Houston, TX Classical Piano Lessons
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Popular Classical Piano Teachers near Houston, TX
Check out some of our most popular teachers near Houston, TX including Spring, Sugar Land, Katy, Pearland and Cypress.
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About Mei L.
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I have more than 10 years of teaching experiences.
About Mei
I am an enthusiastic and fun teacher. I acquired my bachelor's and master's degree in piano performance. I started playing piano at the age of 6. Since I was 8 years old, I have been trained systematically and professionally throughout my years in school. My solo performances and recitals were held when I was attending the University of Wyoming. I have great passion towards performing in public, but I found greater love in teaching piano. I have 10 years of teaching experiences. I believe that the piano is our best friend and keep it close to our heart and shares this love with the world when we play.
*** Lesson details ***
Strict but fun and enthusiastic, these words were said by my students after years of teaching. In Piano lessons, I assign diverse music repertories in order to assist students to have the ability to grasp the essen
*** Lesson details ***
Strict but fun and enthusiastic, these words were said by my students after years of teaching. In Piano lessons, I assign diverse music repertories in order to assist students to have the ability to grasp the essen
tials of each different style of music. Learning piano skills is very important, but note-reading, theory, ear training and music history can't be neglected. I will include all these subjects consistently during the lessons to help the students build stronger and richer musicality. One or two recitals will be provided by me, all the students are encouraged to participate in the recitals.Students are also encouraged to take advanced performance opportunities, in church, school, and joint studio recitals. I must be notified at least one month in advance if the student desires to participate in the events.
Students responsibility:
-Daily practice is strongly recommended. It is important and necessary for steady progress.
-Students should have neat, clean, trimmed nails at every lesson.
-Students must be prepared for each lesson.
Parents responsibility:
-Parents should promptly pick up their children at the end of each lesson.
-Parents should regularly check and support the students practice routine.
*** Studio Equipment ***
One Yamaha piano, space for parents to sit and observe lessons.
*** Specialties ***
classical piano,music theory, ear-training
IMPORTANT NOTE: the studio space is inhabited by an energetic, adorable Jack Russel terrier. Do consider this when you plan to sign up for lessons.
Students responsibility:
-Daily practice is strongly recommended. It is important and necessary for steady progress.
-Students should have neat, clean, trimmed nails at every lesson.
-Students must be prepared for each lesson.
Parents responsibility:
-Parents should promptly pick up their children at the end of each lesson.
-Parents should regularly check and support the students practice routine.
*** Studio Equipment ***
One Yamaha piano, space for parents to sit and observe lessons.
*** Specialties ***
classical piano,music theory, ear-training
IMPORTANT NOTE: the studio space is inhabited by an energetic, adorable Jack Russel terrier. Do consider this when you plan to sign up for lessons.
...
Reviews
· Piano · In studio
· Piano · In studio
· Piano · In studio
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Mei L.
Houston, TX 77030
starting at
$40
/ 30-min
About Hsin-Jung T.
Close
Also, music theory and composition.
preparation for taking ABRSM Exam.
About Hsin-Jung
Hsin-Jung has been teaching and performing in both Taiwan and the U.S. for years. She is a patient, professional music instructor, and would like to bring the joy of classical music to all students.
[Biography]
Hsin-Jung T., a native of Taipei, Taiwan began her piano studies at the age of five, and composition studies at 18. She attended the Hua-Kang Art School in Taipei, where she majored in piano performance. In 1996 she received a Bachelor of Fine Arts Degree in Music Theory and Composition from the Taipei National University of the Arts, Taiwan, where she studied with Nan-Chang Chien. Hsin-Jung then came to the United States in the fall of 1997 to study at the Aaron Copland School of Music, Queens College of City University of New York (CUNY), where she received her Master of Music Degree in 1999 while studying wit
[Biography]
Hsin-Jung T., a native of Taipei, Taiwan began her piano studies at the age of five, and composition studies at 18. She attended the Hua-Kang Art School in Taipei, where she majored in piano performance. In 1996 she received a Bachelor of Fine Arts Degree in Music Theory and Composition from the Taipei National University of the Arts, Taiwan, where she studied with Nan-Chang Chien. Hsin-Jung then came to the United States in the fall of 1997 to study at the Aaron Copland School of Music, Queens College of City University of New York (CUNY), where she received her Master of Music Degree in 1999 while studying wit
h Bruce Saylor. In 2000, she studied at the PhD-DMA program in music composition at the CUNY Graduate Center, where she is studying with Tania Leon and Bernadette Speech.
Through her involvement in programs such as the Taiwan-Japan Exchange Concert “Euterpe Spring ‘99”, conductors Sung Su Jeong, Chun-Fung Lee, and Lance Inouye as well as the Juilliard String Ensemble, the Contemporary Chamber Orchestra of Taipei, and others have performed Hsin-Jung's compositions in Japan, Taiwan, and the United States. In May 2000 Hsin-Jung held a program of her chamber music at Weill Recital Hall, Carnegie Hall. Among her recent works are two film collaborations, Poetry of A Painter, a clarinet solo piece composed for a short film on the life of the artist Fernando Gerassi; the score for Allatonceness, a multimedia performance where the composer also conducted; music design and improvisation for a documentary film Turning Japanese; music for Palace of Loneliness, a play by Dorothy Tan, produced by MultiStages, Inc. and HERE Theatre for the Performing Arts in New York; The Music Composition Award for Capturing The Spirit of the promotive film from Asian American/ Asian Research Institute in New York (2002); and the score for a documentary film Ocean and People produced by Civilization Explorer Association [CEA] (2005). In 2006 Hsin-Jung was invited as a guest composer and held a solo composition recital at Tarrant County College South Campus, Fort Worth, Texas.
In 2008, Hsin-Jung relocated to Houston, where she has been actively contributing her compositions, as well as performing as an improvisational artist.
*** Lesson Details ***
I am patient, and detailed. High concentration and certain skills are necessary in learning classical music; thus, I will be focus on build up student's concentration, fingering skill (writing skill in composition), and understanding of music. Students will learn how to play in a beautiful tune, how to "listen" with both ears and heart, and how to concentrate on what they are doing, and most important -- enjoy what they are playing, and what they are composing!
*** Specialties ***
*Teachers
music, Theory, Composition, Piano
Theory: I am experienced in helping students to prepare the ABRSM exam.
Composition: Start with harmony, counterpoint with analysis of master composer's music; then, encourage students to develop and create their musical ideas.
Piano: any kind of music scores and books are suitable for my teaching.
Through her involvement in programs such as the Taiwan-Japan Exchange Concert “Euterpe Spring ‘99”, conductors Sung Su Jeong, Chun-Fung Lee, and Lance Inouye as well as the Juilliard String Ensemble, the Contemporary Chamber Orchestra of Taipei, and others have performed Hsin-Jung's compositions in Japan, Taiwan, and the United States. In May 2000 Hsin-Jung held a program of her chamber music at Weill Recital Hall, Carnegie Hall. Among her recent works are two film collaborations, Poetry of A Painter, a clarinet solo piece composed for a short film on the life of the artist Fernando Gerassi; the score for Allatonceness, a multimedia performance where the composer also conducted; music design and improvisation for a documentary film Turning Japanese; music for Palace of Loneliness, a play by Dorothy Tan, produced by MultiStages, Inc. and HERE Theatre for the Performing Arts in New York; The Music Composition Award for Capturing The Spirit of the promotive film from Asian American/ Asian Research Institute in New York (2002); and the score for a documentary film Ocean and People produced by Civilization Explorer Association [CEA] (2005). In 2006 Hsin-Jung was invited as a guest composer and held a solo composition recital at Tarrant County College South Campus, Fort Worth, Texas.
In 2008, Hsin-Jung relocated to Houston, where she has been actively contributing her compositions, as well as performing as an improvisational artist.
*** Lesson Details ***
I am patient, and detailed. High concentration and certain skills are necessary in learning classical music; thus, I will be focus on build up student's concentration, fingering skill (writing skill in composition), and understanding of music. Students will learn how to play in a beautiful tune, how to "listen" with both ears and heart, and how to concentrate on what they are doing, and most important -- enjoy what they are playing, and what they are composing!
*** Specialties ***
*Teachers
music, Theory, Composition, Piano
Theory: I am experienced in helping students to prepare the ABRSM exam.
Composition: Start with harmony, counterpoint with analysis of master composer's music; then, encourage students to develop and create their musical ideas.
Piano: any kind of music scores and books are suitable for my teaching.
...
Reviews
· Piano · In studio
· Classical Piano · In home
· Classical Piano · In home
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Hsin-Jung T.
Houston, TX 77035
starting at
$30
/ 30-min
About Troy W.
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I have been teaching this subject for over 16 years. The main curriculum for beginners is Alfred's Basic Piano Library. There are three beginner levels (beginner, late, adult) and one will be selected after the first meeting. For non-beginning students, the course of study will be developed based on past experience, current abilities, and goals. It is not necessary to know how to read music at the first lesson for beginners. However, learning to read is a part of subsequent lessons. Music is not learned "by ear." A certain amount of theory will be a part of every lesson just as technique and repertoire. Students should come to the first lesson prepared to discuss their background & goals and the plan of their course of study.
About Troy
Composer Troy W. graduated from the New England Conservatory, earning his Bachelors, Masters (cum laude) and Graduate Diploma while studying with mentor Malcolm Peyton. After spending a year studying with Lukas Foss in Boston, Mr. W. moved to Houston in 2001 where he continued graduate studies at Rice University's Shepherd School of Music.
During his time as a teacher with the Michael P. Hammond Preparatory Program at Rice University's Shepherd School of Music, Troy taught classes in music fundamentals and music theory for pre-college students. He has also served on the faculty of the Summer Institute for Piano teaching courses in Form & Analysis for pre-college students.
Troy also has maintained a private studio, tutoring and teaching private lessons in composition, ear training, voice, piano, literature, and history for over ten
During his time as a teacher with the Michael P. Hammond Preparatory Program at Rice University's Shepherd School of Music, Troy taught classes in music fundamentals and music theory for pre-college students. He has also served on the faculty of the Summer Institute for Piano teaching courses in Form & Analysis for pre-college students.
Troy also has maintained a private studio, tutoring and teaching private lessons in composition, ear training, voice, piano, literature, and history for over ten
years. Students who have studied with him come from a wide range of backgrounds with different goals. Those who have continued with musical studies in college have consistently placed out of at least the first two semesters of music theory and achieved advanced placement in their chosen fields of study. Those who chose a different path continue to benefit from the education and training they received from taking music lessons.
*** Lesson Details ***
There is no "standard formula" to lessons. Each student has their own unique background, needs, and goals. Lessons tend to be somewhat casual but are structured in such a way as to meet the unique requirements of the student.
To accomplish your goals, there are a few requirements and basic expectations that the student and parent must meet.
The first is practice. Students are expected to practice daily for at least the length of their lesson time. This, above all else, is essential to progress. It is also expected that a parent will attend lessons for students who are too young to drive themselves here. It's important for a parent to guide the student's practice time (particularly for younger students) to ensure that the most is gained from it. This is why I ask that a parent observe lessons.
Each student or parent should bring to each lesson a notebook, pencils (with erasers). The notebook will be used to record notes about each lesson, homework, practice advice, etc. Pencils (not pens...nobody's perfect!) are used by composers to record their creations and performers to mark their music. Both of these essential practices are subject to changing thought and must be open to change. So no ink, please!
Performers: It is not necessary to know how to read music at the first lesson for beginners. However, learning to read is required for subsequent lessons and will be a large focus for all non-readers. Lessons are not learned "by ear." A certain amount of theory will be a part of every lesson just as technique and repertoire. Concerning repertoire, it will be selected based on the student's learning needs but also with their input. The main emphasis on performance lessons, however, will be technique and reading. Students should come to the first lesson prepared to discuss their background & goals and the plan of their course of study.
Note: Voice students must be at least 16 years of age.
Composers: Just as with performers, it is not necessary to know how to read music at the first lesson. However, learning to read is required for subsequent lessons. Many young composers have great ideas but can only hear them in their heads or play them on an instrument. Lessons will allow you to obtain the skills to write them down with greater speed, accuracy, and clarity. More advance students will also include exploring a wider range of harmonic languages, advanced notation, instrumentation, orchestration, and aural skills. Students should come to the first lesson with examples of their work, either written, notated, or recorded in a digital format. They should be prepared to discuss their background & goals and the plan of their course of study.
IMPORTANT NOTES:
• To reschedule a lesson, more than one day notice is required.
• Make up lessons must be scheduled before the next regular lesson.
• A make up lesson cannot be scheduled in place of a regular lesson.
• If, for any reason, two 30-minute lessons are scheduled one right after the other, they will be charged as two 30-minute lessons, not one 60 minute lesson which is a different rate.
• If, for any reason, two 45-minute lessons are scheduled one right after the other, they will be charged as two 45-minute lessons, not one 90 minute lesson which is a different rate.
• the studio space is also inhabited by two lovely cats. Do consider this when signing up for lessons.
*** Studio Equipment ***
Yamaha DGX-650 weighted 88 keys full sized keyboard
area for parents to sit and observe lessons.
*** Specialties ***
Main area is in classical music and media scoring with secondary focus on musical theatre vocal performance and composing/arranging.
*** Lesson Details ***
There is no "standard formula" to lessons. Each student has their own unique background, needs, and goals. Lessons tend to be somewhat casual but are structured in such a way as to meet the unique requirements of the student.
To accomplish your goals, there are a few requirements and basic expectations that the student and parent must meet.
The first is practice. Students are expected to practice daily for at least the length of their lesson time. This, above all else, is essential to progress. It is also expected that a parent will attend lessons for students who are too young to drive themselves here. It's important for a parent to guide the student's practice time (particularly for younger students) to ensure that the most is gained from it. This is why I ask that a parent observe lessons.
Each student or parent should bring to each lesson a notebook, pencils (with erasers). The notebook will be used to record notes about each lesson, homework, practice advice, etc. Pencils (not pens...nobody's perfect!) are used by composers to record their creations and performers to mark their music. Both of these essential practices are subject to changing thought and must be open to change. So no ink, please!
Performers: It is not necessary to know how to read music at the first lesson for beginners. However, learning to read is required for subsequent lessons and will be a large focus for all non-readers. Lessons are not learned "by ear." A certain amount of theory will be a part of every lesson just as technique and repertoire. Concerning repertoire, it will be selected based on the student's learning needs but also with their input. The main emphasis on performance lessons, however, will be technique and reading. Students should come to the first lesson prepared to discuss their background & goals and the plan of their course of study.
Note: Voice students must be at least 16 years of age.
Composers: Just as with performers, it is not necessary to know how to read music at the first lesson. However, learning to read is required for subsequent lessons. Many young composers have great ideas but can only hear them in their heads or play them on an instrument. Lessons will allow you to obtain the skills to write them down with greater speed, accuracy, and clarity. More advance students will also include exploring a wider range of harmonic languages, advanced notation, instrumentation, orchestration, and aural skills. Students should come to the first lesson with examples of their work, either written, notated, or recorded in a digital format. They should be prepared to discuss their background & goals and the plan of their course of study.
IMPORTANT NOTES:
• To reschedule a lesson, more than one day notice is required.
• Make up lessons must be scheduled before the next regular lesson.
• A make up lesson cannot be scheduled in place of a regular lesson.
• If, for any reason, two 30-minute lessons are scheduled one right after the other, they will be charged as two 30-minute lessons, not one 60 minute lesson which is a different rate.
• If, for any reason, two 45-minute lessons are scheduled one right after the other, they will be charged as two 45-minute lessons, not one 90 minute lesson which is a different rate.
• the studio space is also inhabited by two lovely cats. Do consider this when signing up for lessons.
*** Studio Equipment ***
Yamaha DGX-650 weighted 88 keys full sized keyboard
area for parents to sit and observe lessons.
*** Specialties ***
Main area is in classical music and media scoring with secondary focus on musical theatre vocal performance and composing/arranging.
...
Reviews
· Classical Piano · In studio
· Piano · In studio
He is tremendously knowledgeable about many aspects of music composition, theory and technique and is fun to be with during every lesson.
Keith
· Vocal Training · In studio
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Troy W.
Houston, TX 77006
starting at
$45
/ 30-min
About Leni B.
Close
Taubman approach, technique, tone production, learning and practice techniques, interpretation,
About Leni
BA in Music, composition and conducting from Hunter College (City University of New York)
Diploma from the Conservatoire de Fontainebleau, France
Studied with Louise Talma, Jacques Louis Monod, Nadia Boulanger
Lessons are about learning to make music, not endless scales and arpeggios which so often lead to pain and injury. Tone production, sight reading, and age appropriate theory and interpretation are strong elements from the beginning.
An overwhelming percentage of young, enthusiastic and talented children are discouraged early and give up the piano because they do not make rapid progress and therefore do not enjoy their lessons. Music is one of life's great joys. It should be fun. For the intermediate, and even the advanced, student, it is critical that much more attention be paid to the musicality of the playing and the u
Diploma from the Conservatoire de Fontainebleau, France
Studied with Louise Talma, Jacques Louis Monod, Nadia Boulanger
Lessons are about learning to make music, not endless scales and arpeggios which so often lead to pain and injury. Tone production, sight reading, and age appropriate theory and interpretation are strong elements from the beginning.
An overwhelming percentage of young, enthusiastic and talented children are discouraged early and give up the piano because they do not make rapid progress and therefore do not enjoy their lessons. Music is one of life's great joys. It should be fun. For the intermediate, and even the advanced, student, it is critical that much more attention be paid to the musicality of the playing and the u
nderstanding of the music. This leads to more beautiful playing and greater enjoyment.
*** Lesson Details ***
Lessons are designed for the needs of the individual student.
*** Studio Equipment ***
7' KAWAI concert grand
Basic video recording capability
*** Travel Equipment ***
Basic video recording capability
*** Specialties ***
Concentration on interpretation, Theory, Solfege and ear training, and non injurious piano technique.
*** Lesson Details ***
Lessons are designed for the needs of the individual student.
*** Studio Equipment ***
7' KAWAI concert grand
Basic video recording capability
*** Travel Equipment ***
Basic video recording capability
*** Specialties ***
Concentration on interpretation, Theory, Solfege and ear training, and non injurious piano technique.
...
Reviews
· Piano · In home
He is helpful and encouraging and makes learning to play fun.
The music that he selects is challenging without being overwhelming and he is fine with moving on to something else if you just plain don't like a piece.
He is a very popular instructor and I feel fortunate that I have found a space in his schedule !
· Piano · In studio
· Piano · In studio
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Leni B.
Tomball, TX 77375
starting at
$65
/ 60-min
About Geoffrey L.
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While I can teach and play all genres on the piano, I specialize in the classical repertoire, and feel quite at home with any composer from Bach to Shostakovich, Mozart to Liszt. If you are looking for help with your classical piano playing, I'm your teacher!
About Geoffrey
Hello prospective students, I am a concert pianist, and have been performing since I was 13, both Internationally and across the United States. Besides my solo career, I am an avid collaborative pianist and repetiteur, conductor and composer. I have performed piano trios with the Mainly Mozart Festival in Miami, Cello Sonatas with the Chopin Foundation, and have worked as a pianist for Minnesota Opera, and currently as one for Houston Grand Opera. I hold a Bachelor's in solo piano performance and a Master's in collaborative piano performance fro the University of Miami.
If you study with me, you will find a passionate pedagogue who is both here to encourage and instruct, always willing to positively push you forward while expanding your horizons. Please feel free to message me should you have any further questions!
If you study with me, you will find a passionate pedagogue who is both here to encourage and instruct, always willing to positively push you forward while expanding your horizons. Please feel free to message me should you have any further questions!
...
Reviews
· Piano · In studio
· Piano · In studio
· Piano · In home
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Geoffrey L.
Houston, TX 77019
starting at
$55
/ 30-min
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About Holly D.
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As a voice instructor with over 20 years experience in the private studio, college environment, church ministry, high school chorus master teacher, and as a free-lance performer, I understand that each student requires tools and techniques unique to their needs to grow and improve. Focusing on the basics of breath control, efficient support, and healthy vocal production, my gift of hearing and assessing each student's strengths and weaknesses allows me to create lessons catered to each singer's specific needs.
With a Master of Music in vocal performance from Peabody Conservatory of the Johns Hopkins University, an appreciation of various styles of music, and my personal investment in each individual singer, I am able to successfully share my knowledge of the vocal instrument and my love of music with my students. I am proud of my student success rate with many singers pursuing degrees in music at the collegiate level, winning competitions, earning roles in local and community ...
About Holly
As a professional performer, teacher and master teacher with a Master's degree from Peabody Conservatory of the Johns Hopkins University and a Bachelor's degree from California State University, Chico, I have performed with orchestras, chambers groups and choirs throughout the United States and Europe.
Comfortable in both classical and musical theater genres, my knowledge of vocal production and the musical skills needed to succeed in music make me an excellent teacher. I pride myself in having a great ear and instinctual understanding of each student's individual instructional needs.
Before relocating to Houston, I owned and operated a successful full-time private teaching studio in the Atlanta area with voice students succeeding in All-State Chorus, the Governor's Honors Program, college auditions, local competitions, community thea
Comfortable in both classical and musical theater genres, my knowledge of vocal production and the musical skills needed to succeed in music make me an excellent teacher. I pride myself in having a great ear and instinctual understanding of each student's individual instructional needs.
Before relocating to Houston, I owned and operated a successful full-time private teaching studio in the Atlanta area with voice students succeeding in All-State Chorus, the Governor's Honors Program, college auditions, local competitions, community thea
ter, and school chorus auditions. As a successful soloist and vocal instructor, I pride myself in teaching proper technique, nurturing each student's vocal development, helping singers develop a true love of music, and gaining an appreciation of their unique vocal gifts. Many of my vocalists learn the skills of reading music by learning keyboard and basic theory through piano lessons, which I am also able to teach.
With a creative and personable teaching style, I am able to connect with each student where they need to be met. My students of all ages see an immediate improvement when applying the techniques that I share with them. Focusing on healthy vocal production, good breath support, and proper techniques of support and vowel placement, I am able to help students reach their musical goals through vocal exercises and drills, direct application to selected music, and assigned home practice between lessons. After learning the basics of vocal production, we can further focus on interpretive elements of the songs and students will feel the rewards of making beautiful music with their own free and unique sound.
With a creative and personable teaching style, I am able to connect with each student where they need to be met. My students of all ages see an immediate improvement when applying the techniques that I share with them. Focusing on healthy vocal production, good breath support, and proper techniques of support and vowel placement, I am able to help students reach their musical goals through vocal exercises and drills, direct application to selected music, and assigned home practice between lessons. After learning the basics of vocal production, we can further focus on interpretive elements of the songs and students will feel the rewards of making beautiful music with their own free and unique sound.
...
Reviews
· Singing · In studio
· Classical Voice · In studio
· Musical Theater · Online
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Holly D.
Houston, TX 77095
starting at
$30
/ 30-min
About Timothy S.
Close
A comprehensive education in piano and general music, accommodating the specific needs of each individual student.
About Timothy
Although you probably won't recognize the name of the small Bible College from which I received my degrees, I can assure you I received a well rounded education in both music and education. I began learning piano at about 8 years old, and for the past 10 years I have taken lessons from a master teacher, who understands not only the ins and outs of the technical side of playing the piano, but also what it takes to develop the musicality of a student. My voice teachers and choir directors have also had an excellent balance of technical skill and musical sense. I have taken a number of classes both in general education, and specifically on piano and choral pedagogy, as well as all the standard music classes such as music history and music theory. I am therefore prepared to adapt to the individual needs of most beginner and intermediate stude
nts desiring to pursue a further knowledge in music.
I have now been teaching lessons for well over a year, and I have been able to help a variety of students from a three year old girl to a gentleman in his sixties. I have also been teaching an autistic child for nearly a year, and we have made tremendous progress together.
Everyone has unique needs and desires regarding an education in music. That is why I teach each student individually to help them achieve their goals. Just because I don't have a set methodology, however, doesn't mean that I teach chaotically. I balance the need for order and discipline with freedom of musical expression.
I have now been teaching lessons for well over a year, and I have been able to help a variety of students from a three year old girl to a gentleman in his sixties. I have also been teaching an autistic child for nearly a year, and we have made tremendous progress together.
Everyone has unique needs and desires regarding an education in music. That is why I teach each student individually to help them achieve their goals. Just because I don't have a set methodology, however, doesn't mean that I teach chaotically. I balance the need for order and discipline with freedom of musical expression.
...
Reviews
· Piano · In home
· Piano · In home
· Classical Piano · In home
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Timothy S.
Houston, TX 77090
starting at
$20
/ 30-min
About Alty N.
Close
I very much like but not take it seriously with an American way of learning skills by just having fun lessons without committed practice. I trust in every child’s sense of understanding and smart motivation.
Russian school of teaching piano is traditionally the best due to centuries of polishing teaching skills by greatest musicians and teachers. We strive to master both technique and artistry. However, in reality, to achieve this might be a challenge. A fun makes it better. I use a combined American and Russian approach. To help students keep progressing, balancing between hard work and fun attitude, between technical skills and artistically emotional performance is my philosophy and passion.
About Alty
My name is Ms. Alty, I am a professional pianist, Piano teacher, and educator in a great state of Texas, have been a teacher for 15 years. I teach all of the levels of Piano, from early beginners to advanced. My educational background is Russian Classical School of Piano, which is recognized as one of the Best Schools in the World. I have a Diploma of Piano Teacher and Concertmeister.
I love to see how my students grow in their practice and getting more and more excitement playing piano and enjoying the Classical Music. I look at every student as an intellectual person first and foremost. I believe that everyone has different personalities and characteristics. The more I can learn about the piano student the more I can tailor the method and lessons to fit every student perfectly.
I love to see how my students grow in their practice and getting more and more excitement playing piano and enjoying the Classical Music. I look at every student as an intellectual person first and foremost. I believe that everyone has different personalities and characteristics. The more I can learn about the piano student the more I can tailor the method and lessons to fit every student perfectly.
...
Reviews
· Classical Piano · In home
She is very knowledgeable and has the skills to get a child to listen and actually want to practice. My children have improved tremendously and actually started playing more complicated musical piece.
My children love Ms. Alty and always look forward to having their piano class. I would recommend Ms. Alty if you're looking for a very musically knowledgeable and talented piano teacher who is both firm and gentle when teaching,
· Piano · In studio
She help me improve my piano skills. I really loved how she teaches step by step & easy to follow instructions. I enjoyed every lesson I had and learned to love the appreciation of the "piano".
She is so enthusiastic to teach, so pay attention and have fun!
· Piano · In studio
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Alty N.
Houston, TX 77095
starting at
$39
/ 30-min
About Andrew D.
Close
I've had the opportunity to work with people as young as three and as old as 62. But as far as piano goes I've had mostly students in the Pre-K and early Elementary age range. My piano lessons are fun, engaging and comprehensive. I don't use one method, but have studied many methods, developed my own and customize lessons to best fit the student. My goal isn't just to impart information about music or technique, my goal is to help my students develop within themselves a living musicality that will be with them throughout their whole lives, no matter what they choose to do with their practice.
About Andrew
I've been practicing and studying music for nearly 12 years. Conceptual performance, free improvisation and Sonic sculpture for over 5. For me, music isn't just about playing an instrument. A musical practice is an opportunity for incredible self growth. Excercise for our minds and awareness.
I've worked with students ranging from age 3 to age 62 in the year or so I've been tutoring. I've taught piano mostly ,but am more technically proficient with guitar(electic/acoustic/classical).
I'm a songwriter and recording/performing artist, my style is very ecclectic and inspired by anything from classical, jazz, avant garde, to pop and folk music. I'm confident and versatile. Im comfortable playing or even performing with most instruments. It's taken alot of practice, reasearch, experimentation, and collaboration but over time musc has give
I've worked with students ranging from age 3 to age 62 in the year or so I've been tutoring. I've taught piano mostly ,but am more technically proficient with guitar(electic/acoustic/classical).
I'm a songwriter and recording/performing artist, my style is very ecclectic and inspired by anything from classical, jazz, avant garde, to pop and folk music. I'm confident and versatile. Im comfortable playing or even performing with most instruments. It's taken alot of practice, reasearch, experimentation, and collaboration but over time musc has give
n my experience life and enriched my life and those around me.
I believe in the cultivation of a living musicality.
My approach emphasises the importance of process, exploration and discovery, as well as the study and analysis of traditional concepts. I propose, active listening to be the simplest form of composition. And as musicians an active ear is central, not only in practice, but generally, for creative evolution and innovation.
I've found the most effective methods effectively balance theory and practice.
I believe the biggest inhibitor to growth, musical or otherwise, is a lack of confidence. A lack that comes from too much pressure to produce idealized results-- fear of mistakes...
I embrace the developmental process,
I work with every student to make each lesson plan efficient, meaningful and inspiring.
I believe in the cultivation of a living musicality.
My approach emphasises the importance of process, exploration and discovery, as well as the study and analysis of traditional concepts. I propose, active listening to be the simplest form of composition. And as musicians an active ear is central, not only in practice, but generally, for creative evolution and innovation.
I've found the most effective methods effectively balance theory and practice.
I believe the biggest inhibitor to growth, musical or otherwise, is a lack of confidence. A lack that comes from too much pressure to produce idealized results-- fear of mistakes...
I embrace the developmental process,
I work with every student to make each lesson plan efficient, meaningful and inspiring.
...
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Andrew D.
Houston, TX 77080
starting at
$25
/ 30-min
About Leanne Y.
Close
Step up your piano game right now !!!!
My name is Ms. Leanne and I believe in the life lasting effect of learning a music instrument. I know lessons nowadays can be expensive and teachers from music companies can be TOO laid back for you to test your abilities. Learning the piano should be a fun but an every-practice challenge for you. There is always room for improvement.
Each student is on a different level and has different learning paces and I will adjust my lessons to your needs after assessing where you're at during an online interviewing process.
Warm ups and Pieces will be provided by me with no additional cost unless wanting to learn certain books. These pieces will develop skills and push your abilities.
I except my students to practice hard and I am not afraid to tell them to step up their game. I want to push my students because who doesn't want to play Moonlight Sonata Third Movement one day.
Students 5+ should have a weighted keyboard and am willing to teach at ...
About Leanne
You can call me Ms. L or Ms. Y, but I am a highschool senior and I simply love passing on what I have experienced to those around me. Since I am a little young I hope we'd get well together. I have been playing the piano for a decade and will continue to take my own private lessons and teach you what I have learned from them.
...
View Details
View Profile
Leanne Y.
Cypress, TX 77433
starting at
$15
/ 30-min
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Compare hundreds of teachers based on the criteria that matter to you, including background checks, age and experience.
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When you've found the perfect match, schedule your lessons online using the teacher's real-time availability.
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Average Cost of Classical Piano Lessons in Houston, TX
The average cost of 60-minute classical piano lessons in Houston is $55. While the exact cost will vary depending on the teacher, type of lesson, and your location, you should expect to spend anywhere between $30 and $90 per hour.
| 30-min | $15 |
$34 average |
$70 |
| 45-min | $25 |
$45 average |
$80 |
| 60-min | $30 |
$55 average |
$90 |
For the best experience, we typically recommend 60-minute classical piano lessons. However, students looking for a more affordable option may want to consider a shorter lesson length of 45 or 30 minutes. On average, 45-minute classical piano lessons are 19% less expensive at $45, and 30-minute lessons cost 39% less at $34.
Curious how much classical piano lessons cost in your area? Do a quick search to get local prices for the best classical piano teachers near Houston.
Classical Piano Lesson Reviews from Students
Students are raving about their Classical Piano instructors on TakeLessons. Check out some of these recent reviews.
Review by Jeffrey
"Geoff is honestly one of the most talented pianists I have ever known. Heven professional, fun, and extremely positive. I am a piano teacher myself and
I ask his advice quite often. Geoff is an extremely gifted musician, a fun and positive person, and a caring professional. He has my highest recommendation."
...
Houston, TX teacher:
Geoffrey L.
Review by Angelina
"Ms. Tsai is very sweet and patient towards my children. She teaches their ways to bring up their personal interests in music. I truly appreciate her very
much!"
...
Houston, TX teacher:
Hsin-Jung T.
Review by Jeffrey
"Geoff is honestly one of the most talented pianists I have ever known. He is professional, fun, and extremely positive. I am a piano teacher myself and
I ask his advice quite often. Geoff is an extremely gifted musician, a fun and positive person, and a caring professional. He has my highest recommendation."
...
Houston, TX teacher:
Geoffrey L.
Review by Azure
"I really enjoyed my first lesson and can't wait for the next one! Hsin-Jung is very knowledgeable and patient. She also made the lesson a very fun experie
nce!"
...
Houston, TX teacher:
Hsin-Jung T.
Review by Kathy
"Geoff was the best teacher I could have asked for. He taught my 2 boys back when he lived in Miami, and he was just the best. He was so patient with them,
and really motivated and encouraged them to keep at it. He always invited us to watch him perform his concerts around town, and my boys just loved it. But as busy as he was, he always made the time, even letting me call or text if they had any questions about stuff. Parents, do yourself a favor and hire this young man if your kids are interested, you won't find a better teacher!!"
...
Houston, TX teacher:
Geoffrey L.
Review by Janet
"Timothy is a well-trained pianist and vocalist, with an ardent love for music. You can trust that he would do his very best in assisting you in developin
g your musical abilities, treating you with kindness and respect. No matter what his duties have been, whether in his studies, his workplace, or his church, he has demonstrated determination and perseverance, while striving to excel in each task. Timothy is a man of integrity and would seek to serve you, if you allow him the opportunity."
...
Houston, TX teacher:
Timothy S.
Review by Clifford
"Very patient with my first time student."
Houston, TX teacher:
Timothy S.
Review by Angelina
"Ms. Tsai is very sweet and patient towards my children. She teaches their ways to bring up their personal interests in music. I truly appreciate her very
much!"
...
Houston, TX teacher:
Hsin-Jung T.
Review by Matthew
"After being away from the piano for years, not to mention piano lessons, I learned a great deal in my first lesson with Leni. He teaches a fundamental te
chnique new to me so I am looking forward to my next lesson."
...
Houston, TX teacher:
Leni B.
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