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Acting Lessons & Classes in Paradise Hills

Find the perfect teacher or instructor in Paradise Hills for private acting lessons in your home or in their studio.

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Popular Acting Teachers near Paradise Hills

Check out some of our most popular teachers near Paradise Hills including Las Vegas, Boulder City, Nellis AFB, The Lakes and Sloan.

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About Karin H.

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Henderson, NV
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About Karin
Karin H. –Soprano

Karin H. is currently pursuing her DMA in applied voice from the University of Nevada, Las Vegas. She holds a Bachelor of Music from The Juilliard School and a Master’s degree from the Curtis Institute of Music. She has been a member of the Pittsburgh Opera Young artist training program, singing the roles of Sesto ("La Clamenza di Tito"), Jenny ("Threepenny Opera") Ottavia ("L’Incoronazione di Poppea") and Carmen ("La Tragedie de Carmen"). She has also appeared with the Pittsburgh Opera as the Page ("Salome"), Alisa ("Lucia di Lammermmor") and Suzuki ("Madama Butterfly").
Ms. H. has sung the role of Zerlina ("Don Giovanni") at the Kiev Opera, Miss Jessel ("The Turn of the Screw") at the Chautauqua Institute and Hansel in the Israel Philharmonic Orchestra production of "Hansel und Gretel." With the Israeli Opera sh
e sang the roles of Kuchtík ("Rusalka"), Madelena ("Il Viaggio a Reims"), Curra ("La Forza del Destino"),Innkeeper’s Wife (“The cunning Little Vixen” ,) in the world premiere of Gil Shohat’s “The Child Dreams and the Third Lady in the “Magic Flute”.
Karin is a member of the Avant Gard opera group “Opera Camera” with which she sang the roles of Mr. Smith (“The Bald Soprano”) and Etroga (“The Crook”) all directed by Daniel Ehrlich.
Karin participated in the performance piece “Cabaret Macbeh” as part of the “Nisuy Kelim #8” festival in Tel Aviv.
Recently she took part in Yoav Gal’s 3WEEK OPERA staged reading in New York City.
Karin H. is a recipient of the Baroch Grabov prize for exceptional emerging talent, scholarships from IVAI, as well as other numerous prizes and scholarships.

*** Travel Equipment ***
Piano or Keyboard.

*** Specialties ***
Opera, Classical, Broadway, pop
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Reviews
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Patricia W. September 1, 2015
· Classical Voice · In home
This instructor is a true professional and knows how to communicate with the child to get results. Also, when she tells you not to eat anything heavy before lessons, believe her; definitely affects practice :D
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Grant C. July 31, 2015
· Singing · In studio
Karin is a committed, no nonsense, excellent teacher/coach, with broad experience. You get your money's worth here, from a professional. I will be returning to Karin in the future for more lessons and training.
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Karin H.

Karin H.

Henderson, NV 89074
(2)
starting at
$30 / 30-min

About Glenn W.

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Henderson, NV
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Having spent a lifetime on the stage in many roles, many capacities, I have accumulated a vast amount of knowledge pertaining to all facets of performing; be it theater, television, film. While not subscribing to one particular "method", I stress "reacting, not acting", and believability of performance. All ages and experience levels have benefited from my approach. Whether a student is an aspiring actor, or a working actor sharpening their skills or prepping for an audition, I provide a solid foundation and practical, applicable knowledge and guidance.

About Glenn
I have been active in the entertainment industry since the age of 12, when I gave my first professional performance. Prior to that I was already being introduced to music with years of guitar, and then vocal instruction. I do not remember a time of my life when I was not singing somewhere; in the house, in the yard, in the classroom. That is perhaps why I identify so well with the young people who gather so much enjoyment from "just singing" at every opportunity. I studied professionally for over 10 years with renown soprano and voice teacher Sylvia Jensen, who was instrumental in the enhancement of my vocal knowledge and technique. She is now the Director of Education for the Miss Ohio pageants of the Miss America competitions, elevating many young ladies to the national spotlight. At age 14, I auditioned for, and was added to cast of a
network television variety program, "The Gene Carroll Show", that was a television institution for over 30 years in the Midwest. I was a featured performer on that program for over 7 years, all the while perfecting the art of "playing to a camera." This experience was invaluable, and the knowledge I gathered is now included in my curriculum. I also began performing a solo act in the nightclub circuit at the age of 15, performing up and down the "north coast" from Cleveland, OH, (my home), to Erie. PA. At a very young age, I learned the difficult art of choosing musical material and pacing a show; also adapting to performing under a myriad of conditions with a vast array of musical accompaniment. After graduating college with a degree in Business Administration and Marketing, I assembled my own band, and took to the road. That experience eventually brought the act to Las Vegas in 1982. Over the years my show has been a staple in major casino cabarets in Las Vegas, and all over Nevada. Since my first engagement at The Landmark Hotel in the early 1980's, I have literally been up and down the famed Las Vegas Strip many times over. The Desert Inn, The Dunes, The Stardust, The Maxim, The Tropicana, New York New York, Mandalay Bay, MGM, Bally's, The Flamingo, The Imperial Palace, The Four Queens, The Golden Nugget, The Fremont, The Venetian, The Palazzo, and a three year engagement at The Riviera. My show is truly comprised of musical variety; classics, show tunes, jazz, rock, blues, r&b, country. Even a presentation of "Music of the Night" from Phantom of the Opera, that I perform in full costume. It is this ability to successfully deliver an extensive repertoire that I am enthusiastic about passing along to the next generation of entertainers.

I have been truly blessed in my career to have experienced so many highlights; too many to document. From winning an understudy roll in the Broadway Musical "Platinum" starring Hollywood actress Alexis Smith, to performing our National Anthem at events ranging from Major League Baseball to ESPN Boxing to receptions for major dignitaries, to recording 7 albums and a full-length video, to being asked to perform for Mr. Frank Sinatra at the Frank Sinatra Celebrity Golf Tournament, I have lived a full life on stage, learning and absorbing every bit of knowledge gathered along the way.
Now it is my desire to escalate my status as an educator to a more "one on one" experience; availing myself the opportunity to pass along that wealth of knowledge to individual students who aspire to enjoy the entertainment profession as I have, providing them with the skills needed to successfully compete. Or, should it be their choice not to pursue entertainment as a vocation, to gain a working understanding of all facets of their instrument so as to gain a better appreciation of music. Whatever the goal of the student, I feel that I am equipped to provide them with the tools needed to achieve that goal.

*** Lesson Details ***
Content of Sessions

Generally, the first 10-15 minutes of each lesson will be focused on vocal warm up and exercise. (For guitar students, we will review the previous
week's assignment). For Vocal Students, it is understood that the voice mechanism is made up of muscles, and as an athlete prepares for a sporting event, a singer must prepare to vocalize. It is at this time in our lesson when the student will develop good habits of voice maintenance, which will serve them well throughout their careers. The proper care and preservation of the vocal unit cannot be stressed enough, especially for pubescent and pre-pubescent students. Vocal chords in a developmental stage are most susceptible to damage, and because they are particularly sensitive, they must be handled with care. Our warm up regimen is designed to strengthen as well as preserve the singing voice.

I am not an advocate of getting too involved and "bogged down" in the technical aspects of singing, especially with the young students, and
especially early in our program. This is not to say that breath control, tonality, pitch, etc. are not vital to good singing, because these workings are ESSENTIAL, and their application will certainly be incorporated into our studies. Some instructors, on occasion, have a tendency to lose sight of the fact that much to do with singing happens "naturally", and too much focus on the "technical" can actually be inhibiting. This can alter a beautiful, natural tone into one that is unnatural and contrived.

I adhere to the philosophy that above all else, SINGERS WANT TO SING SONGS, and musicians-in-training want to play music. That is our focus, and all of our training is conceived with that objective in mind. All the technical knowledge and coaching serves no purpose without practical application. It is my belief that the most significant progress occurs when a vocalist is singing a song.

Nearly every element of instruction can be utilized in the performance of one song. This is why the majority of our session time will be spent "in song". For the very young student, we will concentrate our efforts with the students choices of favorite and familiar songs. The older students will undoubtedly have favorite songs, styles and artists. Special attention will be paid to the genre most enjoyed by the student, but diversity will be emphasized as well, and a variety of genres will be unpacked and explored. I believe that whatever a student's musical goals and aspirations, it is in their best interest to gain knowledge and insight in all facets of music, singing, and performance.

The most vital pre-requisite for any student is their enthusiasm. My ambition will be to harness that enthusiasm and channel it productively through stimulating instruction. Our sessions will be informative and educational, but always predicated upon "having fun with music".

I am proud to feature a curriculum that emphasizes the entertainment aspect of singing as well as the technical; created to benefit all ages and experience levels, from beginner to seasoned professional. After just weeks of my "Triple Threat Training" a student will begin to see astounding results: vocally, musically, and in the art of performance. I am excited to share my knowledge with you. Let's get started!

*** Studio Equipment ***
My studio is equipped with a full vocal sound system with microphones that I utilize to teach the valuable art of mic technique. Young students enjoy using the mics and hearing themselves sing and perform. Since our lessons are predicated on enjoying the art of singing, this opportunity has proven invaluable. For the advanced performer, studying all aspects of amplification and what a singer should know about their stage sound is a part of our educational curriculum. My studio is furnished with the equipment that is essential to mastering that knowledge.
Since the practical aspect of my course is based on singing songs, I provide all the latest technology required to allow my students the opportunity to sing the songs of their choosing, with and without the lead vocal tracks. I feel that when students are singing their favorite songs, it offers me the greatest teaching opportunities. I make certain the every musical genre can be represented, and feel I have the knowledge and ability to guide the student is whatever their musical tastes. My studio is also equipped with piano (for vocal exercises), and guitars, which gives me opportunity to accompany my students when the musical moment is appropriate. Be assured that all the technology I need to fulfill the educational needs of my students is but a step away!!
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Reviews
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George G. August 1, 2017
· Acting · In home
I was very pleased with Glenn and the help he gave myself and two other co-workers on the presentation we have to make this week at our conference. Glenn quickly picked up on what our outcome was and coached us in that direction. Many valuable tips and ideas for input was extremely helpful. Glenn also had a superb sense of humor and we shared plenty of laughs along the way also....highly recommend Glenn!
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Louise R. May 25, 2017
· Music Performance · In studio
Glenn has so much experience as a performer that he offers very practical suggestions!
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Alexandra November 17, 2016
· Acting · In studio
Very nice and friendly first impression
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Glenn W.

Glenn W.

Henderson, NV 89074
(66)
starting at
$35 / 30-min

About Mia R.

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Norfolk, MA
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Private acting lessons will be primarily focused on coaching audition materials and techniques. Materials include monologues, sides, scenes from plays, etc. Techniques include voice clarity and projection, enunciation, facial expression, emotion, character development, and more.

About Mia
I am a professional singer and actress with opera and musical theater credits. Singing is my passion! I love to sing, and I LOVE to teach others to sing! The human voice is the most natural instrument of all, and helping others to bring out the beauty of the natural instrument that lies within them is something to which I am very devoted. I like to make students feel comfortable and at ease in lessons, and you will find that I am very warm and friendly!

Every student is unique, with their own strengths, their own areas for improvement, and their own preference for certain styles of singing. I can help you find what style makes your heart sing!

I have a broad range of credits, including the Broadway National Tour of Fiddler On The Roof with Theodore Bikel (Tzeitel understudy), and Off-Broadway in Fiorello (Marie) and The Rose Ta
ttoo (Flora). Among my many regional credits are Oliver at the Chiswick Park Theater in Sudbury, MA (Nancy), Camelot with Noel Harrison at the North Shore Music Theater in Beverly, MA (Nimue/Guinevere understudy), and Is There Life After High School with Desi Arnaz, Jr. and Sharon Lawrence at the Burt Reynolds Theater in Jupiter, FL. I currently hold the post of Soloist at First Church of Christ, Scientist, Needham, and am a Guest Soloist for The Mother Church in Boston. I have a Bachelor of Fine Arts degree from the Cincinnati Conservatory of Music, and have received additional training with many renowned pedagogues, including mezzo-soprano Sondra Kelly, and coaches Arlene Shrut from the Juilliard School, Michelle Alexander with Boston Lyric Opera, and Roger Malouf with the Metropolitan Opera.
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Selena March 6, 2017
· Singing · In studio
Mia is an absolutely outstanding teacher. I came in for my first lesson horrified to sing, not knowing anything about performing. And in just a few months of learning with Mia I was cast in my first show. Fast forward a few more months and I have been accepted to the college of my choice in their Musical Theater program. In just a year she has helped me achieve my goals that seemed so out of this world to me in the beginning but now are a reality. She is not only amazing at the technical stuff, but she is so genuinely invested in helping you be the best that you can be. She changed my life and I'm so grateful to her.
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Rufino L. October 15, 2016
· Singing · In home
She made me feel really comfortable and believe she will be honest regarding my abilities and any limitations I may have. I look forward to working with her!
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Angie W. August 23, 2016
· Singing · In studio
Wonderful!
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Mia R.

Mia R.

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starting at
$40 / 30-min

About Zeffin Quinn H.

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Valley Village, CA
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Learn true analysis to mine the script of every detail you need to make the character come alive. Then activate those given circumstances with personal choices to make the character rounded and real.

About Zeffin Quinn
🎶 If you want to...

1) Build a vocal technique that will not fail you
2) Have piece of mind that the SOUND you want to come out of your mouth WILL come out
3) Know that you are using your own 100% authentic sound

...then you have found the right teacher!

🎥 🎶🎙 LESSON DETAILS 🎥 🎶🎙
Most teachers "vocalize" or "warm you up" for 5 or 10 minutes and then the lesson is spent just singing songs with no real emphasis on how to execute awe-inspiring and healthy singing.

Working with me is a truly distinctive experience, much like a workout with a trainer (Don't laugh because I'm a little overweight!). We will spend the hour working on very physical and concrete exercises to build a comprehensive technique that will support you through any genre of singing. At the end of each lesson, usually about 15 minutes, we can work on you
r chosen repertoire. Utilizing both vocalise and song literature of your choosing, we will go through very pragmatic and utilitarian methods that will generate an easy, free and uniquely individual sound.

🎥 🎶🎙 STUDIO EQUIPMENT 🎥 🎶🎙
Main teaching studio is 14'x14'
800 sq ft recital & class space
Microphones
Sound System with:
iPhone/iPod dock
Standard 3.5mm input jack for other phones/players
"Old School" cassette tape recording
Full Library of Classical, Musical Theatre, Pop Music

🎥 🎶🎙 SPECIALTIES 🎥 🎶🎙
✓ I have served as a vocal consultant on many professional recording sessions
✓ I have nearly 20 years experience working in all genres - POP/Rock, Opera, and Musical Theatre. I have a long client list that includes many celebrities all the way to beginners who are dedicated and ready to embark on a systematic process.
✓ In order to gauge your progress, I also provide performance opportunities through quarterly recitals and studio classes.

🎥 🎶🎙 BIOGRAPHY 🎥 🎶🎙
In addition to a rigorous performing career, Mr. H. has also been the principal associate vocal technician to world renowned master clinician Joann C. Zajac for the past fifteen years. Known for unearthing talent; building voices from inception; and guiding and managing the well trained singers through the inherent difficulties of a performing career: ZajacStudio has earned a coveted reputation for providing a meticulous regimen that builds a robust and consistent singer with a "complete package" ready to take on the difficulties and rewards of a major career. Students have traveled from as far as Hong Kong to work with these down to earth and practical technicians, and they encompass every genre including pop, musical theatre, and opera. Using Ms. Zajac's exceptional approach, clients have garnered both critical and popular success working on Broadway, London's West End, and in opera houses all over the world. The ZajacStudio client list also includes recording artists and an extensive list of top celebrities.

Working with the concept that all performance art is pure storytelling, Zeffin is also an accomplished director and acting coach. He is the co-founder of Singing Actors' Lab, the production and group class arm of ZajacStudio. The mission of SAL is to bring the best of both worlds from acting and classical singing to a "no compromises" well-rounded performance where acting choices support the vocal technique and vice versa. SAL has produced many full productions of operas, legit musical theater, also a series of concerts at Le Petit Greek Los Angeles, and a countless array of master classes throughout the country. As a stage director Mr. H.'s productions have been on the stages of Opera Las Vegas; Los Angeles' Dell Chamber Opera; Larchmont Concert Opera; California State University, Northridge; Wichita State University; and also recently at the Off Broadway Theater, The Lambs.

Zeffin has sung over 90 leading roles at many of the country's most significant opera houses including Dallas Opera, New York City Opera, Santa Fe Opera, Opera Pacific, Opera Theatre of Pittsburg, Palm Beach Opera, Opera Delaware, Toledo Opera, New Orleans Opera, Dicapo Opera Theater, and also at Hungary's Szeged & Pecs National Theaters. Mr. H. has had the pleasure of many orchestral appearances as a soloist with the Brooklyn Philharmonic; Lincoln Center's Little Orchestra Society of New York; Westfield Symphony; Palm Beach Opera Orchestra; Duluth Superior Symphony Orchestra; Owensboro Symphony; Bear Valley Music Festival Orchestra and Rome's International Chamber Orchestra. His signature operatic roles include Scarpia (Tosca), Escamillo (Carmen), and Jack Rance (La Fanciulla del West). Mr. H. also represented the USA as John Proctor in the award-winning production of The Crucible broadcast to 46 countries on Mezzo Television.
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Reviews
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Andrea S. August 1, 2016
· Singing · In home
Zeffin Quinn is the best.He really knows what he is talking about and l learned a great deal.Thankyou you so much
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Ming-An May 24, 2016
· Singing · In studio
I have been been blessed to be able to work with Zeffin for over 2 years now. Zeffin is a great voice coach, and he has been very instrumental in helping develop my instrument continuously and steadily. I can only highly recommend to anyone serious about singing, but don't take my spot. OK?
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Angie April 20, 2016
· Acting · In studio
Shortly after finding Zeffin 2 1/2 years ago, my daughter started getting cast in shows! He has a way of working with children to bring out the best in them in a very natural way. He asks probing questions, makes them think about each scene and character and truly has a gift for working with young talent. My daughter has learned so much and grown in her acting ability. He is a great resource for all kinds of questions about the business. We are so glad we found him.
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Zeffin Quinn H.

Zeffin Quinn H.

Las Vegas, NV 89141
(14)
starting at
$59 / 45-min

About Tyler S.

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San Diego, CA

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I have been a performing artist since the age of 7. Over the years, I have worked under dozens of production companies for film and stage. As world-renowned author, Malcolm Gladwell, states in his book: "Outliers," it takes 10,000 hours of experience to be considered an expert of any field. After hitting that mark around Christmas 2012, I began to write a curriculum and had my first student a few weeks later.

To give you an idea of my general class structure, it is typically a balance of the following:

Craft Foundation,
Personal Study,
Performance Development,
Business Analysis,
Art Exercise,
and Method Discovery

I pull from a wide array of past learning experiences, (from the academy, to the set/stage/studio, to my personal library), to produce the best exercise technique for each individual student's uniquely-structured learning path in the art and craft of Acting.

We will study personal development, (how to prepare your slate for each new story), ...

About Tyler
As President and Chairman of Method Center Actors Inc., Board Member of the Actors Alliance, New York Film Academy alum and Rehearsal Room Acting School alum, and as a member of the prestigious Actors Studio, Tyler has been teaching the craft of Acting under Method Center Actors Studio and as an independent coach since 2012.
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Tyler June 20, 2017
· Film and TV Acting · Online
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Zachary H. March 21, 2016
· Child Acting · In studio
My 11 year old son is already a working actor, but we needed someone to iron out the "rough spots" and give him some extra coaching. Since we don't live near LA, we first started working with Tyler because he was local. He is fantastic! My son just loves him, and they connect really well. When he had an audition for a lead part in a movie, Tyler took the time outside of our normal schedule for some one on one time at the last minute. He is always friendly, professional, and always flexible with our schedule. My son did not get that part, but he auditioned for a tv pilot a few weeks later. He didn't get the part he auditioned for, but he made such an impression on the director, they actually created a special rolel for just for him. We owe some of this to Tyler, he really knows how to bring out the best in your kid. Also, his fees are reasonable. You won't be disappointed!
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Javon S. February 22, 2016
· Acting · Online
The first lesson was a great experience!!! 👍👍
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Tyler S.

Tyler S.

Online
(41)
starting at
$20 / 25-min
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About Corliss P.

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Chicago, IL

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I have been in this profession for 35 years. I have taught on many levels and for different ages including workshops for high school students and university level conservatory programs.

I believe that the theatre is an arena where we learn about who we are. Acting is being present in the moment and we learn how to live our lives more fully through this study. Each actor has his own unique voice and relationship to the material. It is my job to help each student find their own path.

About Corliss
I am an actress that has performed and taught the classics for over 35 years. I love it! I can help you with auditions, study structure, develop skills or simply reach a deeper understanding of your favorite texts.

I believe that the theatre is an arena where we learn about who we are. Acting is being present in the moment and we learn how to live our lives more fully through this study. Each actor has his own unique voice and relationship to the material. It is my job to help each student find their own path.

Corliss
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Steve May 22, 2017
· Voice Acting · In studio
I took a five-session Beginning Voice Acting class with Corliss in a professional recording studio. The critiques she gave me after every recording I made helped me to speak more clearly, and to increase the energy I was able to put into my recorded presentations. Without the critiques of my recordings, I would not have been able to improve my speaking ability. During the class, she made sure everyone in the class was made to feel welcome, and important. When I take the next level of the Voice Acting class series, I will be looking forward her critiques of my recorded presentations.
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Janet B. May 20, 2017
· Voice Acting · In studio
I recently took lessons with Corliss and couldn’t have been happier! From the minute I walked in the door for the first lesson, Corliss was energetic and enthusiastic. I found her instruction relative to breathing techniques, warm up exercises and copy interpretation extremely valuable in helping me to relax and “think outside of the box,” which enabled me to think more creatively while also helping to identify my own areas of strength and those requiring further development. Corliss provided honest and supportive feedback, all within a fun environment that had me looking forward to the next lesson. I am truly looking forward to taking additional lessons with Corliss!
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Susan May 20, 2017
· Voice Acting · In studio
Corliss clearly knows the business and the talent and techniques required to be successful. Her teaching style is warm, supportive, engaging and encouraging. I’ve benefited immensely from the relaxation and breathing techniques she’s taught me. She’s educated me on interpreting copy in ways that I wouldn’t have had the ability to come up with on my own. Her lessons have boosted my self-confidence by providing the tools and encouragement required to pursue a career as a voice actor. Corliss has truly been an inspiration!
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Corliss P.

Corliss P.

Online
(6)
starting at
$60 / 60-min

About James W.

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Los Angeles, CA

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My MFA is from a top 3 actor training program. I have been coaching actors for over a decade. I live in Los Angeles and work professionally as an actor in theatre, film, and television. I have such a wide variety of techniques at my disposal that I bring whatever technique seems to be best suited to the you and the material you are working on. I have taught at The American Conservatory Theatre, The Berkeley Repertory School of Theatre, The Theatre of Arts, Naropa University, and privately.

About James
I have been teaching and coaching for over a decade.

I live in Los Angeles and work professionally as an actor in theatre, film, and television.

I have an MFA from the American Conservatory Theatre. With my PhD research at the California Institute of Integral Studies (funded by The Esalen Institute) I explored a distinct teaching approach that focuses on cultivating the extraordinary capacities of great actors.

I have taught at The American Conservatory Theatre, The Berkeley Repertory School of Theatre, The Theatre of Arts, Naropa University, and privately.

I love the creative process of teaching, and I teach primarily through caring relationship to my students.

We can meet online or in person. I have a huge library of resources to support you with. I also will often record our lessons so you can listen or watch them
multiple times as a way to get maximum value from the work we do.
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Jeffrey May 30, 2017
· Acting · In studio
James Wagner is actually the best teacher of creative work I've ever had in any field, and as a writer/ filmmaker/ musician dude, I have had a lot! His teaching is rigorous, passionate, and results-driven, while remaining flexible and sensitive at the same time. His knowledge of acting and theatre theory is endless. He is always trying to expand the possibilities in his classes, bringing in guest speakers, and facilitating unexpected exercises. He is also an inspiring, warm hearted person. Kate and I started a theatre company with actors we all met in his classes, so that should tell you something. I honestly would not be the same person had I not encountered his generous vision of acting and theatre. You cannot go wrong by having him as a coach or teacher.
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Deborah May 26, 2017
· Theater Acting · In studio
I met James when I took his class at Berkeley Rep (Eugene O'neill scene studies). I immediately knew he was the kind of Acting coach I'd want to train me, the level of professionalism and high standards is invaluable. During a short trip to LA, I met with James for a 3 hours coaching in which we created a 3 year plan to go from Student actor to working actor this was followed up with some online (Skype) sessions. Next I took another scene study with James at Berkeley Rep in which we workshopped Contemporary plays, James in a kind, professional way was able to push me to the level he knew and expected his students to be. And recently I took an Actor's retreat end of last year, again I left the retreat so inspired and motivated. I can tell you now that I have been in a few Theatre productions, I have and continue to meet the goals we set out for me sooner than what we had mapped out. I couldn't have done it without James vast knowledge of acting and motivation. I highly recommend you study with James!
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Gino May 20, 2017
· Stage Performance · In studio
I've studied with James in both a workshop context, and one-to-one on-line. Both were very valuable and enjoyable experiences. James is a very skilled actor, a very learned man, and an insightful teacher and director. Each element of his teaching is a different expression of a life that is clearly committed to his art as an actor. I found working with him to provide a deep new view of the playwright we studied (Albee in our case), and a very supportive guide to my personal work as an actor. I can highly recommend him.
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James W.

James W.

Online
(6)
starting at
$50 / 30-min

About Aubrey W.

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Henderson, NV

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Whether you are just starting out in your journey as an actor, or you are interested in refining your skills with relevant and applicable concepts and methods, I will devise a program tailored specifically to your aspirations. Character development, dialogue interpretation, stage movement: just to name a few of the skills we will be studying and honing. If it's Musical Theater you enjoy, we will unpack the elements in that genre, and prep you for auditions. Always, classes are predicated on fun!

About Aubrey
I'm in New York City finishing my junior year at the prestigious performance university, Marymount Manhattan, mere steps from Broadway, where I am honing my craft under the tutelage of the finest acting professors in the world. I was only one of 35 chosen to attend this school out of the over 1,500 candidates who applied and auditioned from around the world; I have had many lead roles as a musical and dramatic actress. I can't wait to teach you!
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Aubrey W.

Aubrey W.

Henderson, NV 89074
starting at
$30 / 30-min

About Annelise L.

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Las Vegas, NV
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A current BFA Acting student at Montclair State University (transfer from University of the Arts) willing to help fellow actors prepare for auditions, master Shakespeare, and explore several acting techniques from Meisner to Improv, classics to contemporary, Suzuki to Linklater- my goal is to provide a toolbox approach to acting personalized for each student and their needs.

Looking for college audition coach? I've been through that pesky audition process (twice! BFA transfers are crazy) and would love to spend the summer helping students prepare for university auditions this fall for both musical theatre and acting.

About Annelise
BFA audition season is coming up! Looking for an audition coach for acting or musical theatre? I'd be happy to help! Straight from the horse's mouth, I'll give you the inside information on what goes on in the audition room and how to get the most out of your time in front of the panel.

I'm an actor/musician born and raised in Las Vegas home for the summer before my final year at Montclair State University as a BFA Acting student. I've been studying music since six years old and have been doing acting and musical theatre for 7 years alongside directing, writing, voice tutoring, and composing.

Acting lessons available for a toolbox approach including Meisner, Uta Hagen, Improv, Stanislavski, Practical Aesthetics, and classics along with the voice work of Skinner and Linklater and movement technique of Laban and Suzuki. Lessons are t
otally personalized for the needs of the actor and can range from Shakespeare to contemporary scene study with a focus on specificity, clarity, vulnerability, and sincerity.

I teach singers in all genres, though I have the most experience in MT, folk, and pop. My goal is to help students not only learn to sing with the utmost vulnerability and honesty, but to ensure that they can do so while maintaining safe technique through breathing and relaxation. I work hard to eliminate affectations and habits to find the most uninhibited and expressive that the student's voice has to offer. MT singers will also focus largely on acting and finding authenticity within the suspended reality of song.

Lessons are tailored to the music taste and needs of the student and lesson plans are completely individualized to ensure the student is learning at growing at whatever pace suits their path while making sure they're still having fun and making art. If the student is interested in writing their own music, good news! I'm always willing to help fellow songwriters with composition.

I also offer lessons to child singers and actors as I love nothing more than seeing kid artists. Children's voice lessons are largely based in Musical Theatre/classics, focusing on ear training, sheet music, phrasing, rhythms, and breathing while children's acting lessons are based largely in classic/contemporary film and theatre, focusing on projection, clarity, commitment, and confidence.

A firm believer that anyone can act and anyone can sing- willing to teach anyone who doesn't already know more than I do!
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Annelise L.

Annelise L.

Las Vegas, NV 89149
starting at
$25 / 30-min

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