West Hempstead Music Lessons

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Popular Music Teachers near West Hempstead

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About Keith D.

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New York, NY

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About Keith
I teach students from beginners to advanced & aspiring professional "musicians,singers,songwriters. Each program is tailored to the individual involving all styles of music as per your preference. Theory & reading notated music is taught & required. I am a master guitar teacher/music producer for recordings/published, author of guitar instruction books. I WILL TRAVEL WITHIN MANHATTAN EAST & WEST FROM THE 30'S TO THE 80'S FOR MY CLIENTS TO THEIR HOMES TO GIVE LESSONS/or MY MIDTOWN STUDIO FOR MUSIC INSTRUCTION & RECORDING.

*** Lesson Details ***
A thorough lesson plan is created for each student according to their individual goals & types of music. They will be proficient readers of notes so they can play whatever they desire. I'm a patient teacher who can reach all student levels; beginners to advanced.

*** Studio Equipment ***
365 Track Pro recording studio
Demos to completed CD's.

GUITAR & PIANO

*** Travel Equipment ***
Guitar & Keyboard

*** Specialties ***
All styles from blues to classical
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Reviews
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Bhavin June 16, 2017
· Acoustic Guitar · In studio
Keith is a great instructor.
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Brea J. May 2, 2017
· Piano · In home
Keith is wonderfully patient and truly gifted at teaching young children. My 6-year-old can't wait to have her piano lesson every week!
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Jee Hee June 20, 2016
· Guitar · In studio
I really love his guitar lesson. I am a beginner and needed professional's help to improve and Keith taught me step by step from the basic and I was able to understand a guitar better and enjoyed playing a guitar more. From every lesson, I learnt new things. I really recommend his guitar class.
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Keith D.

Keith D.

New York, NY 10017
(8)
starting at
$30 / 30-min

About Ronen E.

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Jersey City, NJ
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About Ronen
Hello to all, My name is Ronen and I am originally from Tel-Aviv, Israel.

I came to the United States to pursue my academic career in music and graduated from Berklee College of Music in 2007, majoring in Professional Music. My coursework included Music Theory, Music Technology, and Music Business as well as other related professional music courses. My practical experience included private lessons with internationally renowned drummers such as Dave Dicenso, Kenwood Denard, and Mike Mangini. Additionally, my hands-on classes included Rudimental Labs, Drum Labs, Fusion Labs, Studio Drumming Lab, Contemporary Applications for Percussion, and Afro-Cuban Drumming. Through this broad curriculum, I have expanded my cultural understanding of music.

With more than fifteen years of solid experience in the music world and teaching field, I am
a highly professional drum teacher and have been instructing students of all ages and levels informatively and creatively. Students under my teaching methods are engaged with numerous styles of music and cultures, and develop gradually while achieving excellent music and performance skills.

*** Lesson Details ***
In general, and depending on the student requirements, I teach drum rudiments, music notation, a range of styles, drum tuning and setup. As part of my method, I divide my class/lesson into four sections, which begins with warm ups and proceed with drum rudiments and coordination. I devote the second portion of the lesson to reading and playing orchestral snare drum pieces, and in the third section, students practice different types of rhythms. In these lessons, as well as in private classes, I use drum-method books such as Joel Rothman's Mini-Monster Book of Rock Drumming by Joel Rothman (Fort Lauderdale, Fla: J.R. Publications, 1981), Advanced Techniques for the Modern Drummer by Jim Chapin (New York: Jim Chapin, 1971), Ted Reed’s Progressive steps to syncopation for the modern drummer (Van Nuys, California: Alfred, 1996), as well as many music charts. In the last portion of the session, I engage students in an open discussion about their progress, improvements and goals.

*** Studio Equipment ***
Small studio: drum set, two drum thrones plus two drum pads, computer / mixing board and studio monitors , downstairs there is a living room or I can bring a chair if parents want to sit in on lesson

*** Travel Equipment ***
I can provide : Books, Music Charts , skills and my knowledge
The student need provide : Drum Set , Drum Sticks , Stave paper / Music paper / Note Book

*** Specialties ***
I teach students separately and collectively. During my lessons, I teach drum rudiments, how to read drums’ musical notation, various rhythm styles such as rock, funk, shuffle, and drum tuning and setup. I divide my classes into four sections beginning with warm ups, which included drum rudiments and coordination; the second portion of the class is devoted to reading and playing orchestral snare drum piece, and in the third section, students are practicing various rhythms, where I included books such as Mini-Monster Book Of Rock Drumming by Joel Rothman, Four way coordination by Jim Chapin as well as various music sheets. The last portion is devoted to an open discussion and enable the students to ask questions which were not discussed during the lesson.
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Reviews
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Nancy Pagano December 16, 2016
· ·
Nothing but great things to say. My son absolutely enjoys his lessons and wants to practice.
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Felicia Smith June 29, 2016
· ·
Ronen really rocks! He is terrific with my son who can tend to have a short attention span and be fidgety. His explainations of the lessons are clear for my son comprehend and he is very patient. The lesson at Ronen's home which is very welcoming and he leaves in a great neighborhood which is a plus.
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Ronen E.

Ronen E.

Jersey City, NJ 07302
(2)
starting at
$30 / 30-min

About Penny H.

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Westbury, NY
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About Penny
Born in Cebu City, Philippines in 1990, raised primarily in Phnom Penh, Cambodia and other Southeast Asian countries, and pursuing further education in the United States of America, Hopengrace ("Penny") is a Global Nomad currently situated in the Greater New York City Area.

She started taking music lessons from her mother at the age of four and learned to read music at the same time she started to read storybooks. ​From the age of ten, Hopengrace took violin lessons, during her parents' rare furloughs, from Mr. Frederico Regner, a World War II veteran returned from the United States. While in the Philippines for a combined year of junior and senior level high school, she took violin lessons from Mr. Marc Hamlet Mercado and Mr. Rodelio Flores. Hopengrace has also taken coaching from Ms. Princess Christine Ybañez to prepare for competit
ion in the Solo String (Bowed) category of the 14th National Student Convention in which she won 2nd Place.

In 2007, Hopengrace received a Presidential Scholarship from Tennessee Temple University (TTU). There she studied violin under Mrs. Laura Minor (B.Mus. Vanderbilt University, MA Music NYU). She also took piano from Mrs. Carolyn Kemp​ (BS Mus.Ed. Baptist Bible College, MA Mu. Ed. University of Tennessee at Chattanooga) and voice from Dr. William Knowles and Mr. Michael Mays (BS Mus. Perf. University of Tennessee at Chattanooga, MA Church Music Southwestern Baptist Theological Seminary).

In 2008, as a member of TTU's Weigle Concert Choir, Hopengrace had the privilege to be chosen to sing with a combined choir in Carnegie Hall's Stern Auditorium with the Manhattan Chamber Orchestra under the baton of Dr. David Thye, Principal Conductor-in-Residence of MidAmerica Productions. She became a member of the Chattanooga Symphony and Opera Youth Orchestra (CSOYO) ​in the fall of that year and continued performing with them for three seasons. She also participated in the special orchestra for the annual Chattanooga Boys' Choir "Singing Christmas Tree" concerts at the Tivoli Theatre. In 2010, world-renowned violinist Midori chose CSOYO as one of two youth orchestras for her annual Orchestra Residencies Program, and Hopengrace had the rare opportunity to perform with one of her inspirations in concert.

Hopengrace​ became a registered Suzuki Method Violin Teacher with the Suzuki Association of the Americas on July 2011. She has also trained in Orff-Schulwerk.

During her travels around the world, Hopengrace struggled to keep her art alive. However, she has often been complemented for her distinctive strong, full-bodied tone​ and adaptability. Her range varies from Baroque to Modern. She plays on a John Cheng 1737 "King Joseph" Guarneri model violin with both wood and carbon fiber bows.

​Hopengrace welcomes students and employment while she prepares for entrance in a Master of Music in Performance program. She hopes to start on that new chapter of her life in the fall of 2013. Inspired by the impact of Venezuela's El Sistema program and her own experiences during her travels, Hopengrace hopes to use her talents to enable or build similar programs both while she teaches and in the lands where she was raised. ​

*** Lesson Details ***
TEACHING PHILOSOPHY
“Play with heart. Play with living soul.”
— Dr. Shinichi Suzuki
As a teacher, my goal is to instruct as well as inspire each student to reach for his or her highest potential. I hope to give each student the tools to progress so that one day they can be their own best teacher, and play with a sound and style that is uniquely their own. Most importantly, I hope to instill a desire to learn and a mindset that the art of violin playing is fun and that it is just as we call it--playing. My teaching abilities range from beginning through advanced levels. Students must have a desire to learn and commit to daily (mindful) practice.

I am a Suzuki Violin teacher. This means that I am trained to work with even the youngest of musicians in a nurturing , fun and challenging way. Dr. Suzuki believed that it was important to develop a noble character in all children through the mastery of a musical instrument. He also believed that all children were capable of this mastery if the environment is saturated with music and love. My students enjoy playing the violin because they are given the tools they need to play beautifully and to make progress on their instrument. Each lesson will focus on proper set up and posture, technical work and musical direction/ideas that will inspire them to carry on their work throughout the week. I demonstrate quite a bit in the lessons, as I find it is the most effective way to communicate in music. However, I am only with the student once a week, therefore much of the lesson is geared towards helping the parent and child understand what his/her home tasks are, and how to carry them out successfully. 10 minutes of mindful practice is worth an hour of careless work.
“There is no born genius. Education is the way to develop ability.”
— Dr. Shinichi Suzuki
​Parental support and involvement is key to any child’s progress, especially at the beginning stages. Parents of young beginners are encouraged to take a few lessons before starting their child on the instrument. Parents serve as a practice coach/partner during daily home practice sessions and are required to attend and participate in their child’s lessons. Listening to recordings and attending live concerts are strongly recommended to increase musical awareness and enthusiasm in the student.

In spite of my rigorous Suzuki training, my unorthodox learning experience has taught me the value of being flexible and using methods that work best for a specific individual. I am not averse to seeking and applying a new method (eg. traditional, Masterclass, O'Connor, etc.) if the situation calls for it.

What should be expected from a Teacher/Student relationship?

I think a student should expect their teacher to give them honest, thoughtful feedback. Just enough that they can manage the information at that time. The teacher should give detailed instruction on ways the student can improve, without destroying the students sense of self worth or spirit. On the contrary, the teacher must always find a way to see the student as having great potential. This way, no matter how limited the current level of ability may be, there is hope for growth. Even without saying it, the student will feel the teachers' attitude towards him and may become that person (for better or for worse). The student should expect to be challenged, encouraged and inspired by their teacher. The teacher should expect that the student and the parents commit to daily practice, and have a desire to improve. The student must apply his/her teacher's feedback while always searching within himself for ways to develop. Mutual respect is key.

*** Studio Equipment ***
living room, baby grand piano, couch, two chairs, residential area, street parking

*** Travel Equipment ***
My own violin, music stand, and teaching books. I expect my students to provide their own instruments, music stand, and student books.

*** Specialties ***
Suzuki, Orff-Schulwerk, classical, film, fiddle, world music, new age, popular, contemporary classical
...
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Penny H.

Penny H.

Westbury, NY 11590
starting at
$40 / 30-min

About Devin A.

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Brooklyn, NY

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About Devin
Devin A. has been teaching private lessons since 2002 and is currently available to teach lessons in NYC, at your home, at his home studio or online on Skype. Devin has worked with students of all ages and levels of playing ability from beginners to professionals.

He holds a Masters Degree in Music from McGill University and a Bachelors from The Peabody Conservatory of The Johns Hopkins University, where he was a recipient of the Charlie Byrd Memorial Scholarship. He has extensive teaching experience in private lessons as well as group classes in guitar, music production and music ensembles. As an expert in his field, Devin looks forward to helping new students achieve their goals.
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Reviews
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Jacob W. September 6, 2017
· Guitar · Online
Great Teacher!!!
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Vanessa G. August 29, 2017
· Music Theory · In studio
Devin is so personable and easy-going! He was prepared for our lessons and helped me better understand the material. He's the best!
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Wayne S. April 8, 2017
· Blues Guitar · In studio
The lesson went very well. Devin was patient and answered all of my questions of which I had many. He was very thorough in teaching me hand placement and strumming technique. I was very happy with the lesson and feel I quickly gained confidence.
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Devin A.

Devin A.

Brooklyn, NY 11209
(24)
starting at
$30 / 30-min

About David S.

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New York, NY

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About David
For the last fifteen years, I have taught piano lessons to children, college students, amateurs, and Grammy award-winning professionals. I started teaching while working on my masters degree at The Juilliard School. Since then, I have performed throughout the United States and earned a doctoral degree in piano performance, but these days most of what I do is teach. I am classically trained, though I have worked with students on a range of musical styles. I get tremendous satisfaction from helping my students overcome their challenges. Regardless of the age or experience that a student brings, my goal is to help make piano playing personally enriching and musically satisfying.

Here are the qualities I think you should look for in a teacher and the ways in which I think I offer them.

MUSICALITY
A teacher should have an ear for what
makes music colorful and beautiful. I believe that the goal of musicians should be to attune our inner ears to the music behind the notes that sit on a page before us and then let that music flow through us. We all hear different qualities in the notes, but as long as we honestly try to get inside the notes before we touch our instrument, we can all make beautiful music.

TECHNIQUE
Once we have an idea of the way we want the music to sound, we need technique to produce those sounds. Early in my training, I experienced discomfort from the poor way in which I was playing. As a result, I had to retrain myself completely. I was fortunate enough to find three teachers of the Taubman Approach who helped me to understand the connections between playing in a coordinated way and playing beautifully. As a result of having made many mistakes myself and then overcoming them, I have developed the ability to see what is holding back my students and to help them find better ways of approaching the piano.

MATERIALS
The best music for students is the music that motivates them to practice. That said, at certain times, I think some pieces will help a student get to the next level, and others will only tie the student in knots. I have taught a lot of repertoire in a variety of styles. I can give students at any level music that is appropriate for them. I am also always eager to work on music that my students bring me.

To give students skills that directly apply to their playing, I also incorporate theory, ear training, sight reading, and scales into lessons.

INSTRUMENT
Although I have no qualms about teaching students who have electric keyboards, acoustic instruments give better aural feedback to pianists about the health of their technique. At least once a week I make sure my students get to play on an instrument that responds to their efforts with a beautiful sound: either my own 1913 Steinway B, or one of a variety of good grand pianos at the midtown studio where I teach.

PRACTICE METHODS
Students can expect to learn a lot in their lessons, but lessons usually only happen once a week. The quality and quantity of the student’s practice the rest of the week is critical. At each point in the process of learning a piece, there are different practice methods that help a pianist get to the next step. I think I can see where students are in the learning process and can guide their practice so that their time spent at home is optimized.

PERFORMANCE EXPERIENCE
Many students enjoy playing music for themselves, but when they are asked to play for others, the joy of the experience turns into fear of embarrassment. There is no quick and easy solution to performance anxiety, but having worked through it in hundreds of performances, I can say there are certainly ways to reduce it and even make performing joyful. Understanding that playing for others is an experience of sharing, not “impressing,” and practicing in a way that helps one to see, hear, and feel the music the instant before one plays it are at the core of my method.

PERFORMANCE OPPORTUNITIES
I teach children and adult students. I do not force anyone to perform, though I encourage it. I am a member of two associations of independent piano teachers that sponsor recitals and competitions for my young students. My adult students and I usually get together at my apartment twice a year for a piano-food-fest.

FLEXIBILITY
Ultimately, there is no single way to teach all students. Students come to me with different degrees of musical training, physical awareness and dexterity, musical tastes, discipline, and patience. It is my job to figure out what will light each student’s fire and help them to practice through their challenges so that they can enjoy the beautiful and all-consuming experience of making music.

I invite you to try some lessons.
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Reviews
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Hannah H. June 19, 2015
· Piano · In studio
I had a great experience taking piano lessons from David. After several years away from the piano, I wasn't entirely sure where to start. David took me back to the beginning and focused on fundamentals and technique. Not only did this improve my playing, but it also helped me develop awareness of areas that I could work on when I practiced. I found David to be a wonderful teacher who teaches a good balance of technique and artistry, and I would take lessons with him again.
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Saanjali K. April 16, 2015
· Piano · In studio
Lessons with David were my favorite time of the week during college. He worked on both basic techniques and finer details and nuances, which made the lessons very creatively satisfying. As a student, I hold him in the highest regard. If you haven't signed up for a lesson, you're missing out!
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Helen N. April 13, 2015
· Piano · In studio
I always wanted to learn how to play the piano and it wasn't until the age of 29 that I decided that there was no better time than now to start taking lessons. As a beginner, I am so thankful to have David as my teacher. He stressed the importance of technique even though he knows that I just really want to learn how to play so I could show off at a dinner party. Without this, I wouldn't have progressed as quickly as I have. He is incredibly patient, which is what I like most about him as a teacher. Given that I started with David as a true beginner, he had to go over the same things repeatedly, for months on end, and he was never once impatient. He also thinks about his students outside of his lessons and that speaks volumes. I only like certain types of music and am quite stubborn about only playing what I like. He not only understands this but will send me links to songs and brings pieces of music to our lesson because I often have difficulty finding pieces that I like or that are the right fit for my skill level.

If it weren't for David's steadfast positivity, his kindness and his genuine desire to see me grow and learn as a piano player, I would not still be taking lessons from him three plus years later. Luckily for me, that is not the case and I look forward to having many more lessons with him. I highly recommend David as a teacher!
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David S.

David S.

New York, NY 10019
(10)
starting at
$60 / 30-min
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About Alexander S.

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Brooklyn, NY
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About Alexander
At my lessons, I use the experience and knowledge that I have acquired from over 10 years of playing and studying music to teach students how to take their playing to the next level and reach their goals.

I attended Booker T. Washington High School for the Performing and Visual Arts in Dallas, TX, and am now one semester shy from graduating from the New School for Jazz and Contemporary Music, a conservatory in New York City.

I find the best way to learn is in a fun, stress-free environment where the instructor pays close attention to the needs of their students. I believe in cultivating an appreciation for jazz and other styles of music, paying close attention to detail, and building a strong foundation through focused practice.
...
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Giulia September 8, 2016
· Saxophone · In studio
I've attend Alex lessons since more than 6 months. He has been extremely accomodating with my crazy work-schedule and available to change hour or day even with small advance notice.
During the lessons we have fun and that is what I think is the most important thing!
Alex is really passionate about music and is capable of transmit this passion during his lessons.
I would definitely recommed him as a teacher!
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Ligori N. May 9, 2016
· Saxophone · In home
Best instructor ever!
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Ligori N. May 9, 2016
· Saxophone · In home
Best instructor ever!
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Alexander S.

Alexander S.

Brooklyn, NY 11233
(3)
starting at
$40 / 30-min

About Matt R.

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Wayne, NJ
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About Matt
I started playing piano when I was 6 years old and before 5th grade I was accepted into the prep program at Mannes The New School of Music. I studied piano and music there until I graduated my senior year of high school. Now I am in the middle of finishing my bachelors degree as a Music Education major from William Paterson University with a concentration in classical piano. My relationship with my teachers is what inspired me to become a music teacher myself and my passion for music comes from teaching and playing with others. I think that anyone can play music and everyone should have the chance to.
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Yeva K. September 17, 2016
· Piano · In home
Very energetic and professional.
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Andrew April 15, 2016
· Piano · In home
Matt was excellent with my son. My son is very young with a very short attention span. Matt was able to keep him interested and engaged through his lesson!
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Matt R.

Matt R.

Wayne, NJ 07470
(2)
starting at
$25 / 30-min

About Scott R.

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Brooklyn, NY
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About Scott
I love to teach! I have over 20 years of professional experience to share with you. I have a B.M. and an Artist Diploma in Double Bass. I have been freelancing in NYC for almost 10 years now.
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Scott R.

Scott R.

Brooklyn, NY 11232
starting at
$60 / 30-min

About Russell H.

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Bronx, NY

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About Russell
As an NYC native, I have been teaching drum lessons for almost 7 years now. Born in lower Manhattan, I attended Manhattan East Middle School for Music & Arts, as well as Fiorello H. LaGuardia High School for Music & Art and the Performing Arts. In 2012, I received a scholarship to attend New England Conservatory of Music where I had the opportunity to study privately with master musicians such as John McNeil, Bob Moses, Miguel Zenon, Jerry Bergonzi and a lengthy apprenticeship with drum legend Billy Hart. In 2014 I received a full scholarship to attend the Banff International Workshop in Jazz and Creative Music in Canada. I was fortunate enough to be able to work closely there with first- rate artists such as Vijay Iyer, Steve Coleman, Jeff “Tain” Watts, Reggie Workman and more. I have been a private drum lesson instructor since high scho
ol, and have taught dozens of students of all ages, skill levels, and in all styles of music. In addition to private lessons, I have taught workshops and masterclasses in high schools and community centers throughout my years at New England Conservatory. I have also taught at the Outreach Summer Music Workshop in Austria for 2 years, where I instructed and coached ensembles of international students. Music is a powerful thing, and the ability to teach it is a great joy and learning experience.
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Reviews
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Julie June 11, 2017
· Drum · In studio
Cool kit, experienced drummer
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Ana E. May 31, 2017
· Drum · In studio
Get patient and eager to teach!
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Graciela March 2, 2017
· Drum · In home
Russell is a great teacher. He is able to clearly write out the grooves or rudimentary exercises on music paper and have you practice them in creative ways. Russell can play any drum style (rock, jazz, blues, progressive etc) and has a calm and confident demeanor. I would hire him again.... and do.
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Russell H.

Russell H.

Bronx, NY 10470
(5)
starting at
$30 / 30-min

About Dan C.

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Brooklyn, NY

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About Dan
I'm a professional pianist and composer with a passion for both performing and teaching. I have an undergraduate degree in music performance from Northwestern University, and a masters degree in jazz performance from NYU. I've released six albums with my band, and my music has been licensed for TV (WB) and film (Universal). My last album was featured on NPR's "Fresh Air," and I tour nationally and internationally while overseeing a teaching studio of about 20 students here in New York.

While my passion is jazz and I work in contemporary music, I've studied classical piano since age 4 and believe that a strong foundation in theory and harmony translates well to all genres while providing much needed context. My students are all ages and range in ability from beginner to professional. I teach out of a cozy studio overlooking Prospec
t Park, and travel to students homes under the right circumstances. Whether your goals are reading music, reading chord charts, playing by ear, improvising, or composing, I always strive to make the lessons fun and stress free.
...
Reviews
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Simone Bernard November 15, 2016
· Piano ·
Kind, encouraging attitude and patient; the perfect instructor for anyone with no experience as myself.
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Amanda David August 8, 2016
· Piano ·
Very patient, and knowledgeable. Great instruction on form and theory as well.
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Bridget Carey April 3, 2016
· Piano ·
Great lessons so far! Dan is a good teacher and very patient with a total beginner
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Dan C.

Dan C.

Brooklyn, NY 11225
(4)
starting at
$75 / 60-min

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Learning to play barre chords on the guitar is a big step for many beginning guitarists. Guitar teacher Joe L. breaks down the basic things you'll need to know in order to play barre chords and shares tips for practicing them... First off, if you don't know the basic open guitar chords you will have tremendous difficulty with these chords. Learning basic rhythm patterns with simple open chords gives you familiarity with different types of chords, how to play chords, and how they sound. Once y
7 Great Audition Songs for Sopranos
The best audition songs for sopranos help singers stand out from the crowd and be heard when auditioning. The perfect song should be reasonably challenging, in order to show off your abilities, and should also exemplify personality. This could mean singing something to which you feel you can relate. Ideally, you should be able to create a tone similar to the original but, above all, you must enjoy the song. Almost all pieces, provided they are in your range and you can sing them well, wor

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