Palm Bay Music Lessons

gside a song you love or reading through a classical concerto, I’ll help prepare you or your child to tackle a wide variety of styles, without missing out on any of the basics that turn good players into phenomenal musicians. We all know it’s not about being the best. It’s about having fun, and playing music well is definitely fun. Music lessons include:

1. Building a really strong foundation so it's easy to interpret or understand any part, and to play it with the right amount of practice.

2. Learning to sight-read music, so you can play it well as soon as possible.

3. Learning how to improvise (make-up) music, learn music by ear, and to understand and create chords, which lets you play music in different ways.

4. Play different styles from classical to jazz to popular music.

5. Learning how to practice efficiently so you can learn music as fast as possible.

6. Composing our own original music.

Practice makes perfect! Learning an instrument helps build self-confidence and discipline. If your child’s bored, distracted, or just needs a constructive hobby, music is a great place to get them interested in something that will help them feel better about themselves, and the effects will be felt across everything else they do, through better studying habits to a more patient, diligent work ethic.

It’s also relaxing! Stressed about work? Need an escape? Everybody has the power to learn an instrument. Seriously, there’s no such thing as “talent.” Just start lessons and get practicing! It really is that simple, and I’ll guide you through every step of the way.

I have a diverse background teaching students of all ages, from 3-year-olds to retirees alike, customizing what we learn to the individual student. We’ll learn how to read music just as easily as you read words; improvise and compose music of our own; and feel good playing any style: classical, jazz, rock, and all. My experience as a working musician in films, musical theater, and pop music, as well as classical concert music, allows me to appreciate and teach styles that many other instructors overlook, and I know full well that learning an instrument is not about becoming a professional; it’s about being able to connect to others or oneself through music… and also to just have fun! There’s no need to learn music we don’t like! It’s not about stuffing Beethoven into your kids’ ears… we just want to make music, be that Beethoven or Billy Joel.

Learning an instrument is one of those few skills that will genuinely last you your whole life. I don’t want to sugarcoat it: it takes time to learn an instrument. It takes practice, and sometimes it’s frustrating. But the results are well worth it.

Now get out there and make some music! But start by signing up for lessons. I can’t wait to get started!

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“What’s that chord?” “Why does all my music sound the same?” “How do I fix this voicing?” “I just can’t get it out of my head!” …sound familiar? You’ve probably hit a rut. Or maybe you’re just starting out. Either way, you want your music to sound new, exciting, and to come out exactly how you hear it in your head. Yes… you CAN learn to compose music, you CAN learn to be more creative, and you CAN learn to share your sound with the world.

Film music, classical, jazz… whatever your interest, all music comes from the same place, and by learning a handful of basic concepts, you can apply these to whatever style you’re trying to write. Learning to emulate another musician involves knowing what they’re doing. Learning to create a groundbreaking sound requires that you know what’s already been done, and how to achieve it. Step by step, we’ll work our way there.

We’ll learn how to write cool, interesting chord progressions, how to write beautiful melodies, and how to voice chords. We’ll learn how to control the mood of our music, from making it sound relaxed to adding tension wherever we want. Maybe you’re trying to write for an orchestra, or just a small band. By learning the basics, you can then easily break away from what’s been done and come up with something truly new… the goal of any aspiring composer!

e many musicians at the beginner intermediate and advanced levels of training. His practical systematic and thorough teaching method allows students to develop quickly and rise to their full potential. Retiring from military music recently Ray is busy working on various recording projects and freelancing as a pianist/keyboardist teaching private lessons and providing music media services in the greater Atlanta area.

MY PERFORMANCE:
As a performing artist Ray has worked as a professional musician for the last 25 years performing around the world in more than 20 different countries with various ensembles. He has recorded on numerous albums with various artists to include the Army Ground Forces Band, Orquesta Sensacional, and most recently with the Ian Charleton Big Band (Brain Chatter Album available on Spotify). Ray is fluent and proficient in many different styles and genres of music. Specializing in jazz and Latin styles he is truly a master improviser and soloist. Ray's style of playing is influenced by artist like Herbie Hancock Chic Corea Oscar Peterson and Thelonious Monk. Ray has also performed and,or recorded with some of the most accomplished musicians from around the world to include Grover Washington Jr., Hillary Jones, Gerald Chavis, Roy Richardson, Gary Harris, Don Tillman, Brett Anderson, Corey Cross, Alfie Moss, Abdu Salim, Joel Joyner, Dexter Whitaker, Jim Lambie, Jamie Abersold, and Wayne Bergeron just to name a few. He has also had the distinguished honor to perform for former presidents Ronald Regan and George Bush. Ray aspires to be the consummate musician.

FOR BEGINNER PIANO STUDENTS:
For students just starting out I use the Leila Fletcher Piano series, John Thompson, or Alfred series. After students are doing establish the basic and are doing well I introduce music theory and technique (scales, basic chords, and technical exercises) as well.

FOR INTERMEDIATE AND ADVANCED LEVEL STUDENTS:
I define intermediate level students as students who already have had 2 yo 4 years of lessons and experience and can already play pretty well. With this level of student I work on strengthening their foundation and rounding out and diversifying their skill set. usually with this level of student they have specific goals in mind that we work towards as well.

The intermediate level is also where various piano and music styles are addressed to include classical, pop, rock, R&B, country, blues, jazz (modern & swing) and Latin, contemporary christian, and gospel. The technical aspects of playing these styles like chords, chord progressions, scales, modes, licks and ornaments,technical exercises, sight reading, lead sheet interpretation, music theory, ear training, playing by ear, song form, and improvisation, intros & endings, and performance concepts and techniques are addressed as well.

OVERVIEW:
Overall my students that apply themselves usually progress quickly and exponentially. some of them have went on to be professional musicians and band leaders and have far surpassed their initial intended goals and objectives.

that singing is a movement practice like any other. When we move our legs and feet properly, we move through the water, and we call that swimming. When we use our breath and our resonance properly while our vocal chords vibrate, we call that singing. It is all a matter of coordination, one we either naturally understood in childhood, or one we must be taught. It is my joy to guide people to this knowledge of their voices.

With public speakers, my goal is to help people feel at home in their bodies and command the room with their voices while giving presentations. I have given seminars teaching scientific researchers in Berlin and Potsdam, helping them to present results in ways that are both informative and inspiring.

Students in each area can expect to progress steadily week to week, provided they do the assigned exercises in between. The voice, the body, and language skills are all muscles we must train daily to expect any progress.

I look forward to working with creative students who have a passion for self-discovery and honest self-expression. Let's have fun!

and has won the American Prize Competition (1st Prize), Joy in Singing Competition, Metropolitan Opera National Council Eastern District Competition, Giulio Gari International Competition, NJ Teachers Association Competition (1st Place), Music Teacher's National Association Competition (1st Place), among many others.

Previous roles include Lucinde in Gluck’s Armide in a Metropolitan Opera and Juilliard co-production, Susanna in Le Nozze di Figaro at Opera on the Avalon, Ella Burling in Tobias Picker’s Emmeline with the Opera Theatre of Saint Louis, Noémie in Cendrillon with Juilliard Opera under the baton of Emmanuel Villaume, Belinda in Dido and Aeneas, Helena in A Midsummer Night’s Dream, and Laetitia in The Old Maid and the Thief – all with Juilliard Opera. Additionally, she has covered Georgette in La Rondine and Costanza in Riccardo Primo (Opera Theatre of Saint Louis), Sophie in Der Rosenkavalier and Adina in L’Elisir d’Amore (Chautauqua), Donna Elvira in Don Giovanni, Zhou in Kommilitonen, and Drusilla in L’Incoronazione di Poppea (Juilliard).

Over 30,000+ Lessons given in studio and online!