Ready to try something new or build on your skills? My lessons are fun, engaging and productive! We will work on:
*breathing for singers *vocal range *pitch *jaw, neck, shoulder and/or tongue tension *dynamic range *confidence *musicality...and so much more!
Working with you on all aspects of musical preparation and performance skills in song, melody, lieder, opera and oratorio repertoire.
Ready to try something new or build on your skills? My lessons are fun, engaging and productive! We will work on:
*breathing for singers *vocal range *pitch *jaw, neck, shoulder and/or tongue tension *dynamic range *confidence *musicality...and so much more!
As a graduate of the Juilliard School and having performed worldwide, I want to share how fun, healthy and effective sing is possible with consistence and informed work! No matter your goals, lets build on the skills you already poses and confidence in your own abilities. Let's sing!
The key to great singing is enthusiasm, focus and some hard work. I have worked with students of all ages and my goal is to get you singing the right way and take you from shower diva to confident performer.
A LITTLE ABOUT ME:
As a professional singer and graduate of The Juilliard Sch
ool and working Opera singer, I have had the great fortune of training and performing with some of the best in the business.
With performances at Carnegie Hall and with major orchestras such as the Toronto, Vancouver and Seattle Symphonies and around the world, I feel this gives me a unique perspective on the challenges and successes that are possible with a fun, yet focused and healthy technique based approach. Whether a beginners, intermediate or advanced singers looking to hone your skills in musical theatre classical, jazz and even pop voice.
My goal is a well rounded, relaxed yet supported vocal tone with a focus on breath, and feeling rather than by ear. This ensures that no matter what the repertoire, the situation, or the acoustics of the room, you are always focused on healthy, articulate and projected singing.
Jonathan is a fantastic teacher! Having little prior singing experience, he made me feel at ease and comfortable starting out. He also really listened to my specific goals and what I was looking to achieve with these lessons and tailored the lesson to my individual needs. I would easily recommend Jonathan to anyone looking to work on their singing technique and confidence!
January 17, 2018
Lessons are fun and interesting with John! I have learned so many useful tips with John. He is the best and beyond. Take lessons with him!
January 16, 2018
Jonathan is a fantastic voice teacher. Not only can he sing incredibly well but he can teach incredibly well too. He has a very strong background in vocal technique with an Undergrad and Masters degree in voice. Can't wait to continue to progress with Jonathan's help.
I have a very intimate and detailed understanding of the voice as an instrument. Whether you're just getting started, need some specific tips for an audition coming up, or you just want to sing better for your choir - I can help!
Hi, there! My name is Elizabeth and I can't wait to meet you! I've been teaching private lessons since 2012 and have loved helping my students get into esteemed education programs, succeed in competitions, ace auditions, and gain a sense of mastery over their voices. I went to Carthage College and earned a degree in Musical Theater in 2011, and Bowling Green State University for my Masters in Vocal Performance/Opera in 2015. I'm a friendly and open-minded person and I would describe my teaching style as efficient, creative, and fun. I've worked with students of all ages, backgrounds and abilities to achieve a multitude of different objectives. I look forward to helping you reach your goals!
I’ve been taking lessons from Elizabeth for a few months now - I had done voice lessons growing up and am now starting to get back into singing. She has been very helpful, and I really feel like I’ve been improving quickly! She’s very knowledgeable about vocal technique and has been great about helping me strengthen my weak spots and break bad habits.
February 3, 2019
Elizabeth is a very nice and competent vocal trainer. She always encourages me to try new exercises that help me a lot to improve my singing skills. I also feel very comfortable taking classes with her, and I think that one of the basic things for me when it comes to learn how to sing, a nice atmosphere is necessary to grow faster. She is also helping me with my English pronunciation. I would definitely recommend her.
November 7, 2018
Elizabeth is an amazing tutor. She is very friendly and funny and makes you feel comfortable doing all kinds of exercise. She collaborated with me on what I wanted/needed to work on most. She helped me improve singing a song that I chose through many elaborated techniques. I learned a lot even though I only took two lessons (because I left the country after that).
Studies will focus on learning the traditions of Bel Canto technique.
We will begin with repertoire from the 24 Italian art songs and vocal songs/exercises from Vaccai.
More advanced students will refer to bel canto arias.
All singing lessons start at age 14
The Exquisite Voice, Inc.
Christine is a professional vocal coach with an exceptional reputation. She is the owner of The Exquisite Voice, Inc. Currently home in Springfield Va.
As a D.C. native, Christine has taught extensively in the DMV area for 10 years and is now taking her business/work to New York.
She is considered an expert in her field for achieving high quality vocal technique that can be implemented in all legitimate singing styles.
Christine is a fearless technician in the vocal arts, willing to put her knowledge and know how against the best in the field.
Achievable, high quality, professional results that captures and highlights a singer’s natural voice is what I am after because it brings the most joy to ourselves and to others.
Straightforward technique that removes uncertainty and doubt.
Learning to have authori
ty over your instrument to really grow into an individual artist and communicator.
Always honoring the instrument that a person has by guiding them to really learn the fullness of their abilities.
There is nothing more compelling than a voice that is natural and confident in their ability and accessing technique consistently is vital to creating this assurance and peace.
I am able to rapidly diagnosis a full range of vocal issues and begin to work towards strengthening deficient elements in relation and respect to the singer’s entire technique.
This will take time, but I make it clear exactly why this is the focus so we can work efficiently and cooperatively together.
It is important to reveal issues in a highly apparent manner, yet to be supportive and respectful of the student’s voice while motivating change to take place. I try to make it extremely clear through the exercises and rep I personally select to highlight a capability that is lacking by giving a student the right challenges where they can see they are not fully demonstrating a vocal element.
It often times is things they have been told in the past, but aren’t able to identify the problem due to lack of clarity clouded by other elements from past instruction or not provided the right tools to overcome their vocal issues in a realistic way that leads to continue success in their process. Meaning I really isolate and get to the heart of issues.
I have a signature method of highlighting issues and making corrections. I am very particular about explaining the process so that it makes sense to each student and can be accessible for them.
Another strength I have is I am able to identify the student’s learning style and am resourceful in the way I teach.
Together we will learn to develop a practical process and routine that works consistently for you based on your own personal needs as an artist.
The goal is that you will be able to instruct yourself successfully every time by thoroughly learning your instrument’s capabilities through care and guidance provided in our lessons.
I expect this from each student in their time, so that they can become confident in the choices they make to direct themselves. It is important to become independent since you are the one in control of your voice alone, and I intend to get you closer to that goal every lesson by making your voice more relatable to you by providing the proper understanding and resources to achieve this.
This is how world class musicians think, that they will be able to lead themselves in their process and trust their choices without too much worry after because the foundation and thoughtfulness to their decisions have already been made over time to where it is now intuitively inspired while performing. You can only access what you have trained (technical) or allowed (emotional).
Not only trust, but enjoy the freedom to do so. It might be a freighting concept to many, it was for me to think I must take full control, but you must eventually be assured about who you are and that you have more than enough to manage.
Something we will discuss a lot from the emotional standpoint, not allowing our fears or need/expectation to be perfect stand in our way of the bigger picture. We will develop a healthy relationship with our voice.
Every necessary element required for excellent singing will be explained. It is not possible in one or two lessons however.
It is real time and work. I do require you trust the process to a reasonable degree and know that I will always have your best intentions at heart. I have worked with many issues and types of people and have a lot of insight to pull from. Mostly people think their issues are unique, when in reality they are common. Nor do I get easily confused. So rest assure that your voice is always inspiring to me and I love to help people find more meaning in their art.
I can confidently say, almost more than any other instructor you have had we will thoroughly go over every element.
It is necessary that a student knows what is already amazing about their technique so they do not expel or replace it while working on their challenges. I cannot emphasis this enough. I have found this to be the biggest issue with passing on good instruction in the last 40 years from all institutes of voice.
Every voice comes in with something to build upon. There is not one voice, even the most challenging that doesn’t have an element right, it just might not be used appropriately while lacking all the other supportive elements, however it is there and that’s where we will start if that’s the case.
That’s why so many students, particularly very talented ones get lost in their training, because they do not realize that this has happened, so their natural abilities they cannot explain if they become teachers or professionals, which you must be able to explain everything or worst, they lose their natural ability and do not understand why.
This is also another fear of people who have natural ability, but if you have an instructor who understands you and these factors, you will be in good hands to find greater success vocally.
We need to identify our technique simply and readily every time in a way that we can articulate to ourselves.
This is a process and hard work (particularly emotional/reasonable expectation) is required on your end. More importantly developing trust for the process because what you do with your voice is up to you in the end alone and to displace that is neither helpful or honest. It is your voice! Always.
We will be doing honest work, look forward to it:D 💗💗💗
I am extremely generous as a teacher, you will come to find this is true. I promise to do my end of the deal and give you everything I have got in terms of my knowledge and insight, you just have to give yourself the opportunity to really commit to trying full heartedly. The lesson is for you. If I do not know something I say it.
I am a dramatic soprano and I have continued my vocal studies vigorously with Mrs. Fabian Bravo, a long term principal singer at The Met, who was taught formerly by Mr. Luciano Pavarotti.
I am very confident in the Italian Bel Canto technique and extensively in all popular genres, including jazz, ballads, R&B, Broadway, traditional, etc.
Technique I cover is creating legitimate support via fully integrating the body, while from the body’s relative support, applying highly efficient/directed air that is responsible for the quality of the voice’s capabilities and range of elements. Everything is created from these two fundamental elements.
We will also cover muscle release (throat, spine, tongue, facial, soft palate and accessing resonators directly, releasing the larynx and closing the vocal folds genuinely and appropriate air and relative use to the other elements, accessing legitimate chest and head voice, mixing/centering the voice appropriately with highly disciplined air and body support) legitimate dynamics with muscles released/throat open, accessing internal naturally covered space that can thoroughly release the voice through the skull and centered in which the air pressure/direction determines the dynamics, while not improperly closing the muscles or inappropriately moving the larynx/overly directing and dropping into one register, proper articulation that enhances/does not interrupt or cut off breath support/the body inappropriately/use of compressed air and direction that directly effects head voice, chest, middle mix access that most professionals do not have disciplined and create through other secondary means. This is more all equates to flexibility, strength and freedom to be endlessly expressive. Everything in balance and relation to become competent and proficient. The best part is really being able to enjoy your singing in the moment.
I have been singing opera for 7 years now, and Christine had the most thorough teaching process by far! I found my real voice underneath all the conformity I had been taught through choir and am now moving through singing more powerful and with my "real voice." She is open to workshopping repertoire that you are interested in, and suggests things that will help you grow your voice while not pushing an agenda, so you feel as though you have lots of artistic freedom.
Also just a super warm and authentic person. Overall a great experience!
May 12, 2019
Christine is extremely talented and provided me with positive yet technical feedback each practice.
February 17, 2019
Christine is a Godsend! Prior to working with her, I studied classical voice and opera with several instructors. Christine is by far the best teacher and wish I had met her sooner!
As an accomplished singer herself, she is able to identify challenging areas and help improve technique. I’m now attempting pieces with confidence that I never would have attempted previously. And, I find the sessions very relaxing and enjoyable. She inspired me to push myself further and feel like I’m getting great results! Well worth the investment.
Expert coaching in diction and stylization for most languages, making you performance ready. With experience in Alexander technique, dancing, and vocal pedagogy you can be assured that your voice and body will be free and open. NYSSMA level 1-6
Hey there, my name is Ian. I'm a musician, performer and teacher from Wisconsin, based in New York, who studied Vocal Performance at Queens College. Have taken coachings for years in voice acting/voice over work. I've studied many different acting and singing styles with a number of notable stage directors, conductors, and other performers. I perform regularly around the New York area, as well as overseas in Germany, Italy, and London.
My performance credits include lead roles in operas by Mozart and Stravinsky; and musicals such as "Forever Plaid" and "Fiddler on the Roof".
I have spent years working on voice over/voice acting, and can show the right way to round out and project your voice for radio or stage work!
Work with the Suzuki method for violin/viola, as well as other methods such as John Thompson for piano for chil
I'm excellent with children and adults alike, having spent years developing skills teaching and performing to the highest standards, all my students are pushed to be the best possible! Am comfortable teaching anyone, from beginners to coaching professionals!
If you want to learn pop, I'll teach you the same techniques used by Lady Gaga, Christina Aguilera, Bon Jovi, Mick Jagger, and more... because I study with their teacher!
If you want to learn Opera, learn to tackle any audition, gig, or recording session just like Marilyn Horne did. I've got exercises from teachers at the Metropolitan Opera, San Francisco Opera, and from Marilyn Horne herself to get you right on top of your game!
I've been singing professionally for 16 years. I've sung my own show at Carnegie Hall. I was Gaston in the national tour of Beauty and the Beast and I never missed one of our 326 shows. I can get you on the Gaston regimen in as little as one lesson.
Please message me with your availability and describe your goals before you purchase a lesson.
Christiaan is a multi-talented performer in theater, opera, and pop music. He played Gaston in the Broadway tour of Beauty and the Beast. Something of a bad boy, he was kicked out of Opera School for singing jazz, yet he went on to earn three music degrees, and work with opera legend Marilyn Horne and avant-garde composer Jake Heggie. Now he's in New York studying with Lady Gaga's teacher and singing his own arrangements of Ed Sheeran, Maroon 5, and John Mayer at Carnegie Hall while writing and recording pop songs in Nashville and the U.K. Look for his new single That's When You Know.
Christiaan enjoys seeing people succeed, so his approach to teaching is a combination of play and practice. Ultimately we sing because we want to bring people joy, yet to do so, we must hone our talents to perfection. By mixing the joy of music with disci
I just had my first lesson with Christiaan. He was amazing. Gentle, very positive, and really good at observing and figuring out my strengths and weaknesses. He's also inspired me to learn with his love of music and thoughtful approach.
June 19, 2019
I was blown away by his knowledge and assessment of the skills I should prioritize. My mind was blown several times. Excellent pedagogy and very personable!
November 25, 2018
I've had a great experience taking lessons with Christiaan! I've had about 10 lessons total now. As someone who doesn't have a background singing, I was definitely a bit nervous going into it, but that didn't last long -- Christiaan's friendly and extremely talented. I especially appreciate that he provides context about posture, history, anatomy, etc. and that he took time early on to learn about my goals. Last but not least, I'm happy with my results so far!
My lessons are productive, engaging and informative. We will focus on proper breath support, alignment of your voice from top to bottom with vocal exercises designed to allow the best, freest sound possible.
Hailed by the New York Times as “fresh” and “sweet-toned,” and described in Opera News as having a “sugar-tipped soprano,” Tonna Miller is recognized for her “flesh and blood” performances and “natural stage presence.” Equally at home in the major opera houses of America and on Broadway, Ms. Miller was has been heard at the Metropolitan Opera as Barbarina in Le nozze di Figaro and as the fiery Carlotta Giudicelli in Sir Andrew Lloyd Webber’s Phantom of the Opera for her Broadway debut. Ms. Miller has sung with Los Angeles Opera, New York City Opera, Houston Grand Opera, Glimmerglass Opera, Santa Fe Opera, Opera Theatre of St. Louis and many other regional opera companies. Ms. Miller recently made her debut at the renowned cabaret venue 54 Below. Ms. Miller maintains an active voice studio in New York City. Ms. Miller’s students have appe
ared in operas, Broadway musicals, national tours, New York theaters, regional theaters, conservatories and schools.
I looked for an opera teacher for quite some time and we are so happy to find Tonna ! She's sweet and very thorough I love her positive energy ! I believe she's a perfect fit for my daughter who is looking forward to continuing her studies I highly recommend her !!!
April 23, 2018
Tonna has a terrific mix of energy and technical prowess. She can diagnose your vocal issues and teach you how to work so that those issues go away and you end up singing high C's effortlessly. I would recommend Tonna to anyone who dreams of having a beautiful voice in any genre - she can get you there!
Singing is so much more than just singing! In my studio, you will unleash your unique voice by letting go of unnecessary habits and setting up your body to produce a variety of healthy sounds. In addition to the vocal part of singing, we will work on diction, music theory, stage presence, and learning how to practice on your own. Whatever your goal may be, we will work together to find the best techniques that work for you.
About Sara Lin
I'm a classically trained opera singer with a passion for performing and teaching! I hold a Master's degree in Voice Performance from U. of Colorado at Boulder and a Bachelor's degree from U. of Minnesota - Twin Cities.
Originally from Oskaloosa, IA, I grew up practicing 4 different instruments and singing in children's choir. Music has taught me an infinite amount of life skills and I love to pass those lessons on to my students!
In my studio, you will learn to unleash your unique voice by using your body most efficiently and eliminating unnecessary habits. Lessons also include work on diction, music theory, stage presence, and learning how to practice on your own.
Music is a way of living that enhances your creativity, gives a hopeful vision and makes the life sparkling. After my professional opera experiences for many years, frankly I can say that you can't loose the child of your inside that makes you different than the others. During my education process, I realized that the key of loving your work was also related to your instructors. Being a mentor, leading a way of something that will reflect someone's life is so precious and requires some responsibilities and solid background. When I was a student, I was always passionate about looking to work with the best teachers, I was extremely interested in learning something new. So I believe If you're a teacher, you should have strong skills, knowledge, willing, a good human being, kind attitude , patient and passion. It sounds cliche but people deserve it. So my goals in teaching, causing to be loved the music, raising people who feel full of elements of singing, explore the abilities of ...
About Aysen Idil
Hi, I'm Idil. I’ve just received my master degree in Voice program from Mannes School of Music. I'm extremely interested in working with you! Shortly after my graduation from undergraduate studies, I started my professional career. I have been engaged with Turkish State Opera House as a permanent opera singer for seven years. In this role, I had the opportunity to perform leading roles with well-known orchestras, conductors and opera companies. It helped me to develop a professional attitude, discover leading research in opera at a younger age, develop good communication skills, musical discipline and responsibility at a young age. During this time, parallel to my professional duties, I assisted my voice teacher, who is a prima soloist in Turkish State Opera House, and had a chance to work with the students who provided me a chance to d
evelop my teaching skills to a wide variety of students. After the professional experience, I had a desire to further improve my music skills in the academic world. This led me studying and getting my master’s degree and complement my professional experience with academic research. The experiences I had has been invaluable. Teacher position requires ability to teach and communicate effectively, develop continuously and be responsible and disciplined with the tasks at hand. I believe my professional and academic experience have prepared me well in all of these areas.
While I was a young student, I always wanted to work with successful and well-equipped teachers who had significant and relevant hands-on experience. I believe, my experience and background prepared me to be one of those teachers who can help younger generation to build the skills necessary and grow in their area of study. This is what excites me the most about teaching.
"My daughter really enjoyed her session with Chelsea! She is very knowledgeable and very thorough! Best vocal instructor our daughter has worked with!"
"Amy taught me for about two years, if I am remembering correctly. She took me from a preteen with a nasal and breathy voice, to someone who is confident,
with a strong voice. Since working with her, I have been told I should sing on Broadway. She taught me ear training as well as general singing technique. She also taught me classical songs and Broadway music. But most importantly, she was a huge support in my life. I highly recommend her."
"It's my first time taking voice lessons in NYC and Asuka is just great. It's only been two lessons and I'm singing much louder than I ever imagined. She h
elps you to reach your limits and then go beyond that. She can always precisely point out the things you should work on and if you do as she says you'll sound like a new person. Also, classes are fun and efficient and she makes you feel so comfortable too."
"Working with Amanda Baker during the spring of 2017 truly revolutionized the way I think about my voice. We explored techniques that enabled me to underst
and the ease required for singing above the staff, as well as the intricacies of resonance. The time we spent together was an amazing stepping stone for the Young artist opera program I attended during the summer of 2017. If not for our working together I would not have performed as successfully as I did. She was extremely prudent, diligent, compassionate, and encouraging. She is a grade-A 5-star teacher in my book!"
"My 9 year old granddaughter has enjoyed her first 2 Voice Lessons! Laurelanne, you've done a great job of making her feel comfortable and to feel that she
can one day be good at the singing she loves so much! Thank you! Anne S."
"Dedicated, committed and talented. I've watched Rachel grow and learn for her entire life. She is absolutely dedicated to her passion, music."
"I have had the pleasure of working with Robert in a performance capacity through Opus Choral Ensemble. Robert is the consummate professional. He is consis
tently prepared and shares his expertise with the rest of the choir, which consists of other professionals and laypersons alike. His knowledge, ability, and personable manner have benefited the choir in both musicality and vocal quality. For anyone interested in pursuing training in classical vocal technique, I highly recommend Mr. Taylor."
"Jess is an extremely talented person with exceptional people skills. Her ability to convey the complex aspects of classical/broadway singing in a simple a
nd straightforward manner make her a wonderful teacher to learn from. Add to that, her ability to teach and play piano and you have an invaluable combination."
"Melissa helped me sort out my audition binder and replaced my songs with music that fit my voice better. She is very well-versed in technique and artistry
and I’m looking forward to more lessons with her!"