Stacey is a professional soprano known as an active performer in the Cincinnati area. Stacey has sung for 8 seasons with the Cincinnati Opera as a member of the core chorus and sings with Cincinnati's professional chamber choir the Vocal Arts Ensemble. She also sings with the North American New Opera Workshop and ascend voices. Stacey has recently been named as the Director of Artistic Collaboration for ascend voices.
Stacey has studied piano from the age of 5 and is great for beginning or intermediate piano students.
Stacey has taught students of all ages and with various musical styles. Her students have included professional ballet dancers with Broadway aspirations, an 8-year-old girl simply wanting to break out of her shyness, and high school students preparing for College auditions. Her students have performed in nationally known rock bands, been accepted into College music programs, they have been members of the May festival Youth Chorus, the Kentucky Governor's School for the Arts, and have traveled to Europe with competitive touring choirs.
Stacey's operatic performing credits include Autumn in Charles Halka's Layover with NANOworks Opera, the Mother in Amahl and Night Visitors with the Clermont Philharmonic Orchestra, Testo in Il Combattimento di Tancredi e Clorinda with the College-Conservatory of Music , Mimi from Puccini's La Boheme in the CCM's Opera scenes program, Donna Donna in P.D.Q Bach's The Abduction of Figaro , 1st Lady in Mozart's Die ZauberflÃ¶te and Juno in Offenbach's Orpheus in the Underworld all at the DePauw University Opera Theatre. Other partial roles/scenes performed include Suzel in Mascangi's Lamico Fritz, Countess in Mozart's Le Nozze di Figaro, and Fiordiligi in Mozart's Cosi Fan Tutte.
More than just singing opera Stacey is known for her versatility as a classical singer regularly doing cross over work. She regularly gigs as a jazz/popular singer accompanying herself on the piano. Her musical theater performing credits include Mama in Everybody's Buddy: The Buddy LaRosa Story, Shelia in Hair with DePauw University, Ensemble/Soprano Soloist in Sweeny Todd, Sonia in Godspell with the Lakeside Players and Yonah in Children of Eden with the Lakeside Players.
Stacey received her Master of Music degree in Vocal Performance from the University of Cincinnati, College-Conservatory of Music where she studied with Barbara Paver. She graduated magna cum laude from DePaul University with a B.M. in Vocal Performance. She studied with Caroline Smith and Stanley Irwin.
Stacey is originally from Florence, Kentucky and takes pride in impacting her home community through music.
*** Lesson Details ***
Stacey is known for adapting lessons for the individual. Each body is unique and thus each vocal instrument is unique. Stacey takes time to get to know each student and caters to their specific needs and goals. She believes in well rounded performers working often on dramatic intentions, overall professionalism, and stage presence. She also prepares her students with their audition packages and stresses the importance of regular performance. Stacey is a very open and caring individual but expects hard work from her students.
*** Studio Equipment ***
Yamaha upright piano, Yamaha portable keyboard
*** Travel Equipment ***
I have a portable keyboard. I expect a semi private space to teach.
*** Specialties ***
Opera, Broadway, Choral Vocals
Stacey is a versatile member of Cincinnati's professional chamber choir, the Vocal Arts Ensemble under the direction of Craig Hella Johnson. Stacey regularly is featured as a soloist as well as being a member of the alto section.
Member of the Core Chorus for the Cincinnati Opera...sang in over 40 operas with the company.
Founded in 1944, National Association of Teachers of Singing, Inc. (NATS) is the largest professional association of teachers of singing in the world with more than 7,000 members worldwide.
The MTNA was founded in 1876 with the goal of advancing the value of music study and music-making to society while supporting the careers and professionalism of teachers of music. With nearly 22,000 members in 50 states—and more than 500 local affiliates—the MTNA is the preeminent source for music teacher support, where members embody like-minded values and commitment to their students, colleagues and society as a whole, while reaping the rewards of collaboration, continuity and connection throughout the lifetime of their careers.