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Bass Clef Notes On the Piano: What They Are & How They Work 

June 24, 2022

Bass Clef Notes On the Piano: What They Are & How They Work 

There are 88 keys on acoustic and digital pianos as well as most professional keyboards. Piano keys may be labeled with a letter name and a numerical name. The number refers to the octave or regional position of the note (0-8), and the letter refers to the pitch (A-G). This labeling system is used by piano tuners and  professional pianists alike. 

The lowest note on the piano is A0, and the highest note is C8. There are eight full or complete octaves on the piano. A4 (400 Hz) is the standard tuning pitch for orchestras and other (western music) ensembles. This “A” is located in the fourth octave.  

Let’s Take a Closer Look at the Bass Clef Notes on Piano

Let’s focus on the bottom half of the piano. This is the range notated in the bass clef. The bass clef is also called F-clef, and it resembles an ornate baroque “F.” The bass clef symbol contains a “bulb,” which sits on the F-line of the staff. The F-line also runs between the two dots of the clef. One dot sits above the F-line; the other is positioned below it.   

To best understand bass clef notes on piano, start by identifying Middle C. This pitch is also called  C4 since it is the fourth C on the piano as you move from left to right or bottom to  top. We use middle C to orient ourselves on the instrument, and for beginners, it is often the top note written in the bass clef. Intermediate and advanced students may see bass clef notes extending up to G4 (but rarely higher).  

G4 a perfect fifth above Middle C. Ledger lines are used when writing music above  or below a staff. Ledger lines are like dashes, which extend the range of a staff in  any direction (both higher and lower).   

On the bottom end, the bass clef extends as low as A0. This is the lowest note on the piano. A0 note is rarely played. Maurice Ravel’s Jeux d’eau employs it, but you won’t see it notated very often.

 A0 is located on the space below the sixth ledger line of the staff. Often, when very low bass notes are used, composers will write the pitch an octave higher, and use the musical symbol 8va or 8vb to tell the  performer to play the note(s) one octave lower. When applicable, 8va and 8vb are written below the staff in bass clef.    

So, What Will These Notes Look Like When You Read Them?

Now that you know the highest and lowest notes of the bass clef, let’s look at what you will be reading most of the time. All piano music is written on the grand staff (double staves). For beginners, the top staff is generally played by the right hand and features the treble clef. The bottom staff is generally played by the left hand and features the bass clef notes on piano. Both staves contain five lines and four spaces. From the bottom up, the bass clef lines are: G, B, D, F, A, and from the bottom up, the bass  clef spaces are A, C, E, G. In the bass clef, Middle C is located on the first ledger line above the staff. 

If you cannot remember the lines and spaces of the bass clef, you should use a mnemonic (memory device). There are many devices that people use, and you can even create your own. 

Here are two mnemonics for the remembering the bass clef all notes: 

Lines: Good Boys Deserve Fun Always 

Spaces: All Cows Eat Grass 

You will need to read the spaces and ledger lines below the staff too. For example, beginners may see the notes F2 or E2. F2 is located on the first space below the staff. E2 is a half step lower, and it is located on the first ledger line below the staff.  Intermediate students may see the notes C2 and A2. These pitches are located on the second and third ledger lines, respectively. Between them (on the space) is the note B2. Advanced students may expect to see up to six ledger lines below the  staff. 

When reading any clef, you need to be able to read the alphabet, A through G, both forward and backward. As you ascend the keyboard, the letters move in the correct  direction (A, B, C, D, E, F, G). However, many young students have difficulty reading backward from G to A (G, F, E, D, C, B, A). You must be able to read the letters backward as you descend the keyboard. This is a critical skill and it will impact your ability to navigate any clef. Remember, there are only seven letters (plus corresponding sharps and flats) in the musical universe. 

The bass clef range of the piano has various uses. On the higher end of this range, chords may be created and (usually) played with the left hand. As you descend the keyboard, chords start to sound too muddy, especially when played as a block  chord. When this happens, composers often arpeggiate chords to maintain clarity. In the bottom octave and a half, the sound becomes too thick and dense for any chord. In this range, roots and fifths are often employed instead of whole chords. 

Bass Notes Are Used Across Instruments & Genres

Blues and jazz use single-note bass patterns such as “walking” bass lines and “eight to the bar” boogie-woogie shuffles. Many other funky bass patterns may be created too, and in this range, these bass clef notes inhabit the same zone as the electric bass, string bass, or tuba. Lastly, the bass clef register can be used for  playing melodies. This can be a very effective tool for composers. It creates contrast, and often makes the music more “conversational.”  

To hear an excellent example of how a composer might invoke mood and imagery in the bass clef, check out the haunting piece La Cathédrale Engloutie (The Sunken Cathedral) by the French composer Claude Debussy.  

author
Eric is a third generation musician from Western New York. A multitalented artist, Eric has worked as a composer, percussionist, pianist, author and educator for most of his life. As a composer, Eric has received four prestigious Meet the Composer grants, a Utah Arts Council grant, NEA Foundation grants and more. In 2007, the premiere of his concerto for saxophone and strings received a standing ovation at The Lighthouse: Poole's Centre for the Arts (Dorset, England). ​ In October of 2018 Eric 's "Twelve Pieces for Solo Piano" and "Movement I: Time" from "Between the Sandhills and the Sea" were performed at Weill Recital Hall at Carnegie Hall. Earlier in March of 2018, "Twelve Pieces" was premiered at Kleinhans Music Hall in Buffalo, NY. Both performances featured pianist Michelle Alvarado and "Movement I: Time" was performed by Alvarado with cellist Hannah Holman. ​ Eric 's jazz band, The Eric Group, has released two critically acclaimed albums and his group has performed at Lincoln Center for the Performing Arts, among other venues. His albums have received international radio play and rave reviews in Downbeat Magazine, The Jazz Journal, Jazzwise Magazine, the All Music Guide and over a dozen additional publications worldwide. Brian Morton, publisher of the Penguin Guide to Jazz called his album Such Is Life “One of my favorite releases of the year.” Iconic drummer, Bill Bruford, called Eric “an extremely welcome new addition to the club [of percussionist composers]” and famed composer Steve Reich wrote, “I’m impressed with the directness of Eric’s music and the craft with which he has written it. His music would appeal to a wide variety of listeners.” As an author and educator, Eric has written five books about music for Adams Media, Inc. Two of them have been translated into Spanish. In 2010, Eric was a featured speaker at Loyola University New Orleans' Beiver Guest Lecturer Series. Since 1995, he has also appeared as a guest artist and clinician at many high schools and colleges throughout the country. Eric currently resides in the lower Hudson Valley where he also teaches private lessons to dozens of music students. Additionally, the Starr Music Studio hosts two student recitals every year at The Chapel Restoration in Cold Spring, NY.

Eric Starr