Morgan Hill Music Lessons

Looking for private in-home or in-studio lessons? Our Morgan Hill teachers are ready to get you started. Find your teacher today!

Featured On

How it Works

From finding the perfect teacher to managing payments, scheduling and tracking your progress, we take care of all the details, so you can focus on learning. Learn More

Search for a teacher

Compare hundreds of teachers based on the criteria that matter to you, including background checks, age and experience.

Schedule your lessons

When you've found the perfect match, schedule your lessons online using the teacher's real-time availability.

Connect with your teacher

Your teacher will welcome you with a personalized curriculum to meet your specific goals and you'll be able to manage your entire schedule through our free online account.

Can't find a teacher in Morgan Hill?

No problem. Our online lesson platform connects you with any teacher, anywhere. All you need is a reliable Internet connection, a webcam and a microphone.

Convenient

Zero travel time is great for a busy schedule.

Affordable

Typically priced lower than local lessons.

Effective

Online students stick with lessons as long as local students.

Learn More

Music Lesson Reviews from Students

Students are raving about their Music instructors on TakeLessons. Check out some of these recent reviews.

And they're not alone!

Our teachers have taught

2 , 1 3 4 , 4 2 1

lessons and counting!

Popular Music Teachers near Morgan Hill

Check out some of our most popular teachers near Morgan Hill including Watsonville, Coyote, New Almaden, Mount Hamilton and Freedom.

Showing 10 of 200+ results View More

About Hristo V.

Close
201524_204597_1263591460
San Jose, CA
View Full Profile
About Hristo
Hristo is an impressionistic modern jazz guitarist and composer from Sofia, Bulgaria. Now residing in the San Francisco Bay Area, Hristo leads a variety of modern jazz formations, ranging from duets to quintets. Hristo has toured nationally and internationally, appearing at some of the most prestigious jazz clubs and festivals, and has also performed guitar clinics in Europe and Japan. He has written more than 270 original compositions, many articles on jazz improvisation, and a book on chordal theory and construction entitled Between the Voicings: A New Approach to Chord Building for Guitarists. The Hristo Quartet’s 2009 debut album, Song for Messambria (First Orbit Sounds Music) quickly received outstanding reviews by the international jazz community and was selected as one of the six best jazz albums of 2009 by E-JAZZ NEWS.
“His sophi
sticated and adventurous work is imbued with shimmering harmonies and lyrical improvisations.” – JAZZTIMES MAGAZINE
“His multihued compositions are like impressionistic sound paintings.” – JAZZIZ
“You just won’t find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers.” – Improvijazzation Nation Magazine
“Hristo may be one of the best kept secrets in jazz today. He is the epitome of sonic gold.” – DIGITAL JAZZ NEWS
“Hristo plays as the cultural end result of his life experiences. Simply put, he plays more so from the heart than he does the head.” – Critical Jazz
“A richly textured album full of strong melodic and rhythmic ideas and with some superb playing throughout.” – THE JAZZ MANN (England)
As jazz critic Edward Blanco describes: “Heis the newest guitarist to enter the national jazz scene and does so with a stunner of a recording in Song for Messambria, one of the finest debut albums I've had the pleasure of appraising this year.”
The record presents a unique blend of ECM-style modern jazz, classical, and Brazilian tone textures, and showcases the completely unique and masterful interpretation of the jazz idiom by each one of its members. In late 2009, Hristo released his second studio album featuring Latin Grammy-nominated pianist Weber Iago. The Secrets of an Angel is an impressionistic landscape painted by the delightful and graceful conversation between the two instruments (guitar/piano).
As jazz critic Brad Walseth describes: “On the heels of his impressive debut recording, Song for Messambria, guitarist Hristo returns along with pianist Weber Iago for a wonderful guitar/piano duet recording - The Secrets of an Angel...while the gentle title track shimmers like a glistening iceberg on a cold sea. The delightful two-part ‘The Last Pirate” is a highlight - brilliantly showcasing the exciting romantic bend inherent in his music, while the nostalgic lullaby “Leka Nosht (Good Night)” recalls a faraway youth and rounds out this fine release.”
In 2010 Hristo wrote a large scale jazz work (The Perperikon Suite) especially to be premiered at the 53rd Monterey Jazz Festival. This 7 movements jazz suite is inspired by the ancient Thracian city of Perperikon (located on the territory of Bulgaria), and combines orchestral, classical, jazz, and fusion elements depicting the history and mystery of this enchanting place. The work marks Hristo third album and one of his most adventurous and sophisticated works up to date. For the recording of this project the Hristo Quartet was joined by virtuoso vibraphonist and multi-instrumentalist Christian Tamburr.
As jazz critic Dan Bilawsky describes: “Shimmering harmonies resonate throughout these modern jazz marvels, and the soloists work their way around and through this accessible and exciting music with equal measures of taste, technique and spirit. His pieces are peppered with signpost sonorities and ideas that often reappear throughout a given song, creating a sense of continuity and thematic steadiness that develops around individual soloists. While this group ably establishes its own aural identity, which threads its way through the whole album, each movement of the suite has different strengths and a unique sonic footprint. Brought to life as a tale of two cities, The Perperikon Suite ultimately occupies its own wondrous world within the confines of its jazz borders.”
As jazz critic Brent Black describes: “There is an incredible warmth to his playing, a fluidity of movement and direction held firmly in place by a stellar quintet that provides ample support for the lyrical imagery created on this release. Aside from the superior sound which almost smacks of a live in the studio recording, there is a true working band feel that he has been able to obtain. He displays an unparalleled versatility moving from the flash of “The Acropolis” to the more introspective “The Southern City” allowing for a wonderfully paced recording. The drumming of Joe DeRose creates a special dynamic tension on the tune “The Great Hall.” A release that ends far too soon. Wonderfully crafted, well paced and a sonic tapestry that stands up as well as any release for this past year.”
As jazz critic Bruce Lindsay describes: “The music, performed by a terrific quintet, is beautiful: it captures images not of a city in ruins but of a city full of life, of vibrant activity. The Perperikon Suite is an impressive creation. Each individual tune is beautifully crafted, but so, too, is the Suite as a whole. His response to the ancient city is remarkable in both its conception and its performance.”
As jazz critic Michael Bailey describes: “Many time motifs are used throughout this suite. Tick-tock ascending and descending figures pass as a thread through cloth, to hold this musical garment—a coat of many colors—together. He achieves this effect with no apparent effort or change in guitar tone or approach. Merely by affecting the time signatures, he makes his magic. The Perperikon Suite is soft-spoken and brainy music that exists out of the ordinary.”

As jazz critic Brad Walseth describes: “The new songs are the strongest he has written yet, and the addition of Tamburr serves to take the music to an even higher level. Hristo, meanwhile, continues to impress the listener with his addictive blend of jazz with touches of classical, Brazilian and Eastern European influences in both his playing and songwriting. In lieu of visiting the legendary site yourself, listeners are urged to take a musical journey to the ancient location as seen through the senses of Hristo and shared with you through his highly satisfying musical presentation.”
As jazz critic Ed Blanco describes: “Hristo and his inspirational quintet provide an all-new experience on The Perperikon Suite, a concept album that is accessible, creative and a pleasure to spin often.”
In 2012 Hristo embarked on yet another musical chapter of his life. Heartmony is the long awaited and highly anticipated follow up to the first duet recording by the guitarist and pianist Weber Iago (The Secrets of an Angel). As the title of the record will suggest, Heartmony explores a truly intimate, honest, and emotional conversation between the two instruments. The music, which transports you from impressionistic landscapes to folkloric tales and from melancholic memories to meditative trances, is simply the purest harmonious sounds he has put on tape up to date. Straight from the heart, healing energy that will embrace you long after you listen to it.
“An absolutely wonderful recording.” – JAZZTIMES
“If ever there were a marriage between classical music and jazz then this Heartmony is it. Hristo and Weber Iago have created a very special experience.” – Grady Harp (Amazon.com)
“Both on and off the bandstand, he is an artist who wears his emotions on his sleeve. His new “Heartmony,” a duo session with his frequent collaborator, Brazilian pianist Weber Iago, provides a master class in the way a chord or harmonic progression can evoke a flood of sensations.” – Andrew Gilbert (San Jose Mercury News)
“Guitarist Hristo and longtime collaborator, pianist Weber Iago, have created a work of sublime musicality with Heartmony. Exquisitely lyrical, although a bit too sweet, this opus brings together multiple musical influences into a coherent and cohesive, multilayered narrative, the momentum of which does not slack from the first few notes to the very last. He and Iago interweave long musical threads into a shimmering soundscape of serene beauty.” – Hrayr Attarian (All About Jazz)
As jazz critic Brent Black describes: “Heartmony is a sonic mosaic pieced together from heartfelt feelings and emotions carried through time and communicated in an incredibly heartwarming and emotional presentation that exemplifies the zen concept of less is more perhaps as well as any recording of the last decade. The musical sound of one hand clapping. His and Weber's music transcends the more traditional jazz idiom in much the same fashion that their recorded work here is that of a more cohesive unified voice with subtle shadings, lyrical swells and the textured nuances that creates music that is to be experienced. An incredibly beautiful artistic statement of personal experience.”
“Guitarist Hristo and pianist Weber Iago sounds like a perfect match in a musical heaven, if such things exist. What I’m saying here is that this is a duet album that sounds perfect, music made from the heart and soul. There’s warmth, there’s care, and there’s a human quality to this that no machine can replicate, and it is that Heartmony that makes this a powerful album worth listening to repeatedly.” – John Books
As jazz critic Dan Bilawsky describes: “The eleven originals are all musical offerings from the heart and soul, but this isn't a one-dimensional recital. Some songs are full of life and positive energy, while others have a sense of regret and nostalgia sewn into their being, but they're all painted in sharp, vivid colors, thanks to the skills of both artistic practitioners at play.”
“This set of guitar-piano duets is quietly emotional, always intriguing and quite original. His clear toned guitar blends in perfectly with Iago’s powerful piano and the two musicians often seem to think as one. Heartmony is quite thought provoking and well worthy of many close listens. Highly recommended.” – Scott Yanow
“Hristo and Iago play together with the assurance born of long and fruitful collaboration. They know each other well, and it shows in the skillful way they complement each other. They take a beautiful melody and run with it. They wring every bit of emotion out of it. There are passages in a composition like “Memories in Black and White,” nocturnal moments in “The Last Leaves which Fell in Fall,” that sound like they could have been written by a nineteenth century Polish Romantic. Then there are moments in the same songs where there are glints of French Impressionists.” – Jack Goodstein (blogcritics.com)
“Hristo is a gifted composer and master guitarist whose stylish approach to the music makes him a hidden wonder of the jazz world. Heartmony is an intelligent musical statement and gentle follow up to his previous works, a relaxing soulful musical experience sure to touch a piece of your heart.” – Ed Blanco (E-JAZZ NEWS)
In January 2013, Hristo released “Familiar Fields” – his 5th record as a leader (and his 2nd quartet recording). The music presented in this session clearly displays the multidimensional tonal evolution of the band and each one of its individual members. The addition of drummer extraordinaire Mike Shannon to the quartet establishes a portal to new sonic landscapes and emotions to be explored in this collection of 9 original pieces by the guitarist. The music, which takes the listener through the realms of impressionistic, classical, jazz, experimental, and new age, always retains the unique sonic footprint that has brought critical acclaim to the quartet all over the world.
“He  paints a vivid pastoral landscape with epic sweep, often recalling the big-sky sound of Pat Metheny. Obviously, these musicians are more than comfortable with one another, as one delicate solo seamlessly segues into another.” – JAZZIZ

“Once again he has produced an immaculately crafted, often supremely beautiful album.” –
The Jazz Mann (England)

“If Pat Metheny and Larry Carlton are considered the kings of impressionistic jazz guitar, then certainly Hristo is a crown prince and ready to lead a palace coup. In fact, “Familiar Fields” easily stands equal to even their greatest albums. Part of the reason for that has to be credited to Hristo’s choice of musicians in the quartet. The musical affinity and effortless grace shines forth on this album like few recordings I have ever heard. They share a single heart and mind that bursts forth in illumination on every track. There is no weak moment or weak player on this album.” – Travis Rogers (JAZZTIMES)
“Over the past few years, Bulgarian-born, Bay Area-based guitarist and composer Hristo has consistently crafted music of great lyrical beauty. With his self-named quartet or quintet, or in duet with pianist and frequent collaborator Weber Iago, he has advanced a sound that manages to sound intimate and epic at the same time. He does so again on Familiar Fields (First Orbit Sounds), his latest recording with his quartet, which welcomes new member Mike Shannon on drums. As he has on previous recordings, He makes use of classical imagery and narratives in song titles such as “The Prophet’s Daughter,” “The Mask of Agamemnon” and “Wounded by a Poisoned Arrow,” the last of which is our selection. His instrumental voice bears echoes of the tonal warmth and big-sky sweep of Pat Metheny, as he and Iago, his beyond-simpatico musical compatriot, switch off on leads, riding the rolling hillocks of rhythm provided by Shannon and acoustic bassist Dan Robbins. Shannon proves an exceptional addition to the group, responding to and driving his companions in equal measure.” – JAZZIZ
As jazz critic Hrayr Attarian describes: “Bulgaria-born and San Francisco-based Hristo has established himself as a modern day troubadour. His enchanting and fantastical tunes have the feel of medieval ballads abundantly peppered with futuristic sounds. His sixth release, Familiar Fields, presents nine impressionistic originals that showcase his maturing compositional skills as well as the superlative, improvisational talents of his working quartet. With each album he oeuvre ripens and becomes more sophisticated without losing its delightfully spirited edge. Familiar Fields not only stands on its own merit as sublime music but also whets the appetite for what is yet to come.”

“Familiar Fields is a highly intelligent, thought-provoking Impressionistic escapade.” – Nicholas Mondello (All About Jazz)

“This release is a clear statement from an artist comfortable with who he is and where he is going. There are no absolute truths in music but instead there are shades of gray which he and his quartet fill in with the precision of a surgeon and the soul of a true artist. Never caught up in the academics of his works, he instead conducts a sonic exploration with the end result being a release that gives up something new with each subsequent spin. An ebb and flow unmatched, or perhaps unlike him, an ebb and flow that other artists simply can not match. As close to perfect as it gets!” – Brent Black (CriticalJazz.com)

“The Hristo Quartet, ladies and gentlemen, is in peak form. They have no competition: no other music in the jazz idiom is quite as satisfying.” – Grady Harp (Amazon.com)
“The musical bond between guitarist Hristo and pianist Weber Iago is as strong as that of Chick Corea and Gary Burton, with proof being their two sublime duet recordings, The Secrets of an Angel and Heartmony, as well as three small group sessions under his name. For the Familiar Fields quartet date with regular bassist Dan Robbins and new drummer Mike Shannon, chose nine gems to play from his vault of more than 270 original compositions. As usual, as one listens to his music, the words lyrical, impressionistic, spiritual, and passionate come to mind, and also his term "heartmony," which he defines as the simultaneous combination of feelings and emotions, especially when produced by experiences, memories, and stimulations pleasing to the heart, body, and soul." – Scott Albin (JAZZTIMES)
“The emotional essence of any Hristo recording can be seen before it’s heard via the distinctive oil paintings the guitarist creates for his CD jackets. his artwork for Familiar Fields is impressionistic, haunting and autumnal, the same qualities that characterize his latest collection of tunes. The foursome’s interplay is highly intricate, resulting in emotive tunes that wax and wane in intensity. Whether you call it post-bop or post-fusion, his brand of jazz is passionate and ethereal. He has developed into a formidable guitarist and intelligent composer, and since he’s only 32 years old, his best work may be yet to come.” – Ed Kopp (Jazziz)
“Within his tone and technique, it’s not difficult to hear the influences of Wes Montgomery, Pat Metheny and Lee Ritenour. He is adept at the full range of extended techniques but is most often described - justifiably - as an impressionist.” – Karl Ackermann (All About Jazz)
“Of the many attributes that Bulgarian (San Francisco based) guitarist Hristo possesses - refined technical abilities, warm tonality, and expressive soulfulness - his gift to convey beautiful stories through intricate composition is always at the heart of his appeal.” – Mark F. Turner

In October 2013, Hristo released his 6th album as a leader. "Rhodopa" is a beautifully crafted sonic pairing of the extremely emotional and lyrical Bulgarian folklore and the multidimensional and deeply textured world of modern jazz harmony. On his new music journey, the guitarist is joined by virtuoso Bulgarian clarinetist Liubomir Krastev. As jazz critic Dan Bilawsky describes: “Hristo and Liubomir Krastev cover everything from the mystical to the mournful and the grim to the gleeful on this absorbing duo date.”

“Hristo takes improvisational music to a third dimension of texture you can feel. Rhodopa is my selection for album of the year for 2013. Critically acclaimed guitar virtuoso Hristo started the year with the release of the highly regarded Familiar Fields. With Rhodopa, has now assumed his rightful place as a global virtuoso of unrivaled talent and ability. As artistically gifted as he is technically proficient, Hristo moves to the head of the pack with this stellar outing.” – Brent Black (CriticalJazz.com)

“Hristo boldly departs from the group setting and gives the audience even more of what they crave - soulful arrangements and virtuosity with heart. There is a beauty and an elegance that comes through on each and every one of Hristo's recordings. The music he composes, the arrangements he crafts, the musicians that he assembles together and the dignity and reverence of his musicianship speak of the heart of the man and his love of life.” – Travis Rogers (JAZZTIMES)

As jazz critic Hrayr Attarian describes: “The warm, poetic tunes are like fairy tales in verse. They are imbued with nostalgia, and shimmer with a variety of muted colors and sentiments. Krastev's softly undulating tones waver against his vibrating strings in a spiritual celebration of abstract beauty. This thematically unified work is a genre bending, elegant and satisfying opus and a new high for he who continues to excel himself on each fresh release.”

“Modern jazz guitarist, pianist and composer Hristo always refreshes the ear and the soul with his inordinately sensitive, mesmerizing, and beautiful approach to music. He is unique - and artist who explores every avenue of approach to both folk music and jazz and the result is an experience that simply no one else can match.” – Grady Harp (Amazon.com)

“With Rhodopa, guitarist/composer Hristo and clarinetist Liubomir Krastev meld musical minds, dive exuberantly into an array of earthy Bulgarian folk material and come up with four hands of beauty. The result is a panoply of aural color, emotion, and technical artistry.” – Nicholas Mondello (All About Jazz)

As jazz critic Ed Blanco describes: "Rhodopa is an instrumental serenade of Bulgarian folklore music interpreted by a world-class guitarist and clarinetist. Hristo and Liubomir Krastev deliver an enchanting and relaxing escape from reality with a fifty-three minute encounter of soul-reaching music."

"You just won’t find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers. With Liubomir’s reeds, they form a cultural jazz experience that can’t be compared with anything else!" – Dick Metcalf (Improvijazzation Nation Magazine)

On top of leading his own quartet, quintet, duo projects, and co-leading the group SEVA, Hristo also co-writes and plays guitar with Joe De Rose and Amici - an energetic jazz/fusion formation lead by drummer Joe De Rose. Hristo has appeared on countless radio shows/programs all around the world.

Hristo has also performed in world-class jazz venues and festivals including Yoshi’s Jazz Club (Oakland, CA), Bach Dancing and Dynamite Society (Half Moon Bay, CA), Kuumbwa Jazz Center (Santa Cruz, CA), Anthology (San Diego, CA), Catalina Jazz Club (Hollywood, CA), The Jazz Corner (Hilton Head Island, SC), Heidi's Jazz Club (Cocoa Beach, FL), Alvas Showroom (San Pedro, CA), The Jazz Station (Eugene, OR), Egan's Ballard Jam House (Seattle, WA), Timucua White House (Orlando, FL), Ivories Jazz Club (Portland, OR), The Herbst Theater (San Francisco, CA), SOhO Jazz Club (Santa Barbara, CA), as well as major jazz festivals including the 53rd Monterey Jazz Festival (Monterey, CA), 2009/2010/2012/2013 AT&T San Jose Jazz Festival (San Jose, CA), 2010 and 2012 Redwood City “Jazz on Main” (Redwood City, CA), Okazaki Jazz Festival (Okazaki, Japan) and many more.

Hristo holds a B.A. in Music (Jazz Studies) from San Jose State University in San Jose, CA.
He has also studied in the prestigious Roland Music Academy in Caracas, Venezuela.

Students can benefit from Hristo's completely amazing knowledge on the instrument as well as music/harmony theory. He will work and design unique and specific goals tailored to each student's individual interests. His dedication and passion for teaching are first class!!!

*** Lesson Details ***
I design my lessons with the specific student goals in mind.

For Beginner students: we will start by exploring rhythm concepts and understanding how to read music. Learning the physics of the guitar and exploring the notes in the first few positions. Learning open position chords, and simple chords progressions, major and pentatonic scales,etc.

For Intermediate students: we will continue expanding our knowledge of the higher positions of the guitar, as well as develop better sight-reading skills. Bar cords and chord transposition, and music theory. Expanding our scalar vocabulary to modes, and minor scales. Learning arpeggios and classical etudes.

For Advance students: Close interval voicings, jazz improvisation, chord to scale relationships, and harmonic substitutions are some of the concepts we will cover. Learning solo guitar playing (chord melody), incorporating walking bass lines, transcription skill and arranging skills.

*** Studio Equipment ***
A specific music room with a few guitars, a keyboard, amps, and recording equipment and music stands

*** Travel Equipment ***
I provide my guitar and amp.
Students should provide their guitars and amps (if needed)

*** Specialties ***
I specialize in Jazz guitar, improvisation, harmonic studies and theory.
Chord melodies, building lines, phrasing, voice-leading, chordal improvisation, and re-harmonization/substitution.
...
Reviews
Silhouette-80
Kim L. April 26, 2014
· Guitar ·
Outstanding Performer

Hristo is the most inspirational teacher I've every had the pleasure to learn from. He shares his talent in a way that I look forward to every lesson. His patience and positive reinforcement encourages me to keep practicing. He selects the appropriate music for my level and teaches all genres. Thank you for working with me every week. I hope I get to work with him for as long as I can until he becomes too famous to continue teaching us.
Silhouette-80
AllenH April 4, 2012
· ·
Great Instructor

I've been taking lessons from Hristo for a couple of months now. He is friendly, affable, and extremely patient. I enjoy our lessons, and have learned quite a bit in the short time we have been working together.
Silhouette-80
JeanetteY March 7, 2012
· ·
wonderful instructor and very accomodating. We are appreciative of his talents!!
View Details
View Profile
Hristo V.

Hristo V.

San Jose, CA 95118
(9)
starting at
$65 / 30-min

About Trevor M.

Close
Profile_94452_pi_Tree
Concord, CA
View Full Profile
About Trevor
My name is Trevor M. I primarily teach upright and electric bass. Beginning to advanced levels. I can teach you anything from Jimi Hendrix, to John Coltrane, to Bach.

Additionally, I teach beginning to intermediate Guitar, Piano, and Trumpet. If needed/preferred, I include reading music and beginning to advanced music theory in the lesson, as I offer Music theory tutoring as well, in Classical Harmony, as well as Jazz Theory and Improvisation.

I am dedicated to helping my students 1. Have fun, 2. Learn, and drastically improve in what they want to learn, 3. Grow and become well-rounded musicians.
...
View Details
View Profile
Trevor M.

Trevor M.

San Jose, CA 95112
starting at
$40 / 30-min

About Jessica H.

Close
Profile_44226_pi_image
San Jose, CA

View Full Profile
About Jessica
Hi. This is Jessica H. Currently I just graduated from San Francisco conservatory of music with Masters degree. I am a very patient person who has huge passion about working with kids.I have been teaching piano over 15 years. Since I have been teaching a quite long time. I have had students who past the highest level of ABRSM exams. I can be more serious and push a student to get ahead, or simply teach to have fun - to appreciate and enjoy music. I have learned, is to expect the best, pay closest attention to the students - to what they are ready for, what they want, what they are struggling with, and have a good sense of humor. Inspiring and developing students passion into music.
...
Reviews
Silhouette-80
George August 11, 2017
· Piano · In home
the first class went smoothly. I learned basic music & finger skills.
Silhouette-80
Mike August 3, 2017
· Piano · In studio
Quality instruction and developed good rapport with my child. Taught at the right level and was one of the only instructors we tried who actually mentioned proper hand position and technique.
Thumb_102110_pi_tlnow_58d1e1d7a8083
Shan March 29, 2017
· Cello · In home
Jessica is a great teacher. She helped me starting with very basic skills. She is very pacient and easy to communicate with.
View Details
View Profile
Jessica H.

Jessica H.

San Jose, CA 95131
(7)
starting at
$39 / 30-min

About Dr. Elizabeth M.

Close
Profile_112264_pi_12509039_10100605794046176_5992943130528112851_n
Mountain View, CA
View Full Profile
About Dr. Elizabeth
Dr. Elizabeth’s students have performed in such acclaimed venues as Carnegie Hall, Alice Tully Hall at Lincoln Center and Citi Field and have received top scores in New York State School Music Association Exams (NYSSMA), the Associated Board of the Royal Schools of Music Exams (ABRSM). Her most dedicated students have been accepted into top universities in the country such as NYU, Bard University, Juilliard Pre-College and Rutgers University and have been featured in broadcasts for radio and TV stations including FOX News, the Don Francisco Show on NBC, the Harry Connick Jr. Show on Fox, SAT. 1 TV in Germany, for President Obama at the National Tree Lighting Ceremony, Good Morning America on ABC News.

Dr. Elizabeth has been actively involved in the training of young violinists in NYC and abroad for the past ten years. She currently mai
ntains a private violin studio in the California Bay Area, serves on the faculty of the New Mozart School in Palo Alto and performs with the Santa Cruz Symphony. Dr. Elizabeth was previously on the faculty of Stony Brook University Undergraduate Chamber Music, Stony Brook University Pre-College, the Herald School of Music and the Joyous School of Music in New York.

She has performed as soloist with orchestras in Canada and the United States, receiving numerous awards and scholarships. She was the 2nd prize winner of the Frank Preuss International Violin Competition in Ibague, Colombia, “special prize” winner of the Diabelli International Chamber Competition in 2012, 1st prize winner of the Columbus State University Concerto Competition, 2008, 2nd prize winner of the LaGrange Young Artist’s Competition in 2008, top prize winner of the Canadian National Chamber Music Festival 2005, and 1st prize winner of the Atlanta Community Orchestra Competition.

Dr. Elizabeth’s studies have taken her across the globe from the Shanghai Conservatory of Music, to the University of Performing Arts in Graz, Austria, the Schwob School of Music in Georgia, USA, the Liszt Academy of Music in Budapest and Stony Brook University in New York where she completed her doctoral studies. Her primary teachers include Hagai Shaham, Philip Setzer of the Emerson Quartet, Silvia Marcovici, Sergiu Schwartz, and Vilmos Szabadi.

For more information about Dr. Elizabeth please visit www.elizabethmaccorquodale.com
...
Reviews
Silhouette-80
Cam September 20, 2017
· Violin · In home
Great with young talent, vary encouragjng and dedicated.
Silhouette-80
Elise September 19, 2017
· Violin · In studio
Elizabeth always greets us with a big smile and is full of laughs and jokes, which makes learning a difficult instrument a lot more enjoyable for my son. She's is very knowledgeable and eagerly explains technique and does not shy away from giving feedback and guidance, which has helped him improve a lot. I was so worried that he wouldn't like learning the violin or that he'd have a lot of difficulty, but neither of those have been the case. My husband and I have recommended Elizabeth to several of our friends and we are happy to provide her an online referral as well. Thank you Elizabeth for teaching our son the violin! - Elise & John
Thumb_59c026d462cb3_review_sgoncu2
Selim September 18, 2017
· Violin · In studio
My main instrument is piano, however I have taken a year of violin lessons during my composition studies in Austria. I wanted to focus on my string instrument writing and also develop my violin playing skills (at the age of 33!).

Dr. Elizabeth proved herself to be a great teacher, who didn't only make my lessons fun (believe me, it's not that easy when you are at a certain age), but also made made things very interesting to me by relating the techniques I learned to string instrument writing (which is an amazing experience for a composer!).

Sometimes when I arrived early for my lessons, I observed Dr. Elizabeth with children and talked to some of the students' parents. They all speak highly of her and are very happy with their children's musical development.

I am (also) a music teacher at UC Berkeley, and have seen all kinds of teachers throughout my career and I can confidently say that you can't go wrong with Dr. Elizabeth. I still continue my weekly lessons and am amazed how much I've developed as a violinist since we started working together.

Thank you Dr. Elizabeth, see you next week!
View Details
View Profile
Dr. Elizabeth M.

Dr. Elizabeth M.

Mountain View, CA 94043
(4)
starting at
$50 / 30-min

About Melissa M.

Close
Profile_84051_pi_20150826_105931
Sunnyvale, CA

View Full Profile
About Melissa
I have been teaching since 2006 on a variety of topics. I graduated with an BA from the University of Wisconsin. My degree is in History with and emphasis on East Asian history.

I've taught all age groups from age 2 up to retirees. My teaching experience includes one-on-one and group classes in a variety of settings. I've taught corporate classes, private lessons, small groups, and traditional classroom lessons.

We have a student-centric philosophy of learning. Lessons are generally relaxed and designed to work towards accomplishing student determined goals. While all students will study similar fundamentals regarding technique, theory, and performance, every lesson is as different as every person. Special focus on topics like music theory, self-accompaniment, composition, song writing, and home recording are available as well.


What are your personal goals? We'll tell you what you need to do to get there, and help you take the steps to achieve your aspirations.

Lessons with small children are more focused on just having fun while developing a good musical foundation, but we prefer for them to have as much personal ownership of their lesson as possible.
...
Reviews
Silhouette-80
nina/olivia September 5, 2017
· Piano · In studio
fun and upbeat
Silhouette-80
Katie August 28, 2017
· Ukulele · In studio
My 8 yo daughter just started taking ukulele lessons with Melissa and always looks forward to her upcoming lessons! Friendly, upbeat, patient, and wonderful teacher.
Thumb_105135_pi_Screen%20Shot%202017-05-07%20at%2010.37.21%20PM
gary July 1, 2017
· Chess · In studio
thanks
View Details
View Profile
Melissa M.

Melissa M.

Sunnyvale, CA 94086
(23)
starting at
$40 / 30-min
View More
View Previous

About Vivian G.

Close
Profile_100917_pi_psb
San Jose, CA

View Full Profile
About Vivian
I'm a patient piano teacher
...
View Details
View Profile
Vivian G.

Vivian G.

San Jose, CA 95133
starting at
$40 / 30-min

About Todd S.

Close
Profile_105462_pi_TSandigoPhoto
Campbell, CA
View Full Profile
About Todd
I have been playing and studying music for 30 years and performing for 20 years. I teach a variety of styles including rock/pop, jazz, country, and classical, as well as how to compose and improvise in a variety of settings. I can show you the in's and out's of the equipment used with electric guitars including amplifiers and effects, as well as teaching instrument maintenance and modifications. My teaching approach revolves around getting new students to make music as soon as possible, even with the most basic skills, to build confidence and ensure a continued interest in learning. I emphasize the internalization of the physical aspects of playing through repetition and progressive exercises customized to the individual.

Practicing very slowly, learning to use a metronome, shorter but more frequent practice sessions, and plenty time f
or free play, are some of the concepts at the core of my teaching style. My strong communication skills are used to dispel any mystery in the instrument, how it works, and making music with it. No matter the skill level of the student, there is always something new to learn or a new way to approach the instrument. I have extensive experience with music production technology including equipment, DAW software, and recording techniques, incorporating these into your lessons if you're interested. I am also versed in synthesizers and sound design.

My lessons are always customized towards the individual, but stress the ability to make music even with very little technique. Building on simple riffs, easy chord changes, and practicing slowly to instill confidence and keep students interested. I often incorporate popular Beatles or Taylor Swift songs to teach chord changes and song form. Working on reading music for piano students and tablature for guitar as well as lead sheets for both. I can also show you how to interpret "cheat sheets," those lyrics with the chords above them that you get from the internet, that are always a little bit wrong.

Having finally reached a place where technique is no longer a hurdle to making music is a reward equal to the amount of time and effort that was required to reach this level of proficiency. I find great joy in showing people of all ages that music can be life-enriching, expanding one’s appreciation of the arts, providing opportunities for new friendships, and creating a sense of accomplishment with every new song learned or skill acquired on a musical instrument.
...
View Details
View Profile
Todd S.

Todd S.

Campbell, CA 95008
starting at
$50 / 30-min

About Natalie E.

Close
Profile_111987_pi_Moreapproachable
Aptos, CA

View Full Profile
About Natalie
My name's Natalie, and I'm a voice and flute teacher! I studied Vocal Performance and Flute Performance at the University of California Santa Cruz, and got my Masters of Music in Vocal Arts at the University of Southern California Thornton School of Music.

I specialize in classical voice and opera, though I believe a good vocal technical foundation is applicable to all musical styles. I also teach music theory, for those just getting into music, and for those who would appreciate a refresher. Since I studied both flute and voice, I am especially well trained in breath management and alignment. The breath is the most important thing in both flute and voice. It's what sends our sound out into the world!
...
View Details
View Profile
Natalie E.

Natalie E.

Aptos, CA 95003
starting at
$25 / 30-min

About D'Ana L.

Close
Profile_109684_pi_IMG_4605
Sunnyvale, CA

View Full Profile
About D'Ana
I am a professional opera singer and have been trained and performed in some of the most prestigious opera houses in the country. I do love performing but once I found teaching I realized how much joy I got from helping my students achieve their goals no matter how grand or how small. My honest opinion is that anyone can sing and that all should be given the opportunity to try!

As a vocal student, we will discuss what your goals are for our lessons together and what you hope to achieve in the long run. Students can expect improvements every week as you build upon the techniques and exercises I give you. I teach students to improve their breathing and tone production using the classical vocal technique and from there we will work on style and phrasing and overall performance of your piece. One common goal is to create a repertoire of song
s that the student can call upon at any time to sing with ease.

As I am still a working singer and will travel every few months to perform in a different concert or show. All of which is an attribute to my students as the more I learn in a professional setting, the more I can pass along to those I teach. Don't hesitate to ask if you would like to see my professional bio to get a better grasp of where I have worked in the country and the world.

My passions are Disney music, Broadway both classic and new, Opera, and really anything that can get your heart racing when you sing it. So let us get started on our musical journey! Looking forward to meeting you and to helping you unlock the singer you always had inside you.
...
View Details
View Profile
D'Ana L.

D'Ana L.

Sunnyvale, CA 94089
starting at
$50 / 30-min

About Andrew G.

Close
Profile_107337_pi_me
Campbell, CA

View Full Profile
About Andrew
I'm a professional musician performing various genres with many bands on a national level. I've been playing drums for 15 years and have been teaching for 11 years. I graduated from The New School For Jazz & Contemporary Music with a BA in Jazz Studies and am currently performing and teaching full time in the south bay. I teach drums and beginning piano and bass.
...
View Details
View Profile
Andrew G.

Andrew G.

Campbell, CA 95008
starting at
$40 / 30-min

Recent Music Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music articles on our blog.

Guitar Essentials: How to Play Barre Chords

Guitar Essentials: How to Play Barre Chords

Learning to play barre chords on the guitar is a big step for many beginning guitarists. Guitar teacher Joe L. breaks down the basic things you'll need to know in order to play barre chords and shares tips for practicing them... First off, if you don't know the basic open guitar chords you will have tremendous difficulty with these chords. Learning basic rhythm patterns with simple open chords gives you familiarity with different types of chords, how to play chords, and how they sound. Once y … Read More

Guitar Essentials: How to Play Barre Chords
Learning to play barre chords on the guitar is a big step for many beginning guitarists. Guitar teacher Joe L. breaks down the basic things you'll need to know in order to play barre chords and shares tips for practicing them... First off, if you don't know the basic open guitar chords you will have tremendous difficulty with these chords. Learning basic rhythm patterns with simple open chords gives you familiarity with different types of chords, how to play chords, and how they sound. Once y
5 Bad Habits Holding You Back as You Learn Piano
Are you not making the progress you were hoping for in your piano lessons? Read on as piano teacher Nadia B. explains some of the common bad habits that may be holding you back...   When you're learning piano, you're busy mastering a variety of skill sets -- note reading, rhythmic competency, independence of the hands, musicality, and so much more. It's easy to focus so much on these things that you might be developing bad habits... without noticing. Read on to learn more about th
How To Audition for Solos in Choir Songs in 5 Steps
Ready for your time to shine? Get ready for your upcoming choir audition with these tips from Ann Arbor, MI voice teacher Elaina R...   Choir songs are all about group mentality. Singing as part of an ensemble, working on blend and teamwork, is very rewarding. But there are also opportunities to get in the spotlight once in a while, and those can be rewarding too. Choir songs with solos provide singers with a chance to sing alone – a very different experience than singing as pa
Your Official Road Trip Playlist: 150+ Best Songs to Sing Along To
Taking a road trip can be the best way to enjoy a vacation - driving makes getting there half the fun! Planning a road trip involves thinking ahead to sleep, snacks, ideally a rotation of multiple drivers, and – of course – picking out a playlist of the best songs to sing along to. Singing along to music is a great way to prevent drowsiness, and worse, outright falling asleep. Make your trip safer and a lot more fun with these 150 best songs to sing along to. Each song is from a unique artist
6 Kids' Games for Learning Piano Music
Is your child struggling to stay focused when they're practicing the piano? That's normal--it just means it might be time to add something new to the routine! Get some great ideas for music games for kids in this guest post by Santa Cruz, CA teacher John S...   Can your 4- to 6-year-old keep her focus through the entirety of a traditional piano practice? Music demands a tremendous amount of attention, in several different areas at once: reading music, being careful about pitch, rh

Get Started with Free Resources

Why TakeLessons?

Are You a Teacher?

Find out how TakeLessons can help you grow and manage your business

Learn More