind, and considerate with every student as I can be. Lastly, I highly encourage questions and feedback at any time during a lesson, and I try to create an atmosphere where the student feels comfortable to do so.
I accept students from five years old on up, but I prefer horn students to be at least ten years old before starting lessons, unless they have noticeably greater abilities to focus for a certain period of time than other children their age.
Employment and Musical Experience:
Transcription Work for David Templeton, Composer, 2010
Private Composition Instructor, January 2009-Present
Private Horn Instructor, January 2009-Present
Private Piano Instructor, Fall 2006-Spring 2007, January 2009-Present
Summer Camp Counselor: Lutheran Summer Music, Summer 2006
Principal Horn: Ensign Symphony Orchestra, December 2014
Fourth Horn: Olympia Symphony, September 2012
Third Horn: Mid-Columbia Symphony, February-May 2007
Second Horn: Washington East Opera, Barber of Seville, January 2006
Substitute Third Horn: Yakima Symphony, Winter 2006
Third/Fourth Horn: Wenatchee Symphony, Fall 2005
Substitute Horn: Leavenworth Summer Music Theater: Summer 2005
1st Horn: Shoreline Community Church, Christmas 2004
Principal Horn: Central Washington University Symphony, Chamber Orchestras
Principal Horn: Central Washington University Wind Ensemble
Finalist, Northwest Horn Workshop Mock Auditions, March 2005
Education:
Graduate, Pacific Northwest Film Scoring Program
Post-Baccalaureate Music Education Courses: Central Washington University, 2006-2007
Bachelor of Arts in Music: Central Washington University, Summer 2006
Associate of Arts and Sciences: Tacoma Community College, Fall 2002
Other:
Eagle Scout
Served 2 Year Mission for The Church of Jesus Christ of Latter-Day Saints
Music Composer/Arranger
*** Lesson Details ***
I have always wanted people I interact with to be, as a general rule, comfortable and relaxed in any setting. This certainly applies to the students I teach. However, students can expect that musical improvement will only occur through daily practice and constant effort. That being said, I am more interested in helping students overcome any difficulties in this area through reviewing their own practice habits and motivations, rather than using harsh discipline. It is crucial that students see the connection between their own practicing and musical improvement. Once this occurs, they can take more responsibility for their own progress with that added awareness.
The material chosen for each student will vary considerably, depending on their current knowledge, experience and ability level, innate abilities, musical tastes and priorities. The progress that is made will, to a large extent, be determined by the student's practice habits and natural ability. However, over the course of a few months or so, students should see noticeable improvement in their own musical abilities, if they practice and pay attention during lessons.
*** Studio Equipment ***
Piano, music stand, computer/printer, metronome
*** Travel Equipment ***
-French Horn: pencil, mute, tuner/metronome, maintenance/cleaning supplies, some books depending on if it is a first lesson, etc. I bring my own horn, and expect the student to have their horn. I also expect them to have a music journal to use as a reference for practicing and keeping track of their progress. Occasionally, I will employ a recording device for the purpose of assessing personal teaching effectiveness, or for the student to evaluate their progress/record their practicing.
-Piano: Metronome, pencil, some books if it is a first lesson, music journal, possibly a recording device from time to time.
-Music Theory/Composition: Music paper, pencil, music journal.
*** Specialties ***
Regarding method of instruction/teaching style, I am student oriented, and tend to adapt to each student's personality and learning style. I tend to teach more in the classical genres, with some pop/film music thrown in for variety (from time to time). I prefer using the Bastian, Alfred, and/or John Thompson piano methods, and Pottag-Hovey, Maxime-Alphonse books, etc. for French Horn.
...
Reviews
· Piano · In home
· Piano · In home
· Piano · In home
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Ben G.
Kenmore, WA 98028
starting at
$35
/ 30-min
About Glenn L.
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About Glenn
I have been tutoring trumpet for nine years. My tutoring approach is first to determine the student's purpose, goals, and objectives and then determine his/her current performance level. Next, we begin instruction to take the student to the next level and beyond. I offer trumpet news and tips on my blog.
I have a B.A. degree in English Literature with a minor in music, from the University of Washington. While an undergraduate student at U.W., I was a scholarship student in the Husky Band; marched at football games, the Tournament of Roses Parade, and the Rose Bowl game; played in pep band at basketball games; and played in a brass ensemble. Also, I played in orchestras for musicals and opera. In high school, I was a member of the Texas All-State Band.
I now specialize in private lessons for trumpet and cornet. Also, in September 20
I have a B.A. degree in English Literature with a minor in music, from the University of Washington. While an undergraduate student at U.W., I was a scholarship student in the Husky Band; marched at football games, the Tournament of Roses Parade, and the Rose Bowl game; played in pep band at basketball games; and played in a brass ensemble. Also, I played in orchestras for musicals and opera. In high school, I was a member of the Texas All-State Band.
I now specialize in private lessons for trumpet and cornet. Also, in September 20
15, I began my fifth year of teaching brass instruments for two elementary bands at Skyview Jr. High School in Bothell. In spring 2014, I taught trumpet sectionals in the Symphonic Band and Wind Ensemble at Inglemoor High School in Kenmore. I'm a member of the U.W. Husky Alumni Band, as well as being Bugler for the VFW Post 1040 Honor Guard, playing at numerous military funerals and ceremonies. Finally, I play in a church orchestra. Please find my blog online.
***Geographic Coverage***
We can meet at your home (no travel charge, unless far from Interstate Highway corridors) or at Ted Brown Music in the University District, Seattle (small fee for studio rental). I cover homes from about I-90 northward on the Seattle and Bellevue sides and in Southwest Snohomish County. When I tutor youths in a residence, an adult must be present. When students live in more distant locations, we can meet at Ted Brown Music.
*** Travel Equipment ***
I bring my own mouthpiece (and horn, occasionally), lesson books, and CD's to your home. Students have their own horn, music stand, school music and music lesson books and CD's, if any.
*** Specialties ***
Marching band, concert band, brass ensemble, pep band, jazz band, orchestra.
***Geographic Coverage***
We can meet at your home (no travel charge, unless far from Interstate Highway corridors) or at Ted Brown Music in the University District, Seattle (small fee for studio rental). I cover homes from about I-90 northward on the Seattle and Bellevue sides and in Southwest Snohomish County. When I tutor youths in a residence, an adult must be present. When students live in more distant locations, we can meet at Ted Brown Music.
*** Travel Equipment ***
I bring my own mouthpiece (and horn, occasionally), lesson books, and CD's to your home. Students have their own horn, music stand, school music and music lesson books and CD's, if any.
*** Specialties ***
Marching band, concert band, brass ensemble, pep band, jazz band, orchestra.
...
Reviews
· Trumpet · In studio
· Trumpet · In home
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Glenn L.
Edmonds, WA 98026
starting at
$35
/ 30-min
About Carla H.
Close
About Carla
Why Choose Carla:
• Work on your singing in a warm, friendly and private studio with an experienced teacher that makes singing fun! Students of all ages are always welcome!
• Member of the National Association For Teachers of Singing (the only selective professional organization for Voice Teachers) whose mission is: To encourage the highest standards of the vocal art and of ethical principles in the teaching of singing; and to promote vocal education and research at all levels, both for the enrichment of the general public and for the professional advancement of the talented.
• Voice students learn more then just how to sing, they learn how to be performers and musicians.
• I will not take on a student I cannot help.
• Voice students have MANY performance opportunities offered to them that are appropriate for their level
• Work on your singing in a warm, friendly and private studio with an experienced teacher that makes singing fun! Students of all ages are always welcome!
• Member of the National Association For Teachers of Singing (the only selective professional organization for Voice Teachers) whose mission is: To encourage the highest standards of the vocal art and of ethical principles in the teaching of singing; and to promote vocal education and research at all levels, both for the enrichment of the general public and for the professional advancement of the talented.
• Voice students learn more then just how to sing, they learn how to be performers and musicians.
• I will not take on a student I cannot help.
• Voice students have MANY performance opportunities offered to them that are appropriate for their level
.
My unique studio uses the basics of Bel Canto technique to teach all styles of music to all ages. Parents often comment on how much fun their students have in lessons, while getting feedback from outside professionals (adjudicators, directors, etc) on how much their technique has improved. Adult students are commonly shocked by how easy singing can feel as they meet their career goals.
Current students can be seen performing with:
America's Got Talent!
Hardrock Cafe LAS VEGAS!
Broadway Bound
Bellevue Opera
Puget Sound Concert Opera
Seattle Gilbert and Sullivan
5th Avenue Theater
Theater Schmeater
13 Coins
Hwy 99 Blues Club
The Showbox
Chop Suey
Dicken's Carolers
And MORE!
I realize that voice lessons can be REALLY scary and I totally understand why, especially for kids and beginners! I do my best to use modern psycology and technology to help my beginning students feel confortable in what can be a frightening new endeavor.
Personal Performance Experience: Extensive lead and supporting opera performing experience with Bellevue Opera, Puget Sound Concert Opera, Skagit Opera, Tacoma Opera, Portland Opera,Seattle Gilbert and Sullivan, Seattle Opera and Seattle Youth Symphony. Prior to that spent 7 years performing Jazz and Gospel and 10 years in musical theater.
Personal Education: BA in Music from Seattle Pacific University 2002, MM in Opera Performance (Unfinished due to 1 year of German) at University of Illinois at Champaign-Urbana.
Teaching Experience: 8 years as a private voice teacher in my own studio, 3.5 years teaching opera workshops throughout the USA, 2 years working in studio with local bands as a 'fixer.'
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Have you tried lessons before and felt unsuccessful?
Not all students learn the same way and for years voice teachers have been treating every student as an aural learner. What I have found is that students with a history of struggling with matching pitch simply need to be taught in a different manner. That is why I now ask students to take a voluntary learning style inventory prior to their first lesson.
Visual Learner? Not a problem when "Adam" started with me he could only match pitch 30% of the time. But after finding that he needed to see concepts in order to learn them I have now made all of his lesson visually based and he is now averaging 90% pitch accuracy 3 months later.
Kinisthetic Learner? I had the hardest time helping "Clark" learn new music until we realized that by taking the time to have him play his parts himself on the piano he could learn them in minutes. He just is a person that learns by doing and now that we know that, music has become so much less frustrating for him.
Physical Learner? With "Steve" the traditional 'visualization' style of teaching that most voice teachers start with just wasn't helping him improve his sound and reach the high notes we both knew he had. After we figured out that he needed large muscle movements to understand concepts I added the use of a resistance band to his lessons. He has had so much success with this technique that he 'stole' my resistance band so he could use it in recording sessions and before he got on stage.
The stories just go on and on.
CURRENT AND FORMER STUDENT REFERENCES AVAILABLE!
*** Lesson Details ***
Students help structure their lessons by providing a general overview of their goals during their first lesson. Just as not everyone's voice sounds the same, neither does everyone's lesson!
A typical lesson begins with vocal warm-ups specifically targeted to strengthen the students technique and help them learn more about their voices capabilities. Next students work on songs of their choosing, that help them develop the freedom of voice, control, stamina and overall vocal health that they will need to be confident in their performing.
Additional opportunities for performance are provided for students as desired. These may include Karaoke Nights (for adult beginners), no-stress recitals, studio sing-a-longs, community choirs and small roles in local productions.
NEW STUDIO FEATURE!
*** Studio ***
piano and guitar
*** Specialties ***
Voice, Music Theory, Music Performance, Acting, Speech, Theatrical Broadway Singing, Opera Voice
Singing for Musical Theater, Classical Voice, Jazz Voice, Improvisation, Rock and Metal Vocals, Healthy Metal Growling, Beginning-Advanced Intermediate Voice, Composition, Music History, Music Appreciation
Specializing in helping young singers find their voices and learn healthy technique so as to not damage their instrument, while having a lot of fun! I also teach Spanish, Latin and Italian Diction for Singers.
I have worked with many local guitar/singer/songwriters and rock band frontmen, helping them gain the stamina and power they need while maintaining their instrument for the future.
Also, I have had extensive experience and success working with students who consider themselves 'tone challenged'
My unique studio uses the basics of Bel Canto technique to teach all styles of music to all ages. Parents often comment on how much fun their students have in lessons, while getting feedback from outside professionals (adjudicators, directors, etc) on how much their technique has improved. Adult students are commonly shocked by how easy singing can feel as they meet their career goals.
Current students can be seen performing with:
America's Got Talent!
Hardrock Cafe LAS VEGAS!
Broadway Bound
Bellevue Opera
Puget Sound Concert Opera
Seattle Gilbert and Sullivan
5th Avenue Theater
Theater Schmeater
13 Coins
Hwy 99 Blues Club
The Showbox
Chop Suey
Dicken's Carolers
And MORE!
I realize that voice lessons can be REALLY scary and I totally understand why, especially for kids and beginners! I do my best to use modern psycology and technology to help my beginning students feel confortable in what can be a frightening new endeavor.
Personal Performance Experience: Extensive lead and supporting opera performing experience with Bellevue Opera, Puget Sound Concert Opera, Skagit Opera, Tacoma Opera, Portland Opera,Seattle Gilbert and Sullivan, Seattle Opera and Seattle Youth Symphony. Prior to that spent 7 years performing Jazz and Gospel and 10 years in musical theater.
Personal Education: BA in Music from Seattle Pacific University 2002, MM in Opera Performance (Unfinished due to 1 year of German) at University of Illinois at Champaign-Urbana.
Teaching Experience: 8 years as a private voice teacher in my own studio, 3.5 years teaching opera workshops throughout the USA, 2 years working in studio with local bands as a 'fixer.'
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Have you tried lessons before and felt unsuccessful?
Not all students learn the same way and for years voice teachers have been treating every student as an aural learner. What I have found is that students with a history of struggling with matching pitch simply need to be taught in a different manner. That is why I now ask students to take a voluntary learning style inventory prior to their first lesson.
Visual Learner? Not a problem when "Adam" started with me he could only match pitch 30% of the time. But after finding that he needed to see concepts in order to learn them I have now made all of his lesson visually based and he is now averaging 90% pitch accuracy 3 months later.
Kinisthetic Learner? I had the hardest time helping "Clark" learn new music until we realized that by taking the time to have him play his parts himself on the piano he could learn them in minutes. He just is a person that learns by doing and now that we know that, music has become so much less frustrating for him.
Physical Learner? With "Steve" the traditional 'visualization' style of teaching that most voice teachers start with just wasn't helping him improve his sound and reach the high notes we both knew he had. After we figured out that he needed large muscle movements to understand concepts I added the use of a resistance band to his lessons. He has had so much success with this technique that he 'stole' my resistance band so he could use it in recording sessions and before he got on stage.
The stories just go on and on.
CURRENT AND FORMER STUDENT REFERENCES AVAILABLE!
*** Lesson Details ***
Students help structure their lessons by providing a general overview of their goals during their first lesson. Just as not everyone's voice sounds the same, neither does everyone's lesson!
A typical lesson begins with vocal warm-ups specifically targeted to strengthen the students technique and help them learn more about their voices capabilities. Next students work on songs of their choosing, that help them develop the freedom of voice, control, stamina and overall vocal health that they will need to be confident in their performing.
Additional opportunities for performance are provided for students as desired. These may include Karaoke Nights (for adult beginners), no-stress recitals, studio sing-a-longs, community choirs and small roles in local productions.
NEW STUDIO FEATURE!
*** Studio ***
piano and guitar
*** Specialties ***
Voice, Music Theory, Music Performance, Acting, Speech, Theatrical Broadway Singing, Opera Voice
Singing for Musical Theater, Classical Voice, Jazz Voice, Improvisation, Rock and Metal Vocals, Healthy Metal Growling, Beginning-Advanced Intermediate Voice, Composition, Music History, Music Appreciation
Specializing in helping young singers find their voices and learn healthy technique so as to not damage their instrument, while having a lot of fun! I also teach Spanish, Latin and Italian Diction for Singers.
I have worked with many local guitar/singer/songwriters and rock band frontmen, helping them gain the stamina and power they need while maintaining their instrument for the future.
Also, I have had extensive experience and success working with students who consider themselves 'tone challenged'
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Reviews
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My voice teacher Carla H is a very good teacher. She is pleasant, has patience, and gives me a confidence.I am a senior citizen and my voice to improve from zero to ....... Certainly she gave me that confidence I needed. I know it is long way to go and I don't know I will be here in this world, but certainly I am enjoying taking lessons from her.Kazi
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I have struggled w/ my break/passagio for sometime and would work on a song with my high range for 1-2months and then loose my voice on performance. Carla imediatly identified my problem and knows exactly how to fix it. I have been seeing improvement the past few weeks. What more can I ask for!
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Carla H.
Seattle, WA 98133
starting at
$50
/ 30-min
About Morgan D.
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About Morgan
Morgan received her training at Carnegie Mellon University in 2008 where she received a Bachelor of Fine Arts in Voice Performance. She continued her education at the University of Cincinnati's College-Conservatory of Music and received a Master of Music in Voice Performance in 2010. For the 2012-13 season, Morgan was an Opera Colorado Young Artist introducing children across Colorado and Wyoming to opera by performing in their outreach program and giving master classes at the college level. Morgan looks forward to helping new students achieve their goals. Morgan's lessons are always fun yet constructive with music that both challenges and excites the student.
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Reviews
· Singing · In studio
· Singing · In studio
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Morgan D.
Seattle, WA 98107
starting at
$35
/ 30-min
About Jared C.
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About Jared
I have been playing instruments and performing live since I was 11 years old. Initially trained in classical piano I added guitar to my musical palette at the age of 14. In college I spent time continuing my studies in both piano and guitar and received a bachelors of fine arts with a concentration in jazz guitar from Columbia College Chicago in 2004.
I have since moved to Seattle, WA and have become a regular fixture in the music community as a guitar and theory teacher, songwriter/guitarist of the pop rock bands Electric NoNo and Warren Dunes, and co founder and producer of the The Big Ass Boom Box Festival Seattle and the Seattle X Southwest showcase at SXSW Festival in Austin. I have released five studio albums that have received regional and national attention, toured regionally and nationally, and perform regularly at Seattle ma
I have since moved to Seattle, WA and have become a regular fixture in the music community as a guitar and theory teacher, songwriter/guitarist of the pop rock bands Electric NoNo and Warren Dunes, and co founder and producer of the The Big Ass Boom Box Festival Seattle and the Seattle X Southwest showcase at SXSW Festival in Austin. I have released five studio albums that have received regional and national attention, toured regionally and nationally, and perform regularly at Seattle ma
instays including The Crocodile, The Sunset, Columbia City Theater, and many more. My band recently performed at The Upstream Music Festival in downtown Seattle in March 2017.
I consider myself a life long student of music and I pride myself on my dedication to a complete understanding of my instrument. I offer beginner - advanced lessons for guitar and songwriting, and beginner - intermediate lessons for ukulele. I also administer a variety of workshops throughout the year for guitar, songwriting, and music theory, as well as bi annual student recitals.
I consider myself a life long student of music and I pride myself on my dedication to a complete understanding of my instrument. I offer beginner - advanced lessons for guitar and songwriting, and beginner - intermediate lessons for ukulele. I also administer a variety of workshops throughout the year for guitar, songwriting, and music theory, as well as bi annual student recitals.
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Reviews
· Ukulele · In studio
· Guitar · In studio
A few key things about Jared I want to share:
- He is always prepared and does his homework
- Incredibly knowledgably and patient
- He finds a way to explain things so they make sense
- Always goes above and beyond what I expected
- He provides materials to aid in learning from videos, backing tracks, tablature and musical notation
- Always smiling and happy to be teaching music
I easily recommend Jared as a teacher to players looking to learn music from beginner though to advanced level. It was an absolute pleasure to be Jared’s student.
· Acoustic Guitar · In studio
Jared breaks down songs into pieces, and provides a slowed down recording to play along with. I find this the absolute best part about practicing, to play along with Jared's recording. It also means if I haven't played a song for a while I can go back to the recording for the strum/structure.
Without Jared I don't think I would have stuck with the guitar, and after almost 18 months Jared is encouraging me to explore the electric guitar and take the lessons in a new direction.
There are regular performances with all the students, it's no pressure, and I haven't had one go perfectly yet while on the actual stage (in practice they are perfect) but they give students an opportunity to perform in an environment where they can make mistakes and just get out there and try it!
I would strongly recommend Jared as a guitar teacher - the recordings, the encouragement, the performances, he is a very dedicated teacher.
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Jared C.
Seattle, WA 98103
starting at
$25
/ 30-min
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About Melanie A.
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About Melanie
Hi!
I have been playing piano for 18 years and am excited to share the passion with others!
Music has been a special part of my life since I was 4 years old. I took lessons for 10 years and continued to play in college for the Naval Academy Women's Glee Club as the accompanist. While with the Glee Club, I had the opportunity and honor to sing for two Presidents and play piano for one, and sing with Beyonce as part of Obama's Inauguration Celebration.
I specialize in teaching children as I put a great emphasis on fun! I want students to have joy playing before it gets difficult in order to encourage them to play longer. Part of that is I encourage learning songs that they are interested in tandem with the course so they continue to love what they play.
I'd love to meet you and share my love with you.
I have been playing piano for 18 years and am excited to share the passion with others!
Music has been a special part of my life since I was 4 years old. I took lessons for 10 years and continued to play in college for the Naval Academy Women's Glee Club as the accompanist. While with the Glee Club, I had the opportunity and honor to sing for two Presidents and play piano for one, and sing with Beyonce as part of Obama's Inauguration Celebration.
I specialize in teaching children as I put a great emphasis on fun! I want students to have joy playing before it gets difficult in order to encourage them to play longer. Part of that is I encourage learning songs that they are interested in tandem with the course so they continue to love what they play.
I'd love to meet you and share my love with you.
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Reviews
· Classical Piano · In studio
· Piano · In home
We were very sad to learn she was moving (but understood wanting to be closer to family). If you're lucky enough to have her near you, don't hesitate!
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Melanie A.
Tacoma, WA 98445
starting at
$30
/ 30-min
About Gary B.
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About Gary
My name is Gary; I've been playing acoustic guitar for 35+years; I love to as I put it, "play the songs I grew up with." That means I play the songs I've always loved---in my early years up to the present. I play the coffeehouse and community festival circuit, playing the music of James Taylor and other artists of that era up to the present. My goal is to have you play the songs you like, too….you'll never forget them once you learn!
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Gary B.
Seattle, WA 98146
starting at
$42
/ 30-min
About Greg S.
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About Greg
Hello! I am a vocal music teacher with over 15 years of experience in singing and performing. I received my BA in music (voice) from the University of Washington in 2012, and my MA in teaching (with a choral endorsement) from the University of Puget Sound in 2016. I currently teach music at Seattle World School, where I focus on singing, vocal technique, and music theory.
I have studied and been trained in multiple genres, and I can assist students in using healthy vocal technique for any style of music. While much of my performing experience has been in Classical singing, I have also performed Pop music, and I have performed with multiple a cappella groups. Whether you're hoping to start your career in opera or just want to have another hobby in your life, I can help!
I have studied and been trained in multiple genres, and I can assist students in using healthy vocal technique for any style of music. While much of my performing experience has been in Classical singing, I have also performed Pop music, and I have performed with multiple a cappella groups. Whether you're hoping to start your career in opera or just want to have another hobby in your life, I can help!
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Greg S.
Seattle, WA 98103
starting at
$25
/ 30-min
About Megan M.
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About Megan
There's a couple things I'm really good at and that's helping people find their UNIQUE voice and how to break out of their comfort zones and take their performing and singing to the next level. Singing WELL is about so much more than technique. While I teach technique and all the basics, the really fun part is discovering what you're made of and what your unique voice can do. Together we can discover what it means to not just sound good, but to WOW people and more importantly, wow yourself.
I have spent my entire life figuring out how to sing with passion, with real emotion and rawness, how to write songs that paint a picture, how to go beyond my self limiting beliefs and reach goals I never thought I could. And in so discovering how to do this for myself I now teach others how to do it too.
If you're ready to go from good to great, o
I have spent my entire life figuring out how to sing with passion, with real emotion and rawness, how to write songs that paint a picture, how to go beyond my self limiting beliefs and reach goals I never thought I could. And in so discovering how to do this for myself I now teach others how to do it too.
If you're ready to go from good to great, o
r even if you're ready to just start for the first time I got you. You're capable of so much more than you think.
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Reviews
· Vocal Training · In home
· Vocal Training · In studio
· Singing · In studio
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Megan M.
Issaquah, WA 98029
starting at
$42
/ 30-min
About Aaron H.
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About Aaron
I am a drummer/percussionist with years of experience and a degree in performance from the University of Oregon.
Everybody has a unique voice, so why shouldn’t drums be the same? Your hands are unique to you, so the lessons you receive should be tailored to each student.
I believe in finding a targeted plan, agreed upon by the student and myself, to achieve whatever goal the student has in mind. Whether that be just a casual playing at home or performing in cafes or arena shows, I tailor a plan that works best for each student.
As a musician I perform regularly with numerous rock and jazz bands, orchestras, theater groups and small classical groups throughout the state of Oregon and Washington.
Everybody has a unique voice, so why shouldn’t drums be the same? Your hands are unique to you, so the lessons you receive should be tailored to each student.
I believe in finding a targeted plan, agreed upon by the student and myself, to achieve whatever goal the student has in mind. Whether that be just a casual playing at home or performing in cafes or arena shows, I tailor a plan that works best for each student.
As a musician I perform regularly with numerous rock and jazz bands, orchestras, theater groups and small classical groups throughout the state of Oregon and Washington.
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Aaron H.
Auburn, WA 98002
starting at
$25
/ 30-min
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