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Pickens, SC Music Theory Lessons

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Popular Music Theory Teachers near Pickens, SC

Check out some of our most popular teachers near Pickens, SC including Greenville, Easley, Cleveland, Marietta and Slater.

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About Chase R.

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Antioch, CA
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I can teach students theory, harmony, ear training, based on my education through Berklee School of Music.

About Chase
I started playing guitar when I was in the 8th grade. At that time I was into punk, and as I got older I moved into listening to classic rock, then blues, then all sorts of jazz and jam bands, and now classical and sacred art. And my playing of the guitar has following the same trajectory: I played in the style I listened to. One common thread through all of this has been an, at first unconscious, but now fully conscious focus on the art of improvisation.

Improvisation is central in my own playing, and what I deliberately bring my students to do. And this is not something vainly individualistic. Franz Liszt, Beethoven, Mozart, Bach, Chopin; Coltrane, Miles; Ravi Shankar, Ali Akbar Khan; Hendrix, Jimmy Page, Clapton; SRV, Albert King, BB King: what do all of these musicians have in common? They improvised, and were very good at
it in their respective genres. Improvisation is a truly important aspect of playing music, and one which I will give due focus to. Besides this, I will teach the student technique, chords, scales, songs (chosen by both the student and, at times, myself), and later on: theory (including harmony and ear training).

I have a Master's Certificate in Theory, Harmony and Ear Training from Berklee College of Music's online extension.

*** Lesson Details ***
In my 'about me' section I have laid out in a general fashion what I will teach you.

I am very patient with my students. I focus on the qualities of effortless action, patience, contentment with our current abilities while striving to attain (eventual) mastery.

*** Travel Equipment ***
I can provide an acoustic guitar, a tuner, picks, and sheet music. I expect the student to have a guitar, a tuner, extra strings, and picks.

*** Specialties ***
I specialize in modal improvisation. I also can teach some art philosophy and philosophy related to art.
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Reviews
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Nichole Coyne January 25, 2016
· Guitar · In home
Chase and I did not work together long because of other commitments. However, in the short time we did work together I learned a lot. Chase is easy going, highly skilled, very patient, and his teaching style is such that it fosters student confidence. I was really nervous at first, because I wasn't sure what to expect. Chase quickly made me feel at ease during the lesson. We only had half hour lessons, but that was definitely enough time to learn new materiel and make progress. I highly recommend him for guitar lessons.
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Declan D. January 8, 2016
· Guitar · In home
My son is 7 and really seems to like Chase. He came well prepared and finally someone has started to teach him some rock songs .
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Christie January 4, 2016
· Guitar · In studio
An Excellent Teacher!

Our daughter Charis has taken lessons from Chase for over 2 years. From the first lesson, his patient demeanor put her completely at ease. During that time we have seen her understanding of music and her love for guitar continue to grow.

Chase has a unique way of challenging his students to stretch in their ability while simultaneously making it a great deal of fun. I would absolutely recommend him to both the new and seasoned student alike.
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Chase R.

Chase R.

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$30 / 30-min

About Patrick L.

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Asheville, NC

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I love to apply current music as a guide to show relationship to theory. It is a fun way to teach this way.

About Patrick
Hi there, my name is Patrick, and I am now a new resident of the Asheville area. I am a music teacher of Trumpet, Piano, Voice and Sound Recording with more than 20 plus years of experience. Below, I relate some of my experiences and philosophies as a teacher of music since 2002.

*** Lesson Details ***
Trumpet Lessons
I have worked with adults and children, with beginners, and with more experienced players looking for a push or a new direction. I have developed many different teaching methods based on what each of my students wants to get out of lessons. The heart of most lessons I teach is learning to play or understand songs. Usually, I rely on my students to select the songs they wish to study, which I then transcribe to make personal arrangements fitted to their abilities. Of course, I will suggest or recommend songs at times.
I also supply relevant exercises and music theory to accelerate the learning process.

Piano Lessons
I differentiate between concepts and skills, while stressing the importance of mastering both. As important as it is to understand the intervalic relationships in something like the major scale, this knowledge does little for the pianist if she or he cannot pick out the notes to the different scales in real time. In observing that each person demonstrates unique learning patterns and abilities, I have learned that some people will come to understand the conceptual through mastery of memorized tasks while some will succeed with technical mastery only after achieving some conceptual understanding.
Voice Lessons
Having first begun singing at 22 years old, I know first hand that it’s never to late to start singing. Having some experience in school but not fully as a professional till in my 20′s, I have learned from some of the top professionals in the South Florida area. My first vocal lessons was with Gloria Estefan’s back up singer Jon Secada. Jon has his first hit “Just Another Day” that stayed at #1 for several weeks. His one lesson really helped me use singing in my gigging around town. From that time on, I have used this technique for all my students. focusing on JUST BREATHING, has helped many of my students.

Teaching Sound Recording
Working in the early 1980s with recorded music and computers, I was introduced to the new wave of recording at its birth. At Miami Dade Community College, I taught and assisted students in Composition, Sound Development, and Sound Recording using Mac computers and PC’s. As of this day, I personally teach recording in Logic Pro, Bias Peak and Mastering using Waves plug ins and having finished products in Mp4 format and or CD’s.

*** Studio Equipment ***
Mac with logic pro software instruments, piano seating for parents

*** Travel Equipment ***
expect students to provide paper and pencil and put in practice time on their respected instruments at least 30 min a week

*** Specialties ***
Alfred,Hanon,Rubank Advanced Method for instruments.
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Reviews
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Andrew G. August 1, 2016
· Piano · In home
Great first lesson for my 9 year old son. Patrick is friendly, professional, and kept my son interested and engaged.
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Tino B. May 18, 2016
· Piano · In studio
Looking forward to more sessions with this guy! I've composed two new records since i had a session with him, it seems like he's helped me from overthinking that this is hard and with all the technology there is today its just simple. just do it!
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Tino B. May 15, 2016
· Piano · In studio
Hello music world this is Tino b here! I want to let everyone out there who is interested in taking their music to the next level and is searching for someone to help them do so, well look no further Patrick Lopez can help you do so. My first
lesson with him gave me my confidence back and has me producing music on a totally different/higher level.
Better writing and music composition is what im learning,
how to listen to today's music melodies and transform them into a sound of my own. Check him out!
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Patrick L.

Patrick L.

Greenville, SC 29613
(22)
starting at
$30 / 30-min

About Christina A.

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Plainfield, NJ

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Students can expect to learn the basics of music theory, from notes, time signatures, and dynamics all the way to full scale composition and part writing.

About Christina
My studio is based on the belief that our customers' needs are of the utmost importance. We are committed to meeting those needs. We would welcome the opportunity to earn your trust and deliver you the best service in the industry! With over 14 years of teaching experience in both the classroom and privately, my lessons are comprehensive, diverse and individually tailored to each student.

Ms. Tina was born and raised in North Plainfield, NJ and attended college at Westminster Choir College in Princeton, NJ and Montclair State University in Montclair, NJ where she received a BM in Musical Theater. Music is not just a job for Ms. Tina...it's a passion.

I continually strive to encourage and motivate my students to explore their individual talents and abilities to their fullest and to have fun! I look forward to work with you and
your family to achieve your music education goals!
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Nicholas C. February 21, 2017
· Flute · In home
Excellent, great with 4 year old!!!
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Peter W. February 15, 2017
· Saxophone · In home
We became friends, Then as a student I learned a lot and I have a lot to look forward to as I progress with my practicing I cant wait to practice on my own, The teacher was filled with knowledge on the sax I am glad I found Christina and look forward to my next lesson because Christina was easy to work with and no pressure.
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Zsofia December 9, 2016
· Violin · In home
Christina was excellent. She was on prompt nice and interacted nicely with my daughter. I would definitely recommend her.
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Christina A.

Christina A.

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$35 / 30-min

About Camille H.

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Encinitas, CA
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We tutor at all levels of theory helping out college students and preparing others for state testing.

About Camille
I graduated from Berklee College of music with a voice performance degree in 1993. I'm trained in all methods of teaching from classical to Suzuki, Kindermusic, Harmony Road, and many others. I've directed children's choirs of 100+. I've directed over 15 musical theatre productions and I own a studios in Enconitas where I ha river 12 teachers and a recording studio for students to learn how to record music. To date we've put out four albums! We host bi-yearly recitals with over 150 performers on all instruments.

**Please be aware that as the owner of a large music studio if you do any bookings online through Take Lessons you may have one of my highly skilled teachers instead of me.
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Faith L. October 30, 2017
· Piano · In studio
Camille is an excellent piano teacher. She is a perfect balance of classical and current. She immediately identified my daughters strengths and weaknesses and is helping her build up both.
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Gloria G. September 14, 2016
· Singing · In studio
I loved my first lesson, I can tell I'll be taking more than just voice lessons here. Very friendly staff, and Camile is solid, knowledge and creative teacher. SHe's just what I was looking for.
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Camille H.

Camille H.

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$36.75 / 30-min

About Thomas W.

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Downingtown, PA

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I teach both the classical and contemporary methods of music theory, combining the two and drawing on the strengths of both. Students will learn classical Roman numeral analysis while also learning how to build contemporary jazz harmony.

About Thomas
Thomas J. W. is an active music teacher, composer, adjudicator, and clinician in the greater Philadelphia area. He has over fifteen years experience as a concert band director, marching band director, jazz improvisation instructor, choral director, private instructor, and marching drill writer. His directing career has included small rural band programs, small metro programs, large high-achieving suburban programs, and non-profit youth bands. In addition to his band compositions, he also has over forty unpublished vocal arrangements to his credit, most written for use with collegiate men's a cappella groups. Thomas taught over 600 online and local private music lessons in 2016.

Thomas has a Bachelor of Science degree in Music Education from The Pennsylvania State University. He holds a teaching certificate in the states of Pennsylvania
and New Jersey and has taught at the secondary level in both states. In addition to both instrumental and choral ensembles at Penn State, Thomas was a student leader in the Penn State Blue Band and a member of the brass section of the Cadets of Bergen County Drum and Bugle Corps in 1993 and 1994. He served as an Associate Director of the Warren Junior Military Band of Youngstown, Ohio from 1995 to 2005. He also served as a visual staff member for the renowned North Penn Marching Knights of Lansdale, PA for one season in 2004.

He is a current adjudicator with Drum Corps International and Cavalcade of Bands. He is a member of MENC, PMEA, NJMEA, ASCAP, CASA, Phi Mu Alpha Sinfonia, and the National Band Association. He appeared in the Marquis Who's Who Among American Educators in 2004 and 2005, an honor rarely bestowed upon teachers, as students who appear in the Who's Who Among American High School Students must nominate them. He currently is a music teacher at the Center for Performing and Fine Arts of the PA Leadership Charter School in West Chester, PA and resides in Downingtown, PA with his wife and two sons.

Thomas will happily work with students on the autism spectrum or students with ADD.

*** Lesson Details ***
My lessons are tailored to the needs and interests of each student. If a student is involved in school music ensembles, we will work with their lesson books from school in addition to material outside of the books, including SmartMusic, Noteflight, and teacher-created materials. We will focus on building proper tone production and individual technique - something that often is difficult to learn in a large ensemble setting.

I am capable of starting a beginner student on any band instrument including percussion, any classical string instrument (violin, viola, cello, string bass), and piano. I can begin a student on drum set and work with them through their first method book, but I would then recommend they find a specialized drum set teacher after a period of six to twelve months.

For advanced students, I work from selected conservatory etude books on developing advanced skills and can work with students on audition pieces for honors bands/orchestras or college auditions.

My lessons are a half-hour once a week, with the option of working for 45 minutes or 60 minutes.

*** Specialties ***
music, band, orchestra, flute, clarinet, oboe, bassoon, saxophone, trumpet, french horn, trombone, euphonium, tuba, violin, viola, cello, string bass, piano, Percussion
classical, jazz improvisation
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jia L. November 17, 2017
· Violin · In home
Mr. West is very knowledgeable and patient, my daughter enjoyed the lessons!
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Jennifer October 25, 2017
· Oboe · Online
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sarah S. October 1, 2017
· Flute · In home
Very pleased with the first lesson. Our daughter has rare special needs and he was terrific with her
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Thomas W.

Thomas W.

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About Dayv D.

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Sunnyvale, CA
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Learn to analyze music and hear it in a completely different way. I'll help you get inside the composer's head and understand why music is written the way it is written.

About Dayv
Dayv D. is a Bay Area native who graduated from the Oberlin Conservatory of Music in 2012 with a degree in Performance. At Oberlin, Dayv was a recipient of the Dean's Talent Award scholarship and studied with professors Gary Bartz, Paul Cohen, Jim Umble, and Tim Ruedeman. While trained in a wide range of disciplines, Dayv is a huge fan of music from the Baroque Era and insists on performing compositions by J.S. Bach as often as possible.

Dayv believes that students learn most effectively when they are intrinsically motivated, and makes an effort to cultivate this motivation in his students. He is attuned to each of his students' individual goals, and goes the extra mile to help his students achieve them.

Dayv plays Clarinet for the Silicon Valley Philharmonic.

*** Lesson Details ***
Love Disney songs? I love to teach them. Want
to do well in your next audition? I want to help you. Have questions about how to make the most of a certain piece? I have suggestions. Whatever your personal goals in music are, I will help you achieve them!

I believe that having fun is of utmost important in learning music. My students have fun, and work hard as a result!
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Liam, L. August 26, 2017
· Piano · In home
Great rapport w kids. Pretty laid back and make learning relaxed.
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Wendy March 4, 2016
· Clarinet · In studio
Dayv was very accommodating of scheduling and tried to get to know my son before he just started into lessons. I appreciate the time and care that he provided for him during the lessons.
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Kristin H. August 19, 2014
· Clarinet · In home
Dayv is fantastic! He taught my 11 year old son the clarinet over the summer. He improved dramatically in just 4 lessons. Dayv drove to our house in Mountain View, which was great. My son really liked Dayv and now loves to play the clarinet.
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Dayv D.

Dayv D.

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About Cecilia P.

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Chicago, IL

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This is especially intended to students that know very little about music theory. We will do a lot of games to gain the experience part very well inside. The we will transport this inner knowledge to the theory and reading. We will also work using this theory with your instrument so you can relate your knowledge better.
The early music education is intended for babies and expecting mothers. We will start introducing music to their lives and use music as a tool of stimulation for their learning process.

About Cecilia
I am a South-american violinist and violin-music teacher who loves music, dancing, arts, nature, and animals. I am a social, kind, caring, persevere and self-disciplined person.

I started teaching 9 years ago when I was studying my Bachelor'€™s degree. In my country, I was the teacher of 25 lovely children and youth, with whom I created my own violin studio. It started only with 3 students, and after 7 years we were a wonderful group that performed in different recitals, festivals and trips around our country. Together we learned about violin, classical music, popular music, folk music, singing, etc., but most importantly we learned about sensitivity, sharing, self-discipline, respect, creativity and many other personal skills that music helps us learn in such a joyful way.

In Boston, while doing my masters, I also had the oppo
rtunity to teach two children in English with new methods I was learning in my string pedagogy course. In addition, I have taught adults and elderly (70-72) to play the violin, and find their smiles and learning process more than satisfying. Finally, I was the music teacher in a kinder garden, and had students from 2 to 4 years old. I like to teach people with different ages because I learn from them and their different needs.

I have also had some few students with different abilities such as Down syndrome, Asperger's syndrome and Dwarfism. I cannot say I am an expert but I am open to learn from these students if I have a good orientation and support from the parents and specialists.

Right now, after finishing my Master'€™s degree in Boston, I am living in Chicago because my husband is studying his PhD at Northwestern University. I miss teaching and sharing my love for music with others, that is why I really want to find new students that want to join me in their musical journey.

*** Lesson Details ***
I believe every person is talented and can learn music. I think that the best way to learn music and arts is from the experience, where the person can develop not only music and instrumental skills, but also creativity, originality, joy and love for music. These are skills that are needed to enjoy and learn music, but also to be a more sensitive and rounded person. My goal is to build a professional and positive environment where the person can develop his/her musical abilities as well as his/her personal skills. In order to achieve this goal, it it usually better to have the lessons in my own studio instead of the student's house. That way we can work with a complete music environment and the student can benefit 100% from the music experience.

I have learned in the process that regular practice and a consistent schedule encourages not only progress but great motivation. Also, I have found that a experience-based approach helps them keep motivated because the students learn much faster and gain a deeper musical intuition than with a theoretical and approach.

I think it is important to give the students the time to talk and share their thoughts about the music. I like to guide them discovering how their bodies feel more comfortable with the instrument, instead of telling them the "correct form". I like to make them clap, sing, move and feel the music before telling them how to play it. I like to introduce music theory and reading from the beginning encouraging them to use their knowledge about music.

In addition, I have found that following the literature of more traditional methods with scales and etudes, helps the students to develop completely in their instruments, with a great technical foundation. That is why I like to mix experience-based methods such as Suzuki, Kodaly and Dalcroze, with traditional books such as Essential Elements, Wolfhart, Kreutzer, etc.

I usually start with Suzuki, The Blue Book, and some personal material that I create for each student depending on their needs. After a while, I start to introduce some pieces of different parts of the world or different styles while introducing scales and etudes. This way I maintain the student's motivation and give them a broader view of music, while developing important skills for their instrument. Then, when the student is ready, I introduce more difficult pieces and solo repertoire.

For adults, I try to adapt my method to their particular goal in music, giving them both fun and the best level they want to achieve. I give them material that is adequate to their needs and also to their preferences.

*** Studio Equipment ***
I have several materials for children and adults. Music cards, music games, toys, puppets, etc.
I also have books to start our journey.However, the student will have to buy his/her own books once we start.
I own one 4/4 violin that could be rented for a tall or adult student. I also own a 3/4 violin for rent.
Smaller violins would have to be rented or bought.

*** Travel Equipment ***
I can travel to the student's house with my instrument if it is within my travel limits (5 miles) and if it is accessible via public transportation.

*** Specialties ***
- Suzuki method mixed with some traditional books and world
music.
- Experience with Alexander Technique, Dalcroze, and Kodaly.
These methods deal with music freedom and tension free
techniques.
- Music performance work with professional musicians and
conservatory student (effective practice, musicianship, tensions,
creativity, etc.)
- I speak Spanish fluently (that is my mother tongue), and could
teach in Spanish if wanted.
- Folk dances from Peru: Marinera Norteña, Festejo, Huayno, etc.
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Reviews
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Octavia B. October 16, 2015
· Violin · Online
Cecilia is an amazing teacher. She is able to adapt your lessons to what you need. Makes things easy to understand and makes me feel comfortable with playing. I highly recommend her for other students.
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Mitchell M. December 12, 2014
· Violin · Online
Very good instructor!
All of these reviews are very consistently themed because of her adaptive abilities.
She knows how to find exactly what you personally need to practice, and helps you find the joy of perfection!
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Kate A. November 10, 2014
· Violin · In home
Cecilia has been an incredible teacher - she is patient, create and has customized the experience for our daughter to meet her exactly where she is. She is also thoughtful, and has come up with creative ideas to get our daughter to practice more and be engaged. I highly recommend her!
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Cecilia P.

Cecilia P.

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(17)
starting at
$30 / 30-min

About Tara L.

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Hastings on Hudson, NY

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I have found that many people have been confused before my music theory books and lessons. I have had great luck using my approaches in making learning music theory fun and accessible. I also find that it is very helpful to not bite off everything at once. We learn the music theory that we can use and apply it taking it out of the just theoretical to actually have fun playing with it.

About Tara
I have a Masters in Education as well as having spent many years performing, teaching in one on one and group settings both privately and at music camps and festivals. I play and teach bluegrass, old time, Irish, and swing jazz styles. I like my students to really enjoy playing music and their lessons as well as learning to become fluent in the language of music. It is not required that folks learn to read music necessarily, but it can be a part of the lessons if desired. I love to see my students able to continue learning and playing on their own, be able to hold their own at jams and on the stage is they so desire, or just enjoy making music for themselves. I have techniques that have proven effective to help get past jam phobia, that help folks learn to improvise who have not had any luck with doing so before, and help getting away fro
m sheet music addictions to be able to have fun and confidence out at jams. I also can give a good foundation in music theory as it applies to one's actual playing and have it be fun and make sense.
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Mercedes October 5, 2017
· Mandolin · Online
Tara is very knowledgeable and really connects well with her students.
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Marcy March 15, 2017
· Guitar · In studio
Tara is a wonderful teacher. She made me feel comfortable about my short fingers even before we met for my first guitar lesson. She said she was sure she'd get me playing and we'd have some fun, and she was right! She's patient and respectful for where I'm at musically and short fingers and all, I'm finally, after a couple failed attempts at teaching myself, making music with this guitar!
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Francine February 6, 2016
· Ukulele · In studio
Tara is very warm and patient. My 7-years old daughter (and I) really enjoyed her introduction lessons to Ukulele.
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Tara L.

Tara L.

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About Abdulrahman A.

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New York, NY
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Based on student level I will take you through all of vital theory. Ranging from reading music-counterpoint as well as 4 part harmony. I am very experienced with theory so all levels welcome.

About Abdulrahman
Beginning his studies of the trombone in middle school, Abdulrahman has been on a journey only the trombone can bring you on. His first introductions to music were purely classical, and with the guidance of his first mentor, Met Trombonist Weston Sprott, he was able to graduate from the Juilliard Map program into the Juilliard Pre-College program. Abdulrahman continued
his studies at Juilliard for one last year, studying with Met trombonist Damian Austin, and started taking a new direction with the trombone. As a sophomore at La Guardia high school for the arts and performing arts, Abdulrahman took his first swim in the pool of Jazz under the direction of Kevin Blancq, the current jazz director at La Guardia. Being exposed to artists such as Urbie Green and Bob Brookmeyer began to drive Abdulrahman Amer into a new world known as the worl
d of improvisation. Self-taught, he was driven by friends to learn standards and allow his true artistry to come out in the medium of sound.

As a senior in high school, he attended the Manhattan School of music Pre-College on a full scholarship. Through new motivations, Abdulrahman is now an alumnus of the 2015 Grammy Band and Next Generation Jazz Orchestra, which added a new color to his senior experience. He now attends the Manhattan School of Music on a full scholarship as part of the class of 2019. Abdulrahman was named a 2016 jazz finalist in Youngarts, is currently an alumnus of the Banff Jazz Workshop for creative music as well as the Betty Carter Jazz ahead workshop, and is now on a path to harness his craft and spread love and peace around the world. He is now a new member of the GRAMMY winning band "Arturo O' Farill and the Afro Latin Jazz Orchestra" and is the youngest in the band. Abdulrahman has played at numerous festivals and venues including the Jazz Standard, Smalls Jazz Club, Smoke Jazz Club, Dizzy’s Club Coca-Cola, Metropolitan room, Shapeshifter Lab, An Die Musik, Monterey Jazz Festival, Montclair Jazz Festival, as well as the Detroit Jazz Festival. Abdulrahman has also shared the stage with many notable artists and bands including Jazzmeia Horn, Tyshawn Sorey, Frank Lacy, The Mingus Big Band, Conscious Collective, Dave Koz, Ted Nash, and even Wynton Marsalis. Now leading his own band, Abdulrahman will allow his art and the trombone to guide his path.
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Sam November 1, 2015
· Trombone ·
Amazing teacher, has incredible talent at teaching and playing music. I know that he will be able to help me to be the best musician I can be. He did all the right techniques to get good and it shows in his playing. Overall great teacher and a great guy, really cares about the growth of the student.
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Abdulrahman A.

Abdulrahman A.

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About Joshua A.

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Manhattan, KS

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I am a music major at Kansas State University, having completed four of the required music theory classes at a exceeding level.

Lessons will involve learning the basic elements of music theory, such as major and minor keys, music notation rules, and chord structures. With fundamentals in place, we will advance on to the harder aspects of chord identification, counterpoint, and structure.

Because of the nature of learning this subject, we can work with instruments or voice to help learn and grasp the concepts. You should also expect to have some level of outside work as well so that we do not waste time in our lessons going over material you have already learned.

About Joshua
My name is Joshua, a teacher, composer, and performer. I am proficient in saxophone, and competent in flute, clarinet, composition, and piano. I will be entering my third year at Kansas State University as a Music Education & Composition student. I come from a small town where I have had extensive amounts of experience working with children as a lifeguard, saxophone teacher, and teacher's assistant.

I run my lessons based on what YOU want to learn while building the basic skills required of your instrument of study. I have played classical, jazz, pep, and modern saxophone, and as a composer I am exposed to many different styles of music.

I think one of my biggest advantages is that I am also still a student. I am confident in my abilities to assist students of any level while still being exposed to new music, a variety of professio
nal musicians, and musical connections myself. Because of this I can offer my knowledge of music, as it is ever growing throughout my own education.

Music is so much more than notes on a page. It is expression, emotion, feeling...
And I understand that as your teacher, it is my job to equip you with the skills needed to fulfill the true music you want to create.
...
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Dr. Wytko July 17, 2017
· Saxophone · Online
It is with great pleasure that I recommend Joshua Arnoldy as a private saxophone teacher. Joshua is a gifted player and thoughtful teacher who is capable of meeting a wide range of student needs. He is well organized and thoughtful in all of his work and preparations. I highly recommend him!
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Joshua A.

Joshua A.

Online
(1)
starting at
$15 / 30-min

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

How to Prepare for Sight Reading at an Audition | 3 Helpful Tips

How to Prepare for Sight Reading at an Audition | 3 Helpful Tips

Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many … Read More

How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory
All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound
Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin

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