- Levels Taught:
- Beginner, Intermediate, Advanced
I've been working as a professional actor in the theatre and on-camera for over 25 years. I've performed with the Shakespeare Theatre in DC, ACT Theatre in Seattle, Book-It Repertory, Seattle Shakespeare Company, and Shakespeare Santa Cruz to name a few. I've also been the featured voice in voiceovers for companies like University of Washington Medical, Golden 1 State Credit Union, Microsoft, and Surface Pro 3. On Camera Credits include short films, industrials, and commercials for Taco Time, Tulalip Casino, and Washington Dental Association.
I hold a BFA from the University of North Carolina at Greensboro and an MFA from the Shakespeare Theatre's Academy for Classical Acting in Washington DC. My training includes a wealth of acting techniques (Stanislavski, Meisner, etc.), movement, and stage combat, with a focus in particular on voice and text for Shakespeare.
I've conducted interactive workshops on Shakespearean Acting (including stage combat!) across the southeast while on tour with the North Carolina Shakespeare Festival's Globeworks Program. I've also lead workshops at the West End Studio Theatre in Santa Cruz while performing with Shakespeare Santa Cruz.
- Teaches students:
- and Ages 5+
- Teaching since:
I've been performing roles in the theatre and on-camera for over 25 years. My BFA in Acting and Directing and my MFA in Classical Acting have afforded me a wide variety of tools and skills to employ in the craft of acting. Performing with professional repertory companies like ACT Theatre, Book-It Repertory, Shakespeare Santa Cruz, and the Shakespeare Theatre in DC, I've gained personal knowledge of the art, craft, and business of being a working actor, which I will put to work for you, in a personalized one-on-one coaching session, either online or in person.
Here's how I can help.
SCENE WORK AND MONOLOGUES: Whether it's dusting off and refreshing monologues you've performed more times than you can count, or developing pieces or scenes for the first time for an upcoming stage or on-camera audition, we can break the material down together, work on the clarity of your choices and active objectives, and access your personal connection to the material so you'll be ready and confident with a one-of-a-kind performance that reflects the strengths you bring to acting and the story you want to tell.
SHAKESPEARE: Perhaps the most daunting of styles for a contemporary actor, we'll get down to the nuts and bolts of some of the most challenging (and rewarding) material. The famous soliloquies are famous for a reason and can certainly be intimidating, and more obscure material can seem thick and inaccessible. We'll chip away at the mystique of Shakespeare by digging in to the text and verse, activating the language with specificity, and cultivating your personal take on well-known characters or lesser known material they might not have seen before.
DIALECTS AND ACCENTS: From English to Irish to Southern American and beyond, a well executed dialect can be the edge you need to land (and play) that meaty role. I use a multipronged approach that involves ear training to develop an authentic sound, text analysis for clarity of sound substitutions (IPA Proficient), and exercises that pare away stilted and unnatural speech to cultivate an authentic sounding voice that will be your own.
VOICEOVER: I've been booking voiceover gigs on TV, radio, and the internet for over 10 years with clients like Microsoft, Liberty Mutual, UW Medicine, Tableau, Reno Toyota, and Golden One State Credit Union. I can offer tips and tricks of the trade, as well as techniques that can take your VO submissions to the next level and help you book these lucrative contracts.
Let's get started!
Passed all 8 certification tests as an Actor Combatant in Rapier and Dagger, Single Sword, Broadsword, Sword and Shield, Quarterstaff, Unarmed, Smallsword, and Knife. Performed in productions choreographed by notable fight masters Allen Suddeth (North Carolina Shakespeare Festival) and Rick Sordelet (The Shakespeare Theatre). Trained with and performed in productions choreographed by Brad Waller (Shakespeare Theatre Company) and Geoffrey Alm (Freehold Theatre, Seattle Shakespeare Co).+ Read More