Pasadena, TX Songwriting Lessons

Xavier University University Chorus; 2004-2009; Xavier Concert Choir; 2004-2009; Vocalist with Recording Artist: Josh Jones Nu Horizon, New Orleans, Louisiana; Vocalist with Recording Artist: Bishop Alvin Davis & Company, Baldwin, LA; Greater St. Stephan Gospel Choir and Praise Team; Background Studio Vocalist for Ebony Lockett (2009), Community of Faith Praise Team, 2012-2013

Currently, I sing at many venues and with various groups throughout Houston area. In addition to all of this, I also perform a great deal of gospel music on the praise team at the Community of Faith.

As you can see I have a great deal of experience and expertise different genres, and I look forward to sharing my knowledge with my students.

*** Lesson Details ***
To my future students:

I sit down at our first lesson to make a Custom Lesson Plan for what you want to study and goals you want to achieve.

I want to help you reach your goals and make you happy as a singer, so I am open to teach you anything no matter how little/much experience you have.

Next, we will pick a fun area to work on, and a challenging area to conquer. For example: we will work on a fun song then we will work on reading and/or rudiments.
I am also very patient and flexible to those students whom have special needs, or need to accelerate at a slower pace.

“Words make you think a thought. Music makes you feel a feeling. A song makes you feel a thought.”- E.Y. Harburg

*** Studio Equipment ***
Living room: keyboard, stands, music books, additional seating for parents.

Vocal Studio: Practice room, piano/keyboard, music stands, chairs; waiting area with television for parents/guests; security system; recording equipment

*** Specialties ***
CLASSICAL MUSICAL, GOSPEL, NEO-SOUL, JAZZ

tice, students will have a thorough understanding of the musical instrument they are studying and how to sight read.

years. Students who have studied with him come from a wide range of backgrounds with different goals. Those who have continued with musical studies in college have consistently placed out of at least the first two semesters of music theory and achieved advanced placement in their chosen fields of study. Those who chose a different path continue to benefit from the education and training they received from taking music lessons.

*** Lesson Details ***
There is no "standard formula" to lessons. Each student has their own unique background, needs, and goals. Lessons tend to be somewhat casual but are structured in such a way as to meet the unique requirements of the student.

To accomplish your goals, there are a few requirements and basic expectations that the student and parent must meet.
The first is practice. Students are expected to practice daily for at least the length of their lesson time. This, above all else, is essential to progress. It is also expected that a parent will attend lessons for students who are too young to drive themselves here. It's important for a parent to guide the student's practice time (particularly for younger students) to ensure that the most is gained from it. This is why I ask that a parent observe lessons.
Each student or parent should bring to each lesson a notebook, pencils (with erasers). The notebook will be used to record notes about each lesson, homework, practice advice, etc. Pencils (not pens...nobody's perfect!) are used by composers to record their creations and performers to mark their music. Both of these essential practices are subject to changing thought and must be open to change. So no ink, please!

Performers: It is not necessary to know how to read music at the first lesson for beginners. However, learning to read is required for subsequent lessons and will be a large focus for all non-readers. Lessons are not learned "by ear." A certain amount of theory will be a part of every lesson just as technique and repertoire. Concerning repertoire, it will be selected based on the student's learning needs but also with their input. The main emphasis on performance lessons, however, will be technique and reading. Students should come to the first lesson prepared to discuss their background & goals and the plan of their course of study.
Note: Voice students must be at least 16 years of age.

Composers: Just as with performers, it is not necessary to know how to read music at the first lesson. However, learning to read is required for subsequent lessons. Many young composers have great ideas but can only hear them in their heads or play them on an instrument. Lessons will allow you to obtain the skills to write them down with greater speed, accuracy, and clarity. More advance students will also include exploring a wider range of harmonic languages, advanced notation, instrumentation, orchestration, and aural skills. Students should come to the first lesson with examples of their work, either written, notated, or recorded in a digital format. They should be prepared to discuss their background & goals and the plan of their course of study.

IMPORTANT NOTES:
• To reschedule a lesson, more than one day notice is required.

• Make up lessons must be scheduled before the next regular lesson.

• A make up lesson cannot be scheduled in place of a regular lesson.

• If, for any reason, two 30-minute lessons are scheduled one right after the other, they will be charged as two 30-minute lessons, not one 60 minute lesson which is a different rate.

• If, for any reason, two 45-minute lessons are scheduled one right after the other, they will be charged as two 45-minute lessons, not one 90 minute lesson which is a different rate.

• the studio space is also inhabited by two lovely cats. Do consider this when signing up for lessons.

*** Studio Equipment ***
Yamaha DGX-650 weighted 88 keys full sized keyboard
area for parents to sit and observe lessons.

*** Specialties ***
Main area is in classical music and media scoring with secondary focus on musical theatre vocal performance and composing/arranging.

approach to further and benefit the student playing.

nd theory lessons
Audio production lessons

*** Studio Equipment ***
One upright piano, one grand piano, acoustic guitar, acoustic bass guitar, electric bass guitar (student should bring his/her own instrument except piano, of course)

*** Specialties ***
classical piano, jazz piano, improvisation, music theory, pop/folk guitar, bass guitar.

armony...
Pro Tools 10
Sonar XL XIII
D Drums,
7 Pianos
5 Guitars,
Bass,
2 Saxophones

*** Travel Equipment ***
Guitar, Keyboard, Saxophone, Mic, Laptop, Amplifier, Karaoke hard drive, and software.

*** Specialties ***
Advanced Vocal Coaching, for professionals,
Pop, R&B, JAZZ, Classical, Broadway.

Composition for pro artists, 256 mix tracks, 48 khz,
Top of the line recording gear.

Classical guitar, Music Theory and Composition for writers.

ns, and Pony Up.

When I have free time I volunteer with the Houston Chapter of Girls Rock Camp to help teach girls empowerment through songwriting and music.

*** Lesson Details ***
I began teaching as an afterschool job when I was 16. I was homeschooled, so I feel that the experience taught me that everyone learns differently and that there is not just one standardized method to playing music.

My teaching style varies with each student, but the one constant is my ability to make each and every client I encounter completely fall in LOVE with music. It's my super power.

Lesson plans are tailored for your specific needs and to help you achieve your musical goals and aspirations at your desired pace. I enjoy my students and making music with them.

Here is an overview of the lessons that I provide.

Guitar:
Finger Picking, Song Writing, Rhythm, Lead, Scales,Modes & Ear Training.

Songwriting and composition: Learn techniques, how to brain storm and plot your musical story line. This class pairs great with vocal lessons or guitar lessons.

Bass:
Scales, Rhythm, Beginner and Advanced song structure, Ear Training

Ukulele :
Technique, Intro to Chords, Ear Training, Strumming patterns - Ukulele is one of my favorite classes to teach. You simply can not help but smile when playing this instrument!

Vocals :
Breathing techniques, Scales, Harmonizing

in a way that leaves both of us inspired at the end of each lesson.

write for film with virtual orchestras and instruments, I can show you! I can even help you with home studio prep, acoustic panel installations, computer setup to get you going.

Contact me with your goals and we will find out the best route to reach them together!