Lebanon Music Lessons

ichard Miller, world-class early music expert Nancy Zylstra and twentieth-century vocal music expert Sharon Mabry. He has had masterclasses with the Metropolitan Opera's Bodo Igesz, Metropolitan Opera Singers Daniel Taylor, Jennifer Lane (with whom he still studies), French-diction coach Elvia Pucinelli, vocal pedagogue Richard Miller, and Thomas King, director of the AIMS Gratz program. As a violinist and violist, James has studied with music-education specialist Sara Johnson, Francis Elliot, Nashville Recording-Artist Randall Olson, and concert violinist Stefan Petrescu.

As an educator, he has served on the faculties of the Cumberland Arts Institute, W.O. Smith School of Music, Murfreesboro City School System, School of the Arts at Austin Peay State University, Allegro School of Music and the East Nashville School of Music. He has taught hundreds of students in various formats ranging from one-on-one studio settings to entire youth symphony orchestras and choirs. He has been active as an adjudicator, participant, and member of various competitions and education-related conventions. He also maintains membership with various educational organizations such as the American String Teacher's Association, Music Educator'€™s National Conference, and Early Music America.

In addition to working with and coaching Grammy award-winning and nominated artists, Mr. W's students have auditioned, been selected and have performed in the Tennessee Mid-State and All-State Choir (principal positions) and Orchestra Festivals (violin and cello, in addition to being members of the Curb Youth Orchestra and Philharmonia at the Blair School of Music.

His students have also performed in several professional and amateur performances across the Southeast. They have also gone on to major in music earning tens of thousands of dollars in scholarships from prestigious conservatories and colleges across the country. Many of his students have become professional musicians across many genres, educators themselves, or satisfied amateur hobbyists.

*** Lesson Details ***
As a teacher many have described my style as nurturing-but-firm. When I see a student's potential, I make sure that student can attain it. I expect a willingness to learn, a desire to succeed, and a want for excellence. In return, I offer the tools to get the student there!

I know that not every student benefits best from only one method. As such, I employ a variety of teaching tools and methods to best suit each student. Strings students can expect to see a little bit of traditional training, a little bit of Suzuki and little bit of contemporary training. Voice students can see some Sieber vocalizes, some Vaccai, classical, jazz, and musical theater training built on an old-world teaching technique. It's all about giving the student the tools to do whatever he/she wants with his/her music of choice!

On your first lesson, I'll go over the materials needed, what you need to work on, and the very basics so you can immediately get to enjoying your new craft. In a few months, you'll be confident making new music or making better music. Within a year, you should be well prepared for one of my studio recitals!

*** Studio Equipment ***
I have a commercial music teaching studio used solely for the purposes of teaching. In the studio there is a piano, my music library, photo copier, computer, audio equipment, stereo, music stands, standing mirror, and various teaching tools. There is a waiting area for parents, siblings and other visitors.

*** Specialties ***
Voice: All Genres -- child-adult, all levels (beginning through advanced).
Violin: All Styles -- all levels (beginning through advanced).
Viola: All Styles -- all levels (beginning through advanced).
Cello: All Styles -- beginning through intermediate.

selling band, Trick Pony), late Opry star, Mel McDaniel, Grammy nominated vocalist, John Berry, and has been touring and recording with platinum selling band, Sister Hazel since 2012.

Dave has appeared on the Grand Ole Opry numerous times as well as national television, with shows including The Late, Late Show w/ Craig Ferguson, The Academy of Country Music Awards, and various TV specials on the Trinity Broadcast Network.

Prior to and since moving to Nashville in late 2007, Dave has always established a solid reputation among the professional musical community and continues to reach new goals each year as a musician and music educator.

Professional endorsements include, Nord Keyboards, Accusound Cables, and Westone In-Ear Monitors.

*** Lesson Details ***
All students who sign up for lessons will receive a basic fundamental foundation of musical knowledge. Once the fundamentals are understood and assessed, we can then begin to take a more in depth approach in reaching the student's specific goals as a musician. Aspiring songwriters, usually playing piano or guitar will have a different agenda than a high school saxophonist practicing for their state music assessments. Lessons are built around each student's specific interests.

It is important to know that your musical goals can be met with consistent practice, discipline, and dedication to your chosen instrument. So what is the most valuable and sometimes the most difficult skill musicians must learn and subscribe to? HOW to practice...and that will be the underlying theme to each and every lesson we share. The way we practice shapes us as musicians!

Remember that each time people hear you play or sing, you are only compared to the best there is. Smart practice makes perfect!

*** Studio Equipment ***
88 keys fully-weighted, music stand; iPad, Metronome, musical literature.

*** Travel Equipment ***
Apple iPad, metronome

*** Specialties ***
Traditional methods for all instruments; begin with fundamentals while measuring consistent application of skills learned from week to week. For piano in addition to traditional methods, I also can teach a songwriter based course with more emphasis on chord structures, ear training, and chart writing. I also place a big emphasis on HOW to practice rather than just how often.

was principal percussionist and drumline captain throughout my high school career participating in the concert, symphonic, jazz, and marching bands. I was selected for All-State Jazz Band during my senior year and went on to study music education at the University of Georgia while being selected for a slot in the Redcoat Marching Band and the University Steel Drum Band during my freshman year. I completed my music business degree from Georgia State University, while studying under world class teachers like Jack Bell, principal percussionist for Atlanta Symphony for over 30 years.
Throughout my career, I continue to be influenced, inspired, and taught through private lessons, master classes, videos, books, and recordings from David Garibaldi, Simon Phillips, Rod Morgenstein, Neil Peart, Gregg Bissonette, Jerry Fields, Jim White, John Lawless, Billy Degnats, Eric Darken, Gary Chaffee, Kim Plainfield, Chuck Silverman, Steve Houghton, Jeff Hamilton, Jeff Porcaro, Buddy Rich, Gene Krupa, Tito Puente, Steve Gadd, Dave Weckl, Steve Smith, Vinx, and Zorro.
As your drum teacher, I can help students excel in school music programs to pursue scholarships, transform the garage band into a gig-ready act, bring laughter and joy for special needs, encourage senior citizens trying something new with music in their golden years - all of these scenarios and more with the ultimate goal to coach you to becoming the creative musician you dream of becoming based on the musical artists that inspire you. Let's get started today.

*** Lesson Details ***
I'll have you playing and understanding rhythmic concepts right away. I love to start lessons off by learning from my students who their favorite drummer is or what music track inspires them. Then we turn "I wanna do that!" into "I can do that!"
I customize each lesson to each particular student's goals, although I have many solid foundation concepts and exercises that I employ at the appropriate times. I keep the lessons extremely positive and encouraging, but I will drive and challenge my students to help them find joy in pushing themselves through a difficult new concept or overcoming a physical hurdle.
I try to broaden my students' appreciation for multiple genres of music with a lot of historical or anecdotal stories which fit within the context of whatever contemporary methods we are actually studying. As much as possible, I incorporate technology into our lesson time with click track (metronome), play-along music, and other developmental tools.
Listening is a critical skill that I constantly emphasize, and yes, I do assign "homework" between lessons, but I make the assignments fun and they usually help to quickly unleash the creative spirit of each student!
My greatest joy is when a student has a band performance I can watch or a positive audition experience I can celebrate with them after having helped them prepare for the event.

*** Studio Equipment ***
Drum kit, multiple hand percussion instruments, PA system, practice pad kit, dry erase boards, and multi-media.

*** Travel Equipment ***
The students should have a new three-ring binder or a spiral notebook to track weekly lessons and assignments. Ideally, students should have sticks/mallets, a snare drum, drum set, hand percussion (bongos, conga, djembe, cajon), or perhaps a school-supplied instrument. If none of those items are owned or available, that's not a problem. I can provide practice pad(s) and or small drum and percussion supplies to help us get started until students/parents can invest in their own gear later on based on their specific interests.

*** Specialties ***
Drum Set - Musicality & playing drum beats from day 1. Also, reading music & rhythmic training.

Percussion - School band and concert percussion (such as bells, xylophone, marimba, and vibraphone). Prep for auditions. Drum maintenance, tuning, and various hand percussion (conga, bongos, cajon, djembe, tambourine, etc.).

of 1983 to 1997. I taught private students after school in my classroom while I was a public school teacher, and from my home since 1997. My post-graduate continuing professional education includes Tennessee Arts Academy at Belmont University, Kodaly Pedagogy and Solfege Level 1 (vocal teaching techniques, do-re-mi, ear training), Orff-Schulwerk Music for Children Level 1 certification, Yamaha M.I.E. (Music In Education) Piano Lab certification. My professionalism and expertise are at your service. I will work together with you to insure an enjoyable and informative learning experience.

*** Lesson Details ***
A typical lesson in my studio would begin with a brief question/answer time with the student to learn how their week has gone, and how their music practice is progressing.

For PIANO LESSONS we begin with Technique including scales and dexterity exercises, then we play from the Lesson book and a Recital selection. I typically let the student play through the pieces they have prepared without interruption, then I call attention to corrections that need to be made, I demonstrate the correction, and then ask the student to play the piece again. After that we go over the Theory assignments, and do Ear Training exercises. I am comfortable teaching from a variety of different methods courses. The methods course is chosen according to the student's interest. I never require a piano student to continue using books that are not inspiring. There so many methods courses available, that a student may always be able to have methods books they LOVE.

In my SINGING LESSONS we also begin with a recap of the student's week. Then we continue with Warm Up exercises to prepare the student's voice for the lesson. Then we study Sight Singing and Solfege Singing (do-re-mi-fa-sol-la-ti-do) to increase the student's listening skills. After that the student sings their selections. Like I do in Piano lessons, I listen to the pieces they have prepared without interruption, then I call attention to corrections that need to be made, I demonstrate the correction, and then ask the student to sing the piece again. I am comfortable teaching many styles of vocal music including classical, Broadway, pop, rock, and Christian.

For MUSIC THEORY lessons, the study material is chosen according to the student's interest and age. Topics include notation, chord structure, chord progression, melodic structure, and harmony. I also incorporate Music Listening in the Music Theory lesson in order to learn from the masters in many styles of music. My Music Theory students will also have the opportunity to develop composition and songwriting skills if they desire.

My teaching style is structured and friendly, keeping the student's goals and interests at the forefront. I enjoy motivating students to reach their highest potential.
After 3 to 6 months in my studio my students will see improvement in their musical technique, ear training, music reading, notation, and knowledge. They will be preparing recital pieces for an upcoming performance. I provide two recital opportunities a year: in December, and in May. Most importantly, the student's love and appreciation of music will be growing.

*** Studio Equipment ***
PIANO lessons in Living Room: piano near front entryway, couch, loveseat, over-sized chair, dining room table, open space, end table with chair, parents may sit in on lesson.

SINGING lessons in Recording Studio: keyboard, recording equipment, desk, 2 chairs, music stand, microphone, private room. Parents may wait in adjacent rec room or sit in on lesson.

*** Travel Equipment ***
I provide lesson books, the students should provide their instrument.

I do have a mobile keyboard to bring for SINGING lessons.

*** Specialties ***
Kodaly Pedagogy and Solfege Level 1

Orff-Schulwerk Music for Children Level 1 certification

Yamaha M.I.E. (Music In Education) Lab certified instructor

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Currently RaShelle is teaching songwriting with the Country Music Hall of Fame in Nashville, TN. She also runs the Writer's Workshop for The Martha O'Bryan Center's College Zone Program at Maplewood High School.

*** Lesson Details ***
Music lessons should be all about you and your unique goals and learning style. Be ready to have fun and enjoy the process of learning! We will be making short-term goals together to ensure that you will ultimately reach your long-term goal. Dreams are attainable and I want to help you get there!

*** Travel Equipment ***
Piano or keyboard.

*** Specialties ***
Speech level singing, classical and contemporary piano, classical and contemporary music composition, and songwriting.

in a way that leaves both of us inspired at the end of each lesson.

as, Annalise was exposed to alternative styles at an early age. As a child, she won numerous youth fiddle competitions throughout Texas and Kansas. Today, Annalise incorporates some of the skills and benefits of the fiddle tradition to classical violin students.

Annalise has taught with the Hartt Suzuki Program in Hartford, Connecticut, Turtle Bay Suzuki Program and WHIN Music Project in New York City. She is also an active clinician having taught workshops and masterclasses in the New England area as well as Austin, TX. While living in Texas, Annalise has taught with the Austin Suzuki Music School, Dolce Music Studio, and local public middle and high schools. In the summers, Ms. Ohse directs the Topeka Fiddle Camp in Topeka, KS and has been on faculty at the Hartt Suzuki Institute in Hartford, CT. Annalise currently accepting students in Nashville, TN.