Students are raving about their Music instructors on TakeLessons.
Check out some of these recent reviews.
Review by Jennifer
Charles has proved himself to be an amazing voice teacher. His patience and caring go hand in hand when it comes to his teaching style.
I couldn't have asked for a better teacher. He has helped tremendously."
Houston, TX teacher:
Review by Michelle
"Glenn style for teaching is spot on. Encouraging positive and great feedback with positive criticism. Helping my daughter reach her full potential and wit
h humor love and kindness. Great environment to improve anyone's voice at any level. Highly recommend him."
Las Vegas, NV teacher:
Review by Christina
"Tanisha is EXCELLENT working with our 7 year old daughter!!!! She absolutely loves her lessons and is motivated to practice everyday. Tanisha is extreme
ly patient and has an upbeat, fun personality. Our daughter looks forward to her lesson time every week."
Los Angeles, CA teacher:
Review by Romel
I have to say I recommend Julian to anyone who wants to learn how to play and understand music. I've been taking bass lessons fr
om him for the past couple years, when I started out I knew nothing about bass or music but knew I wanted to play, with weekly one on one lessons with him I've grown to play and understand music at my own pace. He is the coolest guy you'll ever meet and talented. He also provides "Rock School" jam sessions with other students of all ages, so I no longer have to jam by myself. We sound good to. Highly recommended"
San Antonio, TX teacher:
Review by Hillary
"Charles is an awesome teacher!
Our 6 year old son looks forward to his drum lesson with Charles every week. He keeps the lesson upbeat and fun, playing d
ifferent rhythm games and guessing games. I can attest to Charles being great with the little ones. He is a very reliable, professional, upbeat teacher! We are glad our experience has been so positive!"
San Diego, CA teacher:
Review by Martha
"Took a few lessons from Patricio and he went above and beyond his services."
Chicago, IL teacher:
Review by Paul
"I learned so much! He is a great teacher, super relaxed and friendly. Would recommend to anyone looking to gain some great drum knowledge :)"
Los Angeles, CA teacher:
Review by Tanner
"Has a wide background and heavy focus on rudiments. Great teaching style!"
Seattle, WA teacher:
Review by Bradley
"I am Austin's voice teacher at the New England Conservatory where he recently completed his Master's Degree in Vocal Performance. Austin has done outstan
ding work refining his technique and knowledge of vocal pedagogy. The transformation to his singing and overall performing is nothing short of miraculous. You will find Austin to be highly intellectual, patient, and empathetic to your vocal development. I am confident that he know possesses all of the knowledge and tools to effectively diagnose and correct vocal faults with singers of all voice types. Austin is a champion for the vocal arts and he will be a champion for you so may reach your fullest vocal potential. I highly recommend Austin Burns for young singers in particular. I know you will have a rewarding experience with this talented and passionate young performer."
Music can inspire creativity and growth; it can evoke tranquility and joy. This was the case for Cindy W. who began playing the piano at the age of ten and within a couple of years studied composers such as Debussy, Liszt, Bach, and Chopin. While only in junior high, she started teaching piano, rapidly gaining teaching and business experience. She held annual recitals giving the students an opportunity to perform for their parents and peers in a public setting.
Cindy studied music with Rachel Perez-Hayes, a graduate from the Juilliard School of Music, New York, and was considered gifte
d and talented with perfect pitch recognition. Her background in music coupled with a Master's degree in Educational Psychology has enabled her to create unique lesson plans for each student focusing on individual strength and ability. Cindy has performed in concerts, weddings, parties, churches, and school functions. Her entire life has been enriched with music and it is her passion to promote the arts to young minds as well as adults.
*** Lesson Details *** Cindy teaches private 30 or 45-minute lessons from the beginning level to advanced. Students are taught using the Alfred all-in-one piano course because it is a step-by-step method that provides a solid foundation for playing and interpreting music while building self-confidence and an appreciation for the fine arts. Students typically learn how to read music and play pieces from their book while learning music theory, ear training, and rhythmic skills. Students have the option of performing in front of an audience or simply learning how to play for their own pleasure. Cindy coaches those desiring to play publicly in a non-threatening, relaxed manner.
*** Studio Equipment *** Living Room, grand piano, and keyboards available, room for parents to wait
*** Specialties *** I have taught using the John Thompson and the Alfred piano course methods. I prefer using the Alfred method because it gets the students comfortable playing on the black keys from the start.
Gizaw Y. November 21, 2014
In home Verified Student
We have been with Cindy for more than a year she is doing excellent job we have 7 years old daughter learning piano we recommend her she is the best!!
Gizaw Y. March 3, 2014
Piano Verified Student
We are happy with the class
Our 7 year old daughter have been taking piano lessons for 8 months Cindy Withers did a great job for our kid. She is very patient and put priority for accuracy as well as artistic expressions, so our daughter learning with a very good technique that made her very much interested in playing music and we see a change every week. We really like Cindy Withers and we highly recommend her. Cindy Withers is an excellent instructor for our daughter.
Araceli P. April 19, 2013
Piano Verified Student
I enjoy the class a lot. I am comfortable learning with Cindy because she is a polite and patient teacher. She is also very helpful and considerate when it comes to my learning.
Hristo is an impressionistic modern jazz guitarist and composer from Sofia, Bulgaria. Now residing in the San Francisco Bay Area, Hristo leads a variety of modern jazz formations, ranging from duets to quintets. Hristo has toured nationally and internationally, appearing at some of the most prestigious jazz clubs and festivals, and has also performed guitar clinics in Europe and Japan. He has written more than 270 original compositions, many articles on jazz improvisation, and a book on chordal theory and construction entitled Between the Voicings: A New Approach to Chord Building for Guitaris
ts. The Hristo Quartet’s 2009 debut album, Song for Messambria (First Orbit Sounds Music) quickly received outstanding reviews by the international jazz community and was selected as one of the six best jazz albums of 2009 by E-JAZZ NEWS. “His sophisticated and adventurous work is imbued with shimmering harmonies and lyrical improvisations.” – JAZZTIMES MAGAZINE “His multihued compositions are like impressionistic sound paintings.” – JAZZIZ “You just won’t find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers.” – Improvijazzation Nation Magazine “Hristo may be one of the best kept secrets in jazz today. He is the epitome of sonic gold.” – DIGITAL JAZZ NEWS “Hristo plays as the cultural end result of his life experiences. Simply put, he plays more so from the heart than he does the head.” – Critical Jazz “A richly textured album full of strong melodic and rhythmic ideas and with some superb playing throughout.” – THE JAZZ MANN (England) As jazz critic Edward Blanco describes: “Heis the newest guitarist to enter the national jazz scene and does so with a stunner of a recording in Song for Messambria, one of the finest debut albums I've had the pleasure of appraising this year.” The record presents a unique blend of ECM-style modern jazz, classical, and Brazilian tone textures, and showcases the completely unique and masterful interpretation of the jazz idiom by each one of its members. In late 2009, Hristo released his second studio album featuring Latin Grammy-nominated pianist Weber Iago. The Secrets of an Angel is an impressionistic landscape painted by the delightful and graceful conversation between the two instruments (guitar/piano). As jazz critic Brad Walseth describes: “On the heels of his impressive debut recording, Song for Messambria, guitarist Hristo returns along with pianist Weber Iago for a wonderful guitar/piano duet recording - The Secrets of an Angel...while the gentle title track shimmers like a glistening iceberg on a cold sea. The delightful two-part ‘The Last Pirate” is a highlight - brilliantly showcasing the exciting romantic bend inherent in his music, while the nostalgic lullaby “Leka Nosht (Good Night)” recalls a faraway youth and rounds out this fine release.” In 2010 Hristo wrote a large scale jazz work (The Perperikon Suite) especially to be premiered at the 53rd Monterey Jazz Festival. This 7 movements jazz suite is inspired by the ancient Thracian city of Perperikon (located on the territory of Bulgaria), and combines orchestral, classical, jazz, and fusion elements depicting the history and mystery of this enchanting place. The work marks Hristo third album and one of his most adventurous and sophisticated works up to date. For the recording of this project the Hristo Quartet was joined by virtuoso vibraphonist and multi-instrumentalist Christian Tamburr. As jazz critic Dan Bilawsky describes: “Shimmering harmonies resonate throughout these modern jazz marvels, and the soloists work their way around and through this accessible and exciting music with equal measures of taste, technique and spirit. His pieces are peppered with signpost sonorities and ideas that often reappear throughout a given song, creating a sense of continuity and thematic steadiness that develops around individual soloists. While this group ably establishes its own aural identity, which threads its way through the whole album, each movement of the suite has different strengths and a unique sonic footprint. Brought to life as a tale of two cities, The Perperikon Suite ultimately occupies its own wondrous world within the confines of its jazz borders.” As jazz critic Brent Black describes: “There is an incredible warmth to his playing, a fluidity of movement and direction held firmly in place by a stellar quintet that provides ample support for the lyrical imagery created on this release. Aside from the superior sound which almost smacks of a live in the studio recording, there is a true working band feel that he has been able to obtain. He displays an unparalleled versatility moving from the flash of “The Acropolis” to the more introspective “The Southern City” allowing for a wonderfully paced recording. The drumming of Joe DeRose creates a special dynamic tension on the tune “The Great Hall.” A release that ends far too soon. Wonderfully crafted, well paced and a sonic tapestry that stands up as well as any release for this past year.” As jazz critic Bruce Lindsay describes: “The music, performed by a terrific quintet, is beautiful: it captures images not of a city in ruins but of a city full of life, of vibrant activity. The Perperikon Suite is an impressive creation. Each individual tune is beautifully crafted, but so, too, is the Suite as a whole. His response to the ancient city is remarkable in both its conception and its performance.” As jazz critic Michael Bailey describes: “Many time motifs are used throughout this suite. Tick-tock ascending and descending figures pass as a thread through cloth, to hold this musical garment—a coat of many colors—together. He achieves this effect with no apparent effort or change in guitar tone or approach. Merely by affecting the time signatures, he makes his magic. The Perperikon Suite is soft-spoken and brainy music that exists out of the ordinary.”
As jazz critic Brad Walseth describes: “The new songs are the strongest he has written yet, and the addition of Tamburr serves to take the music to an even higher level. Hristo, meanwhile, continues to impress the listener with his addictive blend of jazz with touches of classical, Brazilian and Eastern European influences in both his playing and songwriting. In lieu of visiting the legendary site yourself, listeners are urged to take a musical journey to the ancient location as seen through the senses of Hristo and shared with you through his highly satisfying musical presentation.” As jazz critic Ed Blanco describes: “Hristo and his inspirational quintet provide an all-new experience on The Perperikon Suite, a concept album that is accessible, creative and a pleasure to spin often.” In 2012 Hristo embarked on yet another musical chapter of his life. Heartmony is the long awaited and highly anticipated follow up to the first duet recording by the guitarist and pianist Weber Iago (The Secrets of an Angel). As the title of the record will suggest, Heartmony explores a truly intimate, honest, and emotional conversation between the two instruments. The music, which transports you from impressionistic landscapes to folkloric tales and from melancholic memories to meditative trances, is simply the purest harmonious sounds he has put on tape up to date. Straight from the heart, healing energy that will embrace you long after you listen to it. “An absolutely wonderful recording.” – JAZZTIMES “If ever there were a marriage between classical music and jazz then this Heartmony is it. Hristo and Weber Iago have created a very special experience.” – Grady Harp (Amazon.com) “Both on and off the bandstand, he is an artist who wears his emotions on his sleeve. His new “Heartmony,” a duo session with his frequent collaborator, Brazilian pianist Weber Iago, provides a master class in the way a chord or harmonic progression can evoke a flood of sensations.” – Andrew Gilbert (San Jose Mercury News) “Guitarist Hristo and longtime collaborator, pianist Weber Iago, have created a work of sublime musicality with Heartmony. Exquisitely lyrical, although a bit too sweet, this opus brings together multiple musical influences into a coherent and cohesive, multilayered narrative, the momentum of which does not slack from the first few notes to the very last. He and Iago interweave long musical threads into a shimmering soundscape of serene beauty.” – Hrayr Attarian (All About Jazz) As jazz critic Brent Black describes: “Heartmony is a sonic mosaic pieced together from heartfelt feelings and emotions carried through time and communicated in an incredibly heartwarming and emotional presentation that exemplifies the zen concept of less is more perhaps as well as any recording of the last decade. The musical sound of one hand clapping. His and Weber's music transcends the more traditional jazz idiom in much the same fashion that their recorded work here is that of a more cohesive unified voice with subtle shadings, lyrical swells and the textured nuances that creates music that is to be experienced. An incredibly beautiful artistic statement of personal experience.” “Guitarist Hristo and pianist Weber Iago sounds like a perfect match in a musical heaven, if such things exist. What I’m saying here is that this is a duet album that sounds perfect, music made from the heart and soul. There’s warmth, there’s care, and there’s a human quality to this that no machine can replicate, and it is that Heartmony that makes this a powerful album worth listening to repeatedly.” – John Books As jazz critic Dan Bilawsky describes: “The eleven originals are all musical offerings from the heart and soul, but this isn't a one-dimensional recital. Some songs are full of life and positive energy, while others have a sense of regret and nostalgia sewn into their being, but they're all painted in sharp, vivid colors, thanks to the skills of both artistic practitioners at play.” “This set of guitar-piano duets is quietly emotional, always intriguing and quite original. His clear toned guitar blends in perfectly with Iago’s powerful piano and the two musicians often seem to think as one. Heartmony is quite thought provoking and well worthy of many close listens. Highly recommended.” – Scott Yanow “Hristo and Iago play together with the assurance born of long and fruitful collaboration. They know each other well, and it shows in the skillful way they complement each other. They take a beautiful melody and run with it. They wring every bit of emotion out of it. There are passages in a composition like “Memories in Black and White,” nocturnal moments in “The Last Leaves which Fell in Fall,” that sound like they could have been written by a nineteenth century Polish Romantic. Then there are moments in the same songs where there are glints of French Impressionists.” – Jack Goodstein (blogcritics.com) “Hristo is a gifted composer and master guitarist whose stylish approach to the music makes him a hidden wonder of the jazz world. Heartmony is an intelligent musical statement and gentle follow up to his previous works, a relaxing soulful musical experience sure to touch a piece of your heart.” – Ed Blanco (E-JAZZ NEWS) In January 2013, Hristo released “Familiar Fields” – his 5th record as a leader (and his 2nd quartet recording). The music presented in this session clearly displays the multidimensional tonal evolution of the band and each one of its individual members. The addition of drummer extraordinaire Mike Shannon to the quartet establishes a portal to new sonic landscapes and emotions to be explored in this collection of 9 original pieces by the guitarist. The music, which takes the listener through the realms of impressionistic, classical, jazz, experimental, and new age, always retains the unique sonic footprint that has brought critical acclaim to the quartet all over the world. “He paints a vivid pastoral landscape with epic sweep, often recalling the big-sky sound of Pat Metheny. Obviously, these musicians are more than comfortable with one another, as one delicate solo seamlessly segues into another.” – JAZZIZ
“Once again he has produced an immaculately crafted, often supremely beautiful album.” – The Jazz Mann (England)
“If Pat Metheny and Larry Carlton are considered the kings of impressionistic jazz guitar, then certainly Hristo is a crown prince and ready to lead a palace coup. In fact, “Familiar Fields” easily stands equal to even their greatest albums. Part of the reason for that has to be credited to Hristo’s choice of musicians in the quartet. The musical affinity and effortless grace shines forth on this album like few recordings I have ever heard. They share a single heart and mind that bursts forth in illumination on every track. There is no weak moment or weak player on this album.” – Travis Rogers (JAZZTIMES) “Over the past few years, Bulgarian-born, Bay Area-based guitarist and composer Hristo has consistently crafted music of great lyrical beauty. With his self-named quartet or quintet, or in duet with pianist and frequent collaborator Weber Iago, he has advanced a sound that manages to sound intimate and epic at the same time. He does so again on Familiar Fields (First Orbit Sounds), his latest recording with his quartet, which welcomes new member Mike Shannon on drums. As he has on previous recordings, He makes use of classical imagery and narratives in song titles such as “The Prophet’s Daughter,” “The Mask of Agamemnon” and “Wounded by a Poisoned Arrow,” the last of which is our selection. His instrumental voice bears echoes of the tonal warmth and big-sky sweep of Pat Metheny, as he and Iago, his beyond-simpatico musical compatriot, switch off on leads, riding the rolling hillocks of rhythm provided by Shannon and acoustic bassist Dan Robbins. Shannon proves an exceptional addition to the group, responding to and driving his companions in equal measure.” – JAZZIZ As jazz critic Hrayr Attarian describes: “Bulgaria-born and San Francisco-based Hristo has established himself as a modern day troubadour. His enchanting and fantastical tunes have the feel of medieval ballads abundantly peppered with futuristic sounds. His sixth release, Familiar Fields, presents nine impressionistic originals that showcase his maturing compositional skills as well as the superlative, improvisational talents of his working quartet. With each album he oeuvre ripens and becomes more sophisticated without losing its delightfully spirited edge. Familiar Fields not only stands on its own merit as sublime music but also whets the appetite for what is yet to come.”
“Familiar Fields is a highly intelligent, thought-provoking Impressionistic escapade.” – Nicholas Mondello (All About Jazz)
“This release is a clear statement from an artist comfortable with who he is and where he is going. There are no absolute truths in music but instead there are shades of gray which he and his quartet fill in with the precision of a surgeon and the soul of a true artist. Never caught up in the academics of his works, he instead conducts a sonic exploration with the end result being a release that gives up something new with each subsequent spin. An ebb and flow unmatched, or perhaps unlike him, an ebb and flow that other artists simply can not match. As close to perfect as it gets!” – Brent Black (CriticalJazz.com)
“The Hristo Quartet, ladies and gentlemen, is in peak form. They have no competition: no other music in the jazz idiom is quite as satisfying.” – Grady Harp (Amazon.com) “The musical bond between guitarist Hristo and pianist Weber Iago is as strong as that of Chick Corea and Gary Burton, with proof being their two sublime duet recordings, The Secrets of an Angel and Heartmony, as well as three small group sessions under his name. For the Familiar Fields quartet date with regular bassist Dan Robbins and new drummer Mike Shannon, chose nine gems to play from his vault of more than 270 original compositions. As usual, as one listens to his music, the words lyrical, impressionistic, spiritual, and passionate come to mind, and also his term "heartmony," which he defines as the simultaneous combination of feelings and emotions, especially when produced by experiences, memories, and stimulations pleasing to the heart, body, and soul." – Scott Albin (JAZZTIMES) “The emotional essence of any Hristo recording can be seen before it’s heard via the distinctive oil paintings the guitarist creates for his CD jackets. his artwork for Familiar Fields is impressionistic, haunting and autumnal, the same qualities that characterize his latest collection of tunes. The foursome’s interplay is highly intricate, resulting in emotive tunes that wax and wane in intensity. Whether you call it post-bop or post-fusion, his brand of jazz is passionate and ethereal. He has developed into a formidable guitarist and intelligent composer, and since he’s only 32 years old, his best work may be yet to come.” – Ed Kopp (Jazziz) “Within his tone and technique, it’s not difficult to hear the influences of Wes Montgomery, Pat Metheny and Lee Ritenour. He is adept at the full range of extended techniques but is most often described - justifiably - as an impressionist.” – Karl Ackermann (All About Jazz) “Of the many attributes that Bulgarian (San Francisco based) guitarist Hristo possesses - refined technical abilities, warm tonality, and expressive soulfulness - his gift to convey beautiful stories through intricate composition is always at the heart of his appeal.” – Mark F. Turner
In October 2013, Hristo released his 6th album as a leader. "Rhodopa" is a beautifully crafted sonic pairing of the extremely emotional and lyrical Bulgarian folklore and the multidimensional and deeply textured world of modern jazz harmony. On his new music journey, the guitarist is joined by virtuoso Bulgarian clarinetist Liubomir Krastev. As jazz critic Dan Bilawsky describes: “Hristo and Liubomir Krastev cover everything from the mystical to the mournful and the grim to the gleeful on this absorbing duo date.”
“Hristo takes improvisational music to a third dimension of texture you can feel. Rhodopa is my selection for album of the year for 2013. Critically acclaimed guitar virtuoso Hristo started the year with the release of the highly regarded Familiar Fields. With Rhodopa, has now assumed his rightful place as a global virtuoso of unrivaled talent and ability. As artistically gifted as he is technically proficient, Hristo moves to the head of the pack with this stellar outing.” – Brent Black (CriticalJazz.com)
“Hristo boldly departs from the group setting and gives the audience even more of what they crave - soulful arrangements and virtuosity with heart. There is a beauty and an elegance that comes through on each and every one of Hristo's recordings. The music he composes, the arrangements he crafts, the musicians that he assembles together and the dignity and reverence of his musicianship speak of the heart of the man and his love of life.” – Travis Rogers (JAZZTIMES)
As jazz critic Hrayr Attarian describes: “The warm, poetic tunes are like fairy tales in verse. They are imbued with nostalgia, and shimmer with a variety of muted colors and sentiments. Krastev's softly undulating tones waver against his vibrating strings in a spiritual celebration of abstract beauty. This thematically unified work is a genre bending, elegant and satisfying opus and a new high for he who continues to excel himself on each fresh release.”
“Modern jazz guitarist, pianist and composer Hristo always refreshes the ear and the soul with his inordinately sensitive, mesmerizing, and beautiful approach to music. He is unique - and artist who explores every avenue of approach to both folk music and jazz and the result is an experience that simply no one else can match.” – Grady Harp (Amazon.com)
“With Rhodopa, guitarist/composer Hristo and clarinetist Liubomir Krastev meld musical minds, dive exuberantly into an array of earthy Bulgarian folk material and come up with four hands of beauty. The result is a panoply of aural color, emotion, and technical artistry.” – Nicholas Mondello (All About Jazz)
As jazz critic Ed Blanco describes: "Rhodopa is an instrumental serenade of Bulgarian folklore music interpreted by a world-class guitarist and clarinetist. Hristo and Liubomir Krastev deliver an enchanting and relaxing escape from reality with a fifty-three minute encounter of soul-reaching music."
"You just won’t find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers. With Liubomir’s reeds, they form a cultural jazz experience that can’t be compared with anything else!" – Dick Metcalf (Improvijazzation Nation Magazine)
On top of leading his own quartet, quintet, duo projects, and co-leading the group SEVA, Hristo also co-writes and plays guitar with Joe De Rose and Amici - an energetic jazz/fusion formation lead by drummer Joe De Rose. Hristo has appeared on countless radio shows/programs all around the world.
Hristo has also performed in world-class jazz venues and festivals including Yoshi’s Jazz Club (Oakland, CA), Bach Dancing and Dynamite Society (Half Moon Bay, CA), Kuumbwa Jazz Center (Santa Cruz, CA), Anthology (San Diego, CA), Catalina Jazz Club (Hollywood, CA), The Jazz Corner (Hilton Head Island, SC), Heidi's Jazz Club (Cocoa Beach, FL), Alvas Showroom (San Pedro, CA), The Jazz Station (Eugene, OR), Egan's Ballard Jam House (Seattle, WA), Timucua White House (Orlando, FL), Ivories Jazz Club (Portland, OR), The Herbst Theater (San Francisco, CA), SOhO Jazz Club (Santa Barbara, CA), as well as major jazz festivals including the 53rd Monterey Jazz Festival (Monterey, CA), 2009/2010/2012/2013 AT&T San Jose Jazz Festival (San Jose, CA), 2010 and 2012 Redwood City “Jazz on Main” (Redwood City, CA), Okazaki Jazz Festival (Okazaki, Japan) and many more.
Hristo holds a B.A. in Music (Jazz Studies) from San Jose State University in San Jose, CA. He has also studied in the prestigious Roland Music Academy in Caracas, Venezuela.
Students can benefit from Hristo's completely amazing knowledge on the instrument as well as music/harmony theory. He will work and design unique and specific goals tailored to each student's individual interests. His dedication and passion for teaching are first class!!!
*** Lesson Details *** I design my lessons with the specific student goals in mind.
For Beginner students: we will start by exploring rhythm concepts and understanding how to read music. Learning the physics of the guitar and exploring the notes in the first few positions. Learning open position chords, and simple chords progressions, major and pentatonic scales,etc.
For Intermediate students: we will continue expanding our knowledge of the higher positions of the guitar, as well as develop better sight-reading skills. Bar cords and chord transposition, and music theory. Expanding our scalar vocabulary to modes, and minor scales. Learning arpeggios and classical etudes.
For Advance students: Close interval voicings, jazz improvisation, chord to scale relationships, and harmonic substitutions are some of the concepts we will cover. Learning solo guitar playing (chord melody), incorporating walking bass lines, transcription skill and arranging skills.
*** Studio Equipment *** A specific music room with a few guitars, a keyboard, amps, and recording equipment and music stands
*** Travel Equipment *** I provide my guitar and amp. Students should provide their guitars and amps (if needed)
*** Specialties *** I specialize in Jazz guitar, improvisation, harmonic studies and theory. Chord melodies, building lines, phrasing, voice-leading, chordal improvisation, and re-harmonization/substitution.
Kim L. April 26, 2014
Guitar Verified Student
Hristo is the most inspirational teacher I've every had the pleasure to learn from. He shares his talent in a way that I look forward to every lesson. His patience and positive reinforcement encourages me to keep practicing. He selects the appropriate music for my level and teaches all genres. Thank you for working with me every week. I hope I get to work with him for as long as I can until he becomes too famous to continue teaching us.
AllenH April 4, 2012
I've been taking lessons from Hristo for a couple of months now. He is friendly, affable, and extremely patient. I enjoy our lessons, and have learned quite a bit in the short time we have been working together.
JeanetteY March 7, 2012
wonderful instructor and very accomodating. We are appreciative of his talents!!
After graduating from the University of Virginia in 2010 with degrees in Music and History, I spent several years touring and recording with artists on the East Coast, teaching as many as 20 private lessons a week, and studying tabla (Indian hand drums) to keep my own musical education alive and moving forward. I have a passion for music of all kinds, and specifically for drums and percussion. As a result of the diversity of my tastes, I have an eclectic performance background. Over the past decade I have performed with rock and metal bands, jazz ensembles, percussion ensembles, various indepe
ndent singers and songwriters, musical theater productions, African drum ensembles, and even a contemporary dance company. I am excited to be living in Santa Cruz and continuing my own education as a PhD student in Music at UCSC!
Jose and Deborah Vasquez July 23, 2015
Sam is wonderful drum instructor. He is very friendly and my teen son feels very comfortable around him. They worked for several months on drums and Sam even took time to listen to my son's DJ music production. Sam gave him his opinion and suggestions for improvements. We are very happy with how fast my son began to play drums only after the start of a few lessons. We highly recommend him!!!
Andi L. April 10, 2015
Sam has taught our 10 year old son for over a year now. The best thing about Sam is his ability to make learning fun and also teach and keep our son engaged. He lets my son choose the songs he wants to learn and brings in piano and guitar as my son explores music each week. Sam is extremely professional, punctual and true positive role model to my son and we look forward to his visit each week. We truly found a gem when we found Sam and look forward to a long musical voyage with him and my son.
Maggie L. December 21, 2014
In home Verified Student
Sam is terrific teacher. He's been working with our 8-year-old boy for just a short time, but in that time, our son has made amazing progress. Sam's lessons are well-structured, but he lets our son choose the songs he wants to learn. He also makes each lesson fun and is good at adapting if our son finds something easier or more challenging than expected. Sam is also really nice to work with-- professional, punctual, and courteous. We all highly recommend him.
Melody's guitar lesson, include guitar techniques and music theory. Lesson package includes: 35 basic guitar chords, strumming patterns, fingerstyle accompaniment, and students' prefered song as playing and singing exercise. Goal: students will be able to play and sing pop songs with appropriate accompaniment techniques, feel success and accomplishment from the learning experience. The first lesson starts with assessing the student's needs, ask about students' music style preference, and create students' prefered music learning program. Also Melody has a BA in guzheng performance from Xi'an
Conservatory of Music in China, one of the nine top conservatories in China. She has taught the Chinese unique musical instrument guzheng for over 10 years for adults as well as children. In addition, Melody is a board certified music therapist in the US. She holds a Master’s of Music in Music Therapy from Colorado State University, and earned her Certificate in Music Therapy at Shenandoah University, Virginia. She accept students with special needs all age, provide tailored music learning experience for students.
David P. June 7, 2015
In studio Verified Student
Being a complete beginner I had no idea where to begin. Melody is the most patient teacher I have ever had! Made learning easy and fun!! She understands how to teach in a down to earth, approachable, and meaningful way. Thank you Melody for adding to my experience!!
David P. April 12, 2015
In studio Verified Student
Very positive and rewarding experience! Melody is very patient and encouraging! I am looking forward to our next lesson!!
Hi there! I am really excited that you've decided to take music lessons and are here on my page looking for an awesome teacher. I have lots of experience in music and I can't wait to teach it to someone else, whether they're a kid or an adult.
Currently I am attending graduate school for a Masters in Public Health so I can save the world later. ;) My undergraduate degree was in psychology. I've spent a lot of time in school and music has been the one medium through which I have relieved stressed and made myself happy, inspired, and relaxed. While going to school, I also continued my music
by being a teacher as well as helping out with the university orchestra.
Started music at a young age of 8, with my first instrument being the Flute followed by the Piano. Because I began music with a teacher who was studying music academically, I have a very strong background in theory, technique, and tone. At the same time, I really think its all about having fun and loving what you play/learn.
I have taught adults and children so I do feel comfortable with any age group. I also have a pretty vast repertoire of different books and pieces that I use for different levels and ages.
My philosophy is for the learning/teaching experience to be a complete collaboration between me and the student. I am tough with certain things because I know they're super important to master but I like to also bend certain rules so that my student is happy with the classes.
I hope to hear from you and if not, I hope you find a really awesome music teacher!
Aidan L. September 3, 2015
In home Verified Student
Lilly is fantastic! I have enjoyed my first three lessons thoroughly!
Isaac August 4, 2015
In home Verified Student
Brilliant! Just as skilled, kind, fun and patient teaching Piano as she is with the flute. My 5 year old son actually listened and is excited for his next lesson!
John M. July 31, 2015
In home Verified Student
I'm an adult and this was my first piano lesson ever. Lilly was great, informative and patient.
We've already shown you some fun piano duets to try, but what if you want to broaden your repertoire? Here, music teacher Julie P. shares some great piano duet books that are just as fun as they are educational...
Piano duets are fun for players of all ages and abilities. You can play with your friends, siblings, parents, or teachers. This opens up so many different possibilities for music! Not only are duets a fun way to make music with someone else, but they are also very bene …
10 of the Best Piano Duet Books All Pianists Need
We've already shown you some fun piano duets to try, but what if you want to broaden your repertoire? Here, music teacher Julie P. shares some great piano duet books that are just as fun as they are educational...
Piano duets are fun for players of all ages and abilities. You can play with your friends, siblings, parents, or teachers. This opens up so many different possibilities for music! Not only are duets a fun way to make music with someone else, but they are also very bene
Learning Piano as an Adult: Tips for Making the Time & Commitment
Have you ever wanted to learn the piano, but worried it's too late? With all of your commitments at home, maybe you're concerned you won't be able to find the time to practice.
But if the passion is there, it's time to stop the worrying! With a little patience and commitment, you can easily learn to play, and you'll find that desire and discipline can go a long way. Everyone can find time in their day - or rearrange their day - so they can sit down and learn to play the piano.
Choosing the Rig
10 Things To Look For In A Guitar Teacher
Learning how to play guitar is a wonderful journey, and you're at a crucial stage: finding a great guitar teacher. How do you know if the guitar teacher you're looking at will be a good match for you? Take these tips from guitar teacher Melissa K. to find the perfect guitar teacher for you!
Your fingers do strange, elegant dances in the air. Melodies and chord progressions haunt your dreams. Your friends are in an a capella group and will erupt into songs at a moments notice, but youre not
How Much Are Violin Lessons for Kids?
Think you could be the parent of a budding Vivaldi? Learning to play the violin is an intricate activity, requiring the appropriate guidance. You may be concerned about the pricing of a violin instruction for your child due to the complexity of the art. Though you may want to start your child on lessons right away, you may have concerns about pricing. Worry not, violin lesson prices are not as problematic for your pocketbook as you may think.
What should you expect for violin lesson prices?
How Often Should You Tune a Piano?
Just as you go to the doctor for check-ups from time to time, your piano needs maintenance and care throughout its life. You may notice, especially if you have a keen ear or a tendency to sing along with your practice, that your piano drops in pitch, particularly during the summer and winter months. This is because your piano is mostly made of wood, and your wooden soundboard will contract when the weather is drier -- or the heating is on! -- and cause the pitch of the strings to drop.