New Rochelle Music Lessons

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Popular Music Teachers near New Rochelle

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About Penny H.

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Westbury, NY
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About Penny
Born in Cebu City, Philippines in 1990, raised primarily in Phnom Penh, Cambodia and other Southeast Asian countries, and pursuing further education in the United States of America, Hopengrace ("Penny") is a Global Nomad currently situated in the Greater New York City Area.

She started taking music lessons from her mother at the age of four and learned to read music at the same time she started to read storybooks. ​From the age of ten, Hopengrace took violin lessons, during her parents' rare furloughs, from Mr. Frederico Regner, a World War II veteran returned from the United States. While in the Philippines for a combined year of junior and senior level high school, she took violin lessons from Mr. Marc Hamlet Mercado and Mr. Rodelio Flores. Hopengrace has also taken coaching from Ms. Princess Christine Ybañez to prepare for competit
ion in the Solo String (Bowed) category of the 14th National Student Convention in which she won 2nd Place.

In 2007, Hopengrace received a Presidential Scholarship from Tennessee Temple University (TTU). There she studied violin under Mrs. Laura Minor (B.Mus. Vanderbilt University, MA Music NYU). She also took piano from Mrs. Carolyn Kemp​ (BS Mus.Ed. Baptist Bible College, MA Mu. Ed. University of Tennessee at Chattanooga) and voice from Dr. William Knowles and Mr. Michael Mays (BS Mus. Perf. University of Tennessee at Chattanooga, MA Church Music Southwestern Baptist Theological Seminary).

In 2008, as a member of TTU's Weigle Concert Choir, Hopengrace had the privilege to be chosen to sing with a combined choir in Carnegie Hall's Stern Auditorium with the Manhattan Chamber Orchestra under the baton of Dr. David Thye, Principal Conductor-in-Residence of MidAmerica Productions. She became a member of the Chattanooga Symphony and Opera Youth Orchestra (CSOYO) ​in the fall of that year and continued performing with them for three seasons. She also participated in the special orchestra for the annual Chattanooga Boys' Choir "Singing Christmas Tree" concerts at the Tivoli Theatre. In 2010, world-renowned violinist Midori chose CSOYO as one of two youth orchestras for her annual Orchestra Residencies Program, and Hopengrace had the rare opportunity to perform with one of her inspirations in concert.

Hopengrace​ became a registered Suzuki Method Violin Teacher with the Suzuki Association of the Americas on July 2011. She has also trained in Orff-Schulwerk.

During her travels around the world, Hopengrace struggled to keep her art alive. However, she has often been complemented for her distinctive strong, full-bodied tone​ and adaptability. Her range varies from Baroque to Modern. She plays on a John Cheng 1737 "King Joseph" Guarneri model violin with both wood and carbon fiber bows.

​Hopengrace welcomes students and employment while she prepares for entrance in a Master of Music in Performance program. She hopes to start on that new chapter of her life in the fall of 2013. Inspired by the impact of Venezuela's El Sistema program and her own experiences during her travels, Hopengrace hopes to use her talents to enable or build similar programs both while she teaches and in the lands where she was raised. ​

*** Lesson Details ***
TEACHING PHILOSOPHY
“Play with heart. Play with living soul.”
— Dr. Shinichi Suzuki
As a teacher, my goal is to instruct as well as inspire each student to reach for his or her highest potential. I hope to give each student the tools to progress so that one day they can be their own best teacher, and play with a sound and style that is uniquely their own. Most importantly, I hope to instill a desire to learn and a mindset that the art of violin playing is fun and that it is just as we call it--playing. My teaching abilities range from beginning through advanced levels. Students must have a desire to learn and commit to daily (mindful) practice.

I am a Suzuki Violin teacher. This means that I am trained to work with even the youngest of musicians in a nurturing , fun and challenging way. Dr. Suzuki believed that it was important to develop a noble character in all children through the mastery of a musical instrument. He also believed that all children were capable of this mastery if the environment is saturated with music and love. My students enjoy playing the violin because they are given the tools they need to play beautifully and to make progress on their instrument. Each lesson will focus on proper set up and posture, technical work and musical direction/ideas that will inspire them to carry on their work throughout the week. I demonstrate quite a bit in the lessons, as I find it is the most effective way to communicate in music. However, I am only with the student once a week, therefore much of the lesson is geared towards helping the parent and child understand what his/her home tasks are, and how to carry them out successfully. 10 minutes of mindful practice is worth an hour of careless work.
“There is no born genius. Education is the way to develop ability.”
— Dr. Shinichi Suzuki
​Parental support and involvement is key to any child’s progress, especially at the beginning stages. Parents of young beginners are encouraged to take a few lessons before starting their child on the instrument. Parents serve as a practice coach/partner during daily home practice sessions and are required to attend and participate in their child’s lessons. Listening to recordings and attending live concerts are strongly recommended to increase musical awareness and enthusiasm in the student.

In spite of my rigorous Suzuki training, my unorthodox learning experience has taught me the value of being flexible and using methods that work best for a specific individual. I am not averse to seeking and applying a new method (eg. traditional, Masterclass, O'Connor, etc.) if the situation calls for it.

What should be expected from a Teacher/Student relationship?

I think a student should expect their teacher to give them honest, thoughtful feedback. Just enough that they can manage the information at that time. The teacher should give detailed instruction on ways the student can improve, without destroying the students sense of self worth or spirit. On the contrary, the teacher must always find a way to see the student as having great potential. This way, no matter how limited the current level of ability may be, there is hope for growth. Even without saying it, the student will feel the teachers' attitude towards him and may become that person (for better or for worse). The student should expect to be challenged, encouraged and inspired by their teacher. The teacher should expect that the student and the parents commit to daily practice, and have a desire to improve. The student must apply his/her teacher's feedback while always searching within himself for ways to develop. Mutual respect is key.

*** Studio Equipment ***
living room, baby grand piano, couch, two chairs, residential area, street parking

*** Travel Equipment ***
My own violin, music stand, and teaching books. I expect my students to provide their own instruments, music stand, and student books.

*** Specialties ***
Suzuki, Orff-Schulwerk, classical, film, fiddle, world music, new age, popular, contemporary classical
...
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Penny H.

Penny H.

Westbury, NY 11590
starting at
$40 / 30-min

About Asaf N.

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Bayside, NY
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About Asaf
I would not be the person I am today if music wasn't the focal point in my life as it is. Not only do I absolutely love performing and studying music myself, but I adore teaching as well. Part of the musical experience is taking what you hear and what you learn from others and building on it to create your own musical contributions. I take the gifts other teachers and musicians have given me very seriously and subsequently feel the great importance of imparting my knowledge unto others.

Whether you want to be a professional, or just be competent enough to enjoy yourself, we all practice, study technique and gain knowledge about music with really only one goal in mind: To have all the tools necessary to express ourselves adeptly through music. All the technique in the world will not make you a great musician. Similarly, you can be extre
mely creative and knowledgeable, but if you don't have the technique and vocabulary needed to express your ideas, you will find yourself very limited and suppressed musically.

My philosophy about teaching follows that I am here to provide you with those tools in a fun, exciting way. When I say "tools" I mean the whole toolbox. This includes giving you the technique, correcting bad habits, providing listening material, finding holes in your playing and much more. A good music teacher must be more than an instructor, but a mentor and an inspirational guide. My best teachers were the ones who could cultivate my playing not just through the physical aspects but ESPECIALLY through the cerebral. We ALL need encouragement and inspiration to get the best out of our natural talent. I love to encourage my students to do their best. To strive to not only complete exercises, but to execute them well. Every student is different, and therefore I will tailor their education with me on an individual basis. I expect a lot out of my students because I strongly believe in my teaching ability as well as their ability to learn and feel good about their progress.

My approach to providing all these things is modeled around my best experiences in learning and performing. I've studied under some of the absolute best players and teachers in the world. Here are just a couple:

World renowned drummer and educator

TOMMY IGOE from
The Lion King on Broadway
The Birdland Big Band
Numerous instructional books and DVDs.

Highly sought after percussionist

TOM KOLOR
Graduated from William Paterson as well as with a Masters from the Julliard School of Music
Professor of Music at the University at Buffalo.

IAN FROMAN
Professor of Drums at Berklee School of Music
Professional, world renowned Drummer

I've also graduated Cum Laude from the University at Buffalo with a degree in Music Performance, Dean's List and Honor Roll awards.

Some of my experience includes being featured in Tommy Igoe's "Great Hands For a Lifetime" DVD which received 5 stars from Modern Drummer magazine in 2010. I've also played great venues like Gramercy Theatre and Central Park in NYC among others. I've played in Big Bands, Symphony Orchestras, Klesmer and Percussion ensembles, and more.

I really could go on forever talking about music, what it means to me, how I approach teaching, etc. When you love music and teaching as much as I do, you really can't help it. It's ingrained in you. Precisely as ingrained as I like to think being a fun, caring, disciplined, attentive teacher is in me. Whether it be for you or your child, I can easily promise that I will deliver the same success-bound mentoring that I have to my students for over 10 years running.

Can't wait to hear from you!

-Asaf

*** Lesson Details ***
-I am here for you.

I would not teach if I wasn't very interested in the progress of my students. I want you to be the biggest, baddest, awe-inspiring drummer/percussionist possible. I want to ultimately end up at your shows and concerts and be able to say "That's MY student." You can always be guaranteed that when studying with me everything I assign has precisely that goal in mind.

-Strict or Laid Back?

Many people might ask if I'm strict, or laid back. My response is that I am excited and driven to help you reach success. I will never scold you because that sort of practice has no place in teaching. I also understand that learning isn't just a straight upwards incline of progression. We're all humans. Sometimes we progress astronomically in a short period of time and sometimes we have to fight hard to nail something. Sometimes we have a lot of time to practice, and sometimes we simply don't. My job is to make the most out of every situation and help you learn no matter what. That being said, I will still hound you to practice as much as healthily possible!

-What do you want out of music?

Probably the most important question I will undoubtedly ask you upon meeting you is why you are taking lessons. There is no way to formulate a tailored lesson plan if I don't know what it is you're working towards.

-Expected Material

Like I said, I can't tell you very specifically what your lesson plan will be, but I CAN give you examples of what I almost always assign. Individually written out exercises, exercises from books, assigned reading/listening, song covers, chart writing/reading, improvisational exercises, rudiment study, warm-up routines, among others.

-Don't be Afraid to Make Mistakes

Mistakes are part of the learning process! If you aren't making mistakes then I'm doing something wrong. Never be afraid to make mistakes.

-You Get What You Give

I promise I'll be there for you. I'll be there to give you the material and show you the path, but you're going to have to be there for yourself as well. The more prepared you are for our lessons, the more you will grow from the time we spend together.

Mastering an instrument takes time and effort both by student and teacher. The sooner we get started the sooner you get on that path. I'm ready whenever you are.

*** Studio Equipment ***
detached studio 3 professional drum sets seating for parents

*** Travel Equipment ***
Numerous practice pads and snare stands. I expect my students to only provide their own Drum Sticks and books.

*** Specialties ***
I pride myself on being as versatile as I possibly can be. I can aptly teach most styles including Jazz, Rock, Funk, Latin, Hip Hop\R&B, Classical, and more.
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Reviews
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Thomas L. October 9, 2015
· Drum · In studio
Eventhough it was just our first lesson, Asaf is a patient teacher and gave lots instruction.
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Sophia P. September 15, 2015
· Drum · In studio
Very informative, we went over terminology, how important it is to have the proper sticks and the correct way to hold them. Reading the music and playing the proper beat. We did a lot for 1 lesson, my daughter loved it.
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Bindia M. December 20, 2012
· ·
Flexible teaching methods!

Asaf is just brilliant. During the first session, my son was very distracted by the other things in the music room ie lights, instruments etc but Asaf managed to engage him by being extremely flexible in his teaching ie he is not wedded to any order and has a lesson plan in mind but goes with the flow and the interest of the child - this ensures that all that was intended on being covered is, and as a result of the flexibility, my son just loves these drum lesson and Asaf. Asaf makes him focus and has built a great teacher/student relationship in only 3 session. I would highly recommend Asaf.
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Asaf N.

Asaf N.

Bayside, NY 11361
(5)
starting at
$40 / 30-min

About Bobby S.

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Brooklyn, NY

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About Bobby
I am a jazz trumpeter, improviser, and composer as well as an avid listener and enthusiastic educator. I maintain an active performance schedule playing improvised music as well as funk, soul, afro-beat, reggae, hip-hop, and American folk music. In addition to trumpet, I have experience performing and recording on slide trumpet, trombone, baritone horn, and french horn. I write and arrange music for my own groups and regularly write and record horn arrangements for folk, pop, and reggae groups. I have attended Berklee College of Music and Ithaca College, and I have a Master's degree in jazz trumpet performance from the New England Conservatory of Music in Boston.

I have over nine years of experience working with students ages 7 to adult. I have worked both from my home studio and though several public and community music school program
s including the Hudson Arts Alliance in Hudson, MA, the Kittredge Elementary School in North Andover, MA, and the Performing Arts Center of Metro West in Framingham, MA. I have studied jazz performance with trumpet greats John McNeil and Walter White, improvisation with jazz gurus David Schumacher and Jerry Bergonzi, and George Russell's Lydian Chromatic Concept of Tonal Organization with master composer and theorist Ben Schwendener.

As an educator, my aim is to inspire in my students an enthusiasm for the artistic performance of music of any style. I strive to convey my own excitement for the art to young trumpeters and improvisers, and I have worked to encourage self-motivation and a longstanding interest in musical self-expression in elementary through high school students and adults. I have experience performing many styles of music from jazz and experimental improvised music to funk, reggae, and afro-beat, and I use my knowledge of divergent genres to encourage creative experimentation and convey the expressive artistic elements shared by all music. As an improviser I am particularly interested in teaching the theory and philosophy of spontaneous composition and musical communication.
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Reviews
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Shiya January 8, 2018
· Trumpet · In home
The lesson was much much better then expected!
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Shiya January 3, 2018
· Trumpet · In home
I had last night my first lesson from Bobby, what should I tell you, he is really great! every thing so nice and clear, Thank you Bobby
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Michael I. July 19, 2017
· Trumpet · In studio
I have taken the trumpet lessons with Bobby S. for about two years now. What I really appreciate most about Bobby is his patience. As an older student, it can be very challenging to learn trumpet. Bobby presents his lesson in a way that is easy to understand. He takes the time to explore what my difficulties are. Then he presents me with ways to challenge them. Bobby also has a good understanding of music theory. He explains and demonstrates musical concepts very thoroughly.
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Bobby S.

Bobby S.

Brooklyn, NY 11207
(20)
starting at
$30 / 30-min

About Zach M.

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Jersey City, NJ

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About Zach
As a teaching artist, my goal is to reinforce a healthy structure to your voice while expanding your capacities as an actor and performer by letting the complete singing actor emerge. I wish for my work in the studio to be accessible even when you are practicing on your own. I hope to empower each student to become self-sufficient on a personal level, understanding that each individual grows from different methods to find that perfect balance of artistic and technical instruction.

I am fresh off of the Celebrity Summit Cruise Ship performing as a lead vocalist in their production shows. Previously I have performed in the Anything Goes National Tour as the quartet tenor and a primary dancer. Before this, I had appeared in shows at Pittsburgh's prestigious theatre, The Pittsburgh CLO, most recently performing in their production of The
Wedding Singer and previously as The Production Tenor in Singin’ in the Rain and Garvin in Footloose. Other theatre credits include multiple shows at Music Theatre of Wichita, West Virginia Public Theatre and The Connecticut Repertory Theatre, all of which have taught me what it takes to become a successful musical theatre performer in this competitive era.

I love teaching all students, but in particular high school students who are aspiring to attend college as a musical theatre major, non-theatre majors who are new to singing and want a stronger technical background, or actors who are new to the musical theatre scene and are looking to take their talent to the next level. I have a strong knowledge of repertoire ranging from contemporary musical theatre to golden age to opera/operetta. I have performed in musicals, operettas, plays, and have started my own collegiate a cappella group, The Statesmen. At Penn State, I was trained to not only teach musical theatre repertoire, but to include art songs and arias as well which have their own tool in a student's growth and versatility.

Most importantly, I like to have fun in the studio. I have a very open and goofy personality and want you to feel free to be goofy as well. Dare to fail. You may learn more from your voice cracking then you might from singing a beautiful note.
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Reviews
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Leah November 7, 2017
· Musical Theater · In studio
INCREDIBLE teacher. Zach is professional, dedicated, understanding, and caring. He has helped me make so much progress and I am so grateful to have found him. I would recommend him to everyone! He has helped me with auditions, performances, acting, and vocal technique. He puts so much effort into his students and will always go the extra mile. Zach is great!
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Brynn April 28, 2017
· ·
Zach is very knowledgeable in his field. One of the best and most honest vocal coaches I have worked with, he helped me feel comfortable and fully prepared for an upcoming audition. I would definitely recommend his services to ANY and EVERY one I know!!
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Kristi J. November 2, 2015
· Singing · In home
Our first lesson was amazing, My granddaughter was initially shy, Zach was able in a short time to help her realize her potential.
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Zach M.

Zach M.

Jersey City, NJ 07302
(8)
starting at
$40 / 30-min

About Kristin T.

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New York, NY
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About Kristin
Kristin Trotta is a 2007 graduate of New School University's Jazz and Contemporary Music program with a BFA in Jazz Vocal Performance. She is also a professionally-trained pianist. Kristin is trained in both classical and jazz vocal techniques and would also be happy to instruct students in general performance/presentation skills.

Additionally, Kristin have lots of experience with in-studio recording and would also be able to prepare students for demo recording or other studio projects. She has a microphone and amplification system and would be able to teach students to sing with a microphone for live performances.

Kristin has been studying classical piano for almost 20 years. She has also played jazz piano for over ten years.

She is currently accepting beginner to intermediate piano students of all ages. She is currently accepti
ng new students of all ages in all vocal styles.
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Kristin T.

Kristin T.

New York, NY 10128
starting at
$30 / 30-min
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About Edwin D.

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Brooklyn, NY

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About Edwin
I'm a Sound Designer specializing in ukulele, drums and percussion. I graduated from Florida Gulf Coast University, where I received a degree in Communication and trained as a classical musician.

About the Lessons*
Students can expect to be challenged and reach goals that they set for themselves. I believe that each student is an individual capable of anything they set their minds to! I will customize every lessons to best suit the student's way of learning.

My Reason*
I love music and I believe that with music a person is able to express themselves and their emotions better than with words. I love teaching because I get to share my love of music and inspire. My favorite part is watching as the student's eyes gleam in excitement when they finally understand a part that's been troubling them.

I am kind, patient, and understan
ding. I will never give my students more work than they can handle nor would I give them a challenge I didn't think they would be able to succeed. I like to have fun teaching my lessons, so I hope you have fun learning.

I look forward to learning and growing with you!
...
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Edwin D.

Edwin D.

Brooklyn, NY 11222
starting at
$25 / 30-min

About George M.

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Fort Lee, NJ
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About George
I've been lucky enough to have achieved my dream of performing on Broadway and I love sharing what I've learned over my twenty year career. Singing is a natural expression of who we are, no matter our "talent" or skill level. It's not mysterious or scary if you know how to direct your energies and coordinate your thoughts, your breath, and your voice. It should always be fun, a true expression of your individuality. The greatest singers in the world don't sound like anyone else. They sound like THEMSELVES! I'll maximize the beauty, expression, and ease of your sound, whether you're a beginner or have a final callback for a Broadway show.
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Reviews
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Angela August 21, 2017
· Broadway Singing · In home
I cannot recommend George enough. He is thoughful and patient and knows more about musicals than anyone I know. Singing is fun with him!
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Brian August 21, 2017
· Broadway Singing · In home
George is awesome! Lessons are fun and I'm singing notes I never dreamed of having before.
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George M.

George M.

Fort Lee, NJ 07024
(2)
starting at
$84 / 30-min

About Saya C.

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New York, NY

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About Saya
A graduate of The University of Michigan (MM in Orchestral Conducting), and Mannes College of Music (MM in Choral Conducting and Music Theory, BM in Music Theory), I am currently in the last year of my Doctoral Program (DMA in Orchestral Conducting) at Rutgers. Having begun the piano when I was six, I have fifteen years of experience teaching piano and ten years teaching conducting. I have given instruction to all ages privately, and I have held group lessons and classes from elementary school to college level. My passion is with education. I am a patient teacher who listens to the needs of my students, both in music and in conversation, to make sure they find the best method to improve their basic skills and find joy in making music. I am a conductor for New York Mixed Chorus, Schola sine Nomine, Park Avenue Christian Church Choir, and T
he Classical Musician's Rehearsal Symphony Orchestra in New York City. My school teaching experience includes Rutgers (Conducting), Mannes Preparatory Division (Music Theory), Bronx Bethany After School Enrichment Program (Piano), Midori and Friends (Piano), and New York Music and Arts (Piano).
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Saya C.

Saya C.

New York, NY 10037
starting at
$50 / 30-min

About Sulina B.

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New York, NY

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About Sulina
Hello! I am very passionate about teaching music!
I am currently pursuing second year master of music - flute at Mannes School of Music with Judith Mendenhall. I graduated from University of Illinois at Urbana-Champaign with Bachelor of Music degree studying with Jonathan Keeble. I have taught many flute students who were beginners to advanced. I have a passion for learning and teaching music. I am also available in English and Korean. :-)
I am available at Manhattan area, upper New York and Connecticut.
If you have more questions about my biography and etc, please send me a message. I am looking forward to meet you and teach you!
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Sulina B.

Sulina B.

Stamford, CT 06902
starting at
$40 / 30-min

About Monica L.

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New York, NY

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About Monica
I am a Taiwanese pianist, singer, producer and composer who is based in New York City. I graduated from Jacobs School of Music at Indiana University with a Bachelor of Music, specifically piano performance. I am currently a M.M./M.A. candidate at Mannes College of Music, The New School. Additionally, I teach Mandarin Chinese to those who would are curious about Chinese culture and language.

I teach piano students of all different ages and experience levels. I studied classical piano professionally since I was 3, and violin since I was 7. I have been teaching piano for almost 10 years. I teach students basic knowledge of piano and music, such as technique, how to read music, the right position and so on. Besides the foundation, I believe that musicianship is the most important thing to learn and experience. I hope to not only teach my s
tudents how to play the instrument but also the appreciation and love for music. I also perform regularly in United States, Taiwan, and UK.

As a Chinese teacher, I often find lots of similarities between successful piano students and Chinese students. Both require consistent hard-works and strong eagerness to learn. I have a flexible curriculum that will accommodate each student's need.

I teach my students in my conveniently-located workplace in downtown Manhattan and online through professional equipment. I can also travel to student's home in New York City if the commute is doable. I look forward to meeting you!
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Reviews
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Rebecca S. December 10, 2017
· Piano · In studio
Monica is such a wonderful teacher! She was really great with beginner techniques and musicality. She helped me improve my technique a lot. Highly recommend!
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Monica L.

Monica L.

New York, NY 10011
(1)
starting at
$59 / 30-min

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You don't have to be a big jazz fan to boost your guitar skills with some jazz techniques. In this guest post, Matt Warnock from mattwarnockguitar.com teaches you 10 must-know jazz guitar scales.  Even if you’ve never played jazz guitar before, you’ve probably come across numerous articles and lessons exploring jazz guitar scales. There seems like an endless mountain of scales to learn when exploring jazz on the fretboard, and they all come with strange names and sound even stranger.
5 Easy Piano Songs to Teach to Toddlers (with Videos!)
Whether you have a grand piano in your living room or a small electronic keyboard, you can teach your toddler how to play simple songs even if you don't know much about music. Your toddler will love learning the five easy piano songs listed below. Before you start though, you'll need to learn the location of the notes. Start by locating C - it's the white key directly to the left of the group of two black keys. Using only the white keys, the notes continue in alphabetical order up to G, and the

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