Bellevue, WA Viola Lessons

ram specifically for their needs, from working through simple bowing mechanics issues to the psychology of performance. Each student has different challenges to overcome, and simply using a one-size fits all approach is not going to help them.

I pride myself in being flexible and available to to my students for questions, whenever they may need to ask them. I believe that you shouldn't have to wait for the next lesson to have the question answered that may just make the pieces start coming together a bit quicker for you.

*** Lesson Details ***
A typical lesson consists of checking student's progress, addressing any immediate issues and working on skill building.

OK, so those are the basics, but what happens is so much more than that! One student may have trouble hitting a C#, so we'll work on those. Another may have trouble relaxing, we might spend some time on breathing exercises to help with that. Still another might have a death grip on the neck of their instrument, so we'll do some exercises to help relax their hands.

My goal is to help students get well on their way to a lifetime love of learning and making music.

In 3-6 months, they should be:
* Reading music consistently at a level appropriate to their progress.
* Developing an understanding of rhythm and meter.
* Placing their fingers properly, and reliably for the most part.
* Developing correct posture and holding their instrument and bow in a relaxed manner that suits their body type and facilitates the freedom of movement required for great music.

*** Studio Equipment ***
music stand, music

*** Travel Equipment ***
Viola or violin, music stand, music.

*** Specialties ***
Classically trained, but I realize not everyone learns the same way, so a hardcore theory based approach is not always the right choice. We work together to develop a plan that will work and help foster a love of making music.

I specialize in working with kids of all ages. Don't we all have a little kid inside us just itching to get out and play?

ers, and a basic fix-it kit for common instrument issues. I also try to keep backup books and a shoulder rest around at my studios so if someone forgets their equipment we can still make good use of the lesson.

I expect the student to provide their instrument, shoulder rest/end pin stopper, notebook, device for recording music, folder/binder for loose papers, and books. I don't require lots of books - just ones you'll use!

*** Travel Equipment ***
See Studio Equipment, above.

*** Specialties ***
I love teaching oldtime, bluegrass, country and celtic fiddle - most of what I do as a performer fits in along those lines. I teach Suzuki method violin as well. My Suzuki teacher learned directly from Shinichi Suzuki!

I encourage all my students to improvise, to try different musical styles, and to experiment with composition. My goals are to share my own love for music, and enable students to discover their unique musical voice.

r and potential area of achievement.

satisfaction comes from challenging my students comfort line and watching them grow professionally and artistically.

I currently play with four symphonies, chamber groups and substitute for other symphonies throughout Washington state. Because I have been through so many audition processes I feel as though I have excellent insight into the process. I would be able to assist my students in a process that can possibly be one of the most stressful events of their professional lives.

My string studies began at the age of age of eight with Jim O'Brian (served in Army orchestra). Following graduation from Kamiakin High School in 1998, I was accepted into the University of Iowa's school of music. However, I decided to stay close to home and study at Columbia Basin College. It was there that I met my next professor Robert Burroughs. My other university string professors included Maria Zlateva (graduated from University of Texas at Austin), Dr. Philip Baldwin, and Dr. John Marshall who is currently principal cellist of the Spokane Symphony.

My style of teaching is the Suzuki method or string basics. I was raised on the Suzuki method and have found that it provides an excellent foundation for string players. Many of my students have found this helpful with their technique and music theory. My youngest student participated in a talent show with their orchestra last year. Through her hard work and determination she was able to gain a substantial amount of information prior to entering junior high.

What sets me apart from other teachers is that I am strictly a viola instructor. Many viola teachers list themselves as violinists as well. I believe this has helped me because I understand the physical and mental challenges that "we" violists face on a daily basis. I feel privileged knowing that very few people can read alto clef and play such a beautiful instrument. If this sounds like something you would be interested in, don't hesitate to ask me a question.

To all my violists out there inspire yourselves from the greats; William Primrose, Yuri Bashmet, David Carpenter, and Nigel Kennedy.

Thanks for looking at my bio.
Happy playing :)

c that YOU want to play!

I also teach composition and music theory (which is beneficial skill set for performers and composers alike).

Please send me a message and let me know your musical goals. I'd love to work with you!

ny Orchestra at the University of Michigan, opera and ballet orchestras, and string orchestras, holding frequent principal positions throughout her career. She is an avid chamber musician, having performed with numerous string quartets and other small ensembles. She has premiered several new works for solo viola, string quartet, and orchestra. She is passionate about teaching every bit as much as performing.