Elkridge Music Lessons

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Average Cost of Music Lessons in Elkridge, MD

The average cost of 60-minute music lessons in Elkridge is $70. While the exact cost will vary depending on the teacher, type of lesson, and your location, you should expect to spend anywhere between $70 and $70 per hour.

30-min $50
 
$50 average
$50
45-min $60
 
$60 average
$60
60-min $70
 
$70 average
$70

For the best experience, we typically recommend 60-minute music lessons. However, students looking for a more affordable option may want to consider a shorter lesson length of 45 or 30 minutes. On average, 45-minute music lessons are 15% less expensive at $60, and 30-minute lessons cost 29% less at $50.

Curious how much music lessons cost in your area? Do a quick search to get local prices for the best music teachers near Elkridge.

Music Lesson Reviews from Students

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Popular Music Teachers near Elkridge

Check out some of our most popular teachers near Elkridge including Washington, Baltimore, Arlington, Alexandria and Silver Spring.

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About Keith J.

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Falls Church, VA

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About Keith
Keith is a seasoned world class drummer, a 3 Time Grammy Award winner as well as an Emmy award winning media producer; with a high degree of artistic and technical experience. He has over forty four years on-stage experience performing, developing and managing international artists. He has performed on stage and worked with world famous groups such as Starland Vocal Band, Billy Idol, Bob Seger, John Mayall, The Ventures, Buffalo Springfield Revisited (including Steve Stills and Neil Young), and many more!! Go to Keith's picture area to see pics of Keith with famous friends such as Van Halen!!

*** Lesson Details ***
You will learn to read drum music and/or write and play drum parts. You will learn snare drum technique and drum set skills. I have experience in the MUSIC BUSINESS, so students will learn not only about the MUSIC, but also
about the BUSINESS should they have professional career related questions.

I also teach Studio session recording drumming techniques should you wish to become a top session recording drummer !!!

I have been around the world working with MAJOR famous recording artists touring out of Washington, DC and Los Angeles.

I teach 1/2 hour lessons and/or 1 hour lessons.

During each lesson, I give you plenty of material to practice over a week€™s time. WE WILL HAVE FUN.

Not many teachers in this area have my experience nor credentials. I love the drums more than anything and my enthusiasm should be evident during our lessons. Several of my students have gone on to major music colleges such as Berklee. One of my students is currently touring and working with Linkin Park. Another student is currently touring with Fall Out Boy.

When you take lessons from me, you will develop the skills to play in your school band with confidence, start your own band, or play at an advanced professional level.

I am great with young children as well as students of all ages. Additionally, I have experience with students requiring special needs.

I have all the patience in the world, remember, I was in your shoes years ago when I had a dream of learning how to play the drums !!!!

HOPE TO SEE YOU SOON !!!

*** Studio Equipment ***
Large, private studio with all the equipment you will need to absorb the "pearls of wisdom" I will give you during your private one-on-one private lesson. Comfortable waiting room outside studio. Drum set, practice pad set, PA for playing any song you wish to learn loud enough so you can hear it over the studio drums.

*** Specialties ***
Drum set technique, snare drum technique, reading studies. Rock, Country, Jazz, symphonic, marching band etc., Studio session recording drumming techniques.

I teach both the MUSIC and the BUSINESS, for the aspiring or current professional.
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Reviews
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Lisa C. July 9, 2018
· Drum · In studio
Keith inspired my teenage daughter to keep practicing and playing through a mixture of flexibility and tough love.
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Ben March 5, 2018
· Drum · In studio
I went to Keith looking for a drum teacher, and came out with so much more. Keith is patient and caring, and will forever be the voice in my head telling me to slow down and be methodical. He's very easy to talk to and be taught by, and I would recommend him to anyone!
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Anne February 12, 2018
· Drum · In studio
My son started with Keith on snare drum and absolutely loved the lessons so much he bugged me for a drum set constantly! Keith was very helpful in helping us to select a drum set and getting the best price. We found out that we have the #1 music merchant in the world right here in our town and they give Keiths students the best prices since he has sent them so many customers, so we saved an lot of money when it was time to buy a drum set. My son can't wait to get to his drum lesson every week
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Keith J.

Keith J.

Falls Church, VA 22043
(52)
starting at
$38 / 30-min

About Jason F.

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Baltimore, MD

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About Jason
Hi, I'm Jason. I've been teaching and performing as a full time career for 23 years. During that time, I've developed a diverse, flexible approach to teaching that is customized to the needs and interests of each of my students. I'll help you set up musical goals, and then use your preferred learning style to help you achieve them.

*** Lesson Details ***
My goal is to help you unlock your full musical potential by tailoring your lesson experience to your unique interests and goals. Your lessons will be a balance of technique and creativity. My studio is equipped with pro sound gear and software so we can incorporate drum sounds, keyboards, bass, and guitar into your lessons.
I encourage all of my students to read standard notation, but it isn't necessary if you would prefer to learn by ear.

*** Specialties ***

-I'm
comfortable teaching most styles, including R&B, Jazz, Blues, Gospel, Funk, Rock and Metal. I try to encourage all students to learn the basics of music theory, so you can understand the music you learn.

-I use a wide range of method books. I also use books that I have authored, which have been used in music programs in Baltimore area private schools and charter schools.
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Reviews
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Brenden June 11, 2018
· Acoustic Guitar · In studio
I've been going to Jason for a few months now and I have significantly improved my playing ability and increased my music knowledge. Lessons are tailored to what I want to learn and there has been noticeable improvement even over a short period of time.
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Tanna June 8, 2018
· Guitar · Online
He is really patient and kind, and he got playing songs in days.
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Leslie March 19, 2018
· Guitar · In home
Jason tailors the course to a student's individual learning pace and needs. There is also a good combination between theory and learning cords to play a song. Technique is emphasized to build good habits and a foundation for future growth.
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Jason F.

Jason F.

Pasadena, MD 21122
(24)
starting at
$30 / 30-min

About Jacob D.

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Greenbelt, MD

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About Jacob
*** Travel Equipment ***
I expect the student to provide their own instrument. I will bring mine. I will suggest music to get in the student doesn't have their own.

*** Specialties ***
I teach all brass instruments (trumpet, horn, euphonium, baritone, trombone, and tuba), and trumpet is my specialty. I can also teach beginning to intermediate piano and guitar lessons. In addition, I have extensive experience teaching ear training, music theory, and composition. I am fluent in all styles--Classical, jazz, pop, funk, etc.
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Reviews
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Miles July 27, 2018
· Trumpet · In studio
Helpful advice and support for a beginner student.
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Dan G. October 5, 2015
· Trumpet · In home
Jacob has been working well with my son. We had to change schedules to accommodate my daughters activities otherwise he was a superb teacher. Hope my son will remember all the tricks learned from Jacob.
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Haile D. September 3, 2015
· Trumpet · In home
Excellent start. My son liked Jacob and his knowledge will definitely elevate him to the next level.
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Jacob D.

Jacob D.

Washington, DC 20064
(6)
starting at
$32 / 30-min

About Andrew T.

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College Park, MD
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About Andrew
Musically and personally, I strongly feel that diversity and openness are key in a person's development: when we move outside of our comfort zone and embrace the unknown, we are better able to grow as musicians (and human beings). As a performer, I feel that performing with musicians of different backgrounds is a constant source of inspiration and engaging music. As an educator, I emphasize the role of music as a form of expression and its parallel to verbal language. As children, we learn words and sentences so that we can accurately and gracefully express ourselves and, in this sense, music is no different. I encourage students to enjoy the music-making process and to view mechanics as a means to an end.

I have been dedicated to the drums since the age of 9 and since then I have been honing and applying those skills to musical groups
of all types, from rock and pop to big band to world music to orchestral to small combos and everything in between. In 2007, I embarked on a two and a half year gig with Princess Cruises as a show band drummer, and traveled the world on some of the world's most modern ships while performing on stage over 1000 times. From 2011 to 2013 I was the touring drummer for renowned Celtic/Gypsy/Americana band SCYTHIAN, a band which tours extensively and is known for their energetic live show. Other groups I have recently recorded and toured with include "Yall-ternative" fan favorites Mr. Fuzzy & The Barbarian and modern funk band The Royal Noise. In 2014 I relocated to College Park, MD and I love it!

*** Lesson Details ***
When we work together we will split lessons between the necessary mechanical aspects of the instrument and the more creative and spontaneous elements. At the beginning, I emphasize a relaxed technique and an efficiency of motion. Once this is established, we will explore the instrument through improvisation and other creativity exercises. Although drumming can be very technical, I never lose sight of the importance of groove, expression, and having fun while playing.

*** Studio Equipment ***
My studio is complete with 2 drums sets, practice pads, computers, hand percussion instruments, and other instruments for accompaniment.

*** Specialties ***
I try to split lessons between the technical elements of drumming and the more creative aspects of the instrument. I feel that you can't have one without the other and teachers need to be mindful not to lean too much to one side. I also strive to give the students practical examples in their style of interest and encourage them to apply what they learn to actual musical situations as much as possible. I have had experience in pop/rock, jazz, show music, and many traditional world-music styles.
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Reviews
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Matt F. February 26, 2013
· Drum ·
Great Experience

From the first lesson, Andrew has been a consummate professional. Each lesson he brings in something new, while making sure that everything we've covered in the past is still ingrained through repetition. Having Andrew as an instructor has opened my eyes to the many facets of drumming, and I have taken skills/techniques with me that will last forever. The feedback does not stop after each lesson, Andrew is available all the time for any questions I may have during the week if I am stumped while practicing. His schedule is flexible with mine, and he is willing to bring in music that I want to personally learn. The lessons are the right balance of fun and teaching, and his studio promotes a learning environment that is not intimidating to let loose if you're a beginner like me.

I'd recommend Andrew to anyone looking to expand their skill set, the lessons have been a great experience.
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Andrew T.

Andrew T.

College Park, MD 20740
(1)
starting at
$45 / 30-min

About Sepehrdad A.

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Germantown, MD
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About Sepehrdad
As an experienced Violin teacher I help students to teach themselves the violin, to understood that their playing only improves when they change habits. A bored or disinterested child simply won’t progress, and a great violin teacher knows how to communicate with creativity and clarity. I have proper knowledge of the violin’s mechanics, general musical and repertoire knowledge, skilled as a player, and strength as a communicator. I have a bachelor degree in string performance, and I’ve taught students from beginner to advance for more than 10 years, guided students participating in inter-school musical shows, competitions and different musical presentations – Fests and orchestras. I teach both Suzuki and traditional method depending on the level of student.
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Levi, David & Jeremiah S. October 17, 2018
· Violin · In home
Sepehrdad is great! Our three boys really enjoy his teaching approach which is encouraging yet challenges growth. We are delighted and feel blessed that we found him to teach our children in our home!
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Sepehrdad A.

Sepehrdad A.

Germantown, MD 20874
(1)
starting at
$35 / 30-min
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About Ian D.

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Baltimore, MD

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About Ian
I have been playing piano since the age of six. Originally classically trained, I made a change to learning Jazz after hearing it on the radio one night while still in high school.

I began my teaching career in 2007, providing private piano instruction to beginners at a small, privately owned music school in Laurel, Maryland.

After the school closed it's doors in the Fall of 2011, I continued working with many of the students privately. It is these efforts I continue to this day.

Having the opportunity to work 1 on 1 with students and see their progression and development on a week to week basis is a truly, rewarding experience that I feel fortunate to be a part of.

*** Lesson Details ***
Although the approach you take with each student will be different, basic standard requirements will consist of:

1) Being able to loc
ate notes on the piano in relation to middle C

2) Being able to recognize notes on the staffs and play them in the correct locations on the piano

3) Scale theory- understanding how scales are constructed and being able to play at least 2 octaves of all 12 major scales with both hands at the same time

4) Chord theory- understanding how triads and eventually seventh chords are constructed

5) Sight reading- there is a "trick" to this, if you will, a way to go about approaching tunes that I've found makes them easier to digest

6) And for those interested, we can give the lessons a more Jazz-oriented approach (lessons would then more heavily emphasize scale and chord theory, syncopation, and learning Jazz standards)

Remember, we are all students. Instrument teachers, instructors, coaches (whatever you want to call them) do not represent an end to the learning process, but rather a continuation of it. We're all trying to improve, develop our craft, build up our chops, practice new and uncomfortable things, and expand upon our abilities of what we can do. I have heard from Jazz pianists in their 80s say that they are still learning, still trying to get better. I think that's an important thing to keep in mind as you begin this journey. The journey never ends, it just extends and continues. You'll never run out of new things to learn. The only thing you can strive for is to be the most competent you can be at your instrument. Your playing ability at any point along this journey is only a mere reflection of who you are at this moment in time. So make this moment the most meaningful it can be. The journey begins here.

*** Studio Equipment ***
Full Sized, Fully Weighted Electronic Keyboard in living room
Comfortable sitting area in waiting room for parents

*** Specialties ***
music, piano, jazz piano
Jazz
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Reviews
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Kim L. March 14, 2016
· Piano · In home
Ian is a great guy, very patient. My son and I both take piano lessons from him and we are really enjoying it!
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Toney C. October 1, 2015
· Piano · In studio
Ian is a very flexible teacher. I would recommend him as an instructor.
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Stephanie R. April 14, 2015
· Piano · In home
Ian has been great to work with. He is so patient with our son, and we appreciate him. Our son, Taylor, thinks he is the best.
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Ian D.

Ian D.

Baltimore, MD 21230
(3)
starting at
$35 / 30-min

About Louis J.

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Germantown, MD
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About louis
Louis J. has over 20 years of experience playing and teaching piano. He has traveled across the states performing and opening for various artists such as Jonathan Butler and Donnie McClurklin. Mr. J. studied classical piano with Patricia King and studied jazz piano with Harry Appleman at Montgomery College. He received his B.S. degree from High Point University.
While in college, he studied music theory and music composition. His musical influences range from Mozart to Oscar Peterson. Although his primary instrument is piano, he also plays guitar, bass, drums, and the organ. He currently serves as the Director of Music at a local church in Alexandria, Va. Mr. J. performs regularly throughout the DC metro area as a studio session musician, music director, and accompanist.
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Reviews
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Heather February 20, 2018
· Piano · In home
I am thrilled with my experience with Louis! He is a talented musician and skilled instructor.
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Ary March 7, 2016
· Piano · In studio
Very patient and truly connects with the student!
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Grace S. December 29, 2015
· Piano · In home
Really appreciate Louis working me into his schedule and listening to me about what I hope to get out of piano lessons. He is a thoughtful teacher and I am excited about learning a lot from him.
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Louis J.

Louis J.

Germantown, MD 20874
(6)
starting at
$39 / 30-min

About Christine P.

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Alexandria, VA
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About Christine
The Exquisite Voice, Inc.

Christine is a professional vocal coach and piano instructor with an exceptional reputation. She is the owner of The Exquisite Voice, Inc. and resides in The Historic Parkfairfax community of Alexandria.

She has over eight years of teaching experience and has taught hundreds of students and given thousands of lessons, (including the full spectrum of learning needs) during this time (both vocal and piano throughout the DMV area). She is considered an expert in her field for vocal technique and maintains a very active studio.

Christine's unique and highly effective approach to voice has allowed her to continue to help beginning to professional level students advance their technique with incredible results.

Christine is a master of vocal technique and focuses on properly diagnosing and addressing vocal
issues as well as integrating the body to fully support the voice.

She addresses vocal issues in a very practical and logical order by first identifying the primary source of the vocal issues and starting to work from there.

This is a simple, but crucial difference that is apparent in her approach. The very nature of secondary issues are that they are simply the extensions of the primary issues and therefore primary issues should really become the focus and starting point of the technical work.

It is from Christine’s experience and observation that she has concluded that secondary issues will always be dysfunctional (regardless of time and effort put into correcting them) as long as the primary issues have not been resolved. Oftentimes secondary issues will significantly self-correct on their own or can be approached more realistically once the primary source has been corrected.

This can only happen if the teacher knows this and is aware on how to approach the correct order in which to work and to address issues.

Making sense of primary versus secondary issues is absolutely fundamental to legitimately correcting problems successfully. Unfortunately it is often that the student is ultimately left to the enormous task of discovering this on their own, if ever and if they are lucky after years of study because the teacher is often focused on surface level issues, which are always easier to hear. Fundamental will be the focus regardless.

Most professionals are not versed in hearing such nuanced differences, nor capable to offer to work in such a refined manner.

The voice requires an execution of many things that must function together properly and in relation and respect of one another in order for it to work.

Considering this makes it is easy to understand why the voice is viewed as the most complicated instrument to diagnose and teach. Therefore, it is absolutely important to invest in teachers who greatly have a handle on the voice and how to go about making sense of it and work towards finding a balance.

She also specializes in teaching students process and development through highly mindful practices. She believes that in order for the voice to function optimally, the body, mind and emotional state of the singer must all be receptive and responsive in a positive way. This is because they are all inherently interconnected.

Christine teaches in a mindful manner to help students become more observant and aware of their own approach. By doing so we can realistically create the opportunity to arrive to better choices.

Christine’s extensive experience and knowledge in various styles and specialties in vocal intonation, along with her continuous education (over twenty years) and dedication to the authentic Italian traditions of bel canto and verismo opera has allowed for her to develop an approach that can extended into all legitimate styles of singing. Her personal approach to the voice is beyond comparison, nor can it be matched.

She has a phenomenal ear and can make rapid and highly accurate assessments of technical issues in a very brief sitting. Christine is exceptional at explaining vocal pedagogy and directing students on how to make corrections for themselves.

Christine is a dramatic coloratura soprano and is very confident and experienced with large instruments (that are more difficult to train for various reasons and require more specialized training). Having an extremely rare and large voice herself has given her invaluable insight toward fully understanding all other voice types and the discipline necessary to achieve efficient technique.

Many teachers can be limited in their view and teach "their technique" as opposed to helping the student develop their own technique and what works best for them. Christine has a great talent for figuring out what a students needs to do in their approach in order to achieve the results and keep the lessons progressive.

Developing proficient technique in a complete and effective way leads toward discovering the full capacity and beauty of our instrument without compromise. We need to find our voice to find ourselves as artist.

Her methods in vocal intonation translate directly and indirectly into all styles of legitimate singing, which she coaches many varying styles and will direct student toward appropriate repertoire. Students will learn the full potential of their instrument under her guidance. It is her belief that technique should always lead toward one sounding natural, no matter the style and that one fully learns their instrument’s capability to access endless artistic choices as a performer.

Christine offers very traditional based vocal lessons with a focus on improving technique through practical exercises and song repertoire designed for each student's unique vocal needs. She will offer necessary guidance and adjustments to ensure the student's continuous development.

Her goal is for her vocal students to discover their authentic voice and to find freedom in their technique and most importantly their expression as artists.

What you can expect to learn:

Vocal pedagogy and how the voice functions properly; how to effectively think about your voice to get the body to cooperate (aurally, physically, mentally, emotionally, etc.);

Integrating the body to fully support the voice Rebounding the body to continue to move the air efficiently. These are the basics of support, but often times very apparently neglected because most trained singers/teachers from even the highest institutions do not understand how it works or do it effectively themselves. It is sadly becoming a lost art. This is the most advanced concept of singing and yet is absolutely necessary to master in order to access genuine support. Christine clearly demonstrates and explains how this concept functions and her refinement of it is by far not common knowledge.

Other concepts include sustaining an open throat, creating a natural lifted and open internal space for better mix using the head voice and easier support, legitimate dynamics directed from the body and compressed air, anchoring the body to maintain the larynx low;

Various placement techniques, air that can rebound using breath direction and not from using the larynx inappropriately, centering the voice/cut internally by aligning the horizontal (mask) and vertical planes (chest, back of head, top of head and spine) support and placement that function together, developing a mixed middle sound that passes easily into low and high registers and broadens range; articulation free from the jaw and using tongue and other articulators as well as using breath direction to assist, posture that is conducive for support and keeps the body open and functional;

Various artistic and performance techniques, musical interpretation appropriate to context, time period and style, aligning the voice and body/acting to come across accurately in our portrayals and the process behind this, memorization techniques, execution of timing for expressive reasons and ways to think about timing that doesn’t conflict with the natural structure of a song, but allows for flexibility in phrasing, phrasal development and song development.

Piano:
Christine is also a highly sought out piano instructor for her ability to establish an exceptional foundation in beginning piano students and those who wish to continue their studies and build upon the fundamentals. She specializes in reading skills and excellent technique.

It is her belief that having a solid foundation sets the tone for determining if a student will continue with their studies and therefore this is the most vital part of a student's development and future progress.

She teaches Russian technique, which allows for flexibility, strength and tonal beauty of musical lines. This technique can be applied to all styles of playing piano such as pop, jazz and is not limited to just the classical repertoire.

Her goal is for all of her music students to become increasingly independent as musicians to where they feel confident to teach themselves and others and to ultimately find enjoyment in the process of learning music.

Her approach helps students advance their technique, reading proficiency, including music theory and expand their artistic capabilities.

Education and continuation of voice:

She received her music education in classical vocal performance from George Mason University and has vigiourously continued her studies in opera with Mrs. Fabiana Bravo, who studied with Luciano Pavarotti and Renata Scotto and has had a fabulous career singing at the Met. She has learned the Italian bel canto traditions as well as the Russian approach to the style. Christine specializes in Italian for classical rep.

General styles I coach:
Opera (bel canto and verismo) classical, sacred, hymnal, traditional, jazz, r&b, folk, and other variations of these popular styles.

Christine also has an international recording career as an adult contemporary artist.

Voice lessons begin at age 14-55 and piano at age 6-any age. Please no inquires about exceptions on age or travel, I will not respond. I teach from my home only, regardless of distance. I am worth waiting for and traveling to:)

What do I expect from students who are seriously applying:

Those who are very hard working and prepared to work on what they NEED, not what they want. Those that are motivated, passionate, dedicated, responsible, considerate, humble and serious about lessons and greatly improving as musicians should apply only regardless of aspirations as a hobby or professionally.

The most important thing necessary to finding real progress I have found is if a student is fully prepared to work HONESTLY. We must always strive to work honestly with our technique. Issues cannot be corrected when we chose to continue to avoid them.

I strongly believe that music is a discipline and this is the manner in which it will be approached during lessons. This is a teacher-STUDENT effort. Taking responsibility for your part is a must. This includes trying to the best of your abilities to put my advice and guidance into practice away from lessons is necessary to your improvement.

I am looking for potential long-term students who are willing and ready to work hard in a practical and realistic manner, regardless of experience, learning needs or proficiency. It will not work long term if a student is not making the time or effort commitment to apply the work from our lessons at home.

Singing is a long-term sustained process to develop that can absolutely not be rushed and I want students who understand this. I have very limited availability and I am only seeking serious students who have a positive, professional attitude and will value me as a teacher. You need not know anything about voice, just have a good work ethic and attitude :)

Thank you and looking forward to working together!

Warmly,
Christine Padua
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Reviews
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Lauren July 11, 2018
· Singing · In studio
Christine was very thorough and patient! She gave me great direction and reassurance!
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Brittany March 12, 2018
· Classical Voice · In studio
I have some musical experience as a hobby (piano, violin, choral arts), so I can be somewhat critical when I meet musicians. I have to say, though, that Christine is an extremely talented vocalist and instructor - I daresay a vocal genius :) The way she describes and encourages understanding of abstract concepts about air direction and body support is very unique. While it remains technical, it also makes you think differently about your body in terms of physical and emotional space. If, like me, you're a technical-minded person in the more general sense, this kind of approach is helpful because you have to engage both sides of your brain. I'm always challenged at Christine's lessons, and there has been great improvement in my voice from 7 months of lessons with her. I'm also having fun in this process, which is why I continue to come back!

I highly recommend Christine. Give it a shot; you won't regret it.
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Thomas M. February 16, 2018
· Singing · In home
She is incredibly talented. And truly understands how sound is created through voice. I highly recommend her to anyone. I am a beginner, by the way, with zero vocal experience. I'm looking forward to my next lesson!
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Christine P.

Christine P.

Alexandria, VA 22302
(16)
starting at
$42 / 30-min

About Valerie R.

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Bethesda, MD
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About Valerie
I believe anyone can play piano. I teach a combination of the Suzuki method and traditional styles. I encourage my students to develop their own style of playing while also growing in their knowledge of theory, form and technical expertise.

Are you most ready to the learn the basics? I can work with you! Are you looking to perfect the moonlight sonata? I can do that too! What about by ear and playing Billy Joel and modern music? Yep. That's fine too!

While I am an engineer during the week, there is nothing quite like watching your student be able to complete his or her first piece. This is my "fun" job. I started teaching in college several years ago while working as a nanny for several families in Virginia. In 2015 I decided to formally offer lessons alone. It's been a pleasure and success so far with students participating in co
ncerts and performing at their schools.

I am a member of the Suzuki Association of the Greater Washington Area. I have availability on Sundays in Vienna, VA and evenings in Washington, DC.
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Keith March 12, 2018
· Piano · In home
Excellent, patient piano instructor, just what I was looking for.
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Lisa W. December 6, 2017
· Piano · In home
Friendly, accessible. Not intimidating!
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Valerie R.

Valerie R.

Bethesda, MD 20816
(2)
starting at
$35 / 30-min

About Ben Y.

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Washington, DC

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About Ben
Whatever style of guitar you want to learn and whether you are just beginning, are a novice, or an advanced player, I can teach you what you want to know. I graduated cum laude from the Berklee College of Music in 2007, and have over 10 years of experience teaching students all over the DC area. I have taught students of all skill levels, from ages 6-65. My teaching approach is tailored to each student's unique tastes, interests and musical goals, but usually it involves a blend of instrumental technique, ear-training, sight reading and music theory, balanced to fit that particular student. I believe the best motivation comes from hearing ourselves successfully playing the music we like to listen to, so my very first step is to inquire and figure out what the student really wants to play. Then we can almost always find a song of the
student's choosing that is simple enough to dig into right away. Of course it takes a bit of work on the student's part, but with consistent practice (the key word being consistent) students can begin to see success within the first few weeks. If it sounds like my approach would be a good fit for you or your child (or both!), contact me today and we can set up your first lesson. I look forward to making music with you!
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Reviews
Silhouette-80
Mike September 21, 2018
· Guitar · In home
Ben has been an awesome instructor to my now-5th grader for 2 years. My son enjoys the time with him, as Ben is an empathetic and caring guy who listens to my kid's stories (about guitar and not). They have 'jam sessions' together to help my son practice, he actually teaches him some music theory along with the basics, and he is patient and understanding when my son's playing is "not perfect". Fantastic teacher.
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Ben Y.

Ben Y.

Washington, DC 20018
(1)
starting at
$45 / 30-min

Recent Music Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music articles on our blog.

Introduction to Reading Violin Tabs

Introduction to Reading Violin Tabs

Tablature is a form of musical notation that was invented to make reading music easier for fretted and string instruments like guitar, bass, and violin. The premise is operationally-based, meaning that rather than showing rhythm, duration, and pitch, violin tabs will show the player where and when to place their fingers on the instrument. For an improvising musician, violin tabs allow you to improvise while staying within the chord structure of a song. Tablature-style notation is most commonly … Read More

Introduction to Reading Violin Tabs
Tablature is a form of musical notation that was invented to make reading music easier for fretted and string instruments like guitar, bass, and violin. The premise is operationally-based, meaning that rather than showing rhythm, duration, and pitch, violin tabs will show the player where and when to place their fingers on the instrument. For an improvising musician, violin tabs allow you to improvise while staying within the chord structure of a song. Tablature-style notation is most commonly
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