Mesa Music Lessons

US States, as well as festival performances in 2012 in Canada (NXNE), Norway (Slottsfjell Music Festival), and Mexico (Circus Mexicus) in 2016. His past teaching and performing experiences have really helped shaped the musician he is today.

Aside from working as private lessons/class instructor and performer, Henri can also be seen teaching for Mesa Community College as Adjunct Faculty in the Music and Business program, where he currently teaches MUC109 - Merchandising and the Law, and MUC210 - Concert and Touring Promotions, as well as working for several local preschools in support of his children's music business "Wee Rock Music.". A life-long learner, Henri is always finding new experiences and new ways to connect with his students, as learning comes just as much from the student as it does the teacher. You can always find him around "the music." 

*** Lesson Details ***
Students who study with me can expect for their guitar, drum kit, percussion, or piano lessons to be top-quality, personalized, and above all, extremely fun sessions that will cater to the students musical backgrounds, interests, and needs. I create extremely organized and specifically focused lessons so that students feel comfortable, not pressured, while learning their craft. The lessons I teach are a combination of developmental sight reading music, learning student chosen songs (depending on ability), inspiring and encouraging creative abilities, warm-up and strengthening exercises, proper techniques, listening for internal hearing, composition dynamics, chords, finger-picking (guitar only) and rudiments (drum kit only).

After 3 months of lessons together, students will have started learning several key elements to becoming an outstanding guitarist/drummer/percussionist/pianist. They will have learned proper form and technique, warm-up/skill-building exercises, to read basic notation, and basic rhythms/rudiments. Guitar/Piano students will be able to play at least one song utilizing both finger picking and chords. For drum kit/percussion, students should have no problem reading basic drum beats and being able to play through a simple song. With proper, steady practice, most students will achieve much more. I also focus on creative thinking, professionalism, and instrument tuning. Finally, the students will have started to develop a solid level of discipline that is required of any aspiring human being! Remember, "practice doesn't make perfect, practice makes permanent."

*** Studio Equipment ***
Ludwig Accent Drum Kit, Tama Rock Star Drum Kit, Acoustic and Electric Guitars, Casio CTK-800, LP Assorted Percussions, Protools LE, Logic Pro, Korg Electribe, Reason 3.0, Ion Electronic Drum Set, Chord Charts.

*** Travel Equipment ***
I can provide drum sticks, guitar, keyboards, percussion instruments, and all developmental material for students to retain and practice.

I expect my students to be providing the necessary musical equipment as well (guitars, drum kits, percussion instruments, piano/keyboard) for their private lessons. If they do not have these in the home to practice with, the lessons are much less effective for your student.

*** Specialties ***
I specialize in the following styles of playing:

Rock, Hip - Hop, All Latin, Jazz, Funk, Blues, R and B, Gospel, and Dance. I also have a very good feel for World Music as well. I have a very free-spirit for playing, so I often mesh the above stated styles into a more progressive style of playing. I believe that you must be feeling what you are playing.

I also specialize in beat programming/sequencing, recording, organizing song-writing/song-structure, musical score, live performance, and professional music marketing. I am able to show you how to use programs such as Reason, Logic Pro, Protools LE, and Adobe programs to take your creative abilities to the next level.

I believe that these days, it is imperative for musicians to have four major components in their professional arsenal: 1) Discipline and chops on your instruments (including reading music notation); 2) Know how to successfully market yourself and your music; 3) Know how to properly develop a learning ear to record/produce your songs/tracks as well as for others; and 4) Understand and effectively utilize music production programs.

I look forward to working with you and helping you achieve your musical desires. Thanks so much for stopping by and have a music-filled day.

mputers with recording software.

*** Travel Equipment ***
Keyboard, practice amp, and/or instrument cords. I expect the student to provide his/her own instrument, and prefer they have an amplifier for electric instruments.

*** Specialties ***
I teach in all genres, but have experience in rock, alternative, pop, jazz, and even music theater.

dents to work, and learn. I introduce learning games and have contests. I also regularly quiz my students. For the younger students I like to inform the parents about what they should be practicing and of any theory exercises they may have for the week. Music is a rewarding and enjoyable passion that I try to pass on to my students.

*** Travel Equipment ***
Students should have their own instruments. I will provide the first books, but they will have to provide the books that come after and I will assist them with that.

*** Specialties ***
I've been doing ballet, tap and jazz for 16 years and i taught all of them for about two years. I teach classical piano and violin.

errado. She has played hundreds of events including weddings, memorials, private parties, festivals, and church fairs; Kierstyn was also the accompanist for all three choirs at her high school. She was the principal pianist for Northminster Presbyterian Church for four years and rocked the house as the pianist in the ASU Latin Jazz Combo for two.

Kierstyn just graduated summa cum laude with Bachelor's of Music in Composition at Arizona State University. She has studied with James DeMars, Rodney Rogers, and Kotoka Suzuki. Since attending college, she has been commissioned by Ironwood and Imagine Prep high schools, The ASU Barrett Choir, The Phoenix Art Museum, The ASU Art Museum, and Voices for the Voiceless. In 2014, she won the Four Seasons Women's Composers Competition, and her string quintet "The Monarch" was performed in September by their professional orchestra and her score for the play “Poseidon's Regret” received a nomination for a 2016 ariZoni Award!

as Kansas and Charlie Daniels. I have spent several years playing in jazz bands, Jazz I from the University of Idaho and Concert Jazz Band from ASU. In the spring of 2016, I performed with ASU's Concert Jazz Band at Highland Jazz Festival where we featured Wayne Bergeron and Andy Martin. Recent performances include Salt River Brass' " Made in America" program featuring trumpet soloist Rex Richardson, Phoenix Theatre's run of "Bullets Over Broadway," and performing with and conducting the Arizona State University Trombone Ensemble at the 2017 International Trombone Festival. In December 2017, I made my solo debut performing with Salt River Brass. I was recently accepted as a participant in the upcoming 2018 Pokorny Seminar where I will work with numerous orchestral low brass musicians including seminar namesake Gene Pokorny of the Chicago Symphony Orchestra.

the voice through proper, healthy technique will be challenging but should also be enjoyable.

I am also now offering private piano lessons which I've taught off and on since 2004. My own lessons spanned the four years between eight and twelve and then a year at Belmont University, where I passed piano proficiency as an entering freshman and was able to take privately with a professor trained at Julliard. My theory work from both my undergrad and graduate schooling will allow me to more adequately teach that side of piano performance and I am excited to add piano lessons to what I offer.