Naperville Performing Arts Classes

opment Program that sets a national standard of musical achievement in various fields.

Befitting his penchant for encouraging artistic interest amongst younger members of his community, Farobag is also the principal conductor of the Zoroastrian Symphony Orchestra that offers a unique mixture of young and seasoned professionals sitting side-by-side in a strictly professional setting. Since the year 2000, the ZSO has staged highly successful performances at various venues in Houston, Chicago, and Toronto. A New Year's eve performance in Los Angeles is scheduled for 2014.

Having also taken graduate-level coursework in educational psychology, mathematics, and philosophy at the University of Chicago, Farobag offers tutelage in various areas of elementary and secondary education as well as in SAT, ACT and GRE test preparation.

Additionally, as a certified Reiki Master, therapeutic and/or educational sessions are also extended to those who may be inclined to alternative healing techniques.

*** Lesson Details ***
Sheer technique is necessary but insufficient to play an instrument well. Aural skills, that include the study of functional tonality and voice-leading are important factors that impart musicality. This is of great import if the prospective musician wants the audience to truly enjoy his or her performance !

Whether it be the 3 Rs or preparation in the performing arts, a remarkable instructor must go well beyond the subject matter at hand and help imbue the student with a spirit of wonder that, in due time, will foster enthusiasm necessary for excellence.

A child emulates and learns to communicate in his or her mother-tongue through a supporting and nurturing environment. Likewise, a student needs to be sufficiently motivated to embrace learning in a familiar supportive manner.

*** Studio Equipment ***
The In-Studio lesson take place in the living room. Driveway parking. No pets.

*** Travel Equipment ***
None; I do expect a reasonably good piano / keyboard at a student's home.

*** Specialties ***
Traditional and Suzuki-based education. Performance and musicality training is open to all instrumentalists.

*** CD's***
Classical Energy, Triton Sound, TS 8501
Salut D'Amour, Triton Sound, TS 9014
Epiphanies1, The Halford Company

ation (ISMTA), a member of the West Suburban Chapter of ISMTA, as well as a member of National Association of Teachers of Singing. Most of my students are high school aged, but I have taught from ages seven through 70. My students regularly achieve MTNA's Music Achievement Award, are selected for District Choir and All-State Choir, as well as receive leading roles in high school and community musicals.

PHILOSOPHY

I believe that singing does something to words which nothing else can--it puts feelings to music. Everyone has feelings, and everyone can be musical. Those who pursue their vocal education can be rewarded with confidence in their ability to sing. The goal of my Studio is to promote the study of music, and to create a musical environment at each lesson so that every person's individual potential can become realized - all while having fun!

My Studio provides a nurturing environment for all singers, from beginning to advanced, children to adults. I will help you develop and maintain your vocal health, expand your vocal range, and develop your musicianship. You will learn to integrate a coordinated process of breath, pitch and tone, while exploring your vocal potential in a wide range of contemporary and classic musical styles. Teaching proper vocal technique is my primary goal with every student: fixing what is being used incorrectly, and enhancing what is already done well. I will work with you on any style of repertoire you desire: classical, opera, Broadway, jazz, folk, etc. I love it when a student wants a variety of song! And if your music theory skills are weak, we'll take care of that, too!

LESSONS

Children eighth grade and younger should sign up for half hour lessons; students high school and older should sign up for 45 minute lessons.

I am so excited to share the joy of making music with my new TakeLessons students! We get right into breathing, first thing. Once that is right, we can turn our attention to what's going on with the throat and mouth. All the while, we are learning songs by which we can practice whatever we're working on in the exercises. Everybody's different, with different tensions, both proper and antagonistic. We isolate the muscular tensions that are interfering with your perfect sound, and go from there!

*** Lesson Details ***
Come prepared to make a lot of noises with which you don't normally sing! We will explore every sound you are capable of - there's something to learn from most of them! Obviously, we'll concentrate on the ones we really want to sing with, while using a myriad of vocal exercises.

My studio brochure will explain many of the nuts and bolts of our lessons, and any expectations regarding practicing, keyboard ability and access, and how we work home practice when you don't know how to play piano. Generally, we spend about half the lesson time on warm ups/exercises, and half the time on songs. Sometimes we memorize them; sometimes we polish them; sometimes we just learn them quickly and move on to new things. Each lesson is a little different, depending on what I'm hearing from you that day.

I'm always happy to help you with school/church solos, audition material, choral parts, etc. Otherwise, we will choose repertoire together, taking into account your goals and interests, along with what makes good teaching material. Come join the fun and make some music!

*** Studio Equipment ***
My basement rec room serves as my teaching studio, so there are stairs with which to contend. Parents may stay either in the studio, or up in my living room to wait. The fully equipped studio contains a piano, audio-visual equipment for recording and play back, music stands, stools, a comfortable couch, and even a sink for quick water drinks! (Singing can make you thirsty!)

*** Specialties ***
In my 30+ years of teaching private lessons, I've amassed quite a toolbox of eclectic musical resources. That said, I still find muscle manipulative exercises while vocalizing to be the quickest route for most students to have success in building their long term voice. So I utilize those techniques frequently. With proper, healthy vocal production, a student can sing in any genre they choose. I am very concerned about producing a healthy voice with a free tone, particularly for children, so that all students can go forward into whatever style they choose with good vocal production.

to be clear and expressive vocal communicators.

When not teaching, Jessica is a professional vocal soloist who performs with ensembles around the world, especially in her native Australia where she has been a soloist with many of their orchestras and opera companies. She is also a recording artist on labels including Chandos, Ars Publica and Hospital Hill. As a performer, she specializes in adventurous repertoire; singing opera, chamber music, experimental, conventional and contemporary-classical music. Her love of experimentation influences her teaching. She takes an exploratory approach to finding the best ways to help each individual student improve.

*** Lesson Details ***
A first lesson will always begin with getting to know each other. It is important to me that we figure out why a student has come to have lessons and to decide on the best path forward to help them reach their goals. Lessons will include a mix of technical work (to improve vocal tone quality, range, flexibility and ease) and working on repertoire. Students can bring in songs they want to learn and we work on them together. Alternately, I might suggest appropriate pieces to complement other things we are working on (for example, if we are working on improving some aspect of a students listening skills, I might suggest a piece that helps to cement that learning, or if we are trying to improve a student's ease in a particular part of their range, we might work on a piece that uses that part of their range).

*** Studio Equipment ***
My studio is a room in my home with a piano.

*** Travel Equipment ***
A piano and room without distractions

*** Specialties ***
Classical, opera, music theatre

les that may seem too hard to the student. I will start my students off with the basic vocal warm ups and then move on to material that they would like to cover and if so the student doesn't have material to cover, I will present them with material. Being a singer is not easy at all, so I will challenge my students by giving exercises that challenge them to sing for proficient. I will also bring in material that is brand new and ask the students questions about the piece. The student is in the lesson to learn everything about music, so any type of material that I feel will benefit them and help them move closer to their goal, I will definitely present to them. After 3 to 6 months students will be able to sing in the 3 minor keys and the major key. The student will also have knowledge and know how to sing at least 3 different modes. The singer will know how to read basic sheet music and perform it with solfege. The singer will also have 4 songs of my choice or their choice mastered and ready to perform in front of an audience. Lastly, the singer will have knowledge of proper breath control while performing, usage of a microphone, and intonation.

*** Studio Equipment ***
Piano/ Keyboard
Music Stand
Water

*** Specialties ***
I specialize in classical, gospel and R and B singing.

ach. He feels that music is within all of us, and a desire to learn is a sign of talent, so anyone can develop their musical abilities with methodical practice.

The musical journey for Daniel began at an early age with trumpet and piano studies which became a passion for him by the age of 14. He was the drum major of the high school marching band, and successfully completed a paid contract to arrange music for the high school jazz band which performed in a state beauty pageant. He began teaching privately after high school, and continued playing in bands, and composing original music. He formed a professional jazz ensemble under the name of the Chicago Jazz Players by the age of 22, and developed his arranging techniques while having it performed by an eighteen piece orchestra consisting of many great local artists. It was in this environment that he gained experience with brass, woodwinds, and rhythm instruments. He was granted a position at Columbia College as an instructor at age 29 where he taught theory, sight singing, musicianship, ear training, harmony, orchestration, and composition. He scored the music for several plays, and conducted his own pieces with Chicago Symphony and Lyric Opera Players. During those years he found himself playing the guitar and singing more than anything else. It was in 1995 that he focused on singing and playing the guitar with his rock band. He has produced several CD recordings of his original music in his own studio, and has helped produce local bands and artists. He performs regularly in the Chicago area.

*** Lesson Details ***
Daniel exhibits patience and care with each student, and develops an individualized approach based on clear goals with practical procedures. Most beginners can expect to have a working knowledge of music notation and how it applies to their instrument within three months, and should be developing fluency in performing music that they enjoy within six months. Advancing students will enjoy the rewards that will follow by studying with an experienced teaching musician that will recognize strengths and weaknesses, and recommend proven techniques for personal musical development. Studying music should be fun, fulfilling, and in harmony with the needs and desires of the student, and this is key to the philosophy held by Daniel.

*** Studio Equipment ***
Eight track recording gear; grand piano; guitars/bass (acoustic & electric); cables/amps, drum kit and percussion.

*** Travel Equipment ***
I can provide lesson materials, and always have a metronome with me. I expect the student to have an instrument. I prefer that a student has a music stand.

*** Specialties ***
Customized approach to the individual based on needs and goals.

in the public performance sector, have made me a highly sought-after coach for one-on-one and group training.

My approach is designed to train and condition the entire body as an instrument, not just the oral portion of the voice. My 5-octave vocal range makes allows me to easily instruct my students in developing their whistle register. I have been trained in (and teach) Classical, Appoggio, jazz/improv, Seth Riggs' speech-level singing and other methodologies of singing and speaking.

My method of assessing and meeting the needs of each student enables me to assist them in bringing out the very best in their capabilities. If you desire quality, effectiveness and noticeable improvement in your singing, writing, public speaking or overall performance, I am the coach for you!
Whether you are a beginner or professional, I make sure that you are comfortable and have a great time while learning. I am flexible with your needs so feel free to let me know what you want from your lessons and we can work towards your goal to your satisfaction.

Not only am I a coach, I’m a professional singer and public speaker, so I utilize and perfect my own techniques on a regular basis. I have the privilege of being a classically-trained pianist and vocalist, having studied at Sherwood Conservatory of Music, Vandercook College of Music, The Second City, University of Chicago, ETA Performing Arts Center and many other fine institutions.

Children love working with me because I make learning fun and they have a high retention rate of the techniques that I teach them. I am easygoing, funny and offer a minimalist, casual and relaxed environment for everyone. My adult students have a blast because our lessons feel more like a friendly visit with lighthearted humor.

*** Specialties ***
Pitch Correction
Whistle Register Development
Vocal Physiology
Overcoming Performance Anxiety
Accent Reduction
Repertoire Selection
Concert and Competition Preparation
Public Speaking
Physical Maintenance of the Vocal Instrument
Overcoming Speech Impediments
Stage Movement
Studio Recording Techniques
Songwriting
Image Development
Vocal Range Enhancement
Post-surgical re-immersion
Students with autism, down syndrome and speech impediments

Group classes are also available.

*** Lesson Details ***
Each lesson is tailor-made to suit the student's individual needs. Custom action plan will be given to each student on a case-by-case basis. No instruments are used in my lessons, as I train the voice to be a standalone instrument. However, if you would like to accompany yourself with a guitar, piano or percussion instrument, you are very welcome to do so.

I am available 24 hours a day for online coaching and as early as 7:00 am CST for in-person sessions.

*Please note that 15-minute sessions are ONLY available online. In-person sessions must be a minimum of 30 minutes. 31 and 61-minute sessions are ONLY for whistle register training.

Online Disclaimer:
When choosing online lessons, please make sure that your system is functioning properly, that you know how to use the platform, that you have a good internet connection and that you are logged in on time, as no concessions will be made for time used due to technical difficulties.

Timing Disclaimer:
Our time together is very valuable. If you are not on time for your session, the missed portion will not be made up at the end of the session. If I am not on time, I will make up the missed portion at the end of the session or alternate agreed-upon time. No exceptions or make-up sessions will be made for illness, weather, transportation issues (including car trouble), or any other short-notice reason. Rescheduled lessons must be made a minimum of 48 hours in advance and must be made up within the calendar week of the original lesson. If it is not made up within that week, it will still count as a paid session and cannot be made up at a later time.

help with that,too. Are you feeling more confident, and want to focus more on song polishing and getting into the heart of your songs? Let's do it! Confidence an issue? I am a pro with very shy people. I'll get you out of your shell, relaxed, and having fun right away so we can free that voice of yours! I have worked with many singers who have been diagnosed with anxiety: you're in good hands and you can trust me with your voice.

I am also a drama teacher who has worked with groups as well as individuals. Currently, I am the drama instructor at a Montessori School. I love working with beginning acting students! I'll assist with monologue prep, improvisation, voice for the stage, body awareness, and more. I love being on stage and want you to see how fun it is to jump in and let go,too!

If you're interested in beginner ear training or music theory, I'd love to help you with that as well. I present it in a no-nonsense and fun manner! I'll provide you with simple worksheets to increase your confidence in learning the language of music, as well as run you through increasingly challenging patterns and sight reading for the ear training. Don't be afraid: I make it easy and customize it all.

I have been singing for over 20 years. Performances with the Lira Ensemble and Opera on Tap Chicago, and in master classes with international opera stars Alan Held and Lorna Haywood. Coaching with Collaborative Works Chicago and Rossini Opera Festival. Additional studies in Rock Vocals, Voice Care, Improvisational Comedy, Holistic Voice, Acting, Foreign languages, Dalcroze, Speaking Voice for Singers, , Commercial Vocal Styles/Belting with Lisa Popeil, teacher mentoring workshop with Maestro David Jones. Bachelor of Music in Vocal Performance. Additional workshops in Vocal Pedagogy with David Sabella-Mills, Jeannie LoVetri. Dr. Karen Prokop, Melissa Cross the queen of healthy scream technique!), Sheri Sanders (musical theatre auditioning), and Chicago Cabaret Professionals.

Certified CoreSinging Instructor- one of only a few in the U.S. trained by Meribeth Dayme, PhD, respected clinician and authority in vocal pedagogy and author of "The Singing Book".

My students do a variety of great things! One was a top 12 "American Idol" finalist. Current students perform in musicals, top rated choirs, and professional rock , jazz,and blues bands. Many have won awards for their singing at competitions such as NATS. Students of mine have also been accepted to prestigious performing arts high schools for both drama and music, as well as undergraduate music programs.

I think if you can speak, you can sing. Everyone can and should sing! Don't let anything hold you back. I am a people person that is very passionate about music and singing, and want to be the teacher you'll trust with your voice. Come laugh and learn with me!

*** Lesson Details ***
I teach in person (Northwest Suburbs of Chicago) and online via Skype or FaceTime or TakeLessons Classroom, of course!

*** Studio Equipment ***
Sing and See Software. Additional materials I use: Funky n' Fun Vocal Exercises, Estelle Liebling Vocal Methods, Bona and Dannhauser for sight-reading, Full Voice workbooks for young and serious singers.

*** Specialties ***
Beginner vocalists! Very shy singers. Children, teens. Lapsed singers, and seniors. Experience in working with those with learning disabilities , special needs, and victims of abuse. Have also worked with the transgendered community. I also love to give workshops.

rom all walks of life, to aim high in their endeavors. One of MissG’s students, artist Joselyn Rivera, appeared on the third season of The Voice.