Students are raving about their Music instructors on TakeLessons.
Check out some of these recent reviews.
Review by Rafael P.
"I spent a few days in New York and I was lucky to meet Dr. Dan. Dr. Dan allowed me to discover important espectos to improve my voice. Now I apply what
I have learned with Dr. Dan and I feel a marked improvement. Dr. Dan listens carefully and knows very well explain. Dr. Dan uses really good teaching resources. I have understood very well all the ideas to improve my voice. Of course I'm going back to New York to take classes with Dr. Dan. I feel very happy. Dr. Dan is an extraordinary teacher."
New York, NY teacher:
Dr. Daniel C.
Review by Teaque
She is funny, smart, and fun to work with. I really enjoy my lessons, and always walk away having learned something new."
Washington, DC teacher:
Review by Carlos
"Alex provides very personalized lessons at a very reasonable price. He is patient and very knowledgeable as to the history and theory of music. He is pass
ionate about his craft and it shows through his teaching. Highly recommend !"
New York, NY teacher:
Review by Nic
"Chris is easy to learn with, and knowledgeable. Is always patient and never makes you feel rushed, yet, makes sure you are constantly improving. He direct
s your playing in the style and direction you want to reach while exposing you to new styles along the way. Great teacher."
Albuquerque, NM teacher:
Review by Deirdre
"Matt is great. He clearly knows a lot about music and music theory and imparts that knowledge during our lessons. It is hugely helpful to learn why you ar
e going what you are doing as you learn, not just how to do it. He is also incredibly patient. I am unfortunately not naturally gifted and often struggle with correct finger placement and graceful or consistent strumming and he comes up with several different ways to approach a problem I am having until we find something that works for me. Now, if only I could find more time to practice, I could become a student worthy of the teacher!"
New York, NY teacher:
Review by Phil
"Juliet is a great teacher and she's very professional!"
Saint Louis, MO teacher:
Review by Shonia
"Kyungee is an Excellent Teacher and Example!
I've only been working with Kyungee for three weeks, but she has definitely made a great impression on me. S
he is extremely talented and has a kind and supportive way of teaching others and sharing her passion of music. I look forward to meeting with her every Saturday and receiving her patient lessons. Although I haven't been the model student (I haven't always practiced as often as I should outside of our lessons), Kyungee remains encouraging just the same. She is an excellent teacher for both the old and young."
Atlanta, GA teacher:
Review by Donna
My daughter has taken lessons from Kurt for over a year. He is very dedicated, patient, talented, professional, flexible and very like
able. He demonstrates a very positive learning atmosphere and communicates his lessons so that they are easily understood by my daughter.
With a strong knowledge of technology, Kurt set up her weekly lessons via Skype implementing YouTube videos for previews to her lessons and videos recapping each lesson. He goes above and beyond just a music lesson and then seeing you the next week.
Kurt is extremely professional and an excellent guitarist, which he demonstrates in every aspect of his teachings.
I would highly recommend Kurt if you are interested in learning how to play the guitar. He will work at your speed as fast or slow as you desire. He not only teaches you your favorite songs, but teaches reading music, rhythm, history, and every aspect of learning how to play the guitar."
Wheeling, WV teacher:
Review by Kathleen
"Friendly and Skilled
My daughter has been taking flute lessons from Katie since September. She is very friendly and has helped my daughter improve her sk
Robert's exemplary and diverse career all began when he was a very small boy. His magical, musical journey began with his Grandfather, Donald Mcullick, a country singer/guitarist, who spent the 1950's touring and performing with blockbuster artists such as Johnny Cash, Buddy Holly and Roy Orbison. Grandpa would take his young protégé out to the swing under the apple tree in the backyard and show him songs on an old acoustic guitar. He would later give that guitar to Robert. That guitar was the key to the music box of Robert's life. A life long dedicated to the art and craft of music.
's high school years were very non-traditional. While most students spent time at football games and pep rallies, Robert spent his time performing in pit orchestras and composing for local theater companies. His extensive theater credits include work with the Hampton Playhouse, the Portsmouth Academy of Performing Arts, the Seacoast Reparatory Company and the Portland Stage Company. Robert was comfortable on both sides of the stage. He was an accomplished performer, composer and overall technical adviser even in his teens.
After graduating High School, Robert took on the daunting task of recording his first solo album "Obstacles Overhead". The album featured members of Capitol Records recording artists Thanks to Gravity and Pondering Judd. All of his hard work paid off and the album received airplay on many local radio stations.
The allure and glamor of the Rock and Roll life soon called, and Robert found himself fronting a heavy Metal power trio called Nine Shades of White. The group toured extensively throughout the east coast, and recorded two well received albums.
After taking time to record projects with Boston based singer Rick Skeehan and the world renowned Irish folk group the Makem Brothers, Robert joined a group called Two Much Trouble, and performed on their album "Frankenstein". The group earned a wild reputation with its heavily modified tour bus that spit flames and transformed into a mobile stage.
In the summer of 1997 Robert was enlisted as the lead guitarist for the premier seacoast rock group 202 The Band. For the next 5 years he rocked crowds every weekend all over the New England area. In 2002 the group released the album "En Route". Many of the songs featured on the album were either written or co-written by Robert.
Always anxious to take drastic "left turns" along his musical path, Robert accepted an invitation by the renown New York City based jazz guitarist Larry Simon to perform in two of his large scale new age, rock, jazz ensembles, Collective Consciousness and Infinite Soul. Each group sported, at times, over twenty members. This setting not only gave Robert the chance to tread on new musical ground, but it also gave him the chance to explore new instruments like mandolin and electric violin. Robert now plays an electric violin custom made for him by Mark Wood of the Trans-Siberian Orchestra.
Rock and Roll of course was never far from his heart, so of course he did just that. Robert next found himself playing second guitar for his close friend and virtuoso guitarist Dan Miller in the Dan Miller Band. This heavy metal juggernaut created enough of a rumble to make it into the final round of the Boston based Beantown Meltdown battle of the bands in 2004.
In 2005 Robert finally found the time to release his second solo album, "Dust Covered Man". Produced by Grammy nominated producer Mac Ritchey, it was a somewhat dark and introspective, acoustic based, singer songwriter album that featured flutist Cynthia Chatis and blues harmonica guru "Hatrack" Gallagher. Robert's version of Pink Floyd's "Blue Sky" had the distinction of being voted the 2nd best cover of a Pink Floyd song on iTunes, during 2005. Richie Havens, the internationally known folk singer, has also given his stamp of approval on Robert's version of "Darkness Darkness".
In the spring of 2007 Robert was given the immense honor of performing as a member of the world famous Irish soul band "The Commitments" on their 2007 U.S. tour, filling in for the bands ailing original guitarist Kenneth McCluskey.
2007 also saw the release of a series of Hypnotherapy CD's by therapist Sharon O'Connor that featured music written and recorded by Robert. He has also written music for independent films and television throughout the years.
In 2007 Robert also found time to reunite with some of his old 202 band mates in a short lived group called Stone Circle. While the band had to be put on hold for the time being, Robert looks forward to working with his old friends again someday.
In early 2008 Robert began studies with British classical guitar master Edward Flower, expanding his already diverse background even more. Later that year he was recruited to do transcriptions for Guy Davis, a popular performer in the modern blues world.
Early 2009 saw the launch of Robert’s newest endeavor, his own professional recording studio, dubbed “The Dragon’s Den”, nestled in the woods in tranquil Stratham NH. A place where Robert himself and others can find peace and craft their creative vision.
And the journey continues……..
*** Lesson Details *** Robert's teaching approach changes and conforms to the needs and goals of each individual student. He does his best to encourage good technique and the understanding of basic music theory as it applies to the style of music the students wishes to learn. Robert strives to find the perfect delicate balance between focused study and just having fun with music.
After a few months of lessons all students will learn the importance of proper technique and the core essentials of reading music. Younger students will be able to play well known melodies familiar to them, and older students will be playing pieces from popular songs. This of course is a general overview, as each students progresses at his or her own pace.
*** Studio Equipment *** Can provide an instrument for the first lesson only (teacher must be advised beforehand) If students wish to continue they must have their own instrument. Students playing electric guitars or bass do not need to bring amplifiers to lessons, there is one provided. Students do not generally need to purchase books or other instructional materials, they will be provided.
*** Specialties *** Rock, Pop, Blues, Country, Folk, Heavy Metal
*** Travel Equipment *** Student should eventually, have a drum set at home for this service, or whatever percussion instrument they wish to learn. However, we can start the first 6 months with a pair of sticks and a practice pad (under $50).
*** Specialties ***
On drum set, I teach many genres, several world music styles, classical, rock, jazz, etc.
I have a studio in Washington Heights as well as one in Yonkers that are equipped with drum set, hand drums, a 5 octave marimba, keyboard, snare drum, etc.
I have a very prestigious marimba/vibraphone background. I teach four
mallet grip- both Stevens (main) and Burton (secondary, but always for vibes).
I have placed students at the Juilliard PreCollege, New School, LaGuardia Arts, Manhattan School of Music Precollege, NYU, among others.
I specialize in special needs education, having had several students over the years with Autism, ADD, ADHD, Down Syndrome, etc. (also group classes).
I teach theory, and I can help with reading. All of my students, even those who claim to have struggled with reading, do read well after a few months with me. I also specialize in rudiments and healthy, efficient (speedy!) hand technique for snare drum.
I've studied world styles including Latin/Brazilian Percussion, West African Music, Middle East Percussion, Irish Bodhran, and Indian Tabla.
I have a rich and extensive educational background, but I focus on enjoyment of music making, and I have a firm, but very friendly approach. Fun is paramount, but you have the most fun when you put in the work to have the skills to excel. I am realistic and understand the demands of adult work life, so I help my adult students work out schedules to get results in the limited time available.
I hold recitals twice a year for my students in a supportive environment. Children/teenagers especially, look forward and work hard towards this goal.
I like to tailor my teaching style to my student's needs, so you can progress at your rate, with your kind of music. I can teach pop or classical, whichever you prefer. What's important is your having fun and making progress.
*** Specialties *** Although my favorite is classical music, I'm very happy to work with whatever genre suits you. I also like to include a reasonable amount of theory, if you'd like. I do try to explain the relevance of theory to the music at hand, and how it can help further understanding of the piece, often making it easier and more fun to play.
Michael received his formal training in music from the University of New Hampshire having earned a Bachelor of Music degree in Music Theory and Composition, and a Master of Science Degree in Music Education. He was a classroom teacher for many years in a number of school systems. He also conducted choirs and served as organist for many churches in Southern New Hampshire and Massachusetts.
Donna September 26, 2015
Michael was a great music teacher. His ability to provide structured lessons, while at the same time, encouraging creativity was just what our son needed. He is patient, kind, and talented. You can tell that he is just as excited as the student is when the student masters a selection.
Christopher Pelonzi September 21, 2015
I had the honor of taking 6 years of lessons with Michael Joseph on Organ, Theory, and Improvisation. I could not have asked for a better teacher. His lessons inspired me, challenged me, and gave me the skills to succeed. Without his guidance, I would never have become a musician. Thank you Michael!
Laura September 21, 2015
Michael Joseph was my piano instructor for a few years during college. He is dedicated to piano playing and is also very knowledgable about the subject. I learned a lot from him and looked forward to every lesson. I am also considering taking lessons with him again. His passion for piano playing is very evident, and makes taking lessons that much more enjoyable.
Is your music binder a mess? Here are some tips from New York, NY voice teacher Chelsea F. for keeping things organized...
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Your Vocal Music Binder | How to Organize Your Sheet Music
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