Accompaniment with Michaud S.

Composer, guitarist, and vocalist Michaud is an internationally based musician with over 15 years of teaching experience. As a solo and ensemble guitarist, Michaud is comfortable working in a wide spectrum of musical styles which have included jazz, classical, tango, rock, pop, latin folkloric music, and beyond. As a composer and producer, his work includes compositions for chamber ensembles, orchestra, electronics, Max/MSP, and performance art. Background: In addition to solo performance, Michaud has regularly played in a tango duo with Mirta Wymerszberg, is half of Duo Michma, leads The Ancient Present- a chamber orchestra performing new works- and is an auxilary member of Correo Aereo. In the past, he has served as musical director of the Tuesday Tease house band, was a regular guitarist for Bissou (focusing on French jazz and standards from the 1920’s-30’s). Over the years, he has had the honor and pleasure to work with Adam Tully, Ramiro Gallo, honey.moon.tree, Paintings for Animals, Justin Froese, Adra Boo, Beth Fleenor, Evan Flory-Barnes, Heather Bentley, Dawn Clement, the Seattle Rock Orchestra, Chicharra Tango, Ben Thomas, Matt Weiner , Dana Wen, Amy Denio, Okanamode SoulChilde, Brad Hawkins, Ahamefule J. Oluo, Wayne Horvitz, Jakob Pek, Ammon Swinbank, and many others. Michaud studied at the Cornish College of the Arts with Emily Doolittle, Jim Knapp, and Michael Nicolella. Michaud’s studies beyond Cornish include time at The Evergreen State College, where his studies with Terry Setter, Ben Kamen, Arun Chandra, and Sean Williams included an emphasis in Consciousness Studies and Music. Michaud’s relationship with music began early on, singing in a choir and later playing in a youth orchestra. With the help of his grandfather he began playing guitar when he was 11, and quickly adopted this as his main instrument. Throughout high school, Michaud played in the school jazz band on both bass and electric guitar. Towards the end of this time, he started playing with honey.moon.tree, as well as Paintings for Animals, deepening his roots into rock music and expanding it into more experimental territories. Shortly thereafter, Michaud began to develop his work with the classical guitar and moved to South America to pursue a study of music, specializing in folkloric and indigenous music. After a year of study, Michaud returned to the United States and continued on to form a series of bands and ensembles in the roles of composer, songwriter, guitarist, and vocalist.