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Acting Lessons & Classes in Green Valley Ranch

Find the perfect teacher or instructor in Green Valley Ranch for private acting lessons in your home or in their studio.

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About Heather M. L.

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Saint Augustine, FL

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I believe, wholeheartedly, that with the right teaching and encouragement, anyone can learn to become an actor. Both children and adult beginners will have a great time playing acting "games", (i.e. exercises) that encourage creativity and freedom of artistic expression.

About Heather M.
More important than my conservatory education and my experience as an educator and a performer is my passion for teaching music and acting and my undying belief that anyone can learn to be a musician and an actor. I'm currently available to teach lessons in my own St. Augustine home studio, in the World Golf Village area, and online around the globe.

I'm a cum laude graduate of Westminster Choir College in Princeton, New Jersey and a winner of its merit scholarship.
After performing with the New York and Royal Philharmonics, the New Jersey and Virginia Symphonies, the American Boy Choir and the internationally renowned opera star, Andrea Bocelli, studying opera and piano at Westminster Choir College and performance art and improvisational acting at East Carolina University in North Carolina, and appearing in shows and pageants across
the east coast, I found my life's work in 2003 when I began teaching music.

I've successfully taught hundreds of different students since 2003, from 5-year-olds with special needs to middle-aged professional opera singers, from a professor in Saudi Arabia to a 65-year-old doctor of music, from kids of Radio Disney to students of the famed Actors Studio in New York, from busy stay-at-home parents to retirees with bucket lists, from CEOs to touring singer-songwriters.

I've created and led a workshop about singing called, "The Whole Body Singer". I've written dozens of articles about music and music education for the blog at TakeLessons.com.

My extensive knowledge of the voice has encouraged and empowered hundreds of singers and prepared many of them to win competitions, pageants and auditions, as well as roles in operas and musicals.

Having both taught myself piano and received formal training at a conservatory has prepared me to teach almost anyone how to play.
The intensive training and education that I received at Westminster Choir College in songwriting, music theory and sight reading has benefited my students at every level.

My current work as singer and keyboardist in the acoustic rock duo, Timberwood, has strengthened my knowledge of a broad range of styles and genres. I have a strong commitment to continuing my education. That's why I recently (2014) studied songwriting online with the Berklee College of Music in Boston.

In the lessons that I teach, I'm flexible, positive and encouraging. While I want my students to have fun and love music, not dread it, I expect hard work and persistence. I am caring, patient, nurturing, and compassionate. In piano lessons, I usually allow the student to choose a piece with which to warm up and then move on to technique and repertoire. In voice lessons, I usually warm up the singer and discuss technique and sight singing before focusing on song choices. Joan Frey Boytim wrote a book for voice that I like to use, and I like the Estelle Liebling exercises for the more advanced singer. Hanon exercises are a big part of my piano curriculum, and I enjoy the Bastien and Alfred books for young and old. I have used completely random songs pulled out of a piano bench and a karaoke CD for kids. I will use almost anything I can get my hands on if it means effectively teaching music.
Acting lessons consist of exercises and games that apply learned concepts, and monologue and audition coaching. Parents, siblings and spouses are always welcome to observe lessons quietly.
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Reviews
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Joe September 18, 2017
· Singing · In studio
I'm getting ready to sing at a family reunion. Heather has been great in helping me prepare for that.
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Savannah L. September 6, 2017
· Christian Gospel · In home
Great experience! We loved her positive teaching style and fast evaluation. Couldn't be more pleased.
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Nick August 29, 2017
· Improv Acting · Online
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Heather M. L.

Heather M. L.

Online
(68)
starting at
$29 / 30-min

About Glenn W.

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Henderson, NV
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Having spent a lifetime on the stage in many roles, many capacities, I have accumulated a vast amount of knowledge pertaining to all facets of performing; be it theater, television, film. While not subscribing to one particular "method", I stress "reacting, not acting", and believability of performance. All ages and experience levels have benefited from my approach. Whether a student is an aspiring actor, or a working actor sharpening their skills or prepping for an audition, I provide a solid foundation and practical, applicable knowledge and guidance.

About Glenn
I have been active in the entertainment industry since the age of 12, when I gave my first professional performance. Prior to that I was already being introduced to music with years of guitar, and then vocal instruction. I do not remember a time of my life when I was not singing somewhere; in the house, in the yard, in the classroom. That is perhaps why I identify so well with the young people who gather so much enjoyment from "just singing" at every opportunity. I studied professionally for over 10 years with renown soprano and voice teacher Sylvia Jensen, who was instrumental in the enhancement of my vocal knowledge and technique. She is now the Director of Education for the Miss Ohio pageants of the Miss America competitions, elevating many young ladies to the national spotlight. At age 14, I auditioned for, and was added to cast of a
network television variety program, "The Gene Carroll Show", that was a television institution for over 30 years in the Midwest. I was a featured performer on that program for over 7 years, all the while perfecting the art of "playing to a camera." This experience was invaluable, and the knowledge I gathered is now included in my curriculum. I also began performing a solo act in the nightclub circuit at the age of 15, performing up and down the "north coast" from Cleveland, OH, (my home), to Erie. PA. At a very young age, I learned the difficult art of choosing musical material and pacing a show; also adapting to performing under a myriad of conditions with a vast array of musical accompaniment. After graduating college with a degree in Business Administration and Marketing, I assembled my own band, and took to the road. That experience eventually brought the act to Las Vegas in 1982. Over the years my show has been a staple in major casino cabarets in Las Vegas, and all over Nevada. Since my first engagement at The Landmark Hotel in the early 1980's, I have literally been up and down the famed Las Vegas Strip many times over. The Desert Inn, The Dunes, The Stardust, The Maxim, The Tropicana, New York New York, Mandalay Bay, MGM, Bally's, The Flamingo, The Imperial Palace, The Four Queens, The Golden Nugget, The Fremont, The Venetian, The Palazzo, and a three year engagement at The Riviera. My show is truly comprised of musical variety; classics, show tunes, jazz, rock, blues, r&b, country. Even a presentation of "Music of the Night" from Phantom of the Opera, that I perform in full costume. It is this ability to successfully deliver an extensive repertoire that I am enthusiastic about passing along to the next generation of entertainers.

I have been truly blessed in my career to have experienced so many highlights; too many to document. From winning an understudy roll in the Broadway Musical "Platinum" starring Hollywood actress Alexis Smith, to performing our National Anthem at events ranging from Major League Baseball to ESPN Boxing to receptions for major dignitaries, to recording 7 albums and a full-length video, to being asked to perform for Mr. Frank Sinatra at the Frank Sinatra Celebrity Golf Tournament, I have lived a full life on stage, learning and absorbing every bit of knowledge gathered along the way.
Now it is my desire to escalate my status as an educator to a more "one on one" experience; availing myself the opportunity to pass along that wealth of knowledge to individual students who aspire to enjoy the entertainment profession as I have, providing them with the skills needed to successfully compete. Or, should it be their choice not to pursue entertainment as a vocation, to gain a working understanding of all facets of their instrument so as to gain a better appreciation of music. Whatever the goal of the student, I feel that I am equipped to provide them with the tools needed to achieve that goal.

*** Lesson Details ***
Content of Sessions

Generally, the first 10-15 minutes of each lesson will be focused on vocal warm up and exercise. (For guitar students, we will review the previous
week's assignment). For Vocal Students, it is understood that the voice mechanism is made up of muscles, and as an athlete prepares for a sporting event, a singer must prepare to vocalize. It is at this time in our lesson when the student will develop good habits of voice maintenance, which will serve them well throughout their careers. The proper care and preservation of the vocal unit cannot be stressed enough, especially for pubescent and pre-pubescent students. Vocal chords in a developmental stage are most susceptible to damage, and because they are particularly sensitive, they must be handled with care. Our warm up regimen is designed to strengthen as well as preserve the singing voice.

I am not an advocate of getting too involved and "bogged down" in the technical aspects of singing, especially with the young students, and
especially early in our program. This is not to say that breath control, tonality, pitch, etc. are not vital to good singing, because these workings are ESSENTIAL, and their application will certainly be incorporated into our studies. Some instructors, on occasion, have a tendency to lose sight of the fact that much to do with singing happens "naturally", and too much focus on the "technical" can actually be inhibiting. This can alter a beautiful, natural tone into one that is unnatural and contrived.

I adhere to the philosophy that above all else, SINGERS WANT TO SING SONGS, and musicians-in-training want to play music. That is our focus, and all of our training is conceived with that objective in mind. All the technical knowledge and coaching serves no purpose without practical application. It is my belief that the most significant progress occurs when a vocalist is singing a song.

Nearly every element of instruction can be utilized in the performance of one song. This is why the majority of our session time will be spent "in song". For the very young student, we will concentrate our efforts with the students choices of favorite and familiar songs. The older students will undoubtedly have favorite songs, styles and artists. Special attention will be paid to the genre most enjoyed by the student, but diversity will be emphasized as well, and a variety of genres will be unpacked and explored. I believe that whatever a student's musical goals and aspirations, it is in their best interest to gain knowledge and insight in all facets of music, singing, and performance.

The most vital pre-requisite for any student is their enthusiasm. My ambition will be to harness that enthusiasm and channel it productively through stimulating instruction. Our sessions will be informative and educational, but always predicated upon "having fun with music".

I am proud to feature a curriculum that emphasizes the entertainment aspect of singing as well as the technical; created to benefit all ages and experience levels, from beginner to seasoned professional. After just weeks of my "Triple Threat Training" a student will begin to see astounding results: vocally, musically, and in the art of performance. I am excited to share my knowledge with you. Let's get started!

*** Studio Equipment ***
My studio is equipped with a full vocal sound system with microphones that I utilize to teach the valuable art of mic technique. Young students enjoy using the mics and hearing themselves sing and perform. Since our lessons are predicated on enjoying the art of singing, this opportunity has proven invaluable. For the advanced performer, studying all aspects of amplification and what a singer should know about their stage sound is a part of our educational curriculum. My studio is furnished with the equipment that is essential to mastering that knowledge.
Since the practical aspect of my course is based on singing songs, I provide all the latest technology required to allow my students the opportunity to sing the songs of their choosing, with and without the lead vocal tracks. I feel that when students are singing their favorite songs, it offers me the greatest teaching opportunities. I make certain the every musical genre can be represented, and feel I have the knowledge and ability to guide the student is whatever their musical tastes. My studio is also equipped with piano (for vocal exercises), and guitars, which gives me opportunity to accompany my students when the musical moment is appropriate. Be assured that all the technology I need to fulfill the educational needs of my students is but a step away!!
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Reviews
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George G. August 1, 2017
· Acting · In home
I was very pleased with Glenn and the help he gave myself and two other co-workers on the presentation we have to make this week at our conference. Glenn quickly picked up on what our outcome was and coached us in that direction. Many valuable tips and ideas for input was extremely helpful. Glenn also had a superb sense of humor and we shared plenty of laughs along the way also....highly recommend Glenn!
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Louise R. May 25, 2017
· Music Performance · In studio
Glenn has so much experience as a performer that he offers very practical suggestions!
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Alexandra November 17, 2016
· Acting · In studio
Very nice and friendly first impression
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Glenn W.

Glenn W.

Henderson, NV 89074
(66)
starting at
$35 / 30-min

About Mariana W.

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Astoria, NY

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I emphasize authenticity in acting, particularly acting through song. I have worked with a variety of acting coaches throughout my career, many of whom have taught performers famous for their skill, and I have crafted a unique and child-friendly approach to the abstract art of acting. Acting is not something that is simply taught, but discovered, and I have had great success with my students in the past with my technique.

About Mariana
Hello! After earning my Bachelor of Music degree in Classical Voice from Hunter College in 2011, I have been working successfully as a singer, voice coach, and academic tutor. As a singer, over the past 8 years I have performed at professional theaters across the country, including Off-Broadway and at the world-renown Carnegie Hall. I specialize in musical theatre, but have a thorough classical technique, as well as strong pop/rock/belt training.

My teaching style is highly energetic, and engages the development of the student's self-esteem and enjoyment, but is also focused on a foundational technique and strong work-ethic. I am extraordinarily proud of the accomplishments many of my students have made, from achieving principal parts in their school productions, to even getting cast in Broadway shows. I am determined to help every on
e of my students reach their greatest potentials.

As a tutor, my approach is no different. Trained in the highly specialized and effective Lindamood-Bell programs, I have an intuitive grasp of children's needs and levels. I teach decoding, math, and reading comprehension, and nurture students' self-esteem and independence in their learning.

*** Lesson Details ***
I give lessons in 30, 45, and 60 minute increments. Each lesson will be personalized to the specific needs of the student.
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Reviews
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Cornel D. June 4, 2017
· Music Theory · In home
We practiced the new cadence for example of the deceptive cadence, the plagal cadence, and the phrygian. we learnt the basic root progression. a standard method of connecting triads with roots a fifth apart is to hold the common tone in the same voice and move all the other parts to the closest possible chord number. We learn about mediant triads s well.some ways using cadence that I can expand my harmonization practice is in general, when tempted to part write or analyze a chord in common-practice music as iii (in major), give the context further thought. i imagine with this knowledge it ill help me to compose a better harmonize song.
We practice together the scale degrees that are designated by Arabic numerals (1, 2, 3...), chor ds are similarly designated by Roman numerals (I, II, III). For example, in the key of C major the notes are C,D,E,F,G,A,B and we have designated them as 1,2,3,4,5,6,7. However, when we consider the triad chords in the key of C we have Cmaj, Dm, Em, Fmaj, Gmaj, Am, Bdim. These are designated I,II,III,IV,V,VI,VII. When speaking about these chords, for instance in the key of C major, we would call Gmaj the five chord, Dm the two chord,

Cornel's review of Mariana
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Cornel May 16, 2017
· Music Theory · In home
The easiest way to find an interval's name is to first, count all the pitch names present, including the notes themselves (ignore sharps and flats at this point). Then, find out (had it been missing a flat or sharp) what type of interval it would be, depending on whether it is perfect (a 1,4,5,8) or major (2,6,7). If there are no sharps or flats, you are done. If there are, figure out if the flat or sharp decreases or increases the distance between the two pitches. If it increases the distance, the interval is augmented. If it decreases the distance, and the interval would otherwise be perfect, it is diminished. If it decreases the distance and the interval would otherwise be major, it is min that is what I learnt
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Kristina September 10, 2015
· Singing · In studio
Mariana was great! Very professional and able to explain the techniques in a very clear way. When I began, I was very nervous and self-conscious. She was patient and kind and never made me feel embarrassed!

She really knows her stuff and technique. I'd been to a few voice teachers before and they were great singers, but they didn't seem to have to really KNOW the techniques behind singing. Mariana clearly is a wonderful singer and has great training in what she does.
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Mariana W.

Mariana W.

Online
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starting at
$50 / 30-min

About Molly M.

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Schaumburg, IL

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All ages, beginners welcome! I am a drama teacher as well as voice instructor. Musical theatre my specialty. Improv comedy experience.

About Molly
I have been teaching for 15 years: kids, teens-even beginner vocalists in their seventies! Rockers, an "Idol" finalist, church musicians, lapsed opera singers, preschoolers. ...these are just a few of singers I have worked with, in person, in the classroom, and ONLINE (I just love teaching singers all over the country and the world!) .

What you get in voice lessons with me: laughter as you learn! I have learned solid classical vocal technique from the very best . I have trained with respected opera singers who have performed with companies such as Lyric Opera of Chicago, as well as leaders in vocal pedagogy. I believe everyone deserves the same useful tools- no matter what it is you like to sing!

I am patient and customize each and every lesson. Need more time on ear training? No problem . How about beginning music theory? I can
help with that,too. Are you feeling more confident, and want to focus more on song polishing and getting into the heart of your songs? Let's do it! Confidence an issue? I am a pro with very shy people. I'll get you out of your shell, relaxed, and having fun right away so we can free that voice of yours! I have worked with many singers who have been diagnosed with anxiety: you're in good hands and you can trust me with your voice.

I am also a drama teacher who has worked with groups as well as individuals. Currently, I am the drama instructor at a Montessori School. I love working with beginning acting students! I'll assist with monologue prep, improvisation, voice for the stage, body awareness, and more. I love being on stage and want you to see how fun it is to jump in and let go,too!

I am a constant student in the world of theatre. I am currently taking many courses with the Drama Teacher Academy, and just received a certificate for monologue work ! Currently studying more improv and musical theatre techniques. I want my students to have as many skills as possible, no matter where their love for theatre or music takes them.

If you're interested in beginner ear training or music theory, I'd love to help you with that as well. I present it in a no-nonsense and fun manner! I'll provide you with simple worksheets to increase your confidence in learning the language of music, as well as run you through increasingly challenging patterns and sight reading for the ear training. Don't be afraid: I make it easy and customize it all. I used to be scared of theory,too- so I know what works!

I have been singing for over 20 years. Performances with the Lira Ensemble and Opera on Tap Chicago, and in master classes with international opera stars Alan Held and Lorna Haywood. Coaching with Collaborative Works Chicago and Rossini Opera Festival. Additional studies in Rock Vocals, Voice Care, Improvisational Comedy, Holistic Voice, Acting, Foreign languages, Dalcroze, Speaking Voice for Singers, , Commercial Vocal Styles/Belting with Lisa Popeil, teacher mentoring workshop with Maestro David Jones. Bachelor of Music in Vocal Performance. Additional workshops in Vocal Pedagogy with David Sabella-Mills, Jeannie LoVetri. Dr. Karen Prokop, Melissa Cross (the queen of healthy scream technique!), Sheri Sanders (musical theatre auditioning), and Chicago Cabaret Professionals.

Certified CoreSinging Instructor- one of only a few in the U.S. trained by Meribeth Dayme, PhD, respected clinician and authority in vocal pedagogy and author of "The Singing Book".

My students do a variety of great things! One was a top 12 "American Idol" finalist. Current students perform in musicals, top rated choirs, and professional rock , jazz,and blues bands. Many have won awards for their singing at competitions such as NATS. Students of mine have also been accepted to prestigious performing arts high schools for both drama and music, as well as undergraduate music programs.

I think if you can speak, you can sing. Everyone can and should sing! Don't let anything hold you back. I am a people person that is very passionate about music and singing, and want to be the teacher you'll trust with your voice. Come laugh and learn with me!

*** Lesson Details ***
I teach in person (Northwest Suburbs of Chicago) and online via Skype or FaceTime or TakeLessons Classroom, of course!

*** Studio Equipment ***
Sing and See Software. Additional materials I use: Funky n' Fun Vocal Exercises, Estelle Liebling Vocal Methods, Bona and Dannhauser for sight-reading, Full Voice workbooks for young and serious singers.

*** Specialties ***
Beginner vocalists! Very shy singers. Children, teens. Lapsed singers, and seniors. Experience in working with those with learning disabilities , special needs, and victims of abuse. Have also worked with the transgendered community. I also love to give workshops.
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Reviews
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David October 22, 2017
· Singing · Online
I enjoyed taking lessons with Molly. I was skeptical about taking singing lessons online because I much prefer taking lessons in person. However, molly was able to provide feedback that helped me improve on my vocal techniques. She made me feel comfortable, which is important because vocal exercises can be at times strange, but necessary. I would recommend Molly for those who want to take lessons.
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Amy October 19, 2017
· Singing · Online
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Jacque October 18, 2017
· Singing · Online
Molly makes the lesson fun and exciting to learn!
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Molly M.

Molly M.

Online
(157)
starting at
$30 / 30-min

About Josh M.

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Atlanta, GA
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I have been acting for 18 years in the theater for fun, I mainly follow Stanislaus methodology

About Josh
Hi! I provide tutoring and teaching services for all forms of math, history, and philosophy. I was a double major in math/philosophy at UGA and I have been helping students young and old ever since :) The key to success with my students is mixing up the way in which we approach the material, in order to confront the subject in several different ways. Also essential is taking up the WHY of the material before and after trying exercises or in covering material.
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Josh M.

Josh M.

Online
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$20 / 30-min
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About LaMarcus T.

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Las Vegas, NV

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I've been teaching Acting for 8 years professionally and my students have gone on to be lead roles in feature films, supporting roles in feature films, and cast in stage plays. I am a very hands on teacher. I like to get into the character with the actor. Within the first few lessons, you'll be able to dissect and embody a character and as time goes on you'll be able to perform two one-minute monologues for a TV/Film agent. If you already have an agent you will be coached for auditions. I love working with students of all ages and experience levels and I can't wait to meet you!

About LaMarcus
LaMarcus has been teaching private lessons since 2010 and is currently available to teach lessons at your home, at his home, and online. LaMarcus has helped students learn skills in film/tv acting, Producing there own films & directing movies. He is best known for his roles as teenage football star Dallas on the Emmy Award winning NBC television drama Friday Night Lights, and as Kevin on the ABC comedy Cougar Town. He appeared as the recurring character Shane on the third season of the Emmy Award winning FOX television show Glee. LaMarcus is also a producer/director and production company owner. As an expert in his field, LaMarcus looks forward to helping new students achieve their goals. LaMarcus’s teaching style is very hands on. LaMarcus’s believes in not only providing the skills necessary to succeed in the entertainment business but
also believes in providing the necessary mentorship for all of his students.
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Reviews
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Cheryl October 17, 2017
· Film and TV Acting · Online
Great first day of training
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Cheryl October 17, 2017
· Film and TV Acting · Online
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Chikako H. July 15, 2017
· Acting · In home
Lamarcus did an awesome job. Chikako was very happy with the lesson.
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LaMarcus T.

LaMarcus T.

Las Vegas, NV 89108
(27)
starting at
$25 / 30-min

About James W.

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Los Angeles, CA

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My MFA is from a top 3 actor training program. I have been coaching actors for over a decade. I live in Los Angeles and work professionally as an actor in theatre, film, and television. I have such a wide variety of techniques at my disposal that I bring whatever technique seems to be best suited to the you and the material you are working on. I have taught at The American Conservatory Theatre, The Berkeley Repertory School of Theatre, The Theatre of Arts, Naropa University, and privately.

About James
I have been teaching and coaching for over a decade.

I live in Los Angeles and work professionally as an actor in theatre, film, and television.

I have an MFA from the American Conservatory Theatre. With my PhD research at the California Institute of Integral Studies (funded by The Esalen Institute) I explored a distinct teaching approach that focuses on cultivating the extraordinary capacities of great actors.

I have taught at The American Conservatory Theatre, The Berkeley Repertory School of Theatre, The Theatre of Arts, Naropa University, and privately.

I love the creative process of teaching, and I teach primarily through caring relationship to my students.

We can meet online or in person. I have a huge library of resources to support you with. I also will often record our lessons so you can listen or watch them
multiple times as a way to get maximum value from the work we do.
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Reviews
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Jeffrey May 30, 2017
· Acting · In studio
James Wagner is actually the best teacher of creative work I've ever had in any field, and as a writer/ filmmaker/ musician dude, I have had a lot! His teaching is rigorous, passionate, and results-driven, while remaining flexible and sensitive at the same time. His knowledge of acting and theatre theory is endless. He is always trying to expand the possibilities in his classes, bringing in guest speakers, and facilitating unexpected exercises. He is also an inspiring, warm hearted person. Kate and I started a theatre company with actors we all met in his classes, so that should tell you something. I honestly would not be the same person had I not encountered his generous vision of acting and theatre. You cannot go wrong by having him as a coach or teacher.
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Deborah May 26, 2017
· Theater Acting · In studio
I met James when I took his class at Berkeley Rep (Eugene O'neill scene studies). I immediately knew he was the kind of Acting coach I'd want to train me, the level of professionalism and high standards is invaluable. During a short trip to LA, I met with James for a 3 hours coaching in which we created a 3 year plan to go from Student actor to working actor this was followed up with some online (Skype) sessions. Next I took another scene study with James at Berkeley Rep in which we workshopped Contemporary plays, James in a kind, professional way was able to push me to the level he knew and expected his students to be. And recently I took an Actor's retreat end of last year, again I left the retreat so inspired and motivated. I can tell you now that I have been in a few Theatre productions, I have and continue to meet the goals we set out for me sooner than what we had mapped out. I couldn't have done it without James vast knowledge of acting and motivation. I highly recommend you study with James!
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Gino May 20, 2017
· Stage Performance · In studio
I've studied with James in both a workshop context, and one-to-one on-line. Both were very valuable and enjoyable experiences. James is a very skilled actor, a very learned man, and an insightful teacher and director. Each element of his teaching is a different expression of a life that is clearly committed to his art as an actor. I found working with him to provide a deep new view of the playwright we studied (Albee in our case), and a very supportive guide to my personal work as an actor. I can highly recommend him.
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James W.

James W.

Online
(6)
starting at
$50 / 30-min

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Learning how to properly dance ballroom style and perfect the moves requires a good bit of time and practice. However, you may be surprised at just how far you can get by learning a few basic ballroom dance steps. With this guide, you will learn the basic steps of ballroom dancing and find yourself out on the dance floor before you know it! Ballroom Dance Posture Before your feet can start learning these ballroom dance steps, it's important that you first learn the proper posture your body m
Do “Rate My Voice” Websites Help or Hurt Singers?
If you're wondering, "Am I a good singer?", you may be tempted to get advice and input from the Internet via one of the many "rate my voice" type of websites. Here, Liz T. explains the pros and cons of going this route...   Many singers are curious to know what kind of feedback they'll receive if they post a video or clip of themselves singing on a “rate my voice” website, such as midomi.com, singist.com, and even YouTube. I'm here to tell you the pros and cons of these websites and how
Complete Beginner's Guide to Playing Bass Guitar
Learning to play any instrument can be a lifelong adventure bringing with it a sense of satisfaction and accomplishment, as well as a ton of fun along the way! If you’ve chosen to learn how to play bass guitar, you’ve made an excellent choice, The bass provides the low end, punch, drive, rhythm and groove in most musical genres. Along with the drummer, the bass player is the other member of the “rhythm section” in most bands and plays an important role in every genre by giving live music
Ahoy Matey! 5 Easy Pirate Songs to Play on the Ukulele
Whether you're celebrating National Talk Like a Pirate Day or sailing the high seas, playing a pirate tune on the ukulele is a fantastic way to pass the time. Try one of these tunes from ukulele teacher Willy M.; they're rated arrrr for pirates! Who doesn’t want to play the ukulele? It’s the perfect instrument for sitting on the beach in summer. But while you’re sitting on the beach, relaxing, watching the boats sail by, seeing the crabs scuttling along the sand, what naturally comes to mind?

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