Woodinville Music Lessons

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Average Cost of Music Lessons in Woodinville, WA

The average cost of 60-minute music lessons in Woodinville is $69. While the exact cost will vary depending on the teacher, type of lesson, and your location, you should expect to spend anywhere between $64 and $75 per hour.

30-min $35
 
$42 average
$55
45-min $52
 
$59 average
$69
60-min $64
 
$69 average
$75

For the best experience, we typically recommend 60-minute music lessons. However, students looking for a more affordable option may want to consider a shorter lesson length of 45 or 30 minutes. On average, 45-minute music lessons are 15% less expensive at $59, and 30-minute lessons cost 40% less at $42.

Curious how much music lessons cost in your area? Do a quick search to get local prices for the best music teachers near Woodinville.

Music Lesson Reviews from Students

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Popular Music Teachers near Woodinville

Check out some of our most popular teachers near Woodinville including Seattle, Bellevue, Tacoma, Snohomish and Bothell.

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About Kelly A.

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Seattle, WA

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About Kelly
After years of teaching all levels, and many different styles of voice and piano lessons, I can tell you this-- I LOVE teaching! My students have ranged from 5 to 65, from classical piano, or jazz/pop piano, to pop/rock/jazz singing, to songwriting and/or ear-training, and no matter what we always have a great time. I guarantee that in our lessons, you will see progress almost immediately... but above all, learning music is FUN! A little extra info....
**In 2012 I finished a Masters degree at NYU in Jazz Studies, and recorded an album of some jazz, folk, and original music.
**I perform in New York City and Seattle, and I tour with my band a few times each year
**I taught jazz piano and voice lessons for four years at NYU and also through the New York Jazz Academy and Brooklyn Music Factory, from beginning to advanced, classical, pop
or jazz -- and I teach rock bands how to learn music by ear and have fun playing with other people! I have also been teaching privately (independent home studio) since 2007.
**I organize and teach vocal workshop classes, where singers can learn how to work with a band.
**I joined the Cornish College of the Arts adjunct jazz faculty in Spring 2015!

I moved back to Seattle in April 2014 after being in NYC for four years -- completing my Master of Music degree (NYU), living, teaching, and performing in Brooklyn and Manhattan. NYC was amazing, and I'd love to share with you all of the cool things I picked up during my time there. From 2005-2010, I lived in Seattle and taught music lessons. I graduated from Cornish College of the Arts in Jazz Performance (voice) and performed a lot around Seattle-- from jazz clubs to concert halls-- performing pop, rock, soul, jazz and even working in a Steely Dan Tribute Band!! (your parents might appreciate that more than you do)

More than anything, I'm fascinated by the different ways that students learn and always love figuring out what kind of learning works best for YOU.

*** Lesson Details ***
I love watching my students progress and enjoy their music, no matter what style they enjoy or what level they are. I work with students to pick out music that they'll enjoy working on-- it's always more fun to learn songs you love!
I'm a pretty laid back teacher, but I work to inspire my students to try their hardest and do the best that they can do. I will provide you will the exercises, materials, and right level of songs to help you meet your goals, and together we can create a plan for our lessons.

In our lessons we will cover a variety of topics, including:

--Strong, Healthy TECHNIQUE so that you can gain a command of your instrument and play or sing whatever you choose. Through various EXERCISES you will develop strength, control, musicianship, and good habits.
(Vocalists:)
It is important to develop a healthy technique so that you can sing whatever you want without getting fatigued or injuring your voice. We'll work on developing strong technique and finding your own unique SOUND-- we'll choose music that is right for your vocal style and music that YOU connect with so you can really express yourself.
(Pianists):
No matter whether you want to play classical, pop, or jazz, you'll want your fingers to be strong and agile enough to get the sound that you want out of the instrument. With good technique you can play anything!

--Rhythm, subdivision, and groove

--Ear-training & Music Theory (chord qualities, pitch matching, easy transcription)

--Building your REPERTOIRE so that you have songs to play, and discussing techniques specific to each style of music you study

--Arranging or Communicating with a band (if that is something which interests you)

--Performance considerations.... developing confidence and personal expression!

My goal is to inspire students to play their instruments (or sing!), develop good habits and encourage healthy curiosity..... but most of all to Love Playing Music! 

*** Studio Equipment ***
full music room with 88 f/w keyboard with music stand, amp, microphone (if applicable), acoustic guitar, seating for parents.

I will provide lesson plans and corresponding handouts, exercises, examples, etc. If the student is taking piano lessons they should have access to a keyboard or piano at home. I also have a vocal microphone & amp to work on microphone technique.

*** Specialties ***
I specialize in jazz/pop piano and voice, and have a strong background in classical and jazz theory and technique. I typically design curricula which include technical exercises from my classical background and then focus stylistically on the genre that the student is interested in. I have extensive experience both performing and teaching in many jazz, pop, rock and soul styles-- I try to help the student find their unique voice while establishing a strong foundation of healthy technique.
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Reviews
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Susan August 17, 2018
· Songwriting · In studio
I'm not being hyperbolic when I write that Kelly is one of the finest teachers I've ever had. I'm a singer-songwriter with unlimited drive, but frustratingly limited musical skills, and Kelly has been able to teach me theory and any number of other related skills such that I've made great progress. She is very patient, extremely musical, and has great taste, which sure doesn't hurt!
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Henry March 25, 2018
· Piano · In studio
Kelly was very patient with a pretty bad pianist haha
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Steven S. March 22, 2018
· Piano · In studio
Knowledgeable, helpful and patient. She's also been very flexible in her approach to our 12-year-old. Recommended.
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Kelly A.

Kelly A.

Seattle, WA 98103
(34)
starting at
$40 / 30-min

About Jordan M.

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Seattle, WA
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About Jordan
Lesson Details/Services:

Singing/Audition and Resume Coach:

Lessons begin with stretching, vocal warm ups, scales, and extensive breath work, as well as resolving any tensions that may be hindering your vocal production. I then through collaboration with the student, work on beginning repertoire that is suited for the voice, and challenging at the same time. I record all lessons, and email them to the student so that one has the opportunity to review the warm ups, and hear the improvement in the voice, I also write a review of every lesson, with notated warm-ups and a list of "To Do's" for the week so that the student will have a structured practice week. I provide music, and if needed recordings of the pieces so that the student can take the materials back to their homes and practice them on their own.

I track the range of
the voice, and usually within a month it will have improved by at least 4 notes either higher or lower.

It is important to note that learning voice is a highly individualized journey, each person will have their own set of strengths and weaknesses, as a teacher it is my job to asses this in a person and craft a curriculum, and style that will fit those individual needs.

I am also adept at navigating local opportunities for students in the Seattle Theater world. I have had students receive callbacks at 5th avenue, perform for Seattle Childrens Theater. Young Actors Institute, Driftwood Players, win multiple pageants and score high in talent as well as acting opportunities in movies and modeling. I am a performer as well and had to navigate through the college system as well as the Seattle theater system and can provide much guidance to those interested with resume, repertoire and audition coaching.

There is no feeling in the world than the freedom and beauty of singing, it is a joy to hear in my students, and very fulfilling to teach this kind of wonderfully positive experience to people of all ages!

I received my B.A. in vocal performance from San Francisco Conservatory of Music in 2009. I am a classically trained singer, however I enjoy all genre’s of music and firmly believe having a classical base in a singing technique will enrich any style of music you wish to work toward. I am devoted to healthy singing, and unlocking your true timbre and voice with extensive breath, and vowel work. As a graduate from a highly competitive music institution I can help in guiding students along the right path of pursuing this art form at a collegiate level.

Theory/Song Writing techniques:

For some students learning music is just as much a part of the lesson as learning to sing. I love teaching people of all ages how to read music, so that the student can be an independent teacher for themselves and learn music on their own at home, this I think is very important in order to improve skills for singing, the faster the student can learn music, the more time can be spent working on technique and improving the sound of the voice.

I graduated from a prestigious Conservatory and had to take very advanced theory classes in order to receive my degree. I also played flute and oboe in orchestra for 10 years, and taught myself how to play piano. I have assisted some of my students interested in writing their own music on chord progressions, and have offered my musical expertise on their compositions. There is nothing like being involved in the creative process of composing and I love supporting my students that decide to explore this art form.

Speaking Lessons:

I have a studio in Bellevue where I work closely with the transgender community as a vocal coach to feminize my clients voices transitioning from male to female. It is a wonderful process and anyone interested please do contact me!

I also teach language diction classes. I am fluent in IPA (international phonetics alphabet) in English, French, German, Italian, and Spanish. I can help with accent reduction in English or pronunciation in any of the above languages.

A little bit about me:

“Playing alongside Drumheller were a number of young performers like Jordan M., who appeared as Cousin Hebe. A past member of Tacoma Opera's Young Artist Program, she is an emerging artist with a beautiful voice and very appealing stage presence who is slated to appear in several shows in the region this year.” whereissandy.com, Sandy McDade Chair of the ArtsFund Board, 2015

Soprano Jordan M. kicked off 2015 with a role debut of Nancy In Albert Herring with Vashon Opera. She was thrilled to make her 5th Avenue Main Stage debut in The Sound of Music, and to sing in Cry To Heaven part of 5th Avenue's New Works Department, which was a collaboration with writer Anne Rice and academy award nominated composer Matthew Wilder (whose credits include the music of Mulan).  She joined Tyrolean Opera this last summer on a full Scholarship in Maurach, Austria on Lake Achen (Achensee), in a role debut of Gretel in Humperdincks Hansel und Gretel. 

In 2014 she was excited to be in the world premiere of Yoshinaka, by Garrett Fisher with the Fisher Ensemble as Tomoe.  It was an adaptation of the traditional Japanese Tales of Ise, which made it’s world premiere at Seattle’s ACT Theater “Central Heating Lab Series”.  It was a noteworthy collaboration with Munenori Takeda, and The Takeda Noh troupe which consists of members who are Living National Treasures in Japan for their Noh artistry, this collaboration was featured on the front page of The Arts section of the Seattle Times.  

Other notable credits from 2014 include 2nd Lady in The Magic Flute,  Rosina, in Il Barbiere di Siviglia with Tacoma Opera and a recording for Kakitsubata, with The Garrett Fisher Ensemble for Jack Straw Production Studios.  In spring of 2014 Ms. McClellan sang Papagena and 2nd Lady with Skagit Opera, and  N.O.I.S.E. (Northwest opera in schools) for their Washington tour, as well as various Rossini arias with Bremerton Symphony, and two solo recitals with Second-City Chamber Series, and Music Northwest.  She also continues to be involved in recording sessions for Hollywood’s top video game soundtracks, including Starcraft and World of Warcraft.

Jordan is equally at home singing song repertoire as well as early music. She was chosen to participate in Lieder Alive! Singers Studio with Håkan Hagegård in San Francisco, CA where she delved deeper into lieder classics, culminating in a public masterclass.  Ms. McClellan has since been invited to sing several recitals with, Second City Chamber Series, in Lakewood, WA, Music Northwest, in Seattle, Wa, Hearthstone Chapel Recital Series, in Seattle, WA, Skagit Opera, at Lairmont Manor, as well as with Tacoma Opera.  Her recital repertoire varies from Italian Art Song, to Fauré Chanson, Lieder, American Songbook Classics, as well as Irish Folk Songs.  She has particpiated in Accademia D’amore, a summer program lead by Grammy Award winner Stephen Stubbs who is  devoted to educating singers about early music, baroque dance and rhetoric.  Most recently she participated in Bach Meisterkurs, in Leipzig Germany (Bach’s hometown) to learn the art of stylistically singing Bach’s passions.  

Past credits include a 3 month tour with Portland opera singing Hansel in Hansel and Gretel, Phylo in the West Coast premier of Pénélope by Fauré with Vespertine Opera, and her Italian concert debut in Urbania, Italy at the Teatro Bramante.  

Her upcoming engagements include, starring in a local independent film as an opera singer, a role debut of Adalgisa in Skagit Opera’s Norma, singing a solo recital with Music Northwest, a performance with the Fisher Ensemble at Folklife Festival, as well as a performer at the Sankt Goar International Music Festival in Germany.

*** Studio Equipment ***
I have a recording device, a piano and keyboard, a music stand, lots of music of all genres, a copier/printer, as well as access to making recordings of pieces so that the student can take it home (whether that is CD's or Mp3's).

*** Travel Equipment ***
I provide a recording device, piano, keyboard, piano accompaniment (usually a recording), as well as copies of music.

If I travel to a lesson they would have to have a piano or keyboard.

*** Specialties ***
I specialize in unlocking an individuals true singing voice,

I do have a 48 hour cancellation policy, I will allow one missed lesson to be reschedule but after that I will have to charge you if you continually miss lessons without letting me know.
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Reviews
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Doon June 17, 2018
· Singing · In studio
My daughter had a fantastic first lesson and is looking forward to the next!
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Evelyn H. October 13, 2016
· Singing · In studio
My name is Evelyn and I'm 33 yo. I'm also transgender MTF and have always wanted to sing with my new voice. Jordan is incredibly patient and shows a lot of care for what I have tried to accomplish. Without her I would have been too afraid the let my singing voice be heard. I'm so lucky to have found a professional like her to help me find my singing voice during the journey of my transition. I highly recommend her to anyone who is new to singing or wants to improve their existing voice. She's worth every minute.
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Evelyn September 4, 2016
· Singing · In studio
Each lesson gets better every time I go there :)
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Jordan M.

Jordan M.

Seattle, WA 98177
(20)
starting at
$60 / 30-min

About Ben G.

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Kenmore, WA

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About Ben
I have been teaching French Horn, piano and composition privately for about nine years, mainly in Snohomish and King counties. I have also coached horn players in local school bands during this time, as well as helping students with learning disabilities. There are many difficulties that students encounter when studying music, and I want to help you turn weaknesses into strengths, and help you find out where your greatest strengths (and interests) lie in music. I'll work with you to help you understand your own musical desires and goals, so that you can get the most out of your lessons. I am committed to understanding each of my students, and to sharing my love of music with each one of them. I teach French Horn, piano, music theory and composition as well as songwriting. Currently, I teach in the South Snohomish County and North Ki
ng County areas.

I was eight years old when I started taking piano lessons in Tacoma, WA. When I was 12, I discovered that I had perfect pitch while playing church hymns with my dad. This ability has served me well on a number of occasions. I discontinued formal piano lessons when I started college, but I continued to play piano on a nearly daily basis from that point on, keeping my technical skills at a very advanced level. I played trumpet in school bands starting in the 5th grade, and switched to French Horn in the 8th grade. The appeal of the horn may have had something to do with its rich, warm sound, its intricacy and complexity, and the demands that it placed on me to play with a high degree of pitch accuracy. I loved the challenge of playing accurately on the horn then, and I still do. As a horn student, I have studied with Jacqueline Shannon, Kathy Farner, Kathy Colton, Lawrence Lowe, Elizabeth Ward, Jeff Snedeker, Rodger Burnett and Stacie Eliason. As a horn performer, I have played with community and regional professional orchestras in the Seattle area, Central Washington, Olympia, in the Tacoma Youth Symphony, and in numerous ensembles in college.

I have studied music at Tacoma Community College, Brigham Young University and Central Washington University. I received Bachelor of Arts in Music at Central Washington University. I plan on attending graduate school in the future, focusing on music composition and film composition, as well as French Horn and piano performance.

As a music composer, I have written works for many different ensembles, choral works, solo piano pieces, and works for solo instruments. I am drawn to rich harmonies and beautiful melodies, as well as interesting timbres and musical variety, in my own music and that of the music I listen to. I am easily able to visualize music in color, and I have a thorough understanding of how the elements of music combine together to affect emotions in listeners. This is one of the reasons that I am currently pursuing film and media composition.

As a student, teacher, performer and music composer, I know that there are countless musical topics that students are curious about. I feel that students should feel free to ask any question in the field of music, even if it may seem like a "dumb" question. I value the sincerity and passion for good music that so many students have. I will help you acquire the knowledge and skills that you need, so that you can see more clearly your own musical goals. Previous and current students I have, each have made improvements in their own playing and knowledge of music, some of whom have made vast improvements in their playing and knowledge of music.

As I have taught music privately for a little while now, and can reasonably compare how I teach with other instructors that I know well, I can say with certainty that there are at least a few areas of my teaching that are somewhat unique and highly beneficial for certain students, if not most students. I value ear training and using flashcards with beginner students quite a bit, and am fond of teaching not only the "nuts and bolts" of music, but also, how music "works", such that a student of mine can write their own music if they have the desire to do so. I also try to assign a wide variety of music for each student (which differs according to each student's musical interests, abilities, and areas of their playing that need to be improved), especially as they improve and approach the intermediate levels of playing. There are many reasons I do this, but for the student, it is very important that they do not feel particularly "bored" with the music they are playing. I also have found that students who have a more sensitive nature tend to be more comfortable with the way I teach, as I reserve higher, stricter expectations for more advanced, older students. I also try to always be as patient, kind, and considerate with every student as I can be. Lastly, I highly encourage questions and feedback at any time during a lesson, and I try to create an atmosphere where the student feels comfortable to do so.

I accept students from five years old on up, but I prefer horn students to be at least ten years old before starting lessons, unless they have noticeably greater abilities to focus for a certain period of time than other children their age.

Employment and Musical Experience:

Transcription Work for David Templeton, Composer, 2010

Private Composition Instructor, January 2009-Present

Private Horn Instructor, January 2009-Present

Private Piano Instructor, Fall 2006-Spring 2007, January 2009-Present

Summer Camp Counselor: Lutheran Summer Music, Summer 2006

Principal Horn: Ensign Symphony Orchestra, December 2014

Fourth Horn: Olympia Symphony, September 2012

Third Horn: Mid-Columbia Symphony, February-May 2007

Second Horn: Washington East Opera, Barber of Seville, January 2006

Substitute Third Horn: Yakima Symphony, Winter 2006

Third/Fourth Horn: Wenatchee Symphony, Fall 2005

Substitute Horn: Leavenworth Summer Music Theater: Summer 2005

1st Horn: Shoreline Community Church, Christmas 2004

Principal Horn: Central Washington University Symphony, Chamber Orchestras

Principal Horn: Central Washington University Wind Ensemble

Finalist, Northwest Horn Workshop Mock Auditions, March 2005

Education:

Graduate, Pacific Northwest Film Scoring Program

Post-Baccalaureate Music Education Courses: Central Washington University, 2006-2007

Bachelor of Arts in Music: Central Washington University, Summer 2006

Associate of Arts and Sciences: Tacoma Community College, Fall 2002

Other:

Eagle Scout

Served 2 Year Mission for The Church of Jesus Christ of Latter-Day Saints

Music Composer/Arranger

*** Lesson Details ***
I have always wanted people I interact with to be, as a general rule, comfortable and relaxed in any setting. This certainly applies to the students I teach. However, students can expect that musical improvement will only occur through daily practice and constant effort. That being said, I am more interested in helping students overcome any difficulties in this area through reviewing their own practice habits and motivations, rather than using harsh discipline. It is crucial that students see the connection between their own practicing and musical improvement. Once this occurs, they can take more responsibility for their own progress with that added awareness.

The material chosen for each student will vary considerably, depending on their current knowledge, experience and ability level, innate abilities, musical tastes and priorities. The progress that is made will, to a large extent, be determined by the student's practice habits and natural ability. However, over the course of a few months or so, students should see noticeable improvement in their own musical abilities, if they practice and pay attention during lessons.

*** Studio Equipment ***
Piano, music stand, computer/printer, metronome

*** Travel Equipment ***
-French Horn: pencil, mute, tuner/metronome, maintenance/cleaning supplies, some books depending on if it is a first lesson, etc. I bring my own horn, and expect the student to have their horn. I also expect them to have a music journal to use as a reference for practicing and keeping track of their progress. Occasionally, I will employ a recording device for the purpose of assessing personal teaching effectiveness, or for the student to evaluate their progress/record their practicing.
-Piano: Metronome, pencil, some books if it is a first lesson, music journal, possibly a recording device from time to time.
-Music Theory/Composition: Music paper, pencil, music journal.

*** Specialties ***
Regarding method of instruction/teaching style, I am student oriented, and tend to adapt to each student's personality and learning style. I tend to teach more in the classical genres, with some pop/film music thrown in for variety (from time to time). I prefer using the Bastian, Alfred, and/or John Thompson piano methods, and Pottag-Hovey, Maxime-Alphonse books, etc. for French Horn.
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Reviews
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Tam October 10, 2017
· Piano · In home
Ben is a wonderful teacher! He is very dedicated and patient. My kids play piano greatly improved since they started with Ben.
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Lynn September 14, 2017
· Piano · In home
Ben is great if you want your child to love piano. He is a fun teacher and was very patient with my son, who was a bit turned off from music due to prior experiences. He actually wrote songs for my son to play since he needed more time at the beginner level. He was great when my son was nervous at recitals and festivals and had strategies to help him deal with nerves.
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Ryan /. September 14, 2017
· Piano · In home
Not good for beginners. Ben is knowledgeable, however.
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Ben G.

Ben G.

Kenmore, WA 98028
(15)
starting at
$35 / 30-min

About Joshua R.

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Renton, WA
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About Joshua
Joshua Romatowski, flutist, has been praised for his ability to “allow each note to sound with its own expressive qualities” (San Francisco Examiner). Joshua’s playing has been described as “elegantly shaped” (San Francisco Examiner) and possessing “graceful intimacy” (San Francisco Classical Voice). Joshua holds a Master of Music in Flute Performance from the San Francisco Conservatory of Music and a Bachelor of Music in Flute Performance from the University of Texas at Austin, as well as an Artist Diploma in Early Music from the Cornish College of the Arts. Joshua has appeared with the Detroit Symphony Orchestra, Olympia Symphony, the Rainier Symphony Ballet Orchestra, and others. Joshua was a finalist in the National Flute Association's Orchestral Excerpt Competition and a winner of the Ladies Musical Club of Seattle Frances Walton Com
petition.

As well as being a prize winner in the National Flute Association's Baroque Artist Competition, Joshua has appeared in concert on baroque flute in every major city on the West Coast with the American Bach Soloists, Portland Baroque Orchestra, the Byron Schenkman and Friends concert series, Pacific Music Works, Early Music Underground, and Agave Baroque. On baroque flute, Joshua has taken lessons with Janet See, Wilbert Hazelzet, Claire Guimond, Sandra Miller, Stephen Schultz, Philippe Allaine-Dupre, and Greer Ellison.

Joshua currently holds the 3rd Flute/Piccolo chair with the Tacoma Symphony Orchestra and is on faculty at Music Works Northwest. Joshua’s primary teachers have been Timothy Day, Marianne Gedigian, Jeffery Zook, and Janet See.

*** Lesson Details ***
Joshua believes in giving students the tools to express and perform at their highest level by instilling a strong sense of core fundamentals and musical awareness. With these tools, students can leave lessons inspired and with a clear idea of how to improve during their private practice.

*** Studio Equipment ***
Three music stands
Metronome
Tuner
Music Library

*** Travel Equipment ***
One to three music stands
Metronome
Tuner

*** Specialties ***
Orchestral performance and auditioning
Solo recital preparation and performance
Competition preparation and performance
Concerto preparation and performance
Piccolo Performance
Historical performance practice on baroque flute.
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Reviews
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Cindy K. April 13, 2017
· Flute · In home
If you're looking for a wonderful instructor, I strongly recommend Joshua. Through Joshua's broad knowledge, superb musical expertise and skillful communication, you'll love growing in your musical ability, regardless of your level. Enjoy your lessons!
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Cindy K. October 21, 2016
· Flute · In home
Joshua is a wonderfully talented and skilled musician AND communicator. His heart is in his work, and his teaching style is encouraging and supportive. I'm an older student (senior actually) revisiting my past love of the flute. My hour lesson flies by and it always ends with me feeling I've learned a lot. Thanks, Joshua, for being the fine teacher you are! My four stars "Great Experience" is a five star.
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Wei G. April 11, 2016
· Flute · In home
Good lesson, will be better if the teacher have more free time to teacher more classes in a week
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Joshua R.

Joshua R.

Renton, WA 98058
(5)
starting at
$40 / 30-min

About Eric W.

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Redmond, WA

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About Eric
Music lessons for all ages and levels on guitar, bass, violin, cello, ukulele, banjo and voice/singing. Private studio in downtown Redmond. I have been teaching for over 10 years, performing and recording as a singer/songwriter/guitarist for over 25 years. Berklee College of Music alumnus. All styles of guitar, classical, jazz, blues, rock, acoustic, electric. Suzuki method violin and cello as well as fiddle and folk styles.
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Annastasia L. June 28, 2018
· Cello · In studio
Great to play with
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Srinivasan June 18, 2018
· Guitar · In studio
It has been a great experience so far and he does teach a LOOOTT in the hour that I learn from him!.. Its been a very pleasant experience so far!
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Veeravendhan February 23, 2018
· Violin · In studio
Good teacher, he us very helpful in identifying the instruments and other resources that you required.
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Eric W.

Eric W.

Redmond, WA 98052
(12)
starting at
$30 / 30-min
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About Don L.

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Seattle, WA
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About Don
I graduated from Juilliard (BA) and played 3 years with the New Jersey Symphony after which I moved to Europe where I was Principal cellist with a Swiss Orchestra ( Biel ). I teach the Leonard Rose bow arm technique. I believe he had the best bow arm in the business.

I work with the bow arm first with beginners and advanced players to get a better bow grip, bow stroke and bow change. The rudiments are important!
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Ying November 7, 2017
· Cello · Online
Very knowledgeable teacher .
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michael January 18, 2017
· Cello · Online
Don went right to the area I knew I needed the most help. Terrific!
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Hanna January 14, 2017
· Cello · Online
It was very much fun. Do is very nice and knows a lot.
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Don L.

Don L.

Seattle, WA 98133
(14)
starting at
$35 / 30-min

About Svetlana V.

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Auburn, WA

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About Svetlana
I was educated in the former Soviet Union, where I received my classical piano education, and hold the equivalency of a Bachelor's Degree in Music Theory, as well as a Master's Degree in Piano Teaching, and Choral Conducting. I have taught private piano lessons for 29 years -- 18 years in the U.S. I enjoy working with students of all ages, but prefer school age children.
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Mariola April 9, 2018
· Piano · In studio
My son admires his teacher Mrs. Svetlana. She is passionate about teaching and loves music.
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Kim Searcy September 15, 2017
· Piano · In studio
Svetlana is a wonderful teacher. Her passion for piano shows through her teaching. She gives a full well rounded experience, not just the mechanics of playing. I am learning and enjoying my lessons more than I ever had with other instructors.
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Tanya K. January 22, 2017
· Piano · In studio
My daughter is seven and she really looks forward to piano lessons with Svetlana. She knows how to get down on the child's level and help them understand. You can tell that Svetlana really enjoys teaching!
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Svetlana V.

Svetlana V.

Auburn, WA 98092
(8)
starting at
$30 / 30-min

About Linnea W.

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Everett, WA

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About Linnea
I am a freelance oboist, reed maker, and music teacher in the Seattle area. My teaching studio is currently based in Everett. I have eight years of teaching experience and love working with students of all ages. My primary instrument is oboe, but I also have a passion for teaching beginning violin (the instrument which I started on). I have a Master of Music Performance degree from Arizona State University in oboe performance and a Bachelor’s degree in Music Performance from Whitworth University in both oboe and violin.
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kaylee H. May 11, 2016
· Violin · In home
It's was was great, my daughter love it, keep it up ... 👌 ... !
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Linnea W.

Linnea W.

Everett, WA 98203
(1)
starting at
$25 / 30-min

About William R.

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Poulsbo, WA

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About William
I love to play the clarinet and love to see my students fulfill all of their potential. I have enjoyed being a student of the clarinet myself since I was 9 years old, and have learned lots of things that I want to share.

I played clarinet in the Atlanta Symphony Orchestra for 40 years, retiring in August of 2015. As a member of the ASO, I've toured Europe, made Grammy award winning recordings, and played in Carnegie Hall many times. I have a Bachelor of Music degree (with Distinction) from Indiana University's School of Music. I have played a lot of chamber music as well, including touring Spain with the Atlanta Virtuosi. I have been Adjunct Instructor of clarinet at Georgia State University, and at Georgia Institute of Technology.

My teaching method is to help the student absorb good playing habits at a pace that feels right t
o them. The process is as important as the learning itself, and I try to teach in a friendly and supportive manner, while setting standards for achievement. I want to be the ally that can help the student, and eliminate the obstacles they may run across in both music and instrumental skill.
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Fred May 9, 2018
· Clarinet · In studio
I studied clarinet with William Rappaport when I was a graduate
student in music education at Georgia State University. He may be the
most deeply musical person I have ever known. My sense was that,
though he was a performer of the absolute highest caliber, he was
equally passionate about teaching.
When I initially contacted Bill to schedule lessons, I explained that
I was visually impaired. I wanted to share this information with him
upfront in the event that he had questions or concerns about teaching
me. I remember him saying clearly, “I am aware of the possibilities.”
That was all I needed to hear to feel comfortable entering his studio.
Bill encouraged me to take on any challenge in the clarinet
literature that interested me. He used every possible metaphor he
could think of to communicate ideas that were more easily accessed if
you could simply look at the printed page. He was always warm and
friendly, but focused, never wasting one second of our time together.
Following my work with Bill, I attended The University of Michigan
where, though I was a music education doctoral student, I was
instantly welcomed into one of the clarinet studios. Bill’s creative
work with me played an enormous role in making that happen. Now, I am
a community college professor, teaching a variety of classes including
a studio class for instrumental music students. I often find myself
using the same examples Bill employed with me to help my current
students. I am profoundly grateful for his unyielding commitment to my
growth when I was a student of his.
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Diane April 19, 2018
· Clarinet · In studio
I’ve played clarinet for over 30 years, and was a clarinet major in college. I started studying with Mr. Rappaport after I was out of college for several years and had moved to Atlanta, where Mr. Rappaport was playing in the Atlanta Symphony. I found him to be the best teacher I had ever studied with. His ability to help me understand the musical phrase, no matter what style of music I was working on, was amazing. I studied standard clarinet etudes, orchestral literature, and clarinet solo repertoire with Mr. Rappaport. He had the same mild, yet persistent approach with me on everything we worked on – always working to get me to play it to the best of my ability.
One thing I had always feared having to play some day was the opening solo to Gershwin’s Rhapsody in Blue. A former teacher had been unable to help me with it. So, when a band I was playing with scheduled the piece and told me to get ready to play the solo, I was traumatized and contacted Mr. Rappaport for help. He worked with me and not only got me playing the opening glissando, but helped me to have a better understanding of the other jazzy spots in the piece. So now I can say I’ve performed that piece about 20 times, and the fear is gone! Thanks, Mr. Rappaport!
Regardless of your level of playing, I think you will find Mr. Rappaport to be an outstanding teacher!
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Kim April 18, 2018
· Clarinet · In studio
Mr. Rappaport was my clarinet professor and mentor in college and has continued to be an inspiration to me both as a teacher and as one of the finest clarinetist I know, both in the classical realm and in the jazz and swing styles.

Anyone who has ever heard me play has always complimented me on my clarinet tone. I can honestly say that my clarinet tone is the direct result of Mr. Rappaport's methods and his gentle but very stringent guidelines. If you are looking for someone to take you or your child to the highest standard of musicianship, look no further. I highly recommend lessons with Mr. Rappaport. Kim C.
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William R.

William R.

Poulsbo, WA 98370
(3)
starting at
$30 / 30-min

About Greg S.

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Seattle, WA

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About Greg
Hello! I am a vocal music teacher with over 15 years of experience in singing and performing. I received my BA in music (voice) from the University of Washington in 2012, and my MA in teaching (with a choral endorsement) from the University of Puget Sound in 2016. I currently teach music at Seattle World School, where I focus on singing, vocal technique, and music theory.

I have studied and been trained in multiple genres, and I can assist students in using healthy vocal technique for any style of music. While much of my performing experience has been in Classical singing, I have also performed Pop music, and I have performed with multiple a cappella groups. Whether you're hoping to start your career in opera or just want to have another hobby in your life, I can help!
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Jonathan September 3, 2018
· Classical Voice · In studio
Greg's a very good teacher. At first I wasn't sure how all the vocal exercises and breathing that we were doing were fitting together, but by the 5th lesson, I could see my singing improve significantly. Greg has a lot of experience, but doesn't try to overwhelm you or do things that are unnecessary. He works on what he thinks you're capable doing, but also guides you past your comfort zone a little bit each lesson as well. Recommended.
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Greg S.

Greg S.

Seattle, WA 98103
(1)
starting at
$25 / 30-min

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