Watertown Music Lessons

different concepts they incorporate
3 Ear-training/pitch recognition. Strengthening the ability to "pick up" new material more quickly and translate ones Ideas to the instrument.
4 Music appreciation/Musicality. Listening to new and different types of music focusing on the different elements that make up a great performer/performance.

*** Studio Equipment ***
Music Studio: piano, stereo system, no drum there! room to sit for parents
A1: drum kit, whole performance set up with recording studio, room for parents to sit in on lesson

*** Travel Equipment ***
amplifiers, cd/mp3 player

*** Specialties ***
ear training, most musical styles (pop/rock, r&b, reggae, jazz , world)

Media Arts, Public Speaking, and Ethnology. Designing percussion for stage and dance lead to studies and teaching of North and West African, Middle Eastern drum, Caribbean/South American and Asian drum and percussion rhythms. First hand experience has been gained by living in Morocco and South Korea for nearly a year each, studying and documenting folk music.

s I do not have access to a car, I prefer that students come to my home studio in Somerville, or that they be within public transit options.

N.B. I own a dog, so for those with allergies, it might be best to meet in your own home.

with bands around the northeast U.S., & have performed with internationally acclaimed artists such as Nona Hendryx, Simon Shaheen, & Richard Devine. In the past 6 years, I've performed in 8 countries - USA, Canada, Mexico, Guatemala, Colombia, Brazil, Turkey, & Ghana.

ally!

Over the course of my playing career, I have experienced a variety of performance injuries involving my hands, arms, and torso. Through these experiences, I have gained experience in injury prevention and recovery relevant to flutists at all ages and levels. This has helped me develop more efficient and healthy approach to my own playing and greatly informed my teaching methods in the process.

My musical experiences make me well suited for teaching students of all ages to achieve individual goals. I loved the teaching I did as a part of the Eastman Community Music School and I love sharing all that I have learned with others! Being a very organized and structured person, I generally propose a steady practice regimen based on both long term goals and short term achievements! I also believe in letting students go at their own pace and constantly adjusting those milestones as required. I believe that the ultimate goal of any teacher is to give the student the means to teach themselves. This philosophy places great emphasis on practicing techniques to make students more self-aware and able to trust themselves in the practice room.
Thank you so much for reading and feel free to contact me with any questions!

rning. Music lessons should be fun and I always keep that as my number one priority while also making sure that my students are getting a solid musical education that they will be happy with now and in the future. I pride myself on being patient, enthusiastic, empathetic and always prepared. I’m familiar with all of the most popular methods and have also created a large library of my own teaching materials.

During my career, I’ve been fortunate to have the opportunity to teach several different populations in the US, Greece and Germany. These diverse experiences have been extremely challenging and helped make me into a stronger teacher. From 2001-2003 I taught at the Center for Individualized Training and Education(CITE) which is a special needs school in Providence, RI. At CITE, I worked with students ages 6-17 and learned a lot about how to use music to bring joy to students who are not necessarily able to engage in a traditional musical education. In 2016, I created a music program in Athens, Greece for refugee children seeking asylum. I worked in conjunction with the School Box Organization to raise money for instruments, and taught guitar and hand drum classes at a school they had set up in a refugee squat. Although I'm no longer at the school, I am still helping to oversee the program and plan to do more of this work in the future. During my time in New York City, I worked with kids attending some of the most exclusive private schools in the country and dealt with the challenge of fitting music into an extremely demanding and high pressure educational environment. All of these experiences have helped shape my teaching philosophy as well as my views on life and music. I am currently teaching students in Boston as well as online lessons in Canada, Europe and the US.

ng theory is best when students are excited to practice them!

I teach beginner and intermediate piano students. I've been playing piano for 10+ years with a concentration in contemporary keyboard and musical theater. Depending on the needs of the student, we can work on sight reading and classical technique, or learning how to read chord sheets and tabs online in order to play contemporary songs.

As a professional touring and recording artist, I like to work songwriting into all of my lesson plans. For any student particularly interested in songwriting, I can make that a much larger portion of the lessons. Songwriting is a uniquely intimate art. Rather than tell a student how I think they should write songs, I strive to empower the student to be able to make the artistic decisions that they want. By making conscious decisions based on their musical knowledge, the student can grow his or her's own unique songwriting voice.

My personal passion is contemporary songwriting, but my own musical journey included many genres like Classical, Jazz, Blues, Folk, Theater, and more. I would not be the songwriter I am today without all these different experiences, so my goal has always been to foster passion and excitement for the material any student is learning.