Seahurst Music Lessons

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Music Lesson Reviews from Students

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Popular Music Teachers near Seahurst

Check out some of our most popular teachers near Seahurst including Seattle, Mercer Island, Renton, Vashon and Burton.

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About Jeremy S.

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Seattle, WA

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About Jeremy
A Berklee College of Music graduate and a professional music instructor for over ten years, I can help you to reach your musical goals. I tailor lessons to suit your needs covering everything from skill development, music theory and musicianship, to expanding your repertoire and composing original work. I play and teach drums, piano, bass and guitar. I am new to Seattle, having just moved from San Francisco where I performed regularly at a wide array of venues such as Great American Music Hall, Freight and Salvage, Yerba Buena Center for the Arts, Bimbos, Bottom of the Hill, Savanna Jazz, Amnesia, Ashkenaz, Mystic Theater and Cafe Du Nord. I play many styles of music. Jazz, rock, funk, punk, blue-grass... you name it. I can show you how to play what you want to play.

*** Lesson Details ***
I believe in a strong musical foundati
on and that learning to play music should be fun!

*** Specialties ***
Whatever style the student is attempting, I stress proper technique and understanding of theory.
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Reviews
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Jon C. July 7, 2017
· Guitar · In home
It was a perfect first lesson! Jeremy is a great teacher who sets goals and challenges while making it fun. I'm so glad I finally did this and am already looking forward to my next lesson!
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Tony Wang September 3, 2016
· Piano · In home
Knowledgable and friendly
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jessykca June 16, 2016
· Piano · In studio
hi i would like to know if you can teach me how to play crime of centure from supertramp? can you ?
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Jeremy S.

Jeremy S.

Seattle, WA 98122
(9)
starting at
$30 / 30-min

About Masood K.

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Redmond, WA
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About Masood
I started music lessons at the age of ten with private Piano lessons. I took lessons for 15 years with prominent teachers, while mastering piano technique with a wide array of classical repertoire, from Bach to Mozart, Beethoven and Chopin.
I have been teaching piano since 1984 and acquired the skills through interacting with a variety of students of all tastes and needs.
I am able to help a music oriented student reach at a better understanding of piano playing technique.

*** Lesson Details ***
I would like my students to listen carefully to what they play, and practice attentively, which takes less time and more learning material achieved.
I will evaluate which teaching method is suitable for my student after the orientation session.
An average music student will be able to read notes, count beats, and will have finished th
e basic course of piano lessons in 6 months.

*** Studio Equipment ***
Roland digital piano keyboard

*** Travel Equipment ***
I travel to student's place.

*** Specialties ***
Western Classical
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Reviews
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Genalen C. January 4, 2016
· Piano · In home
He was a very good teacher.He knew my difficulty level and chose good songs for me.

His student
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Terese L. September 20, 2015
· Piano · In home
Masood is a patient and engaging teacher. My son has improved in his piano skills since starting lessons with Masood.
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Terese L. February 21, 2015
· Piano · In home
Masood is attentive and patient teacher
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Masood K.

Masood K.

Redmond, WA 98052
(6)
starting at
$48 / 30-min

About Ben G.

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Kenmore, WA

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About Ben
I have been teaching French Horn, piano and composition privately for about nine years, mainly in Snohomish and King counties. I have also coached horn players in local school bands during this time, as well as helping students with learning disabilities. There are many difficulties that students encounter when studying music, and I want to help you turn weaknesses into strengths, and help you find out where your greatest strengths (and interests) lie in music. I'll work with you to help you understand your own musical desires and goals, so that you can get the most out of your lessons. I am committed to understanding each of my students, and to sharing my love of music with each one of them. I teach French Horn, piano, music theory and composition as well as songwriting. Currently, I teach in the South Snohomish County and North Ki
ng County areas.

I was eight years old when I started taking piano lessons in Tacoma, WA. When I was 12, I discovered that I had perfect pitch while playing church hymns with my dad. This ability has served me well on a number of occasions. I discontinued formal piano lessons when I started college, but I continued to play piano on a nearly daily basis from that point on, keeping my technical skills at a very advanced level. I played trumpet in school bands starting in the 5th grade, and switched to French Horn in the 8th grade. The appeal of the horn may have had something to do with its rich, warm sound, its intricacy and complexity, and the demands that it placed on me to play with a high degree of pitch accuracy. I loved the challenge of playing accurately on the horn then, and I still do. As a horn student, I have studied with Jacqueline Shannon, Kathy Farner, Kathy Colton, Lawrence Lowe, Elizabeth Ward, Jeff Snedeker, Rodger Burnett and Stacie Eliason. As a horn performer, I have played with community and regional professional orchestras in the Seattle area, Central Washington, Olympia, in the Tacoma Youth Symphony, and in numerous ensembles in college.

I have studied music at Tacoma Community College, Brigham Young University and Central Washington University. I received Bachelor of Arts in Music at Central Washington University. I plan on attending graduate school in the future, focusing on music composition and film composition, as well as French Horn and piano performance.

As a music composer, I have written works for many different ensembles, choral works, solo piano pieces, and works for solo instruments. I am drawn to rich harmonies and beautiful melodies, as well as interesting timbres and musical variety, in my own music and that of the music I listen to. I am easily able to visualize music in color, and I have a thorough understanding of how the elements of music combine together to affect emotions in listeners. This is one of the reasons that I am currently pursuing film and media composition.

As a student, teacher, performer and music composer, I know that there are countless musical topics that students are curious about. I feel that students should feel free to ask any question in the field of music, even if it may seem like a "dumb" question. I value the sincerity and passion for good music that so many students have. I will help you acquire the knowledge and skills that you need, so that you can see more clearly your own musical goals. Previous and current students I have, each have made improvements in their own playing and knowledge of music, some of whom have made vast improvements in their playing and knowledge of music.

As I have taught music privately for a little while now, and can reasonably compare how I teach with other instructors that I know well, I can say with certainty that there are at least a few areas of my teaching that are somewhat unique and highly beneficial for certain students, if not most students. I value ear training and using flashcards with beginner students quite a bit, and am fond of teaching not only the "nuts and bolts" of music, but also, how music "works", such that a student of mine can write their own music if they have the desire to do so. I also try to assign a wide variety of music for each student (which differs according to each student's musical interests, abilities, and areas of their playing that need to be improved), especially as they improve and approach the intermediate levels of playing. There are many reasons I do this, but for the student, it is very important that they do not feel particularly "bored" with the music they are playing. I also have found that students who have a more sensitive nature tend to be more comfortable with the way I teach, as I reserve higher, stricter expectations for more advanced, older students. I also try to always be as patient, kind, and considerate with every student as I can be. Lastly, I highly encourage questions and feedback at any time during a lesson, and I try to create an atmosphere where the student feels comfortable to do so.

I accept students from five years old on up, but I prefer horn students to be at least ten years old before starting lessons, unless they have noticeably greater abilities to focus for a certain period of time than other children their age.

Employment and Musical Experience:

Transcription Work for David Templeton, Composer, 2010

Private Composition Instructor, January 2009-Present

Private Horn Instructor, January 2009-Present

Private Piano Instructor, Fall 2006-Spring 2007, January 2009-Present

Summer Camp Counselor: Lutheran Summer Music, Summer 2006

Principal Horn: Ensign Symphony Orchestra, December 2014

Fourth Horn: Olympia Symphony, September 2012

Third Horn: Mid-Columbia Symphony, February-May 2007

Second Horn: Washington East Opera, Barber of Seville, January 2006

Substitute Third Horn: Yakima Symphony, Winter 2006

Third/Fourth Horn: Wenatchee Symphony, Fall 2005

Substitute Horn: Leavenworth Summer Music Theater: Summer 2005

1st Horn: Shoreline Community Church, Christmas 2004

Principal Horn: Central Washington University Symphony, Chamber Orchestras

Principal Horn: Central Washington University Wind Ensemble

Finalist, Northwest Horn Workshop Mock Auditions, March 2005

Education:

Graduate, Pacific Northwest Film Scoring Program

Post-Baccalaureate Music Education Courses: Central Washington University, 2006-2007

Bachelor of Arts in Music: Central Washington University, Summer 2006

Associate of Arts and Sciences: Tacoma Community College, Fall 2002

Other:

Eagle Scout

Served 2 Year Mission for The Church of Jesus Christ of Latter-Day Saints

Music Composer/Arranger

*** Lesson Details ***
I have always wanted people I interact with to be, as a general rule, comfortable and relaxed in any setting. This certainly applies to the students I teach. However, students can expect that musical improvement will only occur through daily practice and constant effort. That being said, I am more interested in helping students overcome any difficulties in this area through reviewing their own practice habits and motivations, rather than using harsh discipline. It is crucial that students see the connection between their own practicing and musical improvement. Once this occurs, they can take more responsibility for their own progress with that added awareness.

The material chosen for each student will vary considerably, depending on their current knowledge, experience and ability level, innate abilities, musical tastes and priorities. The progress that is made will, to a large extent, be determined by the student's practice habits and natural ability. However, over the course of a few months or so, students should see noticeable improvement in their own musical abilities, if they practice and pay attention during lessons.

*** Studio Equipment ***
Piano, music stand, computer/printer, metronome

*** Travel Equipment ***
-French Horn: pencil, mute, tuner/metronome, maintenance/cleaning supplies, some books depending on if it is a first lesson, etc. I bring my own horn, and expect the student to have their horn. I also expect them to have a music journal to use as a reference for practicing and keeping track of their progress. Occasionally, I will employ a recording device for the purpose of assessing personal teaching effectiveness, or for the student to evaluate their progress/record their practicing.
-Piano: Metronome, pencil, some books if it is a first lesson, music journal, possibly a recording device from time to time.
-Music Theory/Composition: Music paper, pencil, music journal.

*** Specialties ***
Regarding method of instruction/teaching style, I am student oriented, and tend to adapt to each student's personality and learning style. I tend to teach more in the classical genres, with some pop/film music thrown in for variety (from time to time). I prefer using the Bastian, Alfred, and/or John Thompson piano methods, and Pottag-Hovey, Maxime-Alphonse books, etc. for French Horn.
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Reviews
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Lynn September 14, 2017
· Piano · In home
Ben is great if you want your child to love piano. He is a fun teacher and was very patient with my son, who was a bit turned off from music due to prior experiences. He actually wrote songs for my son to play since he needed more time at the beginner level. He was great when my son was nervous at recitals and festivals and had strategies to help him deal with nerves.
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Ryan /. September 14, 2017
· Piano · In home
Not good for beginners. Ben is knowledgeable, however.
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Chloe J. September 4, 2017
· Piano · In home
Ben has a remarkable ability to engage a six-year-old, extremely active, and pretty lax piano practicer. She loves her lessons but not so much the practice.

Thanks Ben
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Ben G.

Ben G.

Kenmore, WA 98028
(14)
starting at
$35 / 30-min

About Serena E.

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Issaquah, WA

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About Serena
Hello! My name is Serena!

Music shapes my life and has made me the person I am today. My experience in training in opera, musical theatre, jazz, and pop has expanded my musical skills and knowledge. Not only have I been trained in performance, but I have also studied music history, music theory, conducting, movement training, ballet, Alexander Technique, acting, yoga, stage craft, improvisation, other languages, diction and the International Phonetic Alphabet, voice science and anatomy, and vocal pedagogy. I have completed my Bachelor of Music in Operatic Vocal Performance from the prestigious Jacobs School of Music at Indiana University under the tutelage of the legendary Carol Vaness. I have also studied with acclaimed teachers and coaches around the world including Dr. Kari Ragan and Maestro Dean Williamson.

This year has been w
onderfully packed with performance for Seattle Opera. I just closed out a 78 performance run of CINDERELLA IN SPAIN where I sang the role of CINDERELLA and was even on the poster! I also performed the roles for the Seattle Opera preview performances of GRETEL in HANSEL UND GRETEL, VIOLETTA in LA TRAVIATA, KATYA in KATYA KABANOVA, and QUEEN OF THE NIGHT in MAGIC FLUTE. I made my Seattle Opera debut singing ALITSA and RACCOON in their touring production of "OUR EARTH", as well as performing on the mainstage in many productions. My upcoming performances include singing in the Seattle Opera kick off to the season SUMMERFEST in July; and OLYMPIA in LES CONTES D'HOFFMANN with Pacific Northwest Opera. My other roles include ALKANDRE in PENELOPE with Vespertine Opera in Seattle, WA; FRASQUITA in CARMEN with OperaBend in Bend, Oregon and Pacific Northwest Opera; and SUSANNA in LE NOZZE DI FIGARO with the Seattle Opera Guild. I also made my international debut in December 2014 singing GRETEL in HANSEL UND GRETEL with Opera Mariposa in Vancouver, BC. I have also been the featured soloist as "Christine" in Ten Grand's Phantom of the Opera at Benaroya Hall in Seattle, WA, and many lead roles in both opera and musical theatre: such as Semele (Semele), Marie (La Fille du Regiment), Gretel (Hansel und Gretel), Countess Ceprano and Gilda (Rigoletto), Blondchen (Die Entfuehrung aus dem Serail), Maria (West Side Story), La Fee (Cendrillon), Sarah Brown (Guys and Dolls), Cathy (The Last 5 Years), Rosina (Barber of Seville), and more! I have also been part of jazz ensembles, and won the Battle of the Bands at Indiana University with a rock group! I am proud to have won the Seattle Opera Guild/Opera Plus Young Artist Scholarship Award for the 2015/2016 season, the Encouragement Award in the Metropolitan Opera National Council District Auditions, First Place in the National Classical Singers Competition, the C.M. Gerber Scholarship, Music Dean's Scholarship, Music Faculty Award, First Place at Washington State Solo and Ensemble Competitions, First Place in the National Association of Teachers of Singing (NATS) National Competitions, and many more!

Teaching brings me such joy! To share the love of music and to educate the musicians of tomorrow is both gratifying and inspiring. I have been teaching since 2005 and provide a fun and focused learning experience where there are no "wrong" questions, and everybody's unique voice is celebrated! Many of my students have gone on to study music in college, and have landed lead roles in musical theatre, choir solos, All State and All Northwest choirs, and won awards in Classical competitions.

In my spare time, I like to hike, eat good food, and spend time with family and friends!

*** Lesson Details ***
My studio provides musical knowledge through private lessons including healthy vocal technique, basic understanding of music theory, and basic piano skills. I encourage a fun and focused environment. Come ready to learn, and let's make music!

A typical lesson will include vocalises that detail proper technique, some ear training work, some music theory training, and will be followed by repertoire. During this time, students will learn how to produce clear and authentic diction (English and other languages), breath management, phrase shaping, smooth transitions between higher and lower pitches, stylistic ornamentation, as well as dramatic involvement of the piece.

Students will learn the importance of the foundations of breath support, and how to create a healthy sound for any genre while keeping the unique qualities of their own voice-- no cookie-cutter singers here! Students will also learn how to read music, practice effectively, perform authentically, and take care of their delicate instrument for a lifetime of singing!

While Skype is a marvelous tool that has revolutionized the world of teaching, nothing can replicate natural acoustics. In-studio lessons are suggested for a clearer and more personable lesson.
**Skype lessons are reserved for long distance students only**

STUDIO ABSENCE and CANCELLATION POLICIES:
Regularly scheduled and attended lessons are the best way to see positive changes in your voice! The smooth running of the Studio Schedule helps make that happen. Therefore, missing lessons is discouraged and make up lessons/cancellations are not given in the Studio unless:
- I have had a performance or rehearsal that conflicts with our lesson time and cannot have the lesson as scheduled. If this occurs, I will inform you of the event as soon as possible and give you the option of a make up lesson or cancelling the lesson.
- Notices of foreseen cancellations (family vacations, religious holidays, school functions, special occasions etc.) are eligible for rescheduling or cancellation if given before the first lesson of the month.
- Of course, life can throw us for a loop! Illness, emergencies, and unforeseen events may possibly be given make ups or cancellations and will be determined at the Studio's discretion. (In the matter of illness: standard procedure is that if the student can attend work/school, they should come to their lesson. A cold can easily be worked around. If the voice is affected (for singing students), Studio time can still be used to work on ear training, music theory, music history, etc.)

All other absences will result in the lesson being marked as "missed". A hard copy of the Studio Policies and further details will be given to the student at the first lesson. Please feel free to ask any questions or clarifications.

*** Studio Equipment ***
The studio lessons take place in a designated area of my home. The room includes seating for parents to observe lessons as well as a weighted keyboard (88 keys), music stand, desk, and materials. No pets. Lots of street parking is available. Shopping and coffee/food located within walking distance.

*** Specialties ***
Specialties: Classical/Opera
Other styles and genres: Musical Theatre, Jazz, Pop, and Rock.
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Reviews
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Chuck June 17, 2017
· Opera Voice · In studio
My daughter has been taking lessons from Serena for more than two years. We are very happy with her and plan to continue. Training is for classical opera and focus is on basic technique.
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Alaka June 17, 2017
· ·
Serena has taught me so much about music and performing. She's a wonderful teacher and friend, and she is very professional; there is no one I'd rather be learning music from!
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Narcisa K. January 20, 2016
· Opera Voice · In studio
10 stars! She's very strict but in a good way. Keeps the students motivated! Recommend!
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Serena E.

Serena E.

Issaquah, WA 98029
(5)
starting at
$45 / 30-min

About Eric W.

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Seattle, WA

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About Eric
Eric is a multi-talented multi-instrumentalist and media professional with a passion for inspiring students through music. His knowledge and expertise are diverse, ranging from music performance and audio production to radio programming and video editing. Eric has a BA in Music and Sociology from the University of California, Santa Barbara, a decade of experience as a working musician, and over seven years of teaching experience with students from ages 9 to 60. When he's not teaching, Eric performs bass and vocals in The Nines, the Northwest's premier party band, working as an audio engineer and session musician at Mirror Sound Studios, and hosting the Grateful Dead Hour and Backtracks on KBCS-FM.
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Sam M. August 30, 2017
· Guitar · In home
As an experienced player Eric seems phenomenal, looking forward to working with him!
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michael July 18, 2017
· Bass Guitar · In studio
Super knowledgeable and easy to learn from!
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Bennett June 2, 2017
· Harmonica · In home
Great energy and great teacher. Looking forward to learning more from him!
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Eric W.

Eric W.

Seattle, WA 98125
(11)
starting at
$35 / 30-min
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About Natalie I.

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Seattle, WA

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About Natalie
Hello, I'm Natalie, and I am a soprano. I enjoy performing as a soloist, chamber singer, and professional chorister in the Pacific Northwest, Midwest, and Italy. I taught private voice lessons to middle school and high school students at an independent school, as well as free-lance lessons with adult singers, for my last three years in Chicago leading up to my move to Seattle recently. I also became a certified teacher in Illinois in music for K-12, including general music, band, orchestra, and chorus, which is what I used to do full time before deciding to balance my career more evenly between teaching and performing.

As a soloist, my recent performances include my Artist Diploma recital with Byron Shenkman (harpsichord) and Janet See (baroque flute), the Bach's Lunch concert series with Henry Lebedinsky (harpsichord, organ), and th
e Classical Music Nights at Cafe Racer concert series, all here in Seattle. Other significant solo performances include Mahler’s Symphony No. 4 (2015), Purcell’s Te Deum Laudamus (2014), Mendelssohn’s Hear My Prayer (2014), Fauré’s Requiem (2013), and Bach’s Magnificat (2012). As a chorister in 2013 I rocked it hard singing with the Rolling Stones. I received my Bachelor and Master of Music degrees from the Chicago College of Performing Arts at Roosevelt University in 2010 and 2015, respectively. I am a recent graduate of the Artist Diploma in Early Music program at Cornish College of the Arts.
...
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Cindy March 10, 2017
· Audition Prep · In studio
She is very precise re: breathing technique to further enhance my singing ability, and timing on hitting the high notes.
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Natalie I.

Natalie I.

Seattle, WA 98122
(1)
starting at
$40 / 30-min

About Anton S.

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Bellevue, WA
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About Anton
An expert educator with a welcoming, positive outlook and an irresistible passion for music, Anton is a longtime faculty member of the California Jazz Conservatory. He's been Artist in Residence at Harvard University and The Brubeck Institute, and a clinician & featured soloist for countless university & high school jazz programs. Anton has headlined major jazz clubs across the US and Canada and has five critically acclaimed CDs as a leader.

"Anton is an exceptional player & inspirational teacher… and a lot of FUN! He is organized & prepared, and so well versed in so many aspects of jazz performance & education… What more could a student want?!"
— Susan Muscarella, Director, California Jazz Conservatory

"Anton's the perfect blend: a top-flight saxophonist, an inspired composer and a professional with a keen sense of the music indus
try. His teaching combines these gifts into a unique presentation with sophistication, clarity & personality; before you know it you've got the keys in your pocket!"
— Joe Gilman, Musical Director, Brubeck Institute
...
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Anton S.

Anton S.

Bellevue, WA 98004
starting at
$45 / 30-min

About Michael D.

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Seattle, WA
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About Michael
I have been teaching trombone privately for 5 years. I love the act of teaching, especially building confidence and a sense of pride in the skills which my students attain. I work towards also being able to impart the true end goal, a lifetime of musical enjoyement.
I'll be living in Olympia, studying at The Evergreen State College during the school months and in Seattle over summer and over breaks. Feel free to request a lesson if your unsure of avalibility.
I perform in any place and setting I can get my hands on. In small combos, in big bands, as a back-up for vocalists and miscellaneous. I love engaging an audience, a skill I have used also performing and hosting with an improv troupe for more than 3 years.
...
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John July 2, 2017
· Trombone · In home
Michael is an excellent musician and teacher. He is patient, nurturing, encouraging, enthusiastic, and fun. I highly recommend him.
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Dan July 2, 2017
· Trombone · In home
Michael is an excellent teacher as he communicates well with his students and has such a welcoming personality that encourages students to do their best. He gives students appropriate music that will challenge them at their current playing ability along with making it fun to learn and move on to the next level.He would be an excellent choice for a private teacher for trombone.
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Taryn July 1, 2017
· Trombone · In studio
My son has been taking lessons with Michael for over a year now. Michael is a recent graduate of the Garfield High School extraordinary jazz program and has an absolute gift for teaching and motivating young trombonists. Michael has a contagious passion for the trombone that shapes his lessons. In my son's words, "he's just overall awesome!" Not only has my son greatly improved in technical aspects of the instrument, he has developed a huge appreciation and interest in jazz and music in general. Michael has my highest possible recommendation!
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Michael D.

Michael D.

Olympia, WA 98505
(3)
starting at
$34 / 30-min

About Ben B.

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Seattle, WA
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About Ben
From Hard Rock to Jazz I have an in-depth knowledge of everything bass related. If you want to learn how to slap, I can show you. If you want to spruce up your improv skills, I got you on that. If you want proper ear training, theory, and bass philosophy, I'm your guy. I've had two music videos on MTV2, multiple albums, and have played over 1,000 gigs. Bass guitar is the best instrument, and I love sharing my knowledge.
...
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Ben B.

Ben B.

Seattle, WA 98133
starting at
$42 / 30-min

About Megan T.

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Seattle, WA
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About Megan
After receiving two performance degrees in music, I focused my efforts on becoming a fantastic teacher. For over a decade, I've received constant training on cello pedagogy and enhancing my teaching skills. I've taught in 2 different Suzuki strings programs and I've taught privately in my home studio since 2005. I also perform regularly as a freelance cellist. I've had experience playing in professional orchestras, in string quartets, as a recording artist, and as a soloist. When I'm not immersed in music, I like to explore the mountains on skis, on a bike, or on foot.
...
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Megan T.

Megan T.

Seattle, WA 98118
starting at
$67 / 30-min

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Reducing tension while playing the violin is extremely important. After all, relaxing your muscles is one of the keys to producing a smooth sound. Below, violin teacher Carol Beth L. shares five exercises for helping reduce tension while playing the violin.  Are you having a difficult time perfecting your violin playing? Very often, violin students have trouble producing a good sound when they aren't properly relaxed. High-level players learn, among other things, to eliminate tension i
Introduction to Violin Music Notes
The violin is often considered by musicians to be one of the most challenging instruments to learn. Its roots trace back many centuries and it was clearly a definitive instrument in shaping classical music all over the world. One of the reasons it is considered a difficult instrument to learn is that it's a fretless string instrument, making violin music notes appear to be inexact, yet fingering must still be done with precision. The reward for learning this sweet-sounding elegant instrument, ho

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