Drum Lessons & Classes in Downtown Mercer Island

p forty beats.

3) 15 years of PIANO: which utilize
several years of personal instruction in classical, popular, and some ragtime,
in addition to an intimate knowledge of Piano Proficiency (scales & modes,
chord structures & inversions, common chord progressions, intervals, circle
of 5th, and finger exercises)

4) 2 years of MUSIC THEORY and COMPOSITION at college level.

Lessons will include additional materials to the primary instrument such as sheet music for
sight reading, rhythm patterns, tabletures, and chord charts.

***Above all, I encourage students to select those pieces, tunes, or songs that have appealed to them the most; perhaps even inspiring them to learn a musical instrument in the first place. Adaptations are a common and enjoyable part of the teaching process.

*** Lesson Details ***
Expect efforts, on my part, to steer learning into areas of the students particular interest as well as conventional genres such as classical, popular, folk, blues, etc...

Moreover, I rely on ear training as a strong complement to written music theory and sight-reading; often using recorded music samples or simple patterns on a piano.

I try to balance method-type published lesson books with beginner, intermediate, or original composition sheet music to specifically selected pieces.

Ideally, with a reasonable practice schedule each week, full comprehension of the written music grand staff and an ear to catch a false note will become second nature. By then, more opportunities to learn actual pieces and styles become greater, having got the initial learning curve under the students belt.

*** Studio Equipment ***
*snare drum
*electronic keyboard/piano

*** Travel Equipment ***
lesson material/music media samples can be provided for copy
student would have own instrument

*** Specialties ***
Electric Guitar, Acoustic Guitar, Piano, Drums, Percussion, Music Theory
finger picking styles and chord progressions - guitar
lead and rhythm patterns - electric guitar
latin, blues, rock, jazz styles - drum kit & percussion
classical & popular tunes - piano/keyboard

tender, love, and care. I was once the other musical half of a Carpenters tribute band, Close To You. My friend and I learned many of the Carpenters tunes and collaborated with vocals, piano, steel drums, drums and other percussion.

My teaching is focused on reading the notes (pitch), proper technique and rhythm. All are a part of the music-making process and should be equally strong. I start with young beginners when they can count to at least 10 and know the alphabet. The student must have the proper instrument and additional equipment, when necessary. The student is required to practice on a regular basis (daily is ideal). The student is also responsible for books, flashcards, and a metronome. If you need me to provide that, please let me know.

I am currently available for online or in-studio lessons. Please notify me if there is a day and time not available. I try to be flexible but do prefer serious and committed students. When signing up a child for the first time, it is best to make a one year commitment so the child can really learn to work alone and develop self-discipline. Parental guidance and support is necessary for success. For adults, commitment to practicing is key- not just lesson attendance.

You have all the ability and power to learn and be great- I'm just going to guide you all the way to your goal!

Please notify me of the special need prior to booking lessons so I can accommodate.

If you find that I am not available at a day/time you need, please send me a message. I will do my best to accommodate.

s, as well as international festival performances and touring in Canada, Norway, Mexico, UK (England, Scotland, Northern Ireland), and Republic of Ireland. His past teaching and performing experiences have really helped shaped the musician he is today.

Aside from preforming and private lessons, he is the founder of his preschool program Wee Rock Music, serves as adjunct faculty at Mesa Community College, and is the Entertainment Coordinator for Tempe Festival of The Arts. As a writer, his work has been published in Phoenix New Times and Modern Drummer, and his new children's drum book, Wee Beats, Wee Eats, is set for release in 2018. And also is an accomplished DJ.

Benard also co-scored the 2012 feature-length documentary, The Immigration Paradox, with Tobie Milford. Active in the music industry for more than 15 years, Henri is experienced in production, artist management, booking, merchandising, copyright, graphic design, promotions, licensing, teaching, publishing, writing, and live and studio performances.

A life-long learner, Henri is always finding new experiences and new ways to connect with his students, as learning comes just as much from the student as it does the teacher. You can always find him around "the music." 

Henri is endorsed by TJS Custom Drums and Los Cabos Drumsticks.

*** Lesson Details ***
Students who study with me can expect for their guitar, drum kit, percussion, or piano lessons to be top-quality, personalized, and above all, extremely fun sessions that will cater to the students musical backgrounds, interests, and needs. I create extremely organized and specifically focused lessons so that students feel comfortable, not pressured, while learning their craft. The lessons I teach are a combination of developmental sight reading music, learning student chosen songs (depending on ability), inspiring and encouraging creative abilities, warm-up and strengthening exercises, proper techniques, listening for internal hearing, composition dynamics, chords, finger-picking (guitar only) and rudiments (drum kit only).

After 3 months of lessons together, students will have started learning several key elements to becoming an outstanding musician. They will have learned proper form and technique, warm-up/skill-building exercises, to read basic notation, and basic rhythms/rudiments. Guitar/Piano students will be able to play at least one song utilizing both melody and chords. For drum kit/percussion, students should have no problem reading basic drum beats and being able to play through a simple song. With proper, steady practice, most students will achieve much more. I also focus on creative thinking, professionalism, and instrument tuning. Finally, the students will have started to develop a solid level of discipline that is required of any aspiring human being! Remember, "practice doesn't make perfect, practice makes permanent."

*** Studio Equipment ***
Electronic Roland V-Drums, Acoustic and Electric Guitars, Casio CTK-800, LP Assorted Percussions, Protools LE, Logic Pro, Korg Electribe, Pioneer XDJ-XR, Music Books

*** Travel Equipment ***
I can provide drum sticks, guitar, keyboards, percussion instruments, and all developmental material for students to retain and practice.

I expect my students to be providing the necessary musical equipment as well (guitars, drum kits, percussion instruments, piano/keyboard) for private lessons in home. If they do not have these in the home to practice with, the lessons are much less effective for your student.

*** Specialties ***
I specialize in the following styles of playing:

Rock, Hip - Hop, All Latin, Jazz, Funk, Blues, R and B, Gospel, and Dance. I also have a very good feel for World Music as well. I have a very free-spirit for playing, so I often mesh the above stated styles into a more progressive style of playing. I believe that you must be feeling what you are playing.

I also specialize in DJing, beat programming/sequencing, recording, organizing song-writing/song-structure, musical score, live performance, and professional music marketing. I am able to show you how to use programs such as Logic Pro, Protools LE, Adobe, and Pioneer programs to take your creative abilities to the next level.

I believe that these days, it is imperative for musicians to have four major components in their professional arsenal: 1) Discipline and chops on your instruments (including reading music notation); 2) Know how to successfully market yourself and your music; 3) Know how to properly develop a learning ear to record/produce your songs/tracks as well as for others; and 4) Understand and effectively utilize music production programs.

I look forward to working with you and helping you achieve your musical desires. Thanks so much for stopping by and have a music-filled day.

books for a beginning drum student:
Fundamentals for Snare Drum by Garwood Whaley
Elementary Snare Drum by Mitchell Peters
Encyclopedia for Reading Rhythms by Gary Hess

Things that guitar students should have: A guitar, a guitar tuner, and a music stand.

Recommended book: Hal Leonard Guitar Method (Complete Edition) by Schmid and Koch.

My specialties:

Drum specialties: Jazz, Latin (Brazilian, Cuban), African, Rock, Funk, Metal, Pop, Hip-hop, R&B, Blues, Country, Reggae, and Marching. I am proficient in drum reading, drum transcription, practice techniques, and drum rudiments and their application on the drum set.

Orchestral percussion specialties: keyboard percussion (marimba, xylophone, glockenspiel, vibraphone, chimes), snare drum, timpani, bass drum, cymbals, tambourine, triangle, orchestral excerpts, etudes, technique, important literature, and practice techniques.

Guitar specialties: reading music, tablature, chords, scales, improvisation, and technique.

D'Angelo. Aside from that, I am a co-founder of Table & Chairs, a new Seattle-based record label, as well as a co-founder of the Racer Sessions, a weekly forum and performance outlet for new and improvised music.

I began teaching in 2008, shortly after beginning my studies at the University of Washington. My private students have ranged from total beginners to advanced, each one presenting a unique set of interests and abilities to work with. In addition to teaching my own students, I have much experience as a substitute percussion teacher at Northshore Junior High School (Kingsgate, WA) and Spotlight Studios (Woodinville, WA). I have also presented many clinics and workshops at local schools including Garfield High School, Edmonds-Woodway High School, Ballard High School, Eckstein Middle School, and Holy Names Academy, as well as for Seattle JazzED. For these, the topics covered have ranged from free improvisation to straight-ahead and big band jazz.

*** Lesson Details ***
For beginning players, I like to start with the books "A Fresh Approach to the Snare Drum" and "A Fresh Approach to the Drum Set," both by Mark Wessels. These books do a great job of laying down the fundamentals that all drummers should learn at the outset of their education. Beyond that, what I teach depends largely on any specific path(s) the student may wish to pursue, though of course it is totally fine if the student doesn't immediately know what they would like to study beyond the basics. In that case, I would do my best to construct a rough curriculum that I think would work well for the student. The following books are all ones I have worked with and have found to be excellent at improving unique things: "Syncopation" (Ted Reed), "Stick Control" (G.L. Stone), "The Drummer's Complete Vocabulary As Taught By Alan Dawson" (John Ramsay), "Patterns" (Gary Chaffee), and "Portraits in Rhythm" (Anthony Cirone).

I prefer lessons to be focused on a curriculum, however customized it may be, as I have found that approach to be the most efficient, especially with younger players. While I believe that it is very important to learn the fundamentals of drumming, I also believe that some of the most rewarding experiences a student can have may be achieved through realizing their own unique creative potential. Thus, I find it great to set the curriculum aside for part of the lesson, either to allow the student some time to show me what else they've been working on, listening to, watching, thinking about, or perhaps to just jam and have fun. I also expect students to make progress on their own between lessons, though I understand fully from my teaching experience that the amount of progress I can expect is different for each student.

*** Studio Equipment ***
Two full drum kits

*** Travel Equipment ***
Sticks, practice pad, books

*** Specialties ***
Jazz, rock, pop, many Latin and African styles, free improvisation

Contemporary Music teaching reading classes and contemporary styles. I'm currently teaching at Modern Music School in Pasadena, where most of my students are kids. I'm also a published author with six educational drum books available on Amazon. My curriculum is geared towards beginning drummer who are first learning how to play or for intermediate players who are looking to strengthen their foundation.

I'm very passionate about teaching and take the opportunity to help you improve at drumming very seriously. I look forward to helping you accomplish all of your drumming goals!