Chesapeake Beach Music Lessons

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Music Lesson Reviews from Students

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Popular Music Teachers near Chesapeake Beach

Check out some of our most popular teachers near Chesapeake Beach including Washington, Arlington, Alexandria, Silver Spring and Fairfax.

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About Andrew T.

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College Park, MD
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About Andrew
Musically and personally, I strongly feel that diversity and openness are key in a person's development: when we move outside of our comfort zone and embrace the unknown, we are better able to grow as musicians (and human beings). As a performer, I feel that performing with musicians of different backgrounds is a constant source of inspiration and engaging music. As an educator, I emphasize the role of music as a form of expression and its parallel to verbal language. As children, we learn words and sentences so that we can accurately and gracefully express ourselves and, in this sense, music is no different. I encourage students to enjoy the music-making process and to view mechanics as a means to an end.

I have been dedicated to the drums since the age of 9 and since then I have been honing and applying those skills to musical groups
of all types, from rock and pop to big band to world music to orchestral to small combos and everything in between. In 2007, I embarked on a two and a half year gig with Princess Cruises as a show band drummer, and traveled the world on some of the world's most modern ships while performing on stage over 1000 times. From 2011 to 2013 I was the touring drummer for renowned Celtic/Gypsy/Americana band SCYTHIAN, a band which tours extensively and is known for their energetic live show. Other groups I have recently recorded and toured with include "Yall-ternative" fan favorites Mr. Fuzzy & The Barbarian and modern funk band The Royal Noise. In 2014 I relocated to College Park, MD and I love it!

*** Lesson Details ***
When we work together we will split lessons between the necessary mechanical aspects of the instrument and the more creative and spontaneous elements. At the beginning, I emphasize a relaxed technique and an efficiency of motion. Once this is established, we will explore the instrument through improvisation and other creativity exercises. Although drumming can be very technical, I never lose sight of the importance of groove, expression, and having fun while playing.

*** Studio Equipment ***
My studio is complete with 2 drums sets, practice pads, computers, hand percussion instruments, and other instruments for accompaniment.

*** Specialties ***
I try to split lessons between the technical elements of drumming and the more creative aspects of the instrument. I feel that you can't have one without the other and teachers need to be mindful not to lean too much to one side. I also strive to give the students practical examples in their style of interest and encourage them to apply what they learn to actual musical situations as much as possible. I have had experience in pop/rock, jazz, show music, and many traditional world-music styles.
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Reviews
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Matt F. February 26, 2013
· Drum ·
Great Experience

From the first lesson, Andrew has been a consummate professional. Each lesson he brings in something new, while making sure that everything we've covered in the past is still ingrained through repetition. Having Andrew as an instructor has opened my eyes to the many facets of drumming, and I have taken skills/techniques with me that will last forever. The feedback does not stop after each lesson, Andrew is available all the time for any questions I may have during the week if I am stumped while practicing. His schedule is flexible with mine, and he is willing to bring in music that I want to personally learn. The lessons are the right balance of fun and teaching, and his studio promotes a learning environment that is not intimidating to let loose if you're a beginner like me.

I'd recommend Andrew to anyone looking to expand their skill set, the lessons have been a great experience.
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Andrew T.

Andrew T.

College Park, MD 20740
(1)
starting at
$45 / 30-min

About Nicole B.

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Leonardtown, MD

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About Nicole
Nicole B., Soprano/Musician is soprano soloist for the premiere band of the U.S. Army, "Pershing's Own". Nicole has her Masters of Music from CSU, Northridge while actively working as a professional vocalist for groups like the Verdi Chorus, St. Luke's Episcopal, St. Mark's Presbyterian and playing countless roles in opera's and musicals across the states and overseas. Nicole has had a lifetime involvement in voice, theatre, songwriting and music and is also currently lead singer and flutist for local D.C. Based rock band, Strum the Fox. Nicole has also worked in the pop industry with the four girl pop group "Women of Wealth" based out of Montecito, CA and featured on KEYT with guest star John Cleese. Coming from a family of artists and musicians, Nicole has always found the art within live performance to be the inspiration for her life
and her career. Melding artist expression with technical ability, Nicole's talents and passion make her a performer and teacher with the ability to bridge honest and natural acting skills with a powerful and studied classical voice! Throughout her life, Nicole has found herself pursuing classical voice, rock music and theatrical performance with a drive and passion that surprises even those who know her well. Her students have included parents and children alike as she has opened the door for many to pursue their life-long passions, she also is experienced in and loves teaching and working with special needs students.

*** Lesson Details ***
All of my lessons are tailored to the interest of the student! Although I come from a strict technical background, I believe that the love of music and performance comes from experimenting and being creative! In a lesson with me, I suggest repertoire but if something is not working it is never a problem to redirect and find the right path for the student! With the wealth of my experience having been in over 45 musicals, opera's and other productions I can teach and guide the student through any performance and musical interest they may have and bridge the gap between genre's that so many are unable to do.

*** Studio Equipment ***
Living Room, computer, keyboard, couch.

*** Travel Equipment ***
I expect the students to provide a piano and or instrument of choice, and purchase method books and other repertoire.

*** Specialties ***
I am expert in any type of vocal style, as I have an extensive background in musical theatre, pop as well as opera. I also have a great ability to teach Music Theory, something I love and something I do very well at. Like I said previously I have been in over 45 musical theatre/straight theatre and Opera productions, so I can teach acting as well as performance. I have also written over 50 songs for guitar and voice and performed with a local band in Santa Barbara, CA , so I have a lot of experience as a songwriter and guitar and can teach those as well too.
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Reviews
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Pavel / Rhonda H. October 8, 2014
· Singing · In home
My daughter loves working with Nicole! I am so grateful we found her. Professional, reliable and extremely talented. Most of all, inspiring to my child.
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Christine V. October 31, 2013
· Guitar ·
We are lucky to have found her!!!

Around a year ago, my daughter decided she wanted to learn to play the guitar! Thanks to Google, we ran into TakeLessons.
Nicole was recommended to us. After reading about her we were quite impressed!
Right after the first lesson and to my surprise, my (very shy) daughter had a great 1st experience with Nicole.
Nicole is a professional in her field AND also in handling kids and knowing how to help them overcome their shyness. She brings out the best in my daughter and also encourages her to sing even write her own notes!
I would highly recommend Nicole. She is truly talented and the greatest teacher!!!
Christine, Lia's mom!
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Stella V. January 10, 2013
· ·
Great for younger kids

Nicole,is amazing with my daughter. She is patient and really makes her feel at ease. I will absolutely recommend her.
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Nicole B.

Nicole B.

Leonardtown, MD 20650
(3)
starting at
$45 / 30-min

About John B.

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Arlington, VA

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About John
I have been playing for about 35 years and teaching music and guitar for 25 years. I have a Bachelor of Music in Jazz and Classical guitar. I've taught at the University level and currently maintain a professional studio in Arlington, Virginia. I am very well versed in many different styles of music including, Rock, Blues, Jazz, Classical and Suzuki guitar. Students who decide to sign up with me, will have a lesson plan, a strategy for meeting their musical goals and will enjoy themselves in the process.

*** Lesson Details ***
Lessons are custom designed to meet the needs of every student, whether it is someone just starting out with the basics or for that seasoned player that wants to hone their professional skills. As a teacher, I consider myself easy going and laid back, with an emphasis on encouraging each student to do their very
best.

*** Studio Equipment ***
Guitar, instruments, keyboards recording equipment, waiting room, seating for parents

*** Travel Equipment ***
Music stand, foot stool, cables.- Teacher
Own instrument, amplifier if needed, notebook.-Student

*** Specialties ***
I have been teaching for about 25 years and am well versed in Jazz, Classical, Rock, Blues and Country genres. I focus on anything from note reading, theory, improvisation and composing.
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Reviews
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Steve October 4, 2018
· Ukulele · In studio
Very patient.
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Daniel Cook September 6, 2018
· Bass Guitar · In studio
John is very patient and knowledgeable
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Sara July 12, 2018
· Guitar · In home
Johns great. I wasn’t sure which instrument to begin and after mandolin lesson number 1... I showed up at his studio with a guitar. Lots of fun and he has lots of patience.
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John B.

John B.

Arlington, VA 22202
(70)
starting at
$35 / 30-min

About Matthew B.

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Alexandria, VA

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About Matthew
Originally from the Jersey Shore, Matthew is an educator and active freelance musician in the tri-state area. He received his bachelors degree in music education from the Mason Gross School of the Arts (Rutgers University) before completing his masters degree in music performance from the Steinhardt School (New York University).

Matt has studied piano since the age of seven, covering a variety of genres including classical, jazz, musical theater, and pop. While attending Rutgers, he regularly performed and was a featured soloist with the graduate-level Symphony Orchestra, Wind Ensemble, and Opera Orchestra; performance highlights and venues include Avery Fischer Hall, Symphony Space, NJPAC, and the Kimmel Center (Philadelphia). He has studied with contemporary leaders in oboe performance (Matthew Sullivan, Jonathan Blumenfeld, Natha
n Hughes, Geoffrey Burgess) as well as a variety of classical and jazz pianists (Karina Bruk, Andy Milne).
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Cahara P. June 14, 2016
· Piano · In studio
My daughter said she really enjoyed herself and can't wait to see you again
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Vivi June 10, 2016
· Piano · In studio
Very knowledgeable, patient, kind , fun, energetic instructor. I will refer him to anyone.
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Sophia May 5, 2016
· Piano · In home
Sophia, my six year old, had her first lesson this evening with Matthew. He was extremely attentive and understood very quickly where she was level-wise and was able to tailor a lesson without hesitation. She really enjoyed her time and I think she got a lot out of it. She can't wait for next week.
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Matthew B.

Matthew B.

Alexandria, VA 22303
(12)
starting at
$70 / 30-min

About Karen A.

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Silver Spring, MD
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About Karen
Hammered dulcimer lessons - all styles, all levels, music theory included!
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Karen A.

Karen A.

Silver Spring, MD 20901
starting at
$65 / 45-min
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About Earl C.

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Greenbelt, MD

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About Earl
International guitarist Earl C. is now offering in-person and online coaching sessions. With more than thirty years of experience, he has performed with many well-known artists including grammy-nominated celebrities and others such as Freddie Jackson, Regina Belle, EU, Angela Bofill, Alyson Williams, Mya, Syleena Johnson, Nick Colionne, Mike Phillips, Michael Lington, Bobby Lyle, Marcus Johnson, Bob Baldwin, Pamela Williams, and more.
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Reviews
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Kevin P. August 22, 2018
· Guitar · In studio
Great experience! Looking forward to more.
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Cierra June 22, 2018
· Guitar · In home
Earl is an outstanding guitar teacher. He exudes a passion for playing the guitar that makes learning fun and effective! He is highly recommended.
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Ken October 22, 2015
· Bass Guitar · In studio
Earl Carter is extremely knowledgeable, and very patience. You will find that each session is enjoyable yet challenging. I would recommend Him to anyone from the beginner all the way to the more advanced student. If you have the desire to learn the art of music then you will enjoy His instruction. I couldn't ask for a better instructor.
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Earl C.

Earl C.

Greenbelt, MD 20770
(8)
starting at
$30 / 30-min

About Christine P.

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Alexandria, VA
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About Christine
The Exquisite Voice, Inc.

Christine is a professional vocal coach and piano instructor with an exceptional reputation. She is the owner of The Exquisite Voice, Inc. and resides in The Historic Parkfairfax community of Alexandria.

She has over eight years of teaching experience and has taught hundreds of students and given thousands of lessons, (including the full spectrum of learning needs) during this time (both vocal and piano throughout the DMV area). She is considered an expert in her field for vocal technique and maintains a very active studio.

Christine's unique and highly effective approach to voice has allowed her to continue to help beginning to professional level students advance their technique with incredible results.

Christine is a master of vocal technique and focuses on properly diagnosing and addressing vocal
issues as well as integrating the body to fully support the voice.

She addresses vocal issues in a very practical and logical order by first identifying the primary source of the vocal issues and starting to work from there.

This is a simple, but crucial difference that is apparent in her approach. The very nature of secondary issues are that they are simply the extensions of the primary issues and therefore primary issues should really become the focus and starting point of the technical work.

It is from Christine’s experience and observation that she has concluded that secondary issues will always be dysfunctional (regardless of time and effort put into correcting them) as long as the primary issues have not been resolved. Oftentimes secondary issues will significantly self-correct on their own or can be approached more realistically once the primary source has been corrected.

This can only happen if the teacher knows this and is aware on how to approach the correct order in which to work and to address issues.

Making sense of primary versus secondary issues is absolutely fundamental to legitimately correcting problems successfully. Unfortunately it is often that the student is ultimately left to the enormous task of discovering this on their own, if ever and if they are lucky after years of study because the teacher is often focused on surface level issues, which are always easier to hear. Fundamental will be the focus regardless.

Most professionals are not versed in hearing such nuanced differences, nor capable to offer to work in such a refined manner.

The voice requires an execution of many things that must function together properly and in relation and respect of one another in order for it to work.

Considering this makes it is easy to understand why the voice is viewed as the most complicated instrument to diagnose and teach. Therefore, it is absolutely important to invest in teachers who greatly have a handle on the voice and how to go about making sense of it and work towards finding a balance.

She also specializes in teaching students process and development through highly mindful practices. She believes that in order for the voice to function optimally, the body, mind and emotional state of the singer must all be receptive and responsive in a positive way. This is because they are all inherently interconnected.

Christine teaches in a mindful manner to help students become more observant and aware of their own approach. By doing so we can realistically create the opportunity to arrive to better choices.

Christine’s extensive experience and knowledge in various styles and specialties in vocal intonation, along with her continuous education (over twenty years) and dedication to the authentic Italian traditions of bel canto and verismo opera has allowed for her to develop an approach that can extended into all legitimate styles of singing. Her personal approach to the voice is beyond comparison, nor can it be matched.

She has a phenomenal ear and can make rapid and highly accurate assessments of technical issues in a very brief sitting. Christine is exceptional at explaining vocal pedagogy and directing students on how to make corrections for themselves.

Christine is a dramatic coloratura soprano and is very confident and experienced with large instruments (that are more difficult to train for various reasons and require more specialized training). Having an extremely rare and large voice herself has given her invaluable insight toward fully understanding all other voice types and the discipline necessary to achieve efficient technique.

Many teachers can be limited in their view and teach "their technique" as opposed to helping the student develop their own technique and what works best for them. Christine has a great talent for figuring out what a students needs to do in their approach in order to achieve the results and keep the lessons progressive.

Developing proficient technique in a complete and effective way leads toward discovering the full capacity and beauty of our instrument without compromise. We need to find our voice to find ourselves as artist.

Her methods in vocal intonation translate directly and indirectly into all styles of legitimate singing, which she coaches many varying styles and will direct student toward appropriate repertoire. Students will learn the full potential of their instrument under her guidance. It is her belief that technique should always lead toward one sounding natural, no matter the style and that one fully learns their instrument’s capability to access endless artistic choices as a performer.

Christine offers very traditional based vocal lessons with a focus on improving technique through practical exercises and song repertoire designed for each student's unique vocal needs. She will offer necessary guidance and adjustments to ensure the student's continuous development.

Her goal is for her vocal students to discover their authentic voice and to find freedom in their technique and most importantly their expression as artists.

What you can expect to learn:

Vocal pedagogy and how the voice functions properly; how to effectively think about your voice to get the body to cooperate (aurally, physically, mentally, emotionally, etc.);

Integrating the body to fully support the voice Rebounding the body to continue to move the air efficiently. These are the basics of support, but often times very apparently neglected because most trained singers/teachers from even the highest institutions do not understand how it works or do it effectively themselves. It is sadly becoming a lost art. This is the most advanced concept of singing and yet is absolutely necessary to master in order to access genuine support. Christine clearly demonstrates and explains how this concept functions and her refinement of it is by far not common knowledge.

Other concepts include sustaining an open throat, creating a natural lifted and open internal space for better mix using the head voice and easier support, legitimate dynamics directed from the body and compressed air, anchoring the body to maintain the larynx low;

Various placement techniques, air that can rebound using breath direction and not from using the larynx inappropriately, centering the voice/cut internally by aligning the horizontal (mask) and vertical planes (chest, back of head, top of head and spine) support and placement that function together, developing a mixed middle sound that passes easily into low and high registers and broadens range; articulation free from the jaw and using tongue and other articulators as well as using breath direction to assist, posture that is conducive for support and keeps the body open and functional;

Various artistic and performance techniques, musical interpretation appropriate to context, time period and style, aligning the voice and body/acting to come across accurately in our portrayals and the process behind this, memorization techniques, execution of timing for expressive reasons and ways to think about timing that doesn’t conflict with the natural structure of a song, but allows for flexibility in phrasing, phrasal development and song development.

Piano:
Christine is also a highly sought out piano instructor for her ability to establish an exceptional foundation in beginning piano students and those who wish to continue their studies and build upon the fundamentals. She specializes in reading skills and excellent technique.

It is her belief that having a solid foundation sets the tone for determining if a student will continue with their studies and therefore this is the most vital part of a student's development and future progress.

She teaches Russian technique, which allows for flexibility, strength and tonal beauty of musical lines. This technique can be applied to all styles of playing piano such as pop, jazz and is not limited to just the classical repertoire.

Her goal is for all of her music students to become increasingly independent as musicians to where they feel confident to teach themselves and others and to ultimately find enjoyment in the process of learning music.

Her approach helps students advance their technique, reading proficiency, including music theory and expand their artistic capabilities.

Education and continuation of voice:

She received her music education in classical vocal performance from George Mason University and has vigiourously continued her studies in opera with Mrs. Fabiana Bravo, who studied with Luciano Pavarotti and Renata Scotto and has had a fabulous career singing at the Met. She has learned the Italian bel canto traditions as well as the Russian approach to the style. Christine specializes in Italian for classical rep.

General styles I coach:
Opera (bel canto and verismo) classical, sacred, hymnal, traditional, jazz, r&b, folk, and other variations of these popular styles.

Christine also has an international recording career as an adult contemporary artist.

Voice lessons begin at age 14-55 and piano at age 6-any age. Please no inquires about exceptions on age or travel, I will not respond. I teach from my home only, regardless of distance. I am worth waiting for and traveling to:)

What do I expect from students who are seriously applying:

Those who are very hard working and prepared to work on what they NEED, not what they want. Those that are motivated, passionate, dedicated, responsible, considerate, humble and serious about lessons and greatly improving as musicians should apply only regardless of aspirations as a hobby or professionally.

The most important thing necessary to finding real progress I have found is if a student is fully prepared to work HONESTLY. We must always strive to work honestly with our technique. Issues cannot be corrected when we chose to continue to avoid them.

I strongly believe that music is a discipline and this is the manner in which it will be approached during lessons. This is a teacher-STUDENT effort. Taking responsibility for your part is a must. This includes trying to the best of your abilities to put my advice and guidance into practice away from lessons is necessary to your improvement.

I am looking for potential long-term students who are willing and ready to work hard in a practical and realistic manner, regardless of experience, learning needs or proficiency. It will not work long term if a student is not making the time or effort commitment to apply the work from our lessons at home.

Singing is a long-term sustained process to develop that can absolutely not be rushed and I want students who understand this. I have very limited availability and I am only seeking serious students who have a positive, professional attitude and will value me as a teacher. You need not know anything about voice, just have a good work ethic and attitude :)

Thank you and looking forward to working together!

Warmly,
Christine Padua
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Reviews
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Lauren July 11, 2018
· Singing · In studio
Christine was very thorough and patient! She gave me great direction and reassurance!
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Brittany March 12, 2018
· Classical Voice · In studio
I have some musical experience as a hobby (piano, violin, choral arts), so I can be somewhat critical when I meet musicians. I have to say, though, that Christine is an extremely talented vocalist and instructor - I daresay a vocal genius :) The way she describes and encourages understanding of abstract concepts about air direction and body support is very unique. While it remains technical, it also makes you think differently about your body in terms of physical and emotional space. If, like me, you're a technical-minded person in the more general sense, this kind of approach is helpful because you have to engage both sides of your brain. I'm always challenged at Christine's lessons, and there has been great improvement in my voice from 7 months of lessons with her. I'm also having fun in this process, which is why I continue to come back!

I highly recommend Christine. Give it a shot; you won't regret it.
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Thomas M. February 16, 2018
· Singing · In home
She is incredibly talented. And truly understands how sound is created through voice. I highly recommend her to anyone. I am a beginner, by the way, with zero vocal experience. I'm looking forward to my next lesson!
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Christine P.

Christine P.

Alexandria, VA 22302
(16)
starting at
$42 / 30-min

About Nicholas R.

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Gambrills, MD
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About Nicholas
I understand that learning something new can be very daunting. I know that in particular, because I am still new to teaching! We can both learn together. I want to make it my goal, to help you be a better musician, performer, and most obviously: a better drummer. I care deeply about making sure my students understand what I'm teaching them, and patience is the key to that.
I have self taught myself to play drums for 15 years, and have been performing for 10 years. Please ask me any questions, I'm an open book.
I also attended Sheffield Institute for the Recording Arts and am a certified audio engineer.
My ultimate goal, is to help you reach yours!
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Isaac G. August 31, 2017
· Drum · In studio
So far he had a lot of patience with my son. It was great to see my son actually learning the drums. He was really excited about the lessons! He can't wait to practice and go back next week.
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Raven August 2, 2017
· Drum · In studio
Awesome! Very communicative and friendly guy.
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Nicholas R.

Nicholas R.

Gambrills, MD 21054
(2)
starting at
$25 / 30-min

About Philippe B.

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Washington, DC

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About Philippe
I am a professional trumpet player and teacher of all levels. I have performed across the US, Canada, UK, and Europe with groups the likes of the Cabrillo Festival of Contemporary Music, the Miami City Ballet, Naples Philharmonic, Southwest Florida Symphony, South Florida Symphony, the Aspen Music Festival, the National Academy Orchestra of Canada, the Henry Mancini Institute, the Dartington Music Festival in the UK. I also premiered a concerto for solo trumpet called Fanfares for the Apocalypse by Rome Prize winner, Ken Ueno which can be heard in my videos.

I have had the privilege of studying with some of the best trumpet teachers and players in the world. I earned my Doctorate in Trumpet Performance from the University of Miami. I have well over a decade of experience teaching trumpet at all levels including repertoire, technical he
lp, and even chop rebuilds. I am familiar and have taught nearly all of the major pedagogical trumpet methods including Arban, Schlossberg, Stamp, Thompson, Franquin, Caruso, and of course, CIarke. I went through a major embouchure change in 2009 and have come from barely being able to play, to playing with professional groups and making a living as a trumpet player. I am proof that dedication and hard work do pay off and can result in a real career playing the trumpet, despite the odds.

As your teacher and guide, I will commit to seeing you succeed and provide you with the necessary tools to do so.

“…visionary and tireless trumpeter “ Edward Carroll

“Philippe is a person that sees no obstacle that cannot be overcome. In fact, he sees that obstacle as a play-toy to invent and to discover new innovations with creativity and aplomb.” Russell DeVuyst, former associate principal Montreal Symphony.

“Virtuosity was decidedly the order of the evening. . . .P. T. Barnum probably would have said that the ability to bear witness to such a breadth of skills would have made last night’s concert worth the price of admission. On the whole, I suspect I would have agreed with him.”
Stephen Smoliar, SF Classical Music Examiner
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Reviews
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K December 21, 2017
· Trumpet · In studio
Super knowledgeable about all things trumpet! Great teacher and performer
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Hailee December 20, 2017
· Trumpet ·
Philippe taught me for one year while I was a performance major at the University of Miami. I made more progress under his instruction than I did for the other 3 years of studies. He was able to instruct and assist me with problems I had been struggling with while under the instruction of a number of great teachers.
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Derek December 20, 2017
· Trumpet · Online
Philippe has been a colleague of mine through graduate school and beyond. I have learned a tremendous amount from his experience and skills, and have both experienced his teaching abilities and seen the success he has had with many different students. If you are looking for a knowledgeable, highly accomplished, and extremely experienced trumpet teacher then look no further. Philippe represents the future of brass pedagogy, where a systematic approach to fundamentals triumphs over the traditional sink-or-swim model.
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Philippe B.

Philippe B.

Washington, DC 20002
(5)
starting at
$40 / 30-min

About Suzy Q.

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Washington, DC
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Suzy Q.

Suzy Q.

Washington, DC 20007
starting at
$100 / 60-min

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Do you want to get more out of your violin practice? Below, violin teacher Montserrat P. shares some common violin mistakes students often make when practicing and how to fix them... You don’t think Lindsey Stirling or Jascha Heifetz got to where they are without practicing the violin, right? In order to prefect your violin skills and progress further, you must frequently practice. After all, practice does make perfect. Unfortunately, many students don’t know how to properly practice o
5 Famous Contemporary Pianists You Should Be Listening To
Beethoven and Mozart aren't the only famous pianists you should be listening to! Contemporary pianists from all over the world are keeping beautiful music alive and interpreting it in new and exciting ways. Listening to a variety of piano artists is a great way to stay inspired as a musician, so here's our list of the top five contemporary and famous pianists that you should be listening to right now! 5 Famous Pianists to Add to Your Playlist Lang Lang Born in China, Lang Lang began play
How to Improvise on Piano and Keyboard | Exercises for Beginners
Forgo the sheet music and try your hand at improvising! Get started with this exercise from Tucker, GA teacher Linda L...   Improvising, in music, is making up your own music on the spot. It is truly “playing with” music, in the more common sense of the word “play.” It’s fun, creative, and, well, playful. When it comes to piano improvisation, I tend to think of jazz, blues, and rock. But one can definitely improvise in any musical style. There is a lot you can learn when it
How to Belt Without Straining Your Voice
Curious about how to belt safely? If you flip on Top-40 radio these days, you hear a lot of belting. But just because Ariana Grande and Bruno Mars sound great belting their lungs out doesn’t mean you know how to belt without straining your voice. In fact, if you’ve ever been to a karaoke bar, or seen a pop star live, you’ve probably heard how strained and painful belting can sound. So, what is belting anyway? And is it possible to learn how to belt without straining your voice? The answer

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