Name: Violin Tutorial #19 - Chorus from Judas Maccabaeus
Uploaded: 2021-04-05T16:40:44.000Z
Duration: 45 min 14 s
Description: This video introduces the first piece in Suzuki Book Two, Chorus from Judas Maccabaeus and the Tonalization melody.

This video introduces the first piece in Suzuki Book Two, Chorus from Judas Maccabaeus and the Tonalization melody.

Violin

With a PhD in Ethnomusicology and a Masters in Violin Performance, Kathleen teaches everything from Celtic fiddle tunes to classical concertos. Kathleen has performed with the Miami Symphony Orchestra, Indiana's Richmond Symphony Orchestra, the Reno Philharmonic Orchestra, the Reno Chamber Orchestra and has served as concertmaster and soloist for the Chehalem Symphony Orchestra in Newberg, Oregon. She has lectured at Indiana University, Davis & Elkins College, Miami Dade College, and George Fox University, teaching World Music, Music History, and Music Appreciation courses, as well as string studio lessons and leading a string ensemble. Her festival performances include International Celtic Colours Festival, Cape Breton, Nova Scotia; International Festival-Institute at Round Top, Texas; and the Aspen Music Festival and School, Colorado. She earned her Masters in Violin Performance from the University of Nevada, studying with Philip Ruder, and Bachelors of Music under Kathryn Lucktenberg at the University of Oregon. Additionally, she studied viola with Yuval Gotlibovitch at Indiana University during her doctoral program in Ethnomusicology.

Violin Tutorial #19 - Chorus from Judas Maccabaeus 

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SEM is a U.S.-based organization with an international membership of approximately 1,750 individuals dedicated to the study of all forms of music from diverse humanistic and social scientific perspectives. We examine music as central to human experience throughout space and time, and explore its profound relationship to cognition, emotion, language, dance, visual arts, spiritual belief, social organization, collective identity, politics, conflict and peace, economics, the physical body, and mental health. Through SEM programs and the work of our individual members, we seek to advance academic and public understanding and appreciation of music as a cultural phenomenon of unlimited variety and as a resource that is fundamental to the well being of individuals and communities.

The Suzuki Association of the Americas (SAA) is a coalition of teachers, parents, educators, and others who are interested in making music education available to all children. The SAA provides programs and services to members throughout North and South America.

The College Music Society promotes music teaching and learning, musical creativity and expression, research and dialogue, and diversity and interdisciplinary interaction. A consortium of college, conservatory, university, and independent musicians and scholars interested in all disciplines of music, the Society provides leadership and serves as an agent of change by addressing concerns facing music in higher education.

The American String Teachers Association, founded more than 60 years ago, is a membership organization for string and orchestra teachers and players, helping them to develop and refine their careers. ASTA&#039;s members range from budding student teachers to artist-status performers. The organization provides a vast array of services, including instrument insurance, an award-winning scholarly journal, discounts on publications and resources, annual professional development opportunities, and access to collegial network of colleagues throughout the string profession.

US Fulbright, NEA Grant, Aspen Music Scholarships

First in Open Class Scottish Fiddle

Certified Suzuki Teacher in violin books 1-10 and viola books 3-6. Studied at the Nashville Suzuki Institute, the North Carolina Suzuki Institute, the University of Tennessee Suzuki Institute, and with James Hutchins, Nancy Jackson, Ed Sprunger, April Losey, and Teri Einfeldt.

Suzuki Violin Teacher

Festivals include International Celtic Colours Festival, Cape Breton, Nova Scotia;International Festival-Institute at Round Top, Texas; Aspen Music Festival and School, Colorado. Performance experience includes: Fort Smith Symphony, Miami Symphony Orchestra, Ars Flores Symphony Orchestra, Chehalem Symphony Orchestra, Cape Breton Chamber Orchestra, Lafayette Indiana Symphony Orchestra, Richmond Indiana Symphony Orchestra, Reno Symphony Orchestra, Reno Chamber Orchestra, Newport Oregon Chamber Orchestra. Teaching experience includes: Miami Dade College, George Fox University, Davis & Elkins College, Indiana University, University of Nevada.

Symphonic Violinist

With a PhD in Ethnomusicology and a Masters in Violin Performance, I love teaching everything from Celtic fiddle tunes to classical concertos. I am a Suzuki certified instructor and registered with the Suzuki Association of the Americas.

Kathleen is the best!  She is patient and she encourages me every step of the way!

Kathleen is a great teacher and very patient. I can hear her words of encouragement in my head long after the session has ended. Thank you, Kathleen. From Mark from Australia.

She knows so much about the background of the music which is fascinating to me! She went over everything and also made some music tapes for me to listen to. I really enjoyed our short time t

so patient and awesome.  Kathleen always makes me feel good about myself and my playing   .  Super instructor.

Kathleen is an amazing. My daughter adores her. Kathleen is very patient, supportive and is a phenomenal at her craft.  My daughter is making great stides and always looks forward to her lessons. I would highly recommend that you choose Kathleen as your instructor, to help guide you on your musical journey. You will be very happy that you did.

always new and exciting!  always more to learn.

Kathleen is so very encouraging and helpful no matter what problem  I'm having.  Love my lessons!!!!!

always, without fail, the highlight of my week. No matter how miserable the weather, how cruel outrageous fortune,  Kathleen is like going on a wonderful ride in a meadow a t full galllop.

always wonderful. I learn something new every week, and even when I am terrible, KL finds something encouraging to say.  I always end up smiling.

I look forward to my lesson and I am always rewarded by another joyful session.  KL is just the best

In this video, we will explore the three most common places to avoid squeaking on your violin: left hand finger pressure, bow placement, and slurs across the strings during string crossings. 

How To Avoid The Squeak

This video shows where to place your fingers on the fingerboard and what notes the produce in the red finger pattern. 

Notes In First Position

This video demonstrates three systems for playing in tune on a violin. The first method uses a color-coded finger pattern system for quickly recognizing whole and half steps in the left hand. The second system cross-references pitches with open strings. The third method of fine tuning uses a chromatic tuner to refine trouble spots.

How to Play In Tune on the Violin

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Violin Tutorial #18 - Gossec Gavotte

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Violin Tutorial #17 - The Happy Farmer

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Violin Tutorial # 16 - Minuet No. 3

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Violin Tutorial #15 - Minuet No. 2

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Violin Tutorial #14 - Minuet No. 1

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Violin Tutorial #13 - Etude

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Violin Tutorial #12 - Andantino

Introduction to Allegretto and Finger Exercise No. 1. This piece focuses on playing mostly on the D string.

Kathleen L.

Violin Tutorial #19 - Chorus from Judas Maccabaeus

Kathleen's Violin videos

How To Avoid The Squeak

Notes In First Position

How to Play In Tune on the Violin