Belleair Beach Music Lessons

have learned basic rudiments, how to apply them, and how to play several different drum beats and patterns.

Honestly, the more you practice the more you gain confidence in your abilities to play. But more importantly Drums is Challenging so it can get frustrating its important to have FUN While also staying Focused

*** Studio Equipment ***
The In-Studio lessons are in a separate music room w drum sets (2), PA , seating for parents. 2 dogs kept separate during lessons.

*** Travel Equipment ***
The student is expected to provide a drum kit.

*** Specialties ***
Melting Pot of Styles. I also teach out of several books students will be eventually required to purchase.

n to the children. In 1995, I published my first book
“Do-Mi-Sol”, that focuses on a method specifically designed to teach kids
Solfege (oral theory and ear training).

From 1998 to 2001 I was in charge of training aspiring music teachers
at the Ecole Normale in piano, music education, psychology of music
education, and the philosophy of music education.
By the year 2000,I was appointed Director of Studies and the Academic
Secretary of the Music Faculty at the Holy Spirit University of Kaslik.
During my tenure, I employed teachers, advised students, and
developed artistic and academic programs. It was my responsibility to
organize studies and examinations, as well as plan, execute, organize studies and examinations, as well as plan and execute
concerts, conventions, and competitions. I have lectured all over Europe and the Middle East, as well as published many articles concerning music and music education.
Since moving to Florida in 2007, I am a professor of piano instruction at St. Petersburg College. I also give private lessons in my studio. I have served as a judge several times at the Bay Ridge Piano Festival.

*** Lesson Details ***
Our musical journey has a smooth and relaxed progression, establishing enough command of the keyboard to allow each student to develop naturally. To make the piano a richer and more rewarding experience, I enjoy introducing a variety of musical styles, from popular favorites to timeless classical pieces, according to the student’s musical tastes.

I believe in a dynamic and responsive method of teaching. I see the student as an active participant in their own learning. Our lesson feels pleasant and joyful, so the student will always delight in playing the piano and creating music. Based on the student’s age and demands, I employ several methods of teaching that lead to the development of observation, concentration, creativity, self-confidence, and personal expression. I encourage and support my students regardless of specific talent, as we move toward an effective and beneficial musical experience.

*** Studio Equipment ***
Living room: baby grand piano, additional seating for parents.

*** Specialties ***
I teach Classical music to beginners and advanced students and follow the active method of teaching where the student is not just a receiver but participate in his own learning.

Prague Film Orchestra. Even more recently I have been a teacher for the Flutes and Strings classes at Unison World School in Dehradun, India.

I have enjoyed having a very successful studio here in Tampa, and hope to enrich your life with music soon!

*** Lesson Details ***
My approach to teaching varies with the age level of each student. With younger students, imitation is often one of the best methods of learning and I prefer the Suzuki method for students up to age 8, especially with strings. For older children and adults, learning music notation and basic music theory for a full understanding of musical language are more important to get them to the level where they can learn any music that they want to play for fun. For students who wish to excel in their school band, a more practical approach with technique specific warm-ups and exercises seems to be the best in general.

*** Studio Equipment ***
The In-Studio lessons are taught in the living room which includes music stands, sheet music, whiteboard, video recording equipment and microphone, and seating for parents/students. No pets. Parking in driveway. Siblings are welcome.

*** Travel Equipment ***
I will provide metronome, and tools for minor instrument repair. Students should provide their own music stands and sheet music.

*** Specialties ***
Suzuki method, Hrimaly, Taffanel et Gaubert, Patricia George

ool Districts for over five years. Shortly after receiving her master€'s degree for Literacy Education, Nicole decided to attempt to share her passion for music. In 2007, Nicole opened a music studio in Holbrook, New York. Here, she refined her music teaching skills while establishing Nicolex Inc. Music Island as a leading source of quality music education. Her summer traveling music program allowed her students to experience live performances as well as create music groups with peers with the same passion for music.
Nicole now resides in Tampa, Florida with hopes to spread her business as well as the joy of music to children and adults. She currently is the drummer for a local original Soul/Rock band. Needless to say, she understands the importance that music has had in her life and wishes to ignite that passion in other music lovers.

*** Lesson Details ***
My teaching style is best labeled as kind but firm. I take my job very seriously and want wholeheartedly for my students to have music as a part of their life, not just a part of their day. I love to laugh and have fun but I will definitely expect my students to practice and complete any homework I assign and be prepared for the following lesson. Simply stated, music is fun and the love of my life, but if I still practice, you will as well. Otherwise, I always believe in teaching songs my students are interested in and will expand their musical skills. My experience as a public school teacher had enhanced my sense of finding individual needs of every student. Therefore, I always differentiate lessons to suit my students interest while teaching them the foundations every musician needs in order to be successful. My specialty is teaching a variety of instruments. I play drums, guitar, bass, piano, and sing as well. So, if one instrument is not for you, I can teach you something different without a problem. Long story short, friends, you are in good hands.

*** Studio Equipment ***
Full Service music room: Keyboard, Full drum kit, Electric Guitar with 30 watts Amp and Microphone/ vocal monitor.

*** Travel Equipment ***
I can bring a 76 key Yahama YPG-235 Keyboard for your household to use for lessons for a small monthly rental fee. I have an Epiphone Electric Guitar with 30w amplifier. Will also bring microphone and monitor for vocal lessons.

*** Specialties ***
I have taught mostly Rock, Blues, and Classical genres for Piano, Guitar, Drums. Vocally, I specialize in R&B, Broadway, Pop, Top 100 and alternative/Hard Rock. I will adapt to your needs.

ntary/Middle School subjects: English, Writing, Reading, Math, Social Studies, Reading, Writing, Learning Skills, Civics, French, and test preparations), and Culinary Lessons.

*** Lesson Details ***
*for travel to location lessons please contact me prior to booking to check location and availability, due to designated areas I already have established teaching and only travel to.

Cooking Lessons I conduct online, and all subjects can be done online also.

I like the combination of relaxed and goal oriented. I like to get to know my students and learn about about expectations and goals they have for themselves. Then I set up a plan that will help them achieve their goals and get them closer to what they want from their lessons. I take into consideration their interest, style, and help them to find their unique learning style.

I do have some guidelines for parents and students. If the student is a minor, I ask that the parent be in the house for the lesson. I also ask that the lesson be performed in the Living room or Music Space.

g other pro drummers or percussionists looking to learn more about the other side.

He has been trained in many different teaching methods and has since developed his own teaching method to enhance the students fundamental playing techniques, ear training, dexterity, basic music theory reading and transcription skills. His goals as a teacher is to help you achieve your goals as an artist musician and to take the principles learned through the study of the discipline of music into your life to help shape you into being a better person.

Genres that Michael is experienced in range from Pop, Jazz, Rock, Funk, Electro, Soul, R & B, and New Orleans 2nd Line on drum set, West African Folkloric/dance such as Soli, Kuku, Dunungbe, Mendiani, Kakilambe, Marakadon on djembe, as well as Afro-Pop such as Nigerian Afro-Beat, Mangambe, Doudoumba, Mbalax and Bikutsi on drum set and hand percussion; Brazilian Samba & MPB such as Bossa Nova, Baiaó, Afoxé, Partido Alto, Coco, Xaxado, and Maracatú on Brazilian percussion & on drum set, Egyptian Classical and Folkloric bellydance rhythms such as Maqsoum, Saidi, Masmoudi, Baladi, Sombati, Fallahi, Chiftiteli, Ayoub, Samai and Malfuf; North African Gnawa, Rai & Chaabi on North African percussion & drum set; Bomba, Plena, General Cuban /New YoRican"Salsa" such as Son, Som Montuno, Mambo, Cha-Cha-Cha, Rumba Guaguancó, Songo, Timba and Mozambique, but also Cuban 6/8 such as Guiro & Bembé, Rumba Yambú, Rumba Columbia, Abakuá Lokua Fun and Dominican Merengue on latin percussion and on drum set where appropriate.

Michael is an expert transcriber for drum set, marching percussion and hand percussion, creates his own exercises and creates breakdowns of rhythms and rudiments to better enhance the student's learning. He can also create practice audio tracks for the student to use in their individual practice time.

Michael spent 1 year at HCC studying music but realized that he was getting much better instruction through (6 years of instruction) from great teachers such as Mark Thurston, Paula Williams, Benja Russel, Tim Church, Eddie Capps, Diaz Clark, Joe Southard, Eugene Fambrough, Tom Mazzeo, Paul Gansmer, Jack Starling, Mark Smith, Rob Minier, Rick Adams, Mike Neidhart, Dino Riccio, Jody Dunwoody, Steve McNeely and William Meyers within the drum corps idiom performing with Suncoast Sound and The Spirit of Atlanta. With the skills he learned and worked diligently on, he was graced with the opportunity to perform as a percussionist at Tokyo Disney Land in 1998 and 1999 and then again at Tokyo Disney Sea from 2005 to 2010.

Most of his percussion study was done with artists/musicians who are deeply rooted in specific types of music and the culture it came from during their childhood or teen years and not from a college professor who learned it from their professor out of a book but have yet to actually perform these styles outside of their class room.
During his time in Tokyo, he took every opportunity to go see concerts at The Blue Note, Tokyo Forum, Bunka Kaikan, The Billboard Club, The Cotton Club, touring Cirque du Soliel
shows and many other venues with top quality world renowned artists. On his free time from performing at Disney, Michael was fortunate to study with great percussionists such as Christopher "Kit" Chatham (of Blast & Shockwave) and Christopher Hardy both of Cirque de Soliel and also Abdou Bayefall and Abdoulaye Sarr Ndiaye of Senegal, Africa. Later back in the US, he studied and worked with Abdel Tahour of Morocco, took a workshop with Orlando Cotto of Puerto Rico and is currently learning from Jessica D Albino folkloric dancer/drummer of Puerto Rico.

He has traveled to Cairo, Egypt to study middle eastern music, to Colombia to teach marching percussion and learn their folk music and also to Bali, Bangkok, Costa Rica, Panama, much of the Caribbean, South Korea and Madrid to photograph in the streets and absorb the rhythm, art and cultures of those places.

***Equipment***
Masterwork Cymbals 24", 22" rides (2), 20" rides (5), 16" crashes (2), 14" hi-hats
Ludwig late 60s green & olive badge 22"x14" bass, 12"x8", 13" x 9", 14"x10" tom and 16"x16" floor tom
Ludwig mid 70s Acrolite 14"x5" snare drum
Ludwig 2015 Rocker steel snare 14"x5"
Ludwig USA free-floating Marching Snare drum 14"x12"
Sonor Force 3007 Jungle kit 16"x16" bass, 10"x8" tom, 14"x10" floor tom
Canopus Maple snare drum 14"x5.5"
Yamaha Birch Custom Absolute 14"x5" snare drum
Gawharet El Fan doumbek (mylar head)
Gawharet El Fan riq (mylar head)
Meinl Percussion Turkish style darbuka  5 7/8" & a 7 1/4"
Meinl Percussion Doumbek (2)
Meinl Percussion Mizhar (2) 18"x4" with a thin calfskin & a mylar true feel head
Meinl Percussion 20"x2.5" Tar
Meinl Percussion Daf 20" with synthetic head
LP Matador congas 11" quinto  and 11 3/4" conga
Persian Dayereh 15"x2.5" with a goat skin head
Senegalese djembe and tama (talking drum)
2 Pandeiros 10" one carnival style with lugs and a mylar head, one handmade in Rio old Capoeira style
RMV tambourim 6" 
Hand percussion: assorted shekere, caxixi, guiro, bells, blocks, karkabou, tingsha, sea shells, seed pods, kashaka, Meinl stage (metal) and studio (plastic) shakers etc..

looking to learn how to improve myself.

Any student of mine will have 100% of my interest in their growth and development as a musician. I can work with a wide variance of ages, having experience in ages 4-12 year old children.

I look forward to meeting with you soon!

rmance on the stage.

For those interested in taking lessons with me, I can help you to achieve your goals in all of the following areas:

- Music Theory
- Songwriting
- Composition
- Ear Training
- Acoustic/Electric/Slide Guitar
- Lead/Rythm Guitar
- Stage Performance
- Gear advise/recommendations
- How to become a solo performer
- Protools
- Audio Tech Training

I've taught a wide range of experience level and ages. My students leave each lesson feeling more confident and feel as though they have absorbed this information thoroughly. The best part of my job is seeing my students progress into making their own music and becoming performers!