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My goal as a teacher is to make students successful in their goals. I work with a variety of people; some of them study music for personal enjoyment and others for their musical career. Everyone responds differently to music, that is why I prepare special lessons for each student. It is important that my students enjoy what they are playing and for that reason I have a variety of repertoire that they can choose from.
From a lot of experience with beginner piano students, both young and adults, I have been able to find a regimen of piano teaching that combines time efficiency with fun. As the lessons continue, I slowly add new tools to each weekly lesson that are exiting and interesting. While working with intermediate to advanced students, I have had coached them to apply and get accepted into some of the top Universities and Conservatories in the country. My students, beginner intermediate and advanced levels, have been awarded for their performances and activities in schools and ...
Paul M is an American born, New York-based pianist, music instructor, piano teacher, composer and vocal coach. As an educator, Paul is part of The Suffolk Piano Teachers Forum, College Music Society and Music Teachers National. He has been an Adjunct-instructor at New York University (NYU). Paul also conducts master classes and seminars in The United states and South America. For the past few years, he has implemented classes in composition and music history in the coastal area of Ecuador and New York. His music studio in New York City is in high demand. He works with piano, composition and vocal performance students of all levels and styles which includes classical, jazz, blues and Broadway. Paul also works with all different types of students such as those who want to learn for ...
I work with beginners through advanced students. Opera, Broadway and Pop. Lessons are tailored to each individual singer.
I help develop good habits and singing with support and proper resonance. I can help beginners and singers who need to break bad habits and get on a better track!!
Stephen made his operatic debut in the title role of Gluck's Orfeo in Santa Barbara, CA. Other roles performed in the United States have been Oberon in Britten's A Midsummer Night's Dream, the title role in John Eccles' The Judgement of Paris and Sesto in La Clemenza di Tito by Mozart. Among the roles sung in Europe were Orlolsky in Fledermaus, Bertarido in Rodelinda and Oberon in Sommernachtstraum. He has been a soloist in many Churches and Synagogues in the United States and Europe. Highlights have been Messiah, Elijah, St. Mathew Passion and Cantorial soloist for the Jewish High Holidays. He appeared in Summer Stock and played the guitar in a number of bands. Reviewers have cited Stephen's naturally full and warm timbre and his unforced agility. ...
We'll start off by talking through your goals for your voice and what you want to achieve from taking lessons. We will work on different techniques that make up a great voice and then apply what you learned to the music you love. Lessons are fun and we will work hard to bring out your best voice and create a sound you love!
There are lots of reasons people take singing lessons...a dream of performing for crowds, wanting to melt faces at karaoke, not being embarrassed when singing in the shower... But the common goal is finding your voice and creating a sound you love. My studio is designed to create a space where that process is comfortable and fun! Lessons will start wherever you’re at and go at your own pace towards your specific goals.
I was trained at the School of Creative Arts in Sydney, Australia and specialize in pop, rock and indie rock vocal technique. I work with a lot of beginners as well as people in bands and songwriters.
I'm from an extremely musical family and have always loved singing. (I almost pushed my parents over the edge as a kid because I would hum CONSTANTLY...) I ...
I have been a professional singer for most of my adult life. I love teaching and sharing my knowledge with students as they discover ways towards self-expression through the voice.
I have been a voice teacher for over twenty- five years. My background includes ten years of classical training with Maestro Julio Berrocal as well as vocal training through the Feldekrais approach with Marcy Lindhiemer. In acting I have studied with renowned Stanislavsky scholar Sonia Moore and Master acting teacher of the Strasberg Method, Marcia Haufrecht. I believe we all have something distinctive that can be developed and expressed through the voice. I work to help the student discover their individual and unique sound. I give them tools to gain the ability and confidence to achieve their goals. I empathize deeply with the challenges that students face both in studying voice and performance since I have been a professional singer for many years. Through my personal experience in ...
All levels of voice are taught, geared to whatever is your musical specialty but using a technique stemming from classical voice.
Kathy believes that variety is the spice of not only life, but also music. Raised singing folk music with a musical family (think accordions, guitars and lots of vocal harmonies), she learned guitar and piano at an early age, but began singing even earlier.
Her quest to give the world the best her vocal cords could offer led her to obtain an undergraduate degree in vocal performance from the University of Nebraska (where she graduated honorable mention, named with the vocal department's Outstanding Senior in Music award, and also obtained a minor in theatre) and a master's degree in music from the Cleveland Institute of Music. Both of these degrees emphasized classical singing technique, and through this study Kathy gained a solid foundation for her musical craft.
My lessons are fun, engaging and productive. We will work together to improve your:
*passaggio (your "passage" to high notes and ability to regularly achieve them)
*jaw, neck, shoulder and/or tongue tension
Dr. Collins was most recently described by Tim Page with the Washington Post as a “funny, exuberant and enormously likable” Papageno during Summer Opera Theater’s performance of The Magic Flute. Previously, the Post critiqued Daniel in Opera Theatre of Northern Virginia’s Barber of Seville as a “bright and bouncy” Figaro who delivered his lines with “aplomb.” Daniel has performed as a young artist in the Studio Programs of El Paso Opera, Kentucky Opera and Portland Opera. He has sung the roles of Sharpless in Madama Butterfly, Sid in Albert Herring, Figaro in The Marriage of Figaro, Belcore in L’elisir d’amore, Jupiter in Orphée aux enfers, Dr. Falke in Die Fledermaus, Bottom in A Midsummer Night’s Dream, Masetto in ...
"Steven is very professional and extremely helpful. He always has a smile on and is serious about helping you phrase the music. I would highly recommend him to anyone."
"It's been really exciting so far! Jordan has been so helpful, so knowledgeable. I could not have found a better instructor and I'm getting better and better every day."
"My daughter's wedding was weeks away and I had never been able to dance a step. With Jenny's help, I came further than ever before in such short time in any subject."