Portland, OR Fiddle Lessons

ools of Music and prepare them for one to two exams a year. The exams test playing abilities on 3 songs plus scales, arpeggios, ear training and music theory. Students that pass get a beautiful certificate for each level, grades 1 to 8.

I earned my music degree from Portland State University in 2006, graduating with honors. In 1996 I won two Medals of Distinction for violin performance and music theory and then in 2001 I received a Merit Award from the Associated Board of the Royal School of Music, London, England for viola performance. I've been blessed to be able to perform in a variety of ensembles and genres such as musical theater pit orchestras, string quartets, the Vancouver Symphony, and rock, jazz, tango, Middle Eastern and blue grass/folk bands.

My biggest thrill is to be able to transmit culture to the younger generation through music.

*** Lesson Details ***
I offer the following for my violin, viola, cello and bass students. Most of all, it is the joy of music making that I want to share with my students.

Private and group lessons
Two recitals a year
Special performance opportunities throughout the year
Classical, jazz, fiddle, rock, tango, sacred, Celtic, folk
Music theory
Customized lesson plans using various methods old and new

I endeavor to provide a fun, non intimidating environment for students while motivating them to achieve their highest potential by providing many performance opportunities throughout the year. Some of my students have appeared as special guests with my band, Mango Nights.

Included with weekly private lessons are once a month group lessons where students can learn essential ensemble skills and have fun meeting other students.

Beginning students learn several simple songs that teach great tone and rhythm using classical, folk, blues, rock, ragtime, bluegrass. Students learn concepts such as syncopation, rhythm, note reading, articulations, dynamics, asymmetrical time meters and and more. Each book comes with a CD with piano accompaniment which makes practicing at home enjoyable.

Students are gradually introduced to scales, arpeggios, music theory, ear training and sight reading. All this works together to produce "the complete musician". The complete musician is a person who has excellent rhythm, pitch, note reading skills and creativity, a person who can enjoy and appreciate music in it's various forms over a lifetime whether it be for personal enjoyment or as a career.

For more serious students who have the goal of auditioning for university scholarships, top youth orchestras or becoming a professional musician, an accelerated intensive course is available in partnership with the Associated Board of the Royal Schools of Music. In this program, the student is prepared for a once a year rigorous exam requiring the playing of select pieces, scales and arpeggios, sight reading and ear training. The candidate performs for the visiting Associated Board Examiner from London England and is graded on a point system. Upon passing the student receives a beautiful certificate and additional awards for high scores. Once a year at a separate time, a written exam for music theory is taken. The exams are graded 1 to 8 and can be classical or jazz depending on the candidate's choice.

*** Studio Equipment ***
electric piano, separate room for lessons, off street parking,
Convenient close in location

*** Travel Equipment ***
Small amp, Mac laptop and metronome.

*** Specialties ***
I teach many styles and genres such as Classical, Folk, Bluegrass, Celtic, Rock, Jazz, Tango and Middle Eastern.

Ensemble playing with other students.

Professional opportunities playing for weddings and other events.

so taught music as a camp counselor, college tutor, and workshop leader. Whether you are looking to pick up a brand new instrument, learn a new style, or work on improving on what you already know, Kathryn can help you reach your goals.

ongly believe that music has the power to change lives – to enhance the social, cultural and spiritual lives of people, and serve as a profound medium of personal expression. Professional perform experience: The Chicago, Natalie Cole, Smokey Robinson, Three tours with Moody Blues, YoYo Ma etc....
The most important thing I look for in a student is communication skills, as well as talent. I like to nurture students and help identify their individual strengths, which is a key factor in shaping a musical persona that will make its mark both on and offstage. I do not advocate a uniform technique for all students. Physical differences and learning styles are always taken into consideration. Potential is as important to me as early achievements and experience. My goal is to help students become self-sufficient, discriminating artists. I discuss practice techniques often and develop individualized scale routines. I encourage initiative and expressive musicality as well as precision. Above all, music needs to bring obvious joy to the student, regardless of the difficulties.”

*** Lesson Details ***
I use Suzuki and traditional method for my students... for Suzuki beginner they will play a song in four days....

*** Studio Equipment ***
In-Studio- Lessons in separate music lesson room, piano and violin are available. Students and parents will enjoy comfortable and clean studio environment with recent remodeled new hard wood floor and studio patio window over looking at beautiful garden. Free WiFi available for parents while waiting during the lesson appointment.
University of St Francis Joliet- can teach in rehearsal rooms at the university.
Online class at world class teaching studio

*** Travel Equipment ***
violin, viola, cello, piano and guitar

*** Specialties ***
I specialize in Suzuki teaching method for beginners, traditional conservatory method for intermediate and Royal conservatory recital program for advanced level students..I also teach orchestration program to help students prepare their auditions for major symphonies through out the country including Chicago symphony orchestra etc...

stra’s concerto competition where she was featured as a soloist performing Mendelssohn’s Violin Concerto in E Minor.

Mary Margaret has performed in masterclasses for violinists Midori, Mark O’Connor, Sergiu Schwartz, Felix Olschofka, Xiaocheng (Echo) Jia, Renata Knific, Levon Ambartsumian, and Michael Heald. Mary Margaret received degrees in violin performance from Columbus State University’s Schwob School of Music (B.M.) and the University of Denver’s Lamont School of Music (M.M.).

An avid music educator, Mary Margaret received advanced training in the Suzuki Method from the Lamont School of Music’s pedagogy program and is registered with the Suzuki Association of the Americas in books 1-8. She was the head violin graduate teaching assistant at the University of Denver where she taught undergraduates. She has maintained private studios in Georgia, Colorado, and Tennessee.

Mary Margaret has enjoyed a varied career performing professionally in orchestras across Georgia, Tennessee, and Colorado. She performed with the Hollywood Concert Orchestra’s concert tour across mainland China during the 2015-2016 season. Mary Margaret currently performs regularly as half of the York Street Duo who made their Carnegie Hall debut in March 2018.

a love and passion for music in each of my students.

I always encourage students to explore music on their own and bring me repertoire that they'd like to play (from their favorite movies, TV shows, video games, etc.). Those are a great and engaging supplement to the solo repertoire I choose!

Send me a message to get to know more about me and my teaching. I look forward to hearing from you!
Musically,
Danielle

pend much of my classical technique in order to play both old-time and traditional Irish fiddle as authentically as possible; but I still retain my initial training and apply good basic violin technique to my fiddle and (of course) her violin teaching, while tailoring it to the musical idioms of each of students.

I have also studied voice, which again, however, I have never allowed to interfere with my performance of traditional songs--largely because I had developed a traditional approach to the singing of both American southern mountain repertory and traditional Irish song many years before receiving any formal instruction. This training, however, has given me greater insight into how to get the most out of your voice for almost any style.

I also taught myself to play lap dulcimer, basing my approach on the Eastern Kentucky styles associated with Jean Ritchie, Barbara Edwards, and Anne MacFie—that is, primarily using a small dowel stick or noter to sound the melody, and playing counter-melodies for song accompaniments.

My clawhammer banjo-playing is influenced by various Appalachian instrumentalists and accompanists (including Dock Boggs, Clarence Ashley, Hobart Smith, and Lily May Ledford), but my style is also influenced by years of playing with midwestern and southern-style fiddlers.

I welcome students ages 10 or above, and have learned to adapt my teaching style to the individual student, helping each one to make the most of his or her talents and enthusiasms, while emphasizing sound technique and good practice habits.