Having appeared in many productions, I am thrilled to help students learn proper technique and the singing traditions of the art form.
Why Choose Carla:
• Work on your singing in a warm, friendly and private studio with an experienced teacher that makes singing fun! Students of all ages are always welcome!
• Member of the National Association For Teachers of Singing (the only selective professional organization for Voice Teachers) whose mission is: To encourage the highest standards of the vocal art and of ethical principles in the teaching of singing; and to promote vocal education and research at all levels, both for the enrichment of the general public and for the professional advancement of the talented.
• Voice students learn more then just how to sing, they learn how to be performers and musicians.
• I will not take on a student I cannot help.
• Voice students have MANY performance opportunities offered to them that are appropriate for their level
My unique studio uses the basics of Bel Canto technique to teach all styles of music to all ages. Parents often comment on how much fun their students have in lessons, while getting feedback from outside professionals (adjudicators, directors, etc) on how much their technique has improved. Adult students are commonly shocked by how easy singing can feel as they meet their career goals.
Current students can be seen performing with: America's Got Talent! Hardrock Cafe LAS VEGAS! Broadway Bound Bellevue Opera Puget Sound Concert Opera Seattle Gilbert and Sullivan 5th Avenue Theater Theater Schmeater 13 Coins Hwy 99 Blues Club The Showbox Chop Suey Dicken's Carolers And MORE!
I realize that voice lessons can be REALLY scary and I totally understand why, especially for kids and beginners! I do my best to use modern psycology and technology to help my beginning students feel confortable in what can be a frightening new endeavor.
Personal Performance Experience: Extensive lead and supporting opera performing experience with Bellevue Opera, Puget Sound Concert Opera, Skagit Opera, Tacoma Opera, Portland Opera,Seattle Gilbert and Sullivan, Seattle Opera and Seattle Youth Symphony. Prior to that spent 7 years performing Jazz and Gospel and 10 years in musical theater.
Personal Education: BA in Music from Seattle Pacific University 2002, MM in Opera Performance (Unfinished due to 1 year of German) at University of Illinois at Champaign-Urbana.
Teaching Experience: 8 years as a private voice teacher in my own studio, 3.5 years teaching opera workshops throughout the USA, 2 years working in studio with local bands as a 'fixer.'
Have you tried lessons before and felt unsuccessful?
Not all students learn the same way and for years voice teachers have been treating every student as an aural learner. What I have found is that students with a history of struggling with matching pitch simply need to be taught in a different manner. That is why I now ask students to take a voluntary learning style inventory prior to their first lesson.
Visual Learner? Not a problem when "Adam" started with me he could only match pitch 30% of the time. But after finding that he needed to see concepts in order to learn them I have now made all of his lesson visually based and he is now averaging 90% pitch accuracy 3 months later.
Kinisthetic Learner? I had the hardest time helping "Clark" learn new music until we realized that by taking the time to have him play his parts himself on the piano he could learn them in minutes. He just is a person that learns by doing and now that we know that, music has become so much less frustrating for him.
Physical Learner? With "Steve" the traditional 'visualization' style of teaching that most voice teachers start with just wasn't helping him improve his sound and reach the high notes we both knew he had. After we figured out that he needed large muscle movements to understand concepts I added the use of a resistance band to his lessons. He has had so much success with this technique that he 'stole' my resistance band so he could use it in recording sessions and before he got on stage.
The stories just go on and on.
CURRENT AND FORMER STUDENT REFERENCES AVAILABLE!
*** Lesson Details *** Students help structure their lessons by providing a general overview of their goals during their first lesson. Just as not everyone's voice sounds the same, neither does everyone's lesson!
A typical lesson begins with vocal warm-ups specifically targeted to strengthen the students technique and help them learn more about their voices capabilities. Next students work on songs of their choosing, that help them develop the freedom of voice, control, stamina and overall vocal health that they will need to be confident in their performing.
Additional opportunities for performance are provided for students as desired. These may include Karaoke Nights (for adult beginners), no-stress recitals, studio sing-a-longs, community choirs and small roles in local productions.
NEW STUDIO FEATURE!
*** Studio *** piano and guitar
*** Specialties *** Voice, Music Theory, Music Performance, Acting, Speech, Theatrical Broadway Singing, Opera Voice Singing for Musical Theater, Classical Voice, Jazz Voice, Improvisation, Rock and Metal Vocals, Healthy Metal Growling, Beginning-Advanced Intermediate Voice, Composition, Music History, Music Appreciation
Specializing in helping young singers find their voices and learn healthy technique so as to not damage their instrument, while having a lot of fun! I also teach Spanish, Latin and Italian Diction for Singers.
I have worked with many local guitar/singer/songwriters and rock band frontmen, helping them gain the stamina and power they need while maintaining their instrument for the future.
Also, I have had extensive experience and success working with students who consider themselves 'tone challenged'
Extremely great teacher that has given so much improvement to my voice and skills!
April 3, 2019
March 20, 2019
Carla is a teacher who focuses on each individual student. I have observed the results of her students’ success in multiple music genres. I have studied with Carla for classical training, musical theater, jazz, and audition prep, and have seen positive results in each of these areas. Carla really works to make sure her students gain experience (she often arranges public performance opportunities at venues such as coffee shops, etc.) and she makes sure her students are aware of (and prepared for) upcoming auditions. Each lesson is followed up with an email from Carla re-capping the main points stressed in that lesson. I highly recommend Carla, whether you are a beginner or a seasoned performer.
For me, having parents of different ethnicity and siblings that were much older than me, I was heavily impacted by the wide variety of music to which my family members listened. The force of this crayon box of rhythms and sounds captivated and affected me so much that it is the key experience that I draw from in making my own music today.
I grew up in Fairbanks, Alaska (a small town in the center of the state) so my only option for entertainment and fun was getting involved in the arts! I started performing at a very young age as both a dancer and a musician. I studied classical ballet, modern dance, hip hop and street dance, and world dance traditions throughout my formative years, which helped me to gain rhythmical fluency. I started my
formal music training when I began to play the cello. From then on, I was hooked on the sound and I immersed myself in music as much as I could; performing, competing, working in as many musical groups and productions as possible (as both a vocalist and cellist), and even teaching.
I moved to Seattle in 2003 to study opera at Cornish College of the arts, only to later change my major to Jazz, and then again to Latin music studies. Since graduating from Cornish in 2007, with my Bachelor of Music degree, I have been actively and diligently working in the local music scene; performing and recording with artists and groups of many different styles. Everything from various Latin genres, to Rock, to R&B/Soul, to Hip Hop, and Jazz. Through my music, I aim to reach out to people of all cultures. I also aim to teach my own students with the hope that they too can discover the same continuous love of music that I have grown to feel (and still am growing to feel) over the years. :)
*** Studio Equipment *** 88 key piano, cello, various percussion instruments, guitars, ukulele, library, computer, lessons are given in a private studio.
*** Specialties *** As far as voice goes, I teach all genres and styles but I personally specialize in the Latin genres. I teach all aspects of the music; rhythm, harmony, theory. I even teach performance; how to work with a band in real-time communication, song communication (or story telling as I like to call it), and developing ones own personal style. I believe that there is much more to singing than just vocal technique alone, so I believe in teaching musical fundamentals and functions so that my students will not only be considered vocalists, but competent musicians.
Excellent teacher and flexible related to schedule so I can take classes and work normally! Full of knowledge. Awesome class👍
October 12, 2019
My daughter LOVED her first lesson! She was smiling from ear to ear following her lesson and was excited to share what she learned. Makala provided tips to support at home practice. I am happy to have found such a wonderful teacher to introduce piano to my daughter.
You can learn to sing almost any style of music, and OPERA is no exception. Once we find your real voice and teach it how to come out in full, resonant, well modulated tones. then you can use that vocal power to sing any style of music that you love and want to study. Operatic singing is more of a mindset than a "natural gifting". Granted that the operatic repertoire makes exciting demands on the voice, vocal/physical/emotional stamina, and acting ability, but those are all learned skills that other mere mortals have learned and mastered with a little help from coaches and mentors like me, who have learned them from others who have paid their dues in this wonderful profession, and been willing to pass them on to aspiring singers. All too often those hopefuls have been told that only a few "specially gifted ones" can ever attain to such heights, and thus ensues a lifetime of unfulfilled dreams. DARE TO DREAM! If you've ever even thought about it, you're "IT" ...tagged!, so let's do it!
Become the masterful Singer that you really ARE! Learn to bring out the natural beauty and power of your Voice, and to match your own unique personality and vocal qualities to complementing repertoire in order to show your voice and talents in their best light. We'll develop the repertoire that fits YOU. You'll learn how the Voice works and where it really comes from, and probably be amazed at the almost immediate widening of your vocal range.
Trained by one of the Metropolitan Opera's most beloved Voice Coaches, Vanessa brings to the world of music a wonderfully varied Performing and Teaching career ranging from Opera to Broadway. She holds a BA degree in Music Performance from the School of Fine and Applied Arts of Boston University, and is an award winning Poet. Vanessa has produced, hosted, sung, and broadcast over 2,500 te
levision programs, concertized and spoken in the US and abroad, recorded nine albums in various languages, co-authored an Early Childhood Education book which included training in the use of music for the young, authored three autobiographical "Poetry with a Purpose" poetry books and accompanying cd's offered to inspire thought and creativity in others (see Vanessa Conaway Pace on Amazon and in bookstores), and teaches Voice to her private and group students.
*** Lesson Details *** The atmosphere is relaxed in our comfortable professional studio. We work hard, and enjoy the journey as we develop your voice and repertoire with a focus on whatever style of singing you choose. It won't be long until you will see that songs that were previously too high or too low are now comfortably within your grasp. And, you will be able to sing for longer periods of time without getting tired or injuring your voice. You might also want the experience of practicing stage presence, working with trax, learning how to relate to an audience, and learning microphone technique, all of which will add to the professionalism of your most excellent and enjoyable career.
*** Studio Equipment *** Music studio room w/ piano and seating for parents
*** Specialties *** I specialize in finding the student's unique voice, and helping them to understand its natural operation in order to set it free to be used in any style they choose to sing. The Italian Bel Canto method describes the basic singing technique, and is the foundation from which a healthy and versatile voice can be developed. My upcoming book, "All God's Chillun' Got A Voice" How To Find It, and Release It As A Creative Toolâ, discusses both the technical and esoteric sides of the singing voice, its operation and purposes.
Vanessa is amazing teacher!!! The best I ever had!!!!
April 30, 2019
I am a professional speaker and I decided to pursue some speaker voice coaching. This was my first lesson and Vanessa was friendly and great personality. I felt comfortable with her
immediately. She provided education, demonstration, observed me apply the techniques, and offered constructive feedback. After the class, I was excited to practice what I learned. I will definitely continue to go back to Vanessa. I highly recommend her.
March 16, 2019
Vanessa is wonderful. I was able to learn so much it a short period of time. She is an excellent teacher. When work slows down, I am going to take additional classes with Vanessa. She is definitely a 5 star person. I wish that I got to hear hear sing one of her favorite songs. My lessons focused on speaking voice.
Students will learn how to present their repertoire with healthy technique, clear and correct diction (in all languages), appropriate stylizing, and intentional dramatic choices.
*all lessons are always taylored to be appropriate vocally and dramatically for age, voice type, and ability
Hello! My name is Serena!
Music shapes my life and has made me the person I am today. My experience in training in opera, musical theatre, jazz, and pop has expanded my musical skills and knowledge. Not only have I been trained in performance, but I have also studied music history, music theory, conducting, movement training, ballet, Alexander Technique, acting, yoga, stage craft, improvisation, other languages, diction and the International Phonetic Alphabet, voice science and anatomy, and vocal pedagogy. I have completed my Bachelor of Music in Operatic Vocal Performance from the prestigious Jacobs School of Music at Indiana University under the tutelage of the legendary Carol Vaness. I have also studied with acclaimed teachers and coaches around the world including Dr. Kari Ragan and Maestro Dean Williamson.
This year has been w
onderfully packed with performance for Seattle Opera. I just closed out a 78 performance run of CINDERELLA IN SPAIN where I sang the role of CINDERELLA and was even on the poster! I also performed the roles for the Seattle Opera preview performances of GRETEL in HANSEL UND GRETEL, VIOLETTA in LA TRAVIATA, KATYA in KATYA KABANOVA, and QUEEN OF THE NIGHT in MAGIC FLUTE. I made my Seattle Opera debut singing ALITSA and RACCOON in their touring production of "OUR EARTH", as well as performing on the mainstage in many productions. My upcoming performances include singing in the Seattle Opera kick off to the season SUMMERFEST in July; and OLYMPIA in LES CONTES D'HOFFMANN with Pacific Northwest Opera. My other roles include ALKANDRE in PENELOPE with Vespertine Opera in Seattle, WA; FRASQUITA in CARMEN with OperaBend in Bend, Oregon and Pacific Northwest Opera; and SUSANNA in LE NOZZE DI FIGARO with the Seattle Opera Guild. I also made my international debut in December 2014 singing GRETEL in HANSEL UND GRETEL with Opera Mariposa in Vancouver, BC. I have also been the featured soloist as "Christine" in Ten Grand's Phantom of the Opera at Benaroya Hall in Seattle, WA, and many lead roles in both opera and musical theatre: such as Semele (Semele), Marie (La Fille du Regiment), Gretel (Hansel und Gretel), Countess Ceprano and Gilda (Rigoletto), Blondchen (Die Entfuehrung aus dem Serail), Maria (West Side Story), La Fee (Cendrillon), Sarah Brown (Guys and Dolls), Cathy (The Last 5 Years), Rosina (Barber of Seville), and more! I have also been part of jazz ensembles, and won the Battle of the Bands at Indiana University with a rock group! I am proud to have won the Seattle Opera Guild/Opera Plus Young Artist Scholarship Award for the 2015/2016 season, the Encouragement Award in the Metropolitan Opera National Council District Auditions, First Place in the National Classical Singers Competition, the C.M. Gerber Scholarship, Music Dean's Scholarship, Music Faculty Award, First Place at Washington State Solo and Ensemble Competitions, First Place in the National Association of Teachers of Singing (NATS) National Competitions, and many more!
Teaching brings me such joy! To share the love of music and to educate the musicians of tomorrow is both gratifying and inspiring. I have been teaching since 2005 and provide a fun and focused learning experience where there are no "wrong" questions, and everybody's unique voice is celebrated! Many of my students have gone on to study music in college, and have landed lead roles in musical theatre, choir solos, All State and All Northwest choirs, and won awards in Classical competitions.
In my spare time, I like to hike, eat good food, and spend time with family and friends!
*** Lesson Details *** My studio provides musical knowledge through private lessons including healthy vocal technique, basic understanding of music theory, and basic piano skills. I encourage a fun and focused environment. Come ready to learn, and let's make music!
A typical lesson will include vocalises that detail proper technique, some ear training work, some music theory training, and will be followed by repertoire. During this time, students will learn how to produce clear and authentic diction (English and other languages), breath management, phrase shaping, smooth transitions between higher and lower pitches, stylistic ornamentation, as well as dramatic involvement of the piece.
Students will learn the importance of the foundations of breath support, and how to create a healthy sound for any genre while keeping the unique qualities of their own voice-- no cookie-cutter singers here! Students will also learn how to read music, practice effectively, perform authentically, and take care of their delicate instrument for a lifetime of singing!
While Skype is a marvelous tool that has revolutionized the world of teaching, nothing can replicate natural acoustics. In-studio lessons are suggested for a clearer and more personable lesson. **Skype lessons are reserved for long distance students only**
STUDIO ABSENCE and CANCELLATION POLICIES: Regularly scheduled and attended lessons are the best way to see positive changes in your voice! The smooth running of the Studio Schedule helps make that happen. Therefore, missing lessons is discouraged and make up lessons/cancellations are not given in the Studio unless: - I have had a performance or rehearsal that conflicts with our lesson time and cannot have the lesson as scheduled. If this occurs, I will inform you of the event as soon as possible and give you the option of a make up lesson or cancelling the lesson. - Notices of foreseen cancellations (family vacations, religious holidays, school functions, special occasions etc.) are eligible for rescheduling or cancellation if given before the first lesson of the month. - Of course, life can throw us for a loop! Illness, emergencies, and unforeseen events may possibly be given make ups or cancellations and will be determined at the Studio's discretion. (In the matter of illness: standard procedure is that if the student can attend work/school, they should come to their lesson. A cold can easily be worked around. If the voice is affected (for singing students), Studio time can still be used to work on ear training, music theory, music history, etc.)
All other absences will result in the lesson being marked as "missed". A hard copy of the Studio Policies and further details will be given to the student at the first lesson. Please feel free to ask any questions or clarifications.
*** Studio Equipment *** The studio lessons take place in a designated area of my home. The room includes seating for parents to observe lessons as well as a weighted keyboard (88 keys), music stand, desk, and materials. No pets. Lots of street parking is available. Shopping and coffee/food located within walking distance.
*** Specialties *** Specialties: Classical/Opera Other styles and genres: Musical Theatre, Jazz, Pop, and Rock.
Serena taught my 8 year old son for 9 beginner lessons. The scheduling did not work out for us to continue.
I loved her teaching style! She is calm but also fun for the boy. He loved the warm up exercises. In only 30 minutes of class they were able to play several little pieces. My son could then practice and master them at home. That gave him a sense of accomplishment. This approach is better than working on a hard piece and being frustrated. She focused on sight reading from the start instead of memorizing which is a great habit.
April 24, 2019
Serena is very knowledgeable and super helpful with my daughter' s audition prep. Highly recommend!
April 17, 2019
Serena is excellent! She shares my interest in both vocal training and vocal pedagogy, so she can explain the physiology of what I'm doing wrong when that happens - frequently in my case. She is a delight to work with. Encouraging. Intelligent. Professional. I'm sad to have to drop lessons for now.
I am a professional opera singer based in the Seattle area. Most of my training and experience has been with singing opera and classical music. I am a graduate of the prestigious San Francisco Conservatory of Music, and studied with the head of the Vocal Department, receiving my B.A. in music, with an emphasis on vocal performance.
In my lessons focusing on classical singing, I teach stretching, breathing techniques, and lots of vowel work. I will go over how to pronounce the three most common languages used in classical music i.e. French, Italian and German. I have vast experience singing in these languages, and also continue to study them in my everyday life.
Eventually I would encourage my students to audition for choirs, and small roles at local opera companies. I can also prepare high school aged students interested in majoring or pursuing a career in music/voice on how to properly audition and what the best pieces are for their voice foe that specific purpose.
Singing/Audition and Resume Coach:
Lessons begin with stretching, vocal warm ups, scales, and extensive breath work, as well as resolving any tensions that may be hindering your vocal production. I then through collaboration with the student, work on beginning repertoire that is suited for the voice, and challenging at the same time. I record all lessons, and email them to the student so that one has the opportunity to review the warm ups, and hear the improvement in the voice, I also write a review of every lesson, with notated warm-ups and a list of "To Do's" for the week so that the student will have a structured practice week. I provide music, and if needed recordings of the pieces so that the student can take the materials back to their homes and practice them on their own.
I track the range of
the voice, and usually within a month it will have improved by at least 4 notes either higher or lower.
It is important to note that learning voice is a highly individualized journey, each person will have their own set of strengths and weaknesses, as a teacher it is my job to asses this in a person and craft a curriculum, and style that will fit those individual needs.
I am also adept at navigating local opportunities for students in the Seattle Theater world. I have had students receive callbacks at 5th avenue, perform for Seattle Childrens Theater. Young Actors Institute, Driftwood Players, win multiple pageants and score high in talent as well as acting opportunities in movies and modeling. I am a performer as well and had to navigate through the college system as well as the Seattle theater system and can provide much guidance to those interested with resume, repertoire and audition coaching.
There is no feeling in the world than the freedom and beauty of singing, it is a joy to hear in my students, and very fulfilling to teach this kind of wonderfully positive experience to people of all ages!
I received my B.A. in vocal performance from San Francisco Conservatory of Music in 2009. I am a classically trained singer, however I enjoy all genre’s of music and firmly believe having a classical base in a singing technique will enrich any style of music you wish to work toward. I am devoted to healthy singing, and unlocking your true timbre and voice with extensive breath, and vowel work. As a graduate from a highly competitive music institution I can help in guiding students along the right path of pursuing this art form at a collegiate level.
Theory/Song Writing techniques:
For some students learning music is just as much a part of the lesson as learning to sing. I love teaching people of all ages how to read music, so that the student can be an independent teacher for themselves and learn music on their own at home, this I think is very important in order to improve skills for singing, the faster the student can learn music, the more time can be spent working on technique and improving the sound of the voice.
I graduated from a prestigious Conservatory and had to take very advanced theory classes in order to receive my degree. I also played flute and oboe in orchestra for 10 years, and taught myself how to play piano. I have assisted some of my students interested in writing their own music on chord progressions, and have offered my musical expertise on their compositions. There is nothing like being involved in the creative process of composing and I love supporting my students that decide to explore this art form.
I have a studio in Bellevue where I work closely with the transgender community as a vocal coach to feminize my clients voices transitioning from male to female. It is a wonderful process and anyone interested please do contact me!
I also teach language diction classes. I am fluent in IPA (international phonetics alphabet) in English, French, German, Italian, and Spanish. I can help with accent reduction in English or pronunciation in any of the above languages.
A little bit about me:
“Playing alongside Drumheller were a number of young performers like Jordan M., who appeared as Cousin Hebe. A past member of Tacoma Opera's Young Artist Program, she is an emerging artist with a beautiful voice and very appealing stage presence who is slated to appear in several shows in the region this year.” whereissandy.com, Sandy McDade Chair of the ArtsFund Board, 2015
Soprano Jordan M. kicked off 2015 with a role debut of Nancy In Albert Herring with Vashon Opera. She was thrilled to make her 5th Avenue Main Stage debut in The Sound of Music, and to sing in Cry To Heaven part of 5th Avenue's New Works Department, which was a collaboration with writer Anne Rice and academy award nominated composer Matthew Wilder (whose credits include the music of Mulan). She joined Tyrolean Opera this last summer on a full Scholarship in Maurach, Austria on Lake Achen (Achensee), in a role debut of Gretel in Humperdincks Hansel und Gretel.
In 2014 she was excited to be in the world premiere of Yoshinaka, by Garrett Fisher with the Fisher Ensemble as Tomoe. It was an adaptation of the traditional Japanese Tales of Ise, which made it’s world premiere at Seattle’s ACT Theater “Central Heating Lab Series”. It was a noteworthy collaboration with Munenori Takeda, and The Takeda Noh troupe which consists of members who are Living National Treasures in Japan for their Noh artistry, this collaboration was featured on the front page of The Arts section of the Seattle Times.
Other notable credits from 2014 include 2nd Lady in The Magic Flute, Rosina, in Il Barbiere di Siviglia with Tacoma Opera and a recording for Kakitsubata, with The Garrett Fisher Ensemble for Jack Straw Production Studios. In spring of 2014 Ms. McClellan sang Papagena and 2nd Lady with Skagit Opera, and N.O.I.S.E. (Northwest opera in schools) for their Washington tour, as well as various Rossini arias with Bremerton Symphony, and two solo recitals with Second-City Chamber Series, and Music Northwest. She also continues to be involved in recording sessions for Hollywood’s top video game soundtracks, including Starcraft and World of Warcraft.
Jordan is equally at home singing song repertoire as well as early music. She was chosen to participate in Lieder Alive! Singers Studio with Håkan Hagegård in San Francisco, CA where she delved deeper into lieder classics, culminating in a public masterclass. Ms. McClellan has since been invited to sing several recitals with, Second City Chamber Series, in Lakewood, WA, Music Northwest, in Seattle, Wa, Hearthstone Chapel Recital Series, in Seattle, WA, Skagit Opera, at Lairmont Manor, as well as with Tacoma Opera. Her recital repertoire varies from Italian Art Song, to Fauré Chanson, Lieder, American Songbook Classics, as well as Irish Folk Songs. She has particpiated in Accademia D’amore, a summer program lead by Grammy Award winner Stephen Stubbs who is devoted to educating singers about early music, baroque dance and rhetoric. Most recently she participated in Bach Meisterkurs, in Leipzig Germany (Bach’s hometown) to learn the art of stylistically singing Bach’s passions.
Past credits include a 3 month tour with Portland opera singing Hansel in Hansel and Gretel, Phylo in the West Coast premier of Pénélope by Fauré with Vespertine Opera, and her Italian concert debut in Urbania, Italy at the Teatro Bramante.
Her upcoming engagements include, starring in a local independent film as an opera singer, a role debut of Adalgisa in Skagit Opera’s Norma, singing a solo recital with Music Northwest, a performance with the Fisher Ensemble at Folklife Festival, as well as a performer at the Sankt Goar International Music Festival in Germany.
*** Studio Equipment *** I have a recording device, a piano and keyboard, a music stand, lots of music of all genres, a copier/printer, as well as access to making recordings of pieces so that the student can take it home (whether that is CD's or Mp3's).
*** Travel Equipment *** I provide a recording device, piano, keyboard, piano accompaniment (usually a recording), as well as copies of music.
If I travel to a lesson they would have to have a piano or keyboard.
*** Specialties *** I specialize in unlocking an individuals true singing voice,
I do have a 48 hour cancellation policy, I will allow one missed lesson to be reschedule but after that I will have to charge you if you continually miss lessons without letting me know.
Jordan is very experienced and knowledgeable, I watched as she worked with me. She has an amazing ear. she hears nuances of differences in the slightest tone difference and can tell just what to do to help you sound wonderful. Looking forward to going back.
June 17, 2018
My daughter had a fantastic first lesson and is looking forward to the next!
October 13, 2016
My name is Evelyn and I'm 33 yo. I'm also transgender MTF and have always wanted to sing with my new voice. Jordan is incredibly patient and shows a lot of care for what I have tried to accomplish. Without her I would have been too afraid the let my singing voice be heard. I'm so lucky to have found a professional like her to help me find my singing voice during the journey of my transition. I highly recommend her to anyone who is new to singing or wants to improve their existing voice. She's worth every minute.
I am an active performer and have been teaching voice for 9 years. I tailor each lesson to the student's needs and create a supportive and nurturing environment, which gives the student the opportunity to try new things out and take risks. In addition, I teach a classical technique that can be incorporated in any style of music. In Opera Voice, I will teach a healthy technique and apply it to arias and opera roles.
Soprano Jamie Balter most recently received recognition by both The American Prize in Voice and New York Lyric Opera Theatre Competition for her performance of works by Strauss, Mozart, and Wagner. A native of Baltimore, Ms. Balter earned her Bachelor of Music in Vocal Performance from the University of Miami’s Frost School of Music and is currently pursuing a Master of Music degree in Vocal Performance from the University of Alabama under where she is a student of Dr. Paul Houghtaling. As a member of the University of Alabama Opera Theatre, Ms. Balter will sing the role of The Nurse in Philip Seward's Juliet in the 2019/20 season. In the 2018/19 season, Ms. Balter sang the roles of Consuelo in West Side Story and Rosalinda in Die Fledermaus. During the 2017/18 season, Ms. Balter appeared as a guest artist in Visions of Dreams, where she
performed selections by Duparc, Schubert, Mozart, and Lehár. In July 2017, she made her role debut as Donna Anna in Mozart's Don Giovanni at the Centre for Opera Studies in Italy. During the 2015/16 season, Ms. Balter returned to the Hawaii Performing Arts Festival as Marcellina in Mozart’s Le Nozze di Figaro, where she also covered Countess Almaviva under the baton of Maestro James Richman. In addition, she appeared as La Chatte/L’Écureuil in Ravel’s L’Enfant et les Sortilèges. Previously, Ms. Balter joined the roster of Russian Opera Workshop, where she covered Zemfira in Rachmaninoff’s Aleko and the title role in an abridged version of Tchaikovsky’s Romeo and Juliet. Balter began the 2016 season as a guest artist in From Heidelberg to Hanover, where she performed Strauss’ Four Last Songs in addition to selections from Lohengrin, Der Freischütz, and Tannhäuser with Lyric Opera Baltimore Artistic Director, James Harp. Highlights of the 2014/15 season included Second Lady in Mozart’s Die Zauberflöte with the Hawaii Performing Arts Festival, Alice (cover) in Verdi’s Falstaff with Harrower Opera Workshop, and An Evening of Opera & Song with the McDonogh Guest Artist Series.
Jamie Balter maintains a private voice studio in Tuscaloosa, Alabama, previously having studios in Springfield, Illinois and Miami and Tallahassee, Florida. She has previously served as the head of the voice program at The Music Factory in Springfield, Illinois and served on the faculty at The Stubbs' Music Center in Tallahassee, Florida. This fall, Ms. Balter will be teaching a masterclass as part of a series at McDonogh School in Owings Mills, Maryland titled An Artist Works: Tools of the Trade where she will discuss vocal technique, the key elements to having a successful audition, and how to make a website and a résumé.
Teaching Philosophy: Singing is a process and a journey and every singer’s journey is different. My goal as a vocal pedagogue is to create a positive environment in my studio where my students can reach all of the goals that they set out to achieve. In addition, it is important for my students to feel a warm, welcoming atmosphere, where they can make mistakes, take big risks, and ask questions. The art of singing is a whole-body experience and it is essential for students to train and practice like an athlete would train for an Olympic event. I encourage my students to do some sort of physical activity that has an emphasis on the abdominal muscles (i.e. yoga, pilates, tai chi, weight routine), so that they feel what it is like to use the whole body as well as strengthen their core muscles, which directly relates to “appoggio” or breath support. I teach my students to use their entire body when they sing. I believe that students should practice with physicality gestures, so they can get connected to their whole body and feel a strong gravitational center. As a vocal pedagogue, I foster a healthy vocal technique and I believe that it is necessary for students to understand how the muscles work for inhalation and exhalation. In addition, I believe that it is important for students to have kinesthetic awareness of the process of singing. After a student has mastered the basic understanding of alignment, the body, and breathing, I then focus on phonation and having a clean onset after the inhalation. Singing is all muscle coordination, so careful practice and patience is needed. The process cannot be rushed. Students in my studio have a solid foundation, which can be applied to any style of music that they wish to sing. Every student has different needs and it is crucial to cater each lesson to the particular student.
Jamie's approachable and friendly personality is reflected in her teaching style - she is not afraid to have you try various unconventional techniques that turn out to be super effective and fun! In the year I've been taking lessons with her, my breath support, technique, and vocal range have all improved significantly - so much so that a high note that I found strenuous a year ago is now almost within my comfort range! She is very receptive to different styles of music, and her suggestions are always challenging, fun, and geared towards developing your voice.
August 19, 2019
Jamie is a fantastic voice teacher. She is extremely patient and encouraging with me as a beginner. I started with hardly any experience at all, and my singing has already improved significantly after only 8 weeks of lessons. She helped me with song choice and voice repertoire, but is also open to my suggestions. I can highly recommend her for anyone who has been thinking about voice lessons, but has not had the courage to start, even at an older age. Just give it a try!
August 7, 2019
Jamie is a great teacher. She helped me with my role for Ariel in the Little Mermaid. Not just the singing but also helped with staging and acting song out. shecheered me on and made me feel better about my voice. she is an amazing teacher.
My vocal technique also included Operatic Vocalization exercises, vowel and constant vocal exercises to get the strongest sound with the least amount of effort!
Ingrid is a dedicated voice, piano musicianship, recording and live performance teacher for those who want to expand their musical knowledge, recording techniques, develop their own singing-artist style and performance skills. Students have had great success and fun learning numerous music genres while expanding their vocal range, resonance, ear training, confidence and musicianship skills as well as how to prepare for a career in music.
A native New Yorker, Ingrid has been involved in entertainment all of her life. As a child, on bi-lingual Sesame Street to a successful Hispanic jingle career, to veteran of over 25 years on the New York music scene, internationally as Elli & The Boys Jazz Quintet, and as a 2009, Latin Grammy Nominee for Volvo La Navidad.
Ingrid has managed, booked, and/or performed with an impressive collection o
f artists; Negroni's Trio, Nicole Henry, Elizabeth Caballero, Nestor Torres, Henry Jimenez, Celia Cruz, Carlos Ponce, Tito Nieves, Johnny Ventura, Camilo Sextos, Claudia Acuna, Jerry Barnes, Katreese Barnes, Gap Band, Motor Head, Matt Bianco, Chaka Kahn, Roberta Flack, and Bradford Marsalis to name a few.
I am a classically trained mezzo-soprano with experience acting/singing/directing opera, choir, and musical theatre. I taught middle school choir and have many years of experience teaching children’s summer camps, as well as visiting high schools and middle school to give private coachings for solo and ensemble. I believe that in order for a student to have a well-rounded musical education, they should have repertoire in various styles and languages, as well as music theory.
I have a Bachelor’s of Music in Vocal Performance. I am a classically trained mezzo-soprano with years of experience in art songs, opera, musical theatre, and jazz.
I taught middle school, lead sectionals at local high schools, accompany middle school choirs and bands, and give coachings for many singers.
I love music, and my goal as a vocal coach and teacher is to help students love music, as well. I believe that everyone has the potential make beautiful music, and have a love for music their whole lives, whether they make a living off of it, or play and sing for fun.
"I have been taking lessons from Natasha for almost a year now. She is an outstanding teacher and caring person. I have learned a great deal and look to m
ore in the future."
"Jen is really nice and patient. She could quickly find out my strength and weakness. I've made great improvement in the past month and enjoy the course ve
ry much. Thanks Jen! And I'll definitely recommend Jen to anyone who wants to learn singing."
"First lesson and her personality touched my heart! Love this already"
"I lovvvvve Tanisha. She has this upbeat and vibrant personality; she's super sweet and nice. When it comes to singing, she has you pick out your own song
that you would like to sing. She doesn't bombard you with songs and training that won't enhance your voice. I've already noticed changes to my voice and I'm only on my 6th lesson. Plus, she's not a teacher that watches the clock, so if she feels you need an extra 10 mins for vocal training, then you will exceed your time limit with no problem. She's there to help you and if I had to recommend a vocal coach, then of course it would be Tanisha Hall :)"
"I looked for an opera teacher for quite some time and we are so happy to find Tonna ! She's sweet and very thorough I love her positive energy ! I believ
e she's a perfect fit for my daughter who is looking forward to continuing her studies I highly recommend her !!!"
"I wrote a review several months ago after my first lesson. I have been taking lessons once a week with Michelle and Robert for several months now and felt
it was time to write another review. I listened to a recording of my last lesson and compared it to my first lesson. Wow, what a difference! I couldn't believe it was me on the recording! My voice has developed a powerful and refined quality it never had before. My singing has become effortless and my range has expanded greatly and continues to expand. I can't recommend them enough. I look forward to every lesson because not only are they amazing vocal coaches, they are the nicest people you will ever meet. They are enthusiastic, encouraging, fun, and quite hilarious. My lessons always end too soon and I always improve upon my technique in some way after each lesson."
"Shannon is very professional, knowledgeable, kind and patient.😃👌🏽👍🏽"
"First impressions are important! I was impressed:)"
It is always exciting when a vocal student is ready to start studying his or her first operatic aria! One of the best things about being a classical singer is knowing you have so many great years ahead of you. After all, you’re considered in your prime in your 40s.
That being said, realize that the voice you have now and the repertoire you’ll first study will be very, very different from what you sing later on in your career. It’s absolutely crucial that you sing repertoire that is …