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Sugar Land, TX Flamenco Guitar Lessons

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About Azuri M.

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Los Angeles, CA
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We will study classic flamenco customs and forms from artist such as paco de lucia, etc. Such as bulerias and soleas and well as rumba and bolero

About Azuri
Learning is one of my main pursuits. My name is Azuri and I have studied music for over a decade and have my degree in guitar performance from musicians institute. I've had the gift of studying many artistic crafts and spend my time today trying to further my own study, while sharing what I've learned with my students.

Art is one of the most important tools we have as a culture and contains in it a shared history, tradition and the keys to future ones. Whether it be through the primal qualities of music or the impulses of dance, the records of drawing or descriptions of writing, these are the tools for our expression. I have had the great fortune to study, in many different settings, a small piece of these traditions and sharing them is paramount in respect to receiving them. I love sharing knowledge and I hope to elevate yours as a st
udent.

Teaching Philosophy -

My teaching philosophy is built on well rounded communication, explanation and examples. So, that a student can truly understand and learn a topic, surrounded in a very humorous, light and supportive environment.
Along with being provided good information, a student learns better and feels more motivated to learn when there is a balance of positive support and confidence building accompanied by constructive criticism and examples/information that can help a student assess what ever walls they may be meeting in their musical growth.

I understand that all students/artists have different goals they wish to achieve. So it is very important to me to accommodate each individuals needs and wants to help them grow in the fields they wish too; However, In that I have played music for a long time, I understand there are certain things that a student may not have been exposed to yet; It is important that while focusing on a students artistic goals they respect and are open to the suggestion and guidance of their teacher.

I truly believe music has an amazing influence on the world and has the ability to change peoples way of thinking. Therefore, I try and keep an open awareness to all music, so that I can understand all different musical languages utilized to communicate to people, and I don't believe I will ever know them all. I hold it to attention to influence my students somewhat similarly so that they can shape the landscape of how we communicate musically in the future.

I also try and be very patient with my students. Knowing that when I feel rushed, it makes information more difficult to comprehend, remember and allocate. I love watching the gears run in my students head, so I try and provide information that pushes a student but is within their abilities.

HUMOR is very important. I like to break people out of their shell by telling a joke and hopefully getting one back, so they feel more comfortable and free. One of a Artists worst enemies are nerves. Keeping things light-hearted and maybe even a little small talk can be very helpful to a students development and growth on a topic. After all, Art is meant to be fun and we should enjoy every moment of it, in fact we should enjoy every moment in life period.

I understand music requires focus and discipline and I have certain expectation of a student to understand that and practice. You can't buy chops, you can't buy music theory etc. you can get help but eventually your the one who must understand it and play it.

I am here to help you. Based on what I know and what I have extensively studied, I will do all that I can to help you achieve your musical goals. I am here to answer your questions and help you grow. I love teaching because I love sharing knowledge; As long as your seek it, it is here for you. Otherwise, I'd still love to hear some jokes.

Education -

MUSIC
_Bachelors in Music - 2016 - Guitar Performance (Musicians Institute, CA)
_Associates in Music - 2011 - Guitar Performance (Musicians Institute, CA)
_Major in Music - (Academy for Visual and Performing Arts) - 2008
_Garden of Angels - 2003 - Performance Academy

DANCE
_Krump, Pop-n-Lock - 2012 - (Xtreme)
_Break Dancing - 2011 - (Fun.Krew)
_Traditional Brazilian Dance & Samba - 2014

MARTIAL ARTS
_Capoeira - Current - (Capoeira Batuque with Mestre Amen)
_Wing Tsun - 2013 - (Johnny from the Emin Boztepe School)

ART
_Graffiti - 2011 - (Fun.Krew)
_General Art - 2008 - (AVPA)
_Painting - 2003 - (Garden of Angels)

Much Love,
Azuri Zen M.

*** Lesson Details ***
I'm very disciplined but am also very light hearted. It's important for me to assess things seriously, so that one can understand a topic or piece of information.

I generate my lessons based on the individuals needs and therefore draw from various curriculums, sources and examples, such as : MI curriculum for ear training, Theory, Single string Technique, Reading, Rhythm guitar, Ted Greenes Chord Chemistry, Berklee Guitar Method, as well as The Real Book, other artist books(Eric Clapton, etc.) The Guitar Players Hand Book, Bach pieces and self developed curriculums, relative to the topic at hand and students personal goals, amongst many others.

-Beginning students within three months of consistent lessons should have the ability to solo and playing chords to songs that they are interested in and songs provided in the lesson along with a basic understanding of the major scale and its relationship to all of the diatonic music.

-intermediate students should have an elevated understanding of scale and chord patters along with the theory that explains modal relationships and use of these concepts.

-Advanced students should learn all of diatonic scale shapes and modes assuming they don't already know them in which case their specifically situation will be assessed

-Professional students I expect to have specific questions therefore where they grow should be largely subjective.

Overall, in a short amount of time on a scale of 1 - 10 I expect to in three months at-least elevate a students musical abilities one full point if not more.

*** Studio Equipment ***
Studio in home in private room with guitars, amps, piano, and seating.
Em's studio is family owned cafe with studio in finished basement with an office, recording equipment, and teaching space for acting and guitar.

*** Specialties ***
As a Musician I try and play as many styles and be proficient in as many as possible and therefore can play most. However, in the fields of blues, jazz, funk, flamenco and Latin I excel.
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Reviews
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Dylan September 19, 2017
· Graffiti · Online
Very patient and gave a nice introduction to the basics for my 9 year old.
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Juan G. April 4, 2016
· Singing · In home
Azuri is great, l recommend it to anybody. THANK YOU!!!
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Juan G. April 4, 2016
· Singing · In home
You not will be disappointment. He is very professional. My first lesson and l like the way he teach.thank you azuri.
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Azuri M.

Azuri M.

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About Jaxon W.

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Glendale, CA

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I have quite a few Flamenco students.

I generally teach traditional Flamenco, where you will learn the basic Flamenco techniques, strums, rhythms, and palos (styles).

I also teach Noveau Flamenco, which is a hybrid of pop/jazz/flamenco (see Jesse Cook, Ottmar Liebert, etc). If you're interested in learning this style, we'll still do some traditional flamenco to build a foundation, but we'll also examine specific songs, learn the theory behind the songwriting, and work on improvisation and songwriting.

Many of my flamenco students also love to work on a classical Spanish piece or two to improve their picado technique, and this is something I am also good at.

Most all lessons will end with a video tutorial made by me, tailored to your exact lesson so you have good direction on how/what to practice that week.

About Jaxon
*See further below for lesson details!*

Jaxon the Guitarist: I am a Doctoral Guitar Major at USC studying classical guitar. I have been playing the guitar for over 20 years and teaching for 15. My main style is classical, and due to the technical training I have had since I was very young, it has been very easy for me to learn and master other styles such as Flamenco, Rock, Jazz, Blues, Pop, Country. I have a passion for performing and have played hundreds of solo and ensemble concerts. As a classical performer I have won prizes in numerous competitions, including the Pacific Guitar Competition, San Francisco Guitar Competition, Sierra Nevada Competition, and the OSAA Oregon State Competition. I have played concerts all over the United States as well as in Spain and Mexico. As a performer of other styles I have played in many orig
inal and cover bands and have won high school and University level battle of the bands competitions. I was a Northwest regional finalist in Guitar Center's "King of the Blues" competition as well. I recently won a Fulbright Scholarship to study Spanish and Flamenco Guitar in Seville, Spain for 2015 and 16.

Jaxon the Teacher: I really love spreading the knowledge I've learned over the years about the guitar, bass guitar, songwriting, music theory, and everything music related to my students. I find a huge sense of fulfillment in seeing my students understand and enjoy learning and making beautiful music. I have a high level of knowledge and skills that I am very willing to use to teach students from the most beginner to the most advanced. Former students of mine have achieved lofty goals ranging from making it into a music program at the college level to winning their school's talent show to being accepted into their school's jazz band.

*** Lesson Details ***
My curriculum is based around YOU. I push my students hard, but I make sure they're always having fun and enjoying playing. I like to get my students playing real songs as fast as possible so they can see results immediately and get excited!

Online Lessons: I am a specialist in online teaching. and I go the extra mile to make sure you get your money's worth. Online lessons with me include personalized instruction, PDF's, play-along recordings, and instructional video recaps to help you practice.

Children: I am trained and specialized in teaching children fingerstyle guitar. I have taught hundreds of kids in schools, privately, and in groups over the years. The method I use is proven to give kids the best possible start to music and maximize their potential. If you have children and you want them to learn good technique and music principles through guitar, you don't need to look any further.

*** Studio Equipment ***
I have stools, music stands, and an amp here so all you need to bring is your guitar!

*** Travel Equipment ***
I do not provide any equipment.
Student must have their own guitar and amp if they play electric.
I do have guitars available for rental.

*** Specialties ***
-Children's fingerstyle guitar
-Proficient in ABRSM and Suzuki method
-Specialist in classical guitar, though proficient up to advanced in any guitar style (blues, rock, country, jazz, pop, etc)
-Also very experienced teaching songwriting and music performance
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Reviews
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Phillip S. August 6, 2017
· Flamenco Guitar · Online
Very great teacher! Extremely knowledgable on traditional and nouveau flamenco techniques. Appears very committed to the student and willing to spend time out of the sessions to make instructional videos on the material for the student to practice with. Very friendly as well!
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Alan P. April 25, 2017
· Classical Guitar · In home
Very good instructor. Excellent communication skills and very talented. My first lesson he did a very good job of refreshing my memory as someone who has been out of the music world for 13 years. Look forward to more sessions with JW.
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Charles R. April 2, 2017
· Guitar · Online
Excellent instruction. Great fundamentals. Happy that the instruction platform works so well.
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Jaxon W.

Jaxon W.

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About Rick P.

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San Antonio, TX
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Students learn all flamenco guitar techniques as well as how to produce an authentic Spanish flamenco sound together with the correct rhythm and phrasing for each piece.
Learn Main Flamenco toques styles including:Soleares,Farruca,Malaguena,SevillanasRumbas Alegrias and Bulerias.
Focusing on developing all the right hand techniques required for playing flamenco guitar.

About Rick
I been playing the guitar professionally for over 20 years. In that time I had the good fortune to perform and record with some really good musicians. I've played in various bands ranging from rock to jazz and flamenco. I received my bachelor's degree in recording engineer and record producer from LBCC.

I'm currently a Guitar Teacher for different music schools and have a number of private students as well.

*** Lesson Details ***
Play What You Want!!!!,Learn What You Need!!!
Focus on real-world guitar skills:
Starts on the Low E string;Learn chords from day one,from their root notes;Learn notes in a logical/alphabetical sequence;Perform rhythm and accompaniment parts right away (not just melodies).
What will my students learn: First position chords, rhythm riffs,patterns,blues and rock clichés.Music notation,tableture an
d chord charts.Pick and fingerstyle techniques,Improvisation and playing by ear.
HOW TO PLAY LIKE!!!!
Break down songs and techniques into easily digestible chunks. Individual segments are played slowly first,then brought to speed.
You'll find you're learning and improving faster than you ever believed possible.
CLASSIC ROCK: From Aerosmith to ZZTOP.
GUITAR HEROES:From Randy Rhoads to Yngwie Malmsteen
TEXAS COUNTRY: From Randy Rogers to Charlie Robinson.
TEXAS BLUES: From Freddie King to Stevie Ray Vaughan.
METAL GUITAR: CLASSIC 70's to Today's Heroes
PROGRESSIVE ROCK-METAL: From Dream Theater to Periphery..
CLASSICAL GUITAR: From Bach to Vivaldi.
And many more Styles, send me a question and ask about your personal music choice.

*** Studio Equipment ***
Located in Specious one room of a three bedroom condo, Marshall amps ,Martin,Taylor Jackson, Dean, ESP,Takamine, Epiphone and Ovation guitars, use a plasma TV, guitar pro software, keyboards, recording softwear.

*** Travel Equipment ***
Guitar and amps. books.
Student: metronome and tuner.

*** Specialties ***
Finger Picking Techniques,MusicTheory and How to get a good sound with your guitar.
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Reviews
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William McKinney April 30, 2018
· Music Recording · In home
Excellent teacher and musician! Very friendly.
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Bob March 24, 2018
· Acoustic Guitar · Online
As a complete novice, I’m starting to get a feel on Rick’s teaching method and how to improve my guitar skills from week to week.
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Beverly H. October 25, 2017
· Guitar · Online
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Rick P.

Rick P.

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About Philip L.

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Tallahassee, FL
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Do you enjoy the folk music of Spain? If you do, and you have a passion for playing the guitar, this is for you! learn finger-style techniques involved in the traditional music of Europe.

About Philip
Guitarist Philip L. was born and raised in Jacksonville, Florida, where he began his musical studies at a young age. He was accepted to Douglas Anderson School of the Arts, named by the Grammy Foundation as the top performing arts high school in the nation, and after graduating, received a scholarship to attend Stetson University. Under the direction of Dr. Stephen Robinson, the head of the guitar department at Stetson University, he was able to refine his skills and learn a great deal about the interpretation of music on the guitar.
After receiving a Bachelor’s degree in Music, Philip became an instructor at University High School in Orange City, Florida. There he directed the guitar program, which he built, and, outside of teaching, Philip performed professionally (guitar and voice) around Central Florida in various groups and styles
of music, including Rock, Pop, and Jazz. Since then, he was awarded a full scholarship to the University of Akron as a Teaching Assistant and later received his Master’s under the tutelage of Stephen Aron. Philip is currently working towards his Doctorate at FSU. Philip has played a number of feature concerts and masterclasses with great guitarists of our time, such as David Russell, Andrew York, Dusan Bogdanovic, Roland Dyens, Michael Chapdelaine, and many other artists.
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*** Lesson Details ***
The first step will be evaluating the student's musical and technical skill level, then I build a curriculum from that point. As an example, a beginning student would learn how to read music, play basic rhythms, use proper left and right hand technique, and the notes in the first position on individual strings. After I have evaluated the current level of the student and their musical interest, I will begin to move my curriculum around their various needs.

*** Studio Equipment ***
I will have a music stand for you to use at your lesson. I require the student to have their own instrument so that they may practice outside of their lesson.

*** Travel Equipment ***
Music Stand

*** Specialties ***
Classical - Pop - Jazz - Songwriting - Digital Arts - Recording - Music Production - Theory - General Music
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Reviews
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Alex B. September 11, 2016
· Singing · In studio
Philip knows what's up. Strongly recommend him
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Jennifer C. May 17, 2015
· Guitar · In studio
He is a great instructor, with a lot of patient. His classes are very easy to understand. I would highly recommend him.
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Jackie D. May 14, 2013
· Guitar ·
I recommend Phillip as a guitar teacher.

Besides being a very skilled guitarist, Phillip is very professional and reliable. He has a very laid back personality which really worked well for my shy 7-year-old daughter. He was patient and encouraging.
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Philip L.

Philip L.

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About Andrew C.

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Henderson, NV

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right hand rhythm techniques, scales unique to the style, and famous compositions within the genre

About Andrew
Andrew is a multi-instrumentalist (guitar, banjo, mandolin, ukulele, backing vocals) who settled in Las Vegas in 2013. After graduating with honors from Musicians Institute in 2008, he wrote a collection of acoustic guitar pieces licensed to The Weather Channel, then spent 5 years working as a show musician and top-40 musician for 3 cruise lines.

Currently In Las Vegas, Andrew splits his time between his original band, various productions in the casino showrooms, a well-known local country cover band, teaching, running his own music copying, arranging, and orchestration company, various freelance engagements, and spending time with his amazing wife and two sons.

Andrew's original band, "Tin Toy Cars," formed in 2014 and consists of two local Las Vegas musicians and a few musicians from Cirque du Soleil. Their debut album entitle
d "Falling, Rust, and Bones" was released in January 2016 and as a result of the volume of radio play across the country, immediately set a new all-time record on the national Americana Music Association Charts for highest new artist debut. The band's first music video made it's debut in March 2016 courtesy of The Huffington Post, along with a feature article. Along with the premier article were various national press releases and articles featuring the band and the album. Their second album has been completed and will be released in early 2018.

Andrew currently plays in the orchestra for the weekly production "Brunch to Broadway" at Red Rock Resort and Casino. The show features original members of Broadway's "Smokey Joe's Cafe" and the wonderful music of Jerry Leiber and Mike Stoller. Band members include musicians from "Le Reve" at the beautiful Wynn Resort, as well as long time veterans of Bette Midler's Orchestra and Donnie and Marie Osmond's backing band.

Andrew also performs with local country cover and line dance band "The Voodoo Cowboys." The band can be seen almost any night in Las Vegas between the famed Gilleys at Treasure Island, Toby Keith's I Love This Bar at Harrah's Resort, and one of the three stages at the amazing Fremont Street Experience.

Andrew also plays in the band at a local church on Sunday mornings and Wednesday evenings, and teaches a handful of lessons each week on his various instruments.

*** Lesson Details ***
Music Theory (Building Scales, Harmonizing Scales into Chords)
Ear Training
Single String Concepts (Scales, Arpeggios, Intervals)
Rhythm Concepts (Chords, Blending with a Band)
Learning Songs
Writing Licks, Lines, Chord Progressions, Charts, and Songs
Techniques (Pick vs. Fingers vs. Hybrid Picking)
Acoustic vs. Electric vs. Nylon String
Slide and Steel Guitar
Mandolin, Banjo, Ukulele, and Other Doubling Instruments
Playing in a Stylistically Appropriate Manner
Choosing the Right Equipment for the Gig or Project
Music Reading
How to Practice
How to Market Yourself to Acquire Work

*** Studio Equipment ***
various electric and acoustic guitars, mandolin, ukulele, banjo. A few different amplifiers, and many different pieces of effect and accessory equipment.

*** Travel Equipment ***
various electric and acoustic guitars, mandolin, ukulele, banjo.

*** Specialties ***
All Contemporary Styles (Rock, Blues, Country and Country Rock, Mo-Town, Jazz, Latin, Latin Jazz, Fusion, Metal and Tapping Style, Theater)
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Reviews
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Hewan .. May 26, 2017
· Guitar · In studio
it was good start
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Wes C. March 1, 2017
· Banjo · In studio
Very informational instructor!!
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John G. February 10, 2017
· Banjo · In studio
It was a great first lesson. Andrew is quite knowledgeable on banjo, and I feel it was a positive first step on the journey ahead.
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About Albino M.

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Cambridge, MA
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Solid knowledge from 18 years of playing guitar and I Graduated From Berklee College Of music as one of the first African Scholars.

About Albino
Albino was born in Maputo, the capital of Mozambique, a country in southern Africa known for its rich musical and cultural heritage. Fueled by the resourcefulness and determination that have always characterized Mozambicans, he built his first guitar at 16 from a 5-liter can of oil, scrap wood, and strings made out of electrical cords.

Drawn to the sounds of neighborhood street musicians in Maputo, Albino began to play in a number of local bands. As with his home-made guitar, Albino wanted to combine styles and incorporate diverse elements in his music. For his talents to grow, he knew he needed experience new places, cultures, and sounds.

While studying music education and Performance at Universidade Eduardo Mondlane in Mozambique, he heard about the Berklee School of Music in Boston, USA, where he could expand his musical horizons
. Soon after, he was one of the first students to receive a full scholarship to Berklee through the African Scholars program. In 2009, he settled in Boston, Massachusetts.

At Berklee, he was exposed to a variety of influences, but wanted to go deeper into the roots of jazz and expand his knowledge of music. He auditioned and was selected to participate in the Berklee Global Jazz Institute, which is directed by Danilo Perez and the residency teachers, including Joe Lovano John Patitucci, and Terri Lyne Carrington. The Institute emphasizes an artist's original vision in jazz, and has helped Albino find his own unique voice in the art form.

Albino still felt the absence of his own Mozambican traditions in his music. With the help of his mentors, Richard Bona and Lionel Loueke, two of the most prominent African musicians in the United States of America today, he began to bridge that gap.

Today, Albino's music succeeds in combining many disparate parts into an organic whole. It incorporates his musical experiences from Mozambique, the U.S., and many other places around the world, combining rhythmic patterns and musical concepts to create a unique Moz-Jazz sound. He will always continue to combine and capture the energies of different musical traditions to create a unified and original musical style.

Albino's original composition “Mozambique Dance” was recorded by Jazz Revelation Records, a student-run record label at the Berklee College of Music, for the 8th annual album released in 2011. He also recorded “Awusiwana,” his own composition, for the Berklee 2012 summer album. His debut album, also called Mozambique Dance, is to be released in Spring 2013.

Albino is an active musician, and has performed in several countries including Mozambique, Zimbabwe, South Africa, Italy, the U.S., and Mexico. He has also produced and recorded various projects in Mozambique and in the United States. In 2012, he will graduate from Berklee College with a degree in Music Production & Engineering and Performance, and a minor in Acoustics and Electronics.

*** Lesson Details ***
My teaching method dependent on the type of student. All my students will be treated with care and commitment to help them archive the their goals in the lessons.
We will be using book method as a way to follow a clear direction.
Learn songs, chords, scales, phrase, theory and more material that is needed for better musical foundation.

I am open to what the student wants to achieve over short and long terms.

*** Studio Equipment ***
Desk top and Laptop Mac Computers
Protools, Logic Pro, reason
Focusrite 56 Liquide, Focusrite Dual Mono Mic pre
BBe Maximizer
Bricasti, M7, sterreo reverb

*** Travel Equipment ***
Guitar
Guitar Amp
Mic
Laptop
Mbox

*** Specialties ***
Guitar
Bass Guitar
Voice
Ukelele
Song writing
Production
Audio Recording
Mixing
Mastering
...
Reviews
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Angel Jimenez June 3, 2018
· Singing · In home
Patient, Supportive, and Encouraging.

It was what I was looking for when looking for a coach. Although, I wasn't trying to be the next American Idol, I did want to not butcher anymore of the songs I love to sing. I had taken singing lessons in the past and was hesitant with this experience, the issue was my instructors wanted me to learn what they wanted to teach and honestly didn't make for the best experience.

Albino made this experience different, our first few lessons were focused on learning some basics skills and drills. We explored what songs might be suitable to start off with given my range and where I was and started to practice and practice and practice, until i felt comfortable. The more comfortable I became and the better I became with my drills, the more options we explored, the more of the songs I wanted to really sing started to come into conversation and I felt as though I was and continue to make progress.

Albino has never made this about himself. He has never pushed his own style on me and I can really appreciate that. He genuinely enjoys helping you achieve something you never thought you could or were nervous of doing. He pushes you just enough that you feel challenged and want to continue doing it.

I've come so far in such a short period of time and I have him to thank. This is the man you want to be coached by if you're looking to be pushed in the right direction without feeling like there is only one way to get to where you want to be.
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Tara S. January 27, 2018
· Acoustic Guitar · In home
I like and appreciate the way Albino teaches. His methodology works for me. His balance between patience and keeping it interesting and challenging is absolute perfection.
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Eunhye J. December 3, 2017
· Guitar · In studio
I had my first lesson learning "Romans". He taught me how to approach in learning guitar. He's knowledgeable, kind and enthusiastic. I highly recommend.
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Albino M.

Albino M.

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About Billy N.

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Brooklyn, NY
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I don't consider myself a Flamenco Guitarist but I'm schooled for over 5 years in the techniques and styles. I love the music and as an excellent teacher I have an excellent method from my own guitar master that will get you going on your way. If you stay with Flamenco to a certain level, I'll try to help you find a teacher that would really specialize in advanced playing

About Billy
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South
of Brazil,  receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.

Testimonials:
From Coda Magazine August 2012: by Seton Hawkins

Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.

A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH

Reviews of my Book on Alfred Brazil: Guitar Atlas,  I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!

#2

This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.

*** Lesson Details ***
I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".

*** Studio Equipment ***
I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.

*** Specialties ***
Brazilian Fingerstyle - Choro, Samba, Baiao Solo
Jazz Guitar - Pick or Fingers
Beginning Flamenco
Cavaquinho
Improvisation for any instrument
Harmony and Theory
...
Reviews
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Flaminia D. May 12, 2015
· Acoustic Guitar · In home
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
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Lynn W. December 17, 2014
· Guitar · In studio
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
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felicia D. October 17, 2014
· Brazilian Guitar · In home
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!
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Billy N.

Billy N.

Online
(11)
starting at
$60 / 45-min

About RasTaylor W.

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Phoenix, AZ
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Flamenco!You will learn proven methods of technique, improvisation, warm up routines, chord & scale memory improvement, music theory, and how to play your favorite songs/albums of ANY genre. Yes ANY genre, Heavy Metal, Jazz, Rock, Blues, Classical, Flamenco, Finger-Tapping, Funk, Country.

About RasTaylor
18 years in Music. Taylor has created a proven method of practice guaranteed to keep the student on their finger tips!
All skill levels are welcome:
beginner
intermediate
advanced.

All Styles, Electric Guitar, Acoustic Guitar, Classical, Jazz, Blues, Metal, Heavy Metal, Rock, Reggae, Funk, Soul, Country

You will learn proven methods of technique, improvisation, warm up routines, chord & scale memory improvement, music theory, and how to play your favorite songs/albums of any genre.
Instruments:
-Guitar Lessons
-Vocal Lessons
-Song Writing Lessons
-Drum Lessons
...
Reviews
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Jade July 1, 2018
· ·
Taylor is awesome, very dedicated and patient with helping his students understand what hes saying. I’m not a quick learner but wow I play guitar 100x better than I did before our lessons ! He’s very nice. Thanks Taylor (:
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Eti February 1, 2018
· Acoustic Guitar · In home
My experience have been very good and I learned a lot, I was impressed with his talent, patient and love for music. if you show interest, dedication and follow his instructions I can guarantee you will see great results.
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Alex December 20, 2017
· Flamenco Guitar · In studio
Rastaylor is a down to earth instructor with a lot of experience and provides helpful direction in his classes
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RasTaylor W.

RasTaylor W.

Online
(8)
starting at
$30 / 30-min

About Jeff B.

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Seattle, WA

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A major priority of my guitar teaching is to have students making expressive music every time they touch the instrument.

I begin by working on tone production on the open strings of the guitar, so that students are able to produce a full, beautiful tone on the first day. From there, we study left- and right- hand techniques in the context of real pieces of music, giving students the chance to apply the mechanics of guitar playing to the expression of musical ideas. At the same time, I work with students through progressive studies and warm-up exercises that have built-in expressive goals, so that they can learn to rely on their own ears to further refine their playing.

As I believe that a good guitarist is, first and foremost, a strong musician, I fold a number of diverse activities into weekly lessons, developing skills in music theory, ear training, sight reading, composition, and improvisation, all of which reinforce the acquisition of strong technique.

About Jeff
I’m a composer and guitarist, with 20 years of experience playing and performing on classical and electric guitars. I’ve given solo and chamber performances across the United States, with recent Seattle performances including Astor Piazzola’s complete "Histoire du Tango", the world premiere of Brian Cobb’s "Campfire Songs," and the Seattle premiere of James Bonney’s electric guitar concerto "darkLIGHTness."

In 2010, I received a Bachelor of Arts degree in classical guitar performance and composition from Stanford University, where I performed solo recitals of Bach, Mozart, Turina, and Henze, collaborated with the Stanford New Ensemble on contemporary chamber pieces, and played lead guitar in the heavy metal band Full Metal Apocalypse.
I recently received a Doctorate in music composition from the University of Washington in Seattle, wher
e I’ve taught music theory, composition, and musicianship at the college level for seven years, and where I continue to perform with the UW Modern Ensemble, Inverted Space Ensemble, and Seattle Modern Orchestra.

A major priority of my guitar teaching is to have students making expressive, compelling music every time they touch the instrument. And as I believe that a good guitarist is, first and foremost, a strong musician, I fold a number of diverse activities into weekly lessons, developing skills in music theory, fretboard knowledge, ear training, sight reading, composition, and improvisation, all of which reinforce the acquisition of strong technique.

I teach a wide array of styles—including classical, folk, rock, flamenco, and heavy metal—and I look forward to helping you realize your musical goals!
...
Reviews
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David Cate March 8, 2018
· Classical Guitar · In home
Easy going and patient teacher!
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Jeff B.

Jeff B.

Online
(1)
starting at
$45 / 30-min

About Andrew D.

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Houston, TX

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My goal is not so much teaching one how to play an instrument, but more broadly, to help one cultivate their own living musicality. My own areas of practice, study, and specialization are in free improvisation, sound art/Sonic sculpture, conceptual performance, and songwriting/composition. I've explored a vast number of different styles and genre. Jazz, classical, folk and bluegrass, spirituals, blues, punk rock, contemporary ghospel, electronic dance and ambient, to name a few... I love working with kids, I love teaching any age any skill level, I promise to listen, and fine tune our lesson to fit your specific personality and needs.

About Andrew
I've been practicing and studying music for nearly 12 years. Conceptual performance, free improvisation and Sonic sculpture for over 5. For me, music isn't just about playing an instrument. A musical practice is an opportunity for incredible self growth. Excercise for our minds and awareness.

I've worked with students ranging from age 3 to age 62 in the year or so I've been tutoring. I've taught piano mostly ,but am more technically proficient with guitar(electic/acoustic/classical).

I'm a songwriter and recording/performing artist, my style is very ecclectic and inspired by anything from classical, jazz, avant garde, to pop and folk music. I'm confident and versatile. Im comfortable playing or even performing with most instruments. It's taken alot of practice, reasearch, experimentation, and collaboration but over time musc has give
n my experience life and enriched my life and those around me.

I believe in the cultivation of a living musicality.

My approach emphasises the importance of process, exploration and discovery, as well as the study and analysis of traditional concepts. I propose, active listening to be the simplest form of composition. And as musicians an active ear is central, not only in practice, but generally, for creative evolution and innovation.

I've found the most effective methods effectively balance theory and practice.

I believe the biggest inhibitor to growth, musical or otherwise, is a lack of confidence. A lack that comes from too much pressure to produce idealized results-- fear of mistakes...

I embrace the developmental process,
I work with every student to make each lesson plan efficient, meaningful and inspiring.
...
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Andrew D.

Andrew D.

Houston, TX 77080
starting at
$25 / 30-min

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