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Placitas, NM Music Theory Lessons

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Popular Music Theory Teachers near Placitas, NM

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About Chris L.

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Placitas, NM

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About Chris
I have studied music for 26 years. Piano was my first instrument and I have taken classical lessons from an early age and studied jazz piano for 14 years. I play guitar at the same level as piano. I play jazz, classical, flamenco and rock guitar; acoustic, electric and 9-string electric. I have studied at University of North Texas, Musicians institute and have a bachelor's of music from UNM. I have a certification in early childhood education and love to teach children, as well as adults of all ages.

*** Lesson Details ***
I am very patient and flexible. I work with the student to design curriculum that is exciting and engaging for their individual level. Students enjoy studying with me because they can progress quickly if they practice and because I am easy to talk to and work with.

*** Studio Equipment ***
The In-Studio
lessons are taught in the music room in the home which includes an 88 key weighted keyboard, 5 guitars, 3 amps

*** Travel Equipment ***
If I go to their house, I expect them to have their own instruments that they practice on during the week, a metronome, a tuner and the music books they are working on.

*** Specialties ***
I specialize in jazz, rock and classical music. I usually allow the students or their parents to choose their method books based on their interests and goals.
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Reviews
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michael M. August 30, 2016
· Guitar · In home
Great lesson.
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Dwayne March 19, 2016
· Classical Guitar · In studio
He has taught me a lot. Lessons are not rushed. He allows me to learn based on my own interests, but also teaches a lot of basics of technique and music theory. The location is convenient to downtown Albuquerque and UNM neighborhood.
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Nic C. September 25, 2014
· Piano · In studio
Chris is easy to learn with, and knowledgeable. Is always patient and never makes you feel rushed, yet, makes sure you are constantly improving. He directs your playing in the style and direction you want to reach while exposing you to new styles along the way. Great teacher.
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Chris L.

Chris L.

Placitas, NM 87043
(4)
starting at
$22 / 30-min

About Kimberly A.

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Monrovia, CA

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I teach popular music theory.

Subjects include:
harmonic analysis
re-harmonization
improv
scale and chord theory

I have been teaching these for 15 years.
I am very patient and adjust areas of study to fit my students goals.

About Kimberly
I started playing music around the Kansas City area twenty five years ago. I graduated from The University of Southern California with a degree in studio/jazz guitar (cum laude). While at USC, I received a merit scholarship and an award for professional leadership and service within her department. I also graduated with honors from Musicians Institute (GIT), of Hollywood, CA.

I have toured the U.S. and Canada playing venues such as The Portland Rose Festival, The Playboy Jazz Festival, The Santa Monica Twilight Concert Series, Irvine Lake Blues Festival,The Burnaby British Columbia Blues Festival and the Long Beach Blues Festival. The headliners at these events included Robben Ford, The Neville Brothers, and Johnny Winter.

I have released two solo CD's that have received first-rate reviews, as well as international airplay. Af
ter the second CD, I was biographied for AMG (All Music Guide) the internet's first source for music information. Here are excerpts from the AMG bio:

... there are also elements of Jimi Hendrix (arguably the first true heavy metal/hard rock artist), Jeff Beck and Stevie Ray Vaughan in her playing, and she clearly has a strong appreciation of jazz--not only jazz-rock fusion improvisers like John Scofield, Larry Coryell and Mahavishnu Orchestra founder John McLaughlin, but also, straight-ahead bop favorites such as Kenny Burrell, Grant Green, Wes Montgomery and Joe Pass.......eclectic outlook is one of her strong points; her ability to move from a tough, aggressive blues-rock groove to a more cerebral, fusion-minded approach to the occasional soul-jazz/hard bop number has made for some very unpredictable albums.

I have been teaching full-time for the past 15years. I have taught all ages and popular styles. In 2008, my blues guitar method was published and distributed through Amazon.

*** Lesson Details ***
I incorporate a tailored curriculum to help people achieve their personal goals. Learning music is not a "one-size fits all" proposition. I can show you the songs that you want to play. I can also teach you music theory, technique, improvisation, reading and more. I adjust your course of study according to your areas of interest. If you are dying to learn a Led Zeppelin tune, or are planning on auditioning for a college level jazz guitar program, I can help you achieve these goals. I have taught hundreds of beginners along side more advanced students. My students have gone one to study music at GIT, Fullerton College, Pasadena City College, Berklee, Cal State LA, and USC.

Most of all, I am extremely patient. The ability to playing a musical instrument is measure on a calendar, not on a watch. I often work at a slow, systematic pace. I am generally very laid-back. On the other hand, if you learn very quickly, I can readily show you the skills you need to meet your goal. I have fast-tracked many individuals that were seeking admittance to an academic program.

My teaching studio is computer equipped. This allows me to incorporate computer software that enhances learning. One such program, Band in a Box, generates accompaniment for students so that they can work on their soloing skills. Another program can slow recorded music down so that the student can practice slowly with it. Also, I often give out play-along practice CDs for improved learning.

The aspect of performance is often not addressed by many. I am able to work with my guitar students while accompanying by performing live bass or drum parts, or work with bass students while playing the guitar or drum parts. This allows the student to understand his or her roll in an live band.

*** Studio Equipment ***
Dedicated music room room w/ guitars, bass, drum set, pa system, and seating for parents

*** Specialties ***
I teach all popular guitar and bass styles.
I am a expert in Jazz, Blues, and R&B. (degree in Studio/Jazz guitar)
Great with theory, technique and reading.
Have given recording lessons with CUBASE.
Now teaching drum kit to beginners
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Reviews
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Mitch October 24, 2017
· Guitar · In studio
After a few classes with Kimberly I wrote review which went like this “I have been taking lessons from Kimberly for the last few weeks. As a comparison, I have taken lessons a number of times in the distant past. Kimberly is by far the very best guitar instructor I have had. Kimberly is extremely knowledgeable, highly skilled and very personable”.
In the end I took about 2+ years of classes with Kimberly, one class per week. Further, that was about three years ago. Whereas the only reason I stopped was I moved from the area. I know I could have continued with Skype or some other remote technology. I keep thinking I will. As the complications of life continue to get in the way.
The real story is with Kimberly skill, attention and personable nature, my guitar playing advanced more under her ‘wings’ then at any other time. Thank you Kimberly!
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Alan August 27, 2016
· Drum · In home
Kimberly is knowledgable, organized, patient and helpful. I am grateful.
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Laura Z. February 18, 2016
· Guitar · In studio
HI KIM,
HOPE YOU ARE HAVING A GREAT DAY. I AM HAVING A LITTLE ISSUE
CHANGING LAUREN'S CLASS FROM 30 MINS TO ONE HOUR.
WOULD YOU BE ABLE TO ADVISE ME?
THANKS,
LAURA
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Kimberly A.

Kimberly A.

Online
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starting at
$35 / 30-min

About Steven O.

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Albuquerque, NM
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If you want to read quickly and with complete understanding, I will explain your piano music's harmony, as well as its staff notation. After 33 years of teaching with a Masters degree in Music theory and composition, I am equipped to teach the location of notes, the spelling of chords, and the rhythm of passages.

About Steven
I love to learn music! So do my students.

After childhood lessons, and BA and MA degrees from Minnesota and Iowa, I worked for private conservatories in Los Angeles, while teaching and playing for church events and celebrations. In that real-world school, I learned the music that the world loves.

I use that knowledge to fire my students' imaginations. If Bach or Mozart motivates them, we set goals to learn Bach's Toccata in D minor or Mozart's Turkish Rondo after two years of dedicated practice. These are realistic goals!
Maybe you would like to study Easter hymns for church, as one student did recently. Perhaps you would like to tame Beethoven's Tempest in front of sixty people at a nice recital hall.

*** Lesson Details ***
All my students can expect an experience focused on their musical goal
s, with lesson plans geared to 15 minutes of daily practice. Set the bar as high as you want! My students all choose to have a lesson every week under the recurring lesson plan, to make quick progress.
My studio has a big grand, and a digital piano. The neighborhood is quiet, with plenty of parking. Come with confidence, to a studio licensed in Albuquerque for twenty years.
After three months, a busy eight-year old beginner could have an easy rendition of "Ode To Joy" or "When The Saints Come Marching In" to perform for loved ones.
My students study technique, rhythm, fingering, expression and general musicianship. All this, while enjoying great musical selections.

*** Studio Equipment ***
The studio lessons are taught in a living room studio exclusively used for piano lessons including a Steinway piano. No pets. street parking

*** Specialties ***
Mostly classical, with occasional jazz, contemporary Christian, and popular. I mostly teach from notes, though occasionally with lead sheets and improvisation. Faber and Faber, Keys for the Kingdom, and Bastien methods are preferred until the student can play the composer's original notes. Then, their recital works tend to come from such as Bach, Beethoven, Clementi, Debussy, and Chopin.
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Cecily P. October 31, 2014
· Piano · In studio
Mr. Steven is an excellent teacher, and really engages my son each week. He is new to piano, and has helped my son progress very quickly with reading notes, tempo, and so much more. Mr. Steven makes every lesson rewarding. I recommend him!
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Shannon A. November 3, 2013
· Piano ·
An excellent, intuitive teacher

Mr. Steve is an outstanding teacher whom I would recommend without reservation. He works at the pace of each of my children and they are eager to work for him too. My son bores quickly, but Steve challenges him with encouragement and speed. My daughter is slower to catch on and he accommodates her speed with equal talent. He is creative in his teaching methods and also in his approach to advising more practice or encouraging practice methods. I hesitate to write this review because I don't want to share the gem we have found in Steve. He is kind, patient, encouraging, excited about the music and the kid's efforts, witty, professional and accommodating. 5 stars.
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Justin G. May 14, 2013
· Piano ·
An excellent patient, teacher with a lot to offer

I have been seeing Steven for several weeks, and I find his manner to be informative and supportive. He is fond of what he does, and it shows. He's interested in students that prefer challenges, and that want to improve themselves. At the same time he understands that growth is a controlled practice.

I believe he is a great teacher with an interest in teaching his students.
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Steven O.

Steven O.

Albuquerque, NM 87112
(3)
starting at
$23 / 30-min

About Lawrence G.

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Rio Rancho, NM
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Intervals, semi-tones, modulation, transposition, circle of fifths...good grief. What does it all mean? Music theory is the foundation by which we can understand how music is structured. You will be fascinated as we journey through this fun-filled subject. And relax...it's not quantum physics.

About Lawrence
Lawrence loves to teach music, especially piano, organ and voice. He began studying the piano at age 5; by age 12 he was studying the pipe organ and performing at church services in his hometown of Springfield, Illinois.

A graduate of the Interlochen Arts Academy in Michigan and the University of Massachusetts in Boston, he has continued his private musical studies throughout his adult life with illustrious faculty members from the Cornell College School of Music and the Winthrop University Conservatory of Music.

Presently, he teaches private music lessons in Rio Rancho and Albuquerque and is the Director of Music & Liturgy at Church of the Incarnation in Rio Rancho. He is a member of the American Guild of Organists.
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Nicholas May 19, 2017
· Piano · In studio
Very personable and seems to be a good fit with our 6 year old. Were looking forward to our next lesson.
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Clifford S. February 3, 2017
· Piano · In studio
Very good instructor.
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Lawrence G.

Lawrence G.

Rio Rancho, NM 87144
(2)
starting at
$35 / 30-min

About Anastasia S.

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Medford, MA
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Notation, theory for all levels and curious, music harmony, counterpoint, form and analysis

About Anastasia
After Anastasia’s Carnegie Hall Debut in 2006, the New York Concert Review wrote: "For a critic, hearing a new pianist with a truly warm, luscious tone is like breathing in the scent of jasmine blooming - a pleasure to be recalled again and again - and so I'm happy to report that from the first note she touched at her Weill Hall recital, Anastasia S. was a genuine pleasure to listen to. Every piece, every measure, every note - no matter how complex the texture, no matter how many strands of melody and accompaniment - was wrapped in a halo of golden tone..."

Born in Kiev, Ukraine, Anastasia S. gave her first solo recital at the age of eleven. Ms. S. is a graduate of the Hochschule für Musik Würzburg, Germany, and holds a Master’s and a Doctorate degrees from The Hartt School at the University of Hartford.

In 2003 Anastasia received
First Prize in the 14th International Piano Competition for Young Pianists in Rome, Italy, and was awarded a Special Prize. In year 2006 Ms. S. won the Puigcerda International Piano Competition in Spain. In the same year she recorded the complete works for piano and orchestra by Balakirev with the Russian Philharmonic Orchestra for NAXOS records. In 2008 Ms. S. received the “Outstanding Award”, which granted her a return engagement to give a second solo recital at Carnegie Hall in New York City. In 2010 Anastasia was awarded a Special Prize for the best interpretation of French composition at the International Piano Competition “Parnassos” in Mexico. Her solo recital in 2008 at the Myra Hess Concert Series in Chicago was broadcast live on WFMT Radio, in Internet, and on the TV-Station “Channel 25“; Anastasia was invited to play there again in 2011. Her career continues with numerous appearances as a soloist both in concertos with orchestra, in solo recitals, and in chamber music concerts in Ukraine, Germany, Macedonia, Italy, Switzerland, France, Russia, USA, and Japan. Anastasia’s recent engagements included a performance at the Bolshoi Hall of Moscow Conservatory as well as solo appearances with orchestras in the United States and Germany featuring concerti by Prokofieff, Mozart, Grieg, Beethoven, Tchaikovsky, Shostakovich, and Stravinsky. In 2014 her new CD "Music of Russian-Jewish composers for oboe and piano" was released. Currently, Anastasia is working on her two new solo CD's for Centaur Records.

In 2013, Anastasia was granted the Extraordinary Abilities in the Arts permanent US residence, as one of a small percentage of those who have risen to the top in their field of endeavor. Anastasia served as an Adjunct Faculty in Piano and Chamber Music at the Hartt School, and is currently on faculty of the New England Conservatory in Boston.

I offer scholarships for advanced level students upon request.

*** Studio Equipment ***
Yamaha Grand Piano. Piano books and theory material available if needed

*** Travel Equipment ***
Travel myself by car

*** Specialties ***
Traditional piano method. Classical music.
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Reviews
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Dmitry October 13, 2016
· Piano · In studio
Excellent
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Denny July 23, 2016
· Classical Piano · In studio
As an adult beginner, I chose Anastasia for more personalized instruction, especially in technique, after learning the basics through community center group lessons. I have not continued only because another equally well-qualified instructor who lives close by, within walking distance, has become available. I am very pleased with the lessons and pointers that I have received. Anastasia is professional, encouraging, and friendly. An especially helpful part of her instruction is the set of comments and suggestions that she writes down to guide practice between lessons. If the neighbor instructor does not work out, I’ll be back.
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Yara Shaban May 29, 2016
· Piano · In studio
excellent teacher, patient, and very professional
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Anastasia S.

Anastasia S.

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starting at
$38 / 30-min
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About Mariana W.

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Astoria, NY

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I am thoroughly versed in music theory from classical music to 20th-century chromaticism. I can teach all levels of theory, and believe its fundamental to becoming a musician of any kind. I make sure to present it in a way that is approachable by each individual student.

About Mariana
Hello! After earning my Bachelor of Music degree in Classical Voice from Hunter College in 2011, I have been working successfully as a singer, voice coach, and academic tutor. As a singer, over the past 8 years I have performed at professional theaters across the country, including Off-Broadway and at the world-renown Carnegie Hall. I specialize in musical theatre, but have a thorough classical technique, as well as strong pop/rock/belt training.

My teaching style is highly energetic, and engages the development of the student's self-esteem and enjoyment, but is also focused on a foundational technique and strong work-ethic. I am extraordinarily proud of the accomplishments many of my students have made, from achieving principal parts in their school productions, to even getting cast in Broadway shows. I am determined to help every on
e of my students reach their greatest potentials.

As a tutor, my approach is no different. Trained in the highly specialized and effective Lindamood-Bell programs, I have an intuitive grasp of children's needs and levels. I teach decoding, math, and reading comprehension, and nurture students' self-esteem and independence in their learning.

*** Lesson Details ***
I give lessons in 30, 45, and 60 minute increments. Each lesson will be personalized to the specific needs of the student.
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Cornel D. June 4, 2017
· Music Theory · In home
We practiced the new cadence for example of the deceptive cadence, the plagal cadence, and the phrygian. we learnt the basic root progression. a standard method of connecting triads with roots a fifth apart is to hold the common tone in the same voice and move all the other parts to the closest possible chord number. We learn about mediant triads s well.some ways using cadence that I can expand my harmonization practice is in general, when tempted to part write or analyze a chord in common-practice music as iii (in major), give the context further thought. i imagine with this knowledge it ill help me to compose a better harmonize song.
We practice together the scale degrees that are designated by Arabic numerals (1, 2, 3...), chor ds are similarly designated by Roman numerals (I, II, III). For example, in the key of C major the notes are C,D,E,F,G,A,B and we have designated them as 1,2,3,4,5,6,7. However, when we consider the triad chords in the key of C we have Cmaj, Dm, Em, Fmaj, Gmaj, Am, Bdim. These are designated I,II,III,IV,V,VI,VII. When speaking about these chords, for instance in the key of C major, we would call Gmaj the five chord, Dm the two chord,

Cornel's review of Mariana
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Cornel May 16, 2017
· Music Theory · In home
The easiest way to find an interval's name is to first, count all the pitch names present, including the notes themselves (ignore sharps and flats at this point). Then, find out (had it been missing a flat or sharp) what type of interval it would be, depending on whether it is perfect (a 1,4,5,8) or major (2,6,7). If there are no sharps or flats, you are done. If there are, figure out if the flat or sharp decreases or increases the distance between the two pitches. If it increases the distance, the interval is augmented. If it decreases the distance, and the interval would otherwise be perfect, it is diminished. If it decreases the distance and the interval would otherwise be major, it is min that is what I learnt
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Kristina September 10, 2015
· Singing · In studio
Mariana was great! Very professional and able to explain the techniques in a very clear way. When I began, I was very nervous and self-conscious. She was patient and kind and never made me feel embarrassed!

She really knows her stuff and technique. I'd been to a few voice teachers before and they were great singers, but they didn't seem to have to really KNOW the techniques behind singing. Mariana clearly is a wonderful singer and has great training in what she does.
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Mariana W.

Mariana W.

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$40 / 30-min

About Isaac L.

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New York, NY

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My goal is to help my students develop a deeper love for and understanding of music. I like to work on the music they already know and love and also help to introduce them to new musical directions.

About Isaac
I am a musician, composer, and educator with backgrounds in both jazz and classical studies. I have a Bachelors of Music from New England Conservatory and a Masters of Music at Berklee College of Music's Global Jazz Institute. I am regularly performing in a wide variety of settings from jazz to avant-garde to hip hop and anything in between. Some of my past teachers include Susan Hagen, Dave Holland, John Patitucci, Cecil McBee, Danilo Perez, Frank Carlberg, and Jason Moran among others. I have remained as passionate about my teaching as I am about my art and constantly strive to do both to the best of my ability.
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Greg A. June 6, 2017
· Piano · In studio
Isaac is an excellent teacher and is highly recommended. His method is not centered on drills, music reading or repetition, but rather on getting an understanding of how the notes, chords work together. In so doing, the student gets a great understanding of theory and it opens the door to improvisation. In addition he's very patient with folks such as myself who don't come to class with a deep understanding of music theory.
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Victoria Danberg January 27, 2016
· Upright Bass · In home
I have just begun lessons with Isaac. He is an excellent teacher; attuned to my needs, very good at explaining things, patient, very good at getting me to understand what I need to know. I look forward to learning upright bass with him!
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Isaac L.

Isaac L.

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$55 / 30-min

About Matt B.

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Chicago, IL

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I offer lessons in all areas of music theory - common practice, jazz, and even atonal music.

About Matt
I earned a Bachelor's of Music in Classical Guitar Performance from Capital University in Columbus, OH.

I currently teach private guitar lessons, sing and play guitar in the Chicago rock band Dead Parade, and transcribe music professionally for a wide variety of clients. Occasionally, I write articles or do interviews that appear in magazines such as Guitar World. In the past, I worked for 8 years as a guitar teacher, transcriber, consultant, and free-lance writer for a popular subscription guitar site. I also served as a guitar instructor/lecturer at Capital University's Community Music School under the direction of renowned music educator Dr. Rebecca Johnson. Over the duration of my 18 year teaching career, I have taught over 1000 students of all ages and levels of experience.
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Joan October 28, 2017
· Acoustic Guitar · In studio
Matt's a great teacher! I learned so much and had a great time too. He's really friendly and make's the learning environment a really comfortable space.
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Bill October 25, 2017
· Country Guitar · Online
I took some basic to intermediate country style guitar lessons from Matt. He's an awesome teacher! I was really impressed by how he is knowledgeable in every style of music and playing.
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Greg October 22, 2017
· Blues Guitar · In studio
I feel like I now actually know what I'm supposed to be doing when playing a solo now. Lessons with Matt have helped a ton!
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Matt B.

Matt B.

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$35 / 30-min

About Tony C.

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Brooklyn, NY

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Learn the basics: key signatures, time signatures, rhythmic notation, chords, chord progressions, harmony, voice leading, musical & rhythmic dictation and more. Discover what makes music - Music.
I have been studying & teaching music for most of my life. It's my life. It's what I love. I enjoy sharing the gift of music with anyone who has the desire to learn.
I am a performing Flutist/Pianist & have a BA, MM & a Doctorate in Flute Performance. Come learn & have fun!

About Tony
I am a Brooklyn boy whose life has revolved around music from the start. First I sang. I still sing. As a child I taught myself the recorder, accordion, guitar & piano. I performed on all except the accordion. I attended a Music & Art HS focusing on flute & piano. I have a BA, MM & in 2004 was awarded a Doctorate in Flute Performance from the University of Washington, Seattle. Currently, I study piano with Edna Golandsky, the founder of The Golandsky Institute. She teaches the Taubman Technique developed by her teacher, Dorothy Taubman. This method teaches the movements that lie beneath a virtuoso technique while protecting the student/performer from the injuries commonly suffered by so many pianists. I teach this technique. For me, teaching the piano and flute; teaching Music is not work. For me, it has been a way of life. I love what I
do & I have fun doing it - You will have fun learning ~
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Cory October 24, 2017
· Classical Piano · In studio
Tony is a fantastic and engaging teacher who has been teaching my 10 year old son piano for several years now at The Brooklyn Conservatory of Music. His enthusiasm is contagious and we are so grateful to know him as a teacher and an all-around great person!
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Susan October 24, 2017
· Flute · In studio
Tony has been my son's flute teacher since February. He treats children with respect and honesty, which is transpatent. He inspires them with his own beautiful sound on flute or piano while playing duets, but doesn't overly challenge or intimidate them.
We're all happy with the progress we hear and even more pleased that daily practice, though still requiring some parental support, continues to be pleasant and comfortable for my son.
We truly appreciate Tony's humor as well as his warmth. We're so fortunate to have found him.
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Daniel October 22, 2017
· Classical Piano · In studio
I first met Tony over a decade ago when I was around 12. From the time I was in middle school, Tony has been kind, caring, attentive, and enthusiastic. He treats his students of all ages with respect and pushes them to be their best. Tony is a teacher in the truest sense of the word - he truly loves his students and this music, and instills that sense of wonder into every lesson. He cares about his students beyond their musical interests and takes the time to forge a true connection with them individually. I cannot say enough about the type of musician, teacher, and human being Tony is, and would highly recommend him for students of all ages.
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Tony C.

Tony C.

Online
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starting at
$60 / 30-min

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Average Cost of Music Theory Lessons in Placitas, NM

The average cost of 60-minute music theory lessons in Placitas is $42. While the exact cost will vary depending on the teacher, type of lesson, and your location, you should expect to spend anywhere between $42 and $42 per hour.

30-min $22
 
$22 average
$22
45-min $32
 
$32 average
$32
60-min $42
 
$42 average
$42

For the best experience, we typically recommend 60-minute music theory lessons. However, students looking for a more affordable option may want to consider a shorter lesson length of 45 or 30 minutes. On average, 45-minute music theory lessons are 24% less expensive at $32, and 30-minute lessons cost 48% less at $22.

Curious how much music theory lessons cost in your area? Do a quick search to get local prices for the best music theory teachers near Placitas.

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How to Prepare for Sight Reading at an Audition | 3 Helpful Tips

How to Prepare for Sight Reading at an Audition | 3 Helpful Tips

Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many … Read More

How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound

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