Wayland Music Lessons

youth productions, or teaching the next generation of music lovers how to navigate the keys. And while I perform mostly Broadway-style music now, my classical training continues to serve me well; using good technique not only allows me to play more accurately and expressively, it also protects me from injuries that might otherwise arise from long rehearsals and a busy performance schedule.

I'm excited about where my musical journey has taken me, and I look forward to helping you start or continue yours.

*** Lesson Details ***
I'm serious about making sure my students learn basic skills, like reading notes and rhythms and learning to interpret music artistically, that will serve them not only as developing pianists but in any future musical endeavors. To that end, I choose method books (such as the Faber Piano Adventures series) and supporting materials that build a strong foundation of musical knowledge, and I help each student construct a practice schedule that's appropriate to his or her level.

However, although I do maintain a certain amount of structure, I am very patient and relaxed in my approach to each individual student. I recognize that not everyone learns at the same speed or in the same way, so as long as I can tell you're putting in the effort, I will also try my hardest to find what works for you! And I know it's easiest to stay motivated when working on music you love, so I like to supplement the regular lesson materials with music of the student's choice, whether that means offering a selection of level-appropriate classical pieces, helping locate an arrangement of a favorite song, or coming up with our own arrangement if a good one doesn't already exist. And while my own background is strongest in classical and Broadway styles, I'm happy to have students work on music from any genre. One of the best parts of teaching is when I get to learn something new as well.

*** Studio Equipment ***
Malden studio: Dedicated studio with 88-key weighted keyboard, recording equipment, and large collection of sheet music. Parents can sit in on lessons or wait downstairs. Parking in driveway or on street. We have cats.

Bedford studio: Front room setup for lessons with upright piano and stereo. Laptop available to record lessons. Parents can sit in on lessons. Parking available in driveway and street.

*** Travel Equipment ***
I would expect the student to provide a piano or suitable keyboard (88 keys, weighted keys or at least somewhat touch-sensitive, with a clear piano sound). For vocal students, it would be helpful for them to have a separate music stand as well.

*** Specialties ***
In terms of vocal music, I am definitely most comfortable with Broadway-style repertoire, but I have experience with some of the classical repertoire as well. As a pianist I have a solid classical background but am also very familiar with Broadway playing styles; I think I've done a little of everything at this point, so I could adapt to any interests my students might have. I am trained in the Taubman piano technique, which focuses on healthy, effective motions, so I try to incorporate some elements of that in my teaching, to the extent
that I think a particular student will benefit from it.

As for methods: for beginning and intermediate piano students I tend to use the Faber Piano Adventures series, supplemented by additional exercise books (Dozen a Day, for example), simple classical pieces (Bastien publishes a book that I like), or other materials depending on the student's interest and level of achievement (pop, Broadway, etc.). For advanced students I would use different exercise books (Hanon, Czerny, etc.) and focus more on repertoire than method, continuing to teach theory and technique as it comes up.

For vocal students I have mostly stuck to whatever materials/repertoire the student was most interested in, plus vocal exercises to support any problems or challenges they might be working on (e.g., range, vowel formation, learning a healthy mix/belt technique).

r my lessons to meet a students individual needs. I am a serious teacher, but I am a laid back person. I am easy going, but I will make sure you learn what you need to learn. I can guarantee after 4 or 5 lessons with me, you will have tripled your knowledge of chords, scales, technique, and song repertoire. I am very patient and am happy to work with students of all ages and skill levels.

I encourage mid to upper level students to bring in songs they want to learn (if they are at the right level) and I will transcribe them on the spot and go through them with you step by step.

If you want to learn how to play all your favorite songs, I am the teacher for you. I won't make you play music you aren't really interested in, but I will make recommendations for songs to improve your playing and include music theory so that you understand what you are playing and why you are playing it. The point of playing music is to HAVE FUN, after all.

*** Studio Equipment ***
Fender Blues Jr. III guitar amp, Vintage Gallien Kreuger guitar amp, Carvin/Peavey Bass amp, Epiphone 1 x 12 guitar amp, custom thin line telecaster, custom solid body telecaster, vintage synsonic electric guitar, breedlove acoustic guitar, Tacoma acoustic bass, Schecter stiletto 5 string electric bass, Ibanez soundgear 5 string bass, custom stratocaster, vintage synsonic single coil guitar, 5 string banjo, , Diamond Head tenor ukulele, u-king soprano banjolele , M-Audio oxygen 8 midi controller, Blue Mic USB microphone, Eurorack mixer, shure microphone, 2011 Macbook pro w/ Sibelius, Pro Tools, Garage Band, Reason. Full lutherie shop equipped to do custom builds, guitar set-ups, mods.

*** Specialties ***
Picked and fingerstyle acoustic or electric guitar, Fingerstyle or picked bass guitar, ukulele, improvisation, Jazz, Blues, Rock, Hip-Hop, Bossa, recording, lutherie, etc.

sic group "The Suspects" is featured in a film, "Montana Amazon" starring Haley Joel Osmond, Alison Brie and Olympia Dukakis.

*** Lesson Details ***
I generally use the Schirmer and Thompson books for piano lessons. I don't consider myself strict but I do expect students to practice at least an hour a day.
3-6 months I do expect them to be able to start playing the piano and to know their notes and their locations.

*** Studio Equipment ***
The studio is in a music room in the home with an upright piano w seating available.

*** Travel Equipment ***
I can go out and buy the books

*** Specialties ***
Jazz, experimental, rock and semi classical

than 30 years, I am currently the Director of Worship for the chapel at Gordon College, a small Christian school north of Boston. I'm often involved in city-wide music events in Boston’s faith-based community and in demand as a featured musician for church services, parties, concerts and other events.

I hold a Masters of Music from New England Conservatory in Jazz Piano and am comfortable and fluent in a number of musical styles. In addition to private lessons and performing, I do music transcription, workshops, and all forms of vocal and instrumental arranging. My passions include morning coffee, finding new guitar chords, creating killer PowerPoint presentations, and trying to figure out how to use my smart phone.

*** Lesson Details ***
My priority as a teacher is to make the learning process fun, life-giving, and productive. I teach with patience and humor, at a challenging but not frustrating pace.

Some quotes from my students:
"I absolutely love learning from Bil! I've watched my playing and the playing of others at church vastly improve as a result of his training."

"[Bil] is filled with a large amount of knowledge, so while sitting under him you not only learn about how to play but you learn about music history and theory. Beyond being a good teacher he is genuine and friendly and cares about others."

"I have really enjoyed working with Bil. His patience and wealth of knowledge has helped me come out of my musical shell and has encouraged me to discover my musical voice."

"Bil makes learning theory fun! His deep understanding of music is complemented by his contagious enthusiasm."

"Bil has taken me to a different level. I went from tab and basic guitar chords, to building jazz chords and a far greater understanding of music theory."

There are at least two ways that might set me apart from other teachers.

Firstly, I have honed and developed "people skills". I am an ordained minister and have held positions where I was formally and informally in a mentoring/pastoring role. I bring that sensitivity to my music lessons, understanding that personal and emotional issues can be triggered by the engagement with the music and skills being worked on.

Secondly, I've had a remarkable broad base of experience. My coursework has exposed me to a wide breadth of ideas and tools; my work life has been long and varied; I have had extensive experience in many different cultural contexts, both musically and otherwise; and I work well with many age groups and skill levels.

Regarding my teaching approach:
For beginners, I have a fairly consistent set of topics and skill sets to cover. Generally, in a few months, piano students (particularly those in middle school through adulthood) should know how to play major, minor and seventh chords, how to read simple chord charts and some very basic accompanying skills. Guitar students should know a dozen open chords and have been introduced to barre chords, and to have learned several styles of finger picking as well as strumming. Bass students should know how to find notes on the board and will have begun to learn how to fill out a song with an expressive but non-obtrusive bass line.

For intermediate students, the pace, direction and focus on lessons depends upon the goals and passions of the student along with the amount of time he or she has to practice. My goals for students at this level and beyond is to learn how to learn. I will use outstanding recorded examples of particular skills or stylistic idioms to help my students understand and master each new concept. I often will check in with my student to make sure that we are on track with what they are hoping for.

For advanced students, we will generally target very specific objectives. I also try to add elements of theory, history, culture, and even life lessons to apply to the topics we address. Because of my background in pastoral ministry, I can serve as a mentor addressing the emotional and relational issues of playing music as well as its technical aspects.

*** Studio Equipment ***
upstairs music room: fender Rhodes piano, keyboards, amps, drum set, seating for parents

*** Travel Equipment ***
if for guitar or bass, that instrument; I expect piano students to have an available keyboard and for other students to have their own instrument(s).

*** Specialties ***
strong in jazz, rock, pop, gospel, sacred, R&B.

dio engineer Lou Gonzalez, founder of QUAD Studios. His new studio, QUAD Lakeside in Raymond, Maine, is one that I helped build and use to record and produce bands from around the northeast.

oy helping people as much as I enjoy performing, and I'd love the chance to inspire and encourage you however I can.

immersing themselves in the music!

successfully participated in a the recital at his primary school. While in China, I maintained a studio of six students. Under my guidance, all of them earned Chinese violin amateur grading certificates earned through performance and judging of scales, etudes, and solo repertoire. While teaching these students in China, I studied at East China Normal University, famous for their pedagogical approached to music education in China. In 2016, I won the first prize in the Concerto Competition at East China Normal University and performed a successful concert at the Shanghai Conservatory.

As I was growing up, I always loved sharing what I have learned with others and led me to build passion for teaching. By sharing what I learned with others, not only I can improve myself as a musician, but also inspires both myself and students to have deeper understandings in music; interactions with students bring diverse and unique ideas which have shaped my passion for teaching music. Also, I believe that being a teacher is not only for teaching a subject matter. Rather, it is about guiding students to form their own philosophy in their life. I have never imagined becoming a musician if it was not for the teachers and professors that led me in my life and helped me to become who I am now; therefore, I would like to share my own experience and give it back to the students to help them to pave their own life.