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Alexandra P.

San Mateo, CA

About Alexandra

Alexandra has been teaching harp around the country for fifteen years through her personal harp studio and the Salvi Showroom in Southern California. She has also worked as a sectional coach for the Orange County Youth Symphony, Asia America Youth Symphony, and Palos Verdes Regional Symphony Orchestra. Her students are currently attending Eastman School of Music, Columbia University, Barnard College, Harvard University, Boston College, University of Pennslyvania, Princeton University, Northwestern University, University of Notre Dame, Yale University and Purdue University among others. Her st
udents have also appeared on National television as well as playing for the Grammy Awards.

A strong supporter of the American Harp Society, she is currently the President of the Orange County Chapter of the American Harp Society, and serves as a Member of the Board of the American Harp Society Foundation. Alexandra is also co-chairman of the distinguished Anne Adams Awards Harp Competition where she has been a main Director for fifteen years.

Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.

Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.

Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
 
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).

In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eight years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she has also helped harpists from all over the world find their dream harps learn to care for them.

Apart from harp activities, Alexandra also enjoys coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys working on music startup companies.

*** Lesson Details ***

As a harp teacher, all of my
students play scales, arpeggios, and technical exercises in
their lessons. I believe having a strong technical base is the foundation for
every part of playing and you can't learn without it. I will set the repertoire
for students according to their technical progress and although I may
take into consideration a student's desires to learn a certain piece, there has
to be time and they have to be ready for it. I have both short term and long
term goals for each student that involve theory, technical ability, and
repertoire both orchestral and solo. Adult students still have to learn
technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before. 

I require all students make
at least an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods
at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I
have studied all techniques throughout my education and I find them all
beneficial for different reasons. I do, however, believe everyone is built
differently and the technique should help the harpist play and not hinder them
from achieving their goals. Everyone learns at a different speed, but as a
brand new musician, after six months practicing regularly, you should be able
to read music fluently, understand basic theory concepts, be able to play with
both hands and four fingers on each hand, play all of the basic scales and
arpeggios musically and be able to play at least one piece memorized.
Curriculum is based on the student's technical ability and issues and is
individually created – if you learn slower than someone else, don’t worry about
your pace. In the end, lessons are about you personally and not someone else.

*** Studio Equipment ***
I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources. 

*** Specialties ***
HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.
...

Reviews

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Carol M. September 30, 2015
Harp · In home
Verified Student
Alexandra was the most patient and caring teacher. She is very interested in going at the student's pace. She excelled my expatiations! Thank you Alexandra!
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Yana T. June 13, 2015
Harp · In studio
Alexandra Perdew is a one of a kind instructor. She not only pushes her students to excel, but I truly believe that she inspires greatness. She treats her students with the utmost respect and works diligently to provide them with every possible resource needed for learning. She is not a teacher who will let anyone get by with putting in half the effort. She motivates me to work and perform at the highest level possible.
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Melody T. June 10, 2015
Harp · In studio
Alexandra Perdew is an amazing teacher. I could not be where I am or had great opportunities such as performing at the Grammys if it wasn't for her help and support. Alex always pushes me to do my best and is truly passionate about her work!
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Alexandra P.

Alexandra P.

San Mateo, CA 94404
(11)
starting at
$45 / 30-min
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Cristopher H.

Redwood City, CA

About Cristopher

As a musician that has played for about a decade, I have studied and worked to become a teacher. I've played in numerous bands, have worked in studios, and have been teaching for about four years now and am always finding new ways to understand and help accomplish my students' goals. I've studied music theory and composition from Mike Keller (Letters From the fire) and David Meckler (Canada College music department). I'm currently working on an independent album that has begun recording.

*** Lesson Details ***
I find it's easiest to asses the level at which a student is at and work from th
ere, moving towards the goal set by the student using music the student already enjoys, not kiddy books with songs they'll never actually play. My styles focus on technique and work back to theory. I play anything and everything from country to Santana, to Metallica, and to everything in between. I teach from covers to original works.

*** Studio Equipment ***
The equipment I have for the studio are a couple of my electric guitars: Midnight Blue Schecter Omen 6, Ibanez S470DXQM, KSE ASG, Ibanez F0509338, Fender Stratocaster. My BOSS ME-33 special effects pedal, my Raven RG20 amplifier, and my Fender Frontman 15G amplifier. I also have multiple iMacs for Garageband and a recording studio. (services of which cost additional value for use)

*** Travel Equipment ***
The equipment I have for travel are a couple of my electric guitars: KSE ASG, Ibanez F05, and a Fender Stratocaster. My BOSS ME-33 special effects pedal, my Raven RG20 amplifier, and my Fender Frontman 15G amplifier.

*** Specialties ***
I specialize in technique so I can help even the newest of players find their style and learn how to work on memorizing the fretboard without even having to look at it or your finger placement. I can also help more advanced players smooth out their way of playing.
...

Reviews

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Rocky P. September 22, 2015
Guitar · In home
Verified Student
Chris is a pleasure to have as a guitar teacher. He is polite and respectful to our family and has inspired my son to become a better guitar player. Thank you Chris
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Rocky P. September 22, 2015
Guitar · In home
Verified Student
Chris is a great guitar instructor! He has been encouraging and helped my son become a confident on the guitar! Thank you Chris you are awesome
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Kelton K. August 13, 2015
Guitar · In home
Verified Student
A great teacher who listens to the kids and seems to know that letting them play songs that they want to play will make them want to practice! He is teaching theory, technique and fun at the same time. Kelton was bored with so much theory and playing 'baby' songs that he didn't know. Cristopher's did his first recital with the song that my son wants to learn, too! I've already recommended him to neighbors and friends.
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Cristopher H.

Cristopher H.

Redwood City, CA 94061
(6)
starting at
$30 / 45-min
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Deborah R.

Palo Alto, CA

About Deborah

ABOUT ME:

Deborah R, is a versatile Mezzo Soprano having studied Opera, Theater, Music and Dance she is known for her exciting, high energy performances and for creating memorable and endearing characters. With a uniquely flexible voice, as comfortable in Verdi as it is in Rossini, she has delighted audiences around the world with her rich timbre and sparkling coloratura.
From her beginnings as a young musician in the San Francisco Bay Area, she has toured internationally, with a variety of musical ensembles in concert halls such as: Santori Hall in Tokyo, Disney Hall with the Los Angeles
Philharmonic, The Lincoln Center, and Carnegie Hall. Most recently, Ms. R was a featured soloist at the National Center for the Performing Arts in Beijing where she performed with the Peoples Liberation Army Orchestra. She has given recitals in Mexico and across the United States, giving voice to her research into the lesser known Art Songs of great Classical composers.
In the summer of 2008, she created the role of Principessa Louling under the baton of Bruno Riggacci in the World Premier of his one act opera €œDodici personaggi in cerca di voce.” Some of her opera credits include Cendrillon, Die Fledermaus, Hansel and Gretel, Griffelkin by the late great Lucas Foss and West Coast premier of the new opera Miss Lonelyhearts. With Orchestra she has performed Handel’s Messiah and Brockes passion, Durufle’s Requiem and this past summer, she was the featured soloist with the Capriccio Chamber Orchestra in their toast to Vienna.
Ms. R is the recipient of several awards including the Schoenfeld Award from the Holt Memorial Scholarship Competition and 1st place in the Pacific Musical Society Competition made famous by its first winner, violinist Yehudi Menuhin.
Ms. R holds a Master of Music Degree from the Manhattan School of Music, where she studied with international opera diva Mignon Dunn, and a Bachelors from the University of Southern California Thornton School of Music. She has performed in Masterclasses with Karen Morrow and Luana Devol. She is also a featured vocalist on several independent film soundtracks.
...

Reviews

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Maysa O. December 14, 2015
Singing · In studio
Verified Student
She knows how to let your voice come out smoothly and easily.. Exactly what I was looking for in a teacher!
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Robin October 2, 2015
Singing
Sorry it took me so long to respond! My daughter Catherine really liked her first lesson and wants to continue with Deborah. Thank you!
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Marc R. October 20, 2014
Singing · In studio
Verified Student
Very helpful and patient. I am enjoying this very new experience!
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Deborah R.

Deborah R.

Palo Alto, CA 94303
(3)
starting at
$45 / 30-min
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Olga C.

San Mateo, CA

About Olga

You can see Olga performing Tatiana Larina in Yevgeny Onegin by Tchaikovsky with West Bay Opera on February 19, 21, 27, 28.
Described by critics as "flawless in her singing" (Cultural World Bilingual ), "natural singer with beautiful colors...sings wonderfully, communicating the excesses of passion and emotion, the quick contrasts of mood , with grace and conviction" (San Jose Mercury News); possessing “a pure, strong soprano with phrasing of sumptuous elegance” (San Francisco Chronicle), " dazzling high notes are piercing without being ugly" (San Francisco Classical Voice), "beauty of her v
oice is outstanding...it has power to set the theater ringing, but it also has a wealth of color... Her stage presence...is magnetic" (Peninsula Reviews), "Her mezzo tones...evoked memories of Maria Callas' spell-binding rendition" (San Jose Mercury News),
Olga was announced the Best Leading Female Singer in North East in season 2006-2007 by Opera Online.
A native of Russia, she appeared on the stages of the Bolshoi Opera (Maria in Mazeppa, Prilepa in Pique Dame, Brigitta in Iolanta, Anne Trulove in The Rake’s Progress, Musetta in La Boheme, to name a few), Kazan Opera Theater (Mimi in La Boheme), Stanislavsky Opera Theater (Micaela in Carmen), and Malmo Opera Theater in Sweden (Musetta) before emigrating to the U.S.A., where she appeared with Hawaii Opera Teater as Mimi in La Boheme, San Francisco Lyric Opera in title role of Aida, West Bay Opera and DiCapo Opera in New York in the title role of Manon Lescaut, Opera San Jose and Illinois Opera Theater as Tosca, and with Cedar Rapids Opera, Gold Coast Opera,Golden Gate Opera and Opera North as Cio-Cio-San in Madama Butterfly, with San Francisco Opera Merola Program and Tampa Opera as Musetta in La Boheme. In autumn of 2009 she appeared in Cairo as Tosca and, in spring of 2010 debuted it Italy at the Teatro Massimo in Palermo as Carlotta in Schreker’s Die Gezeichneten, where she returned following summer in the title role of Aida. From 2006 till 2010 Olga performed with touring company Teatro Lirico d’Europa all over United States in multiple performances of Madama Butterfly, Tosca, Aida, Carmen,La Boheme, Turandot, Le Nozze di Figaro, I Pagliacci, Cavalleria Rusticana. Olga appeared in title roles with local opera companies like Opera San Jose (Tosca),;; West Bay Opera (Manon Lescaut, La Forza del Destino), Livermore Opera (I Pagliacci), Martinez Opera (Madama Butterfly), Golden Gate Opera (Madama Butterfly, Suor Angelica, I Pagliacci, Cavalleria Rusticana), San Francisco Opera Company (Aida)
Olga appeared with Orchestra Sinfonica Romana at the concert stage of Santa Cecilia in Rome and Washington Center for the Performing Arts in Verdi Requiem, Quatar with Gala concerts, Opera Santa Barbara in an evening of music by Giocomo Puccini, DiCapo Opera (Rachmaninoff’s Francesca da Rimini), in Russia at the Nizhny Novgorod Concert Hall for Bach’s Mass in B-minor, at the Grand Hall of the Moscow State Conservatory for Mahler’s Sympony No. 4 and for Orff’s Carmina Burana, Moscow’s Cathedral Catholic Church for Bach’s Easter Oratorio, as a featured soloist for both the Notti Musicali Modenesi Festival and Costa Rica’s XIII Festival de Musica Credomatic; and as a featured soloist for the political-cultural event entitled “Days of Russian Culture in Bulgaria, jointly sponsored by the Russian and Bulgarian Ministries of Culture and attended by the presidents of both countries.
In 2002 Olga participated in San Francisco Opera Center Merola Opera Program for young singers and sang Musetta with Western Opera on tour.

Currently Olga devotes herself to voice teaching and performs locally.
...

Reviews

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Rick T. November 19, 2015
Singing · In studio
Verified Student
Olga is very motivational and inspirational! Olga is very serious about music and let 's you know how passionate she is toward being a great teacher for you. I feel she is dedicated to music and has lifted me up to do my best ! Thank you for this great opportunity !!

Rick
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Irina M. November 14, 2015
Singing · In studio
Verified Student
Olga is a very experienced and knowledgeable teacher. I always enjoyed her lessons, and saw real and quick changes of my voice. The progress was obvious, and I would highly recommend this voice teacher to anyone.
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Marina November 9, 2015
Classical Voice · In home
Olga is an amazing teacher. Due to her great efforts, my daughter's voice has improved tremendously. She is a very passionate teacher who truly cares about the success of her students. She has a deep expertise in voice-training that she is able to clearly communicate to her students. We are fortunate to have her as our voice teacher.
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Olga C.

Olga C.

San Mateo, CA 94401
(10)
starting at
$40 / 30-min
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Melissa M.

Palo Alto, CA

About Melissa

I have been teaching since 2006 on a variety of topics. I graduated with an BA from the University of Wisconsin. My degree is in History with and emphasis on East Asian history.

I've taught all age groups from age 2 up to retirees. My teaching experience includes one-on-one and group classes in a variety of settings. I've taught corporate classes, private lessons, small groups, and traditional classroom lessons.
...

Reviews

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Mason E. January 25, 2016
Ukulele · In studio
Verified Student
Melissa was great. Thank you Melissa.
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Nina K. January 22, 2016
Online
Verified Student
I thought it was a great first lesson and we really look forward to more! I can already tell Melissa has immense insight into the game and my daughter enjoyed every minute of it. Thanks Melissa!
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Elisa December 22, 2015
Chess · Online
Verified Student
Excellent chess instructor. Very patient and experienced teaching my children 6 and 7 years of age. Always on time.
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Melissa M.

Melissa M.

Palo Alto, CA 94303
(9)
starting at
$25 / 30-min

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