Redwood City Music Lessons

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Popular Music Teachers Near Redwood City

Check out some of our most popular teachers near Redwood City including San Carlos, Menlo Park, Stanford, Belmont and Atherton.

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David W.

Redwood City, CA

About David

For over 30 years, David has had a passion for the piano. Classically trained as a child by numerous teachers, David has mastered the expressive aspect of piano accompanied by a solid rhythmic foundation. David is also a composer and is currently supporting the release of his 3rd CD! A graduate of SFSU with a focus on Music Theory, David has been teaching students for over 8 years. By living the music on a daily basis, David is easily able to channel that energy through the lesson and to the student.

*** Lesson Details ***
It is important for the student to HAVE FUN and enjoy the pian
o lessons! I make the lessons fun with my relaxed, yet focused style of teaching. It is important that the student is always working on something they want to learn, accompanied by exercises and techniques to strengthen their performance abilities.

*** Travel Equipment ***
Students are required to purchase books, music

*** Specialties ***
Music, Piano, Theory
Classical, Pop, Rock
...

Reviews

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Sofia K. April 26, 2016
Piano · In home
Verified Student
Today we had our first lesson for our 6 year old Sofia. David was very pleasant and kept Sofia focused for the whole lesson :) Great start!
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Pete March 16, 2016
Piano · In home
Verified Student
First session was great. David appraised my skills (ha), picked up where I needed to go next, and created a lesson plan on the spot. He did not ask me to buy more lesson books, but used the ones I brought from a previous class - which I appreciated. He says that if I stick to the plan, I'll be playing Maple Leaf Rag in two months. Game on!
His studio is very well organized & equipped, and we went right to work, beginning and ending on time.
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Nathan V. March 10, 2016
Piano · In home
Verified Student
David was very friendly and patient with my five year old son, who has never even touched a piano before! He was excited and can't wait to return!
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David W.

David W.

Redwood City, CA 94061
(10)
starting at
$40 / 30-min
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Jeff W.

San Mateo, CA

About Jeff

Hello Students/Parents:

I have been drumming for 20 years. I tend to work mainly as a freelance drummer on multiple acts in the San Francisco Bay Area.
My main Styles tend to include; Pop,Rock,Funk,Reggae and Hip-hop, but I am open to anything. I am funny, friendly, outgoing, great with kids, and have been teaching music for 5 years and counting.

During our first lesson we will discuss plans that will help you reach your goals and make you happy as a drummer. I am open to teach you anything, no matter where your strength or weaknesses may fall.
For example: we will work on a fun so
ng/groove-- then we will work on reading and/or rudiments. I am also very patient and Flexible to those students whom have special needs, or want to go slower.
I teach using a combination of modern, traditional and personal books, and Popular music charts.

* Travel Equipment:
I will bring the following: my laptop for music purposes and songs, and my curriculum.
I expect my student to have the following: A pair of sticks, a practice pad/or small sized drum kit, headphones of any kind, and a music stand. I will plan to use one drum set switching off.

"œWhen the student combines his/her playing with a strong practice, playing, and performance regimen, they are bound to get better and improve to continue making music a concrete hobby in their life."

Thanks!
-Jeff
...

Reviews

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Julia March 28, 2016
Drum · In studio
Jeff has been great! I'm an adult student, returning to drumming after at least 15 years. My lessons have been fun, and the instructions have been excellent.
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Matthew B. October 19, 2015
Drum · In home
Verified Student
Jeff is awesome! He's super kind and patient, as well as talented at the drums. He's definitely invested in his students' success too.
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Adrien P. February 8, 2014
Drum
Verified Student
Great lessons, great teacher

It's only been 4 lessons but I really appreciate how the lessons are going. Jeff gives good explanations on how to read music and how to execute on the drums.Good pieces of advice too when some parts are hard to play !
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Jeff W.

Jeff W.

San Mateo, CA 94402
(9)
starting at
$40 / 35-min
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Pierce Peter B.

Menlo Park, CA

About Pierce Peter

Hello! Thanks for checking out my profile. I offer two types of sessions: VOICE LESSONS (for males only) and PERFORMANCE COACHING (for males and females). My lessons are fun but also informative and I take great pride in helping my students make progress and succeed! Please see below for more information...

•••• VOICE LESSONS FOR MALES ONLY ••••
(age 9–adult, beginner–intermediate levels)
I offer voice lessons for male singers interested in singing musical theater, standards, pop, and light rock. My lessons focus on enhancing the beauty and individuality of your true, natural voice and o
n training you to use your voice with versatility, freedom, ease, and endurance, without discomfort in the throat. We will work on proper breathing technique, using your whole body as your instrument, and working through any vocal problems and/or replacing any bad habits you may have. We'll also work on developing the all-important "mix voice" when appropriate. As needed, voice lessons also include Performance Coaching (to prepare you for auditions and performances). Females (ages 9–adult) may be accepted on a limited basis.

•••• PERFORMANCE COACHING FOR MALES AND FEMALES ••••
(all ages and experience levels)
Being a great singer requires much more than just a great voice! This work focuses on the art of song acting, auditioning, and performance for singers and actors in musical theater and other genres of music performance. Whether you're preparing for a specific audition or performance, or just doing the important work of training, cultivating, and improving your song acting and performance skills, this work is essential for singers. I work with singer-actors and actor-singers of all levels of skill and experience (adults, teens, and kids).

In Performance Coaching sessions, you'll learn:
+ how to eloquently interpret song lyrics with depth and understanding.
+ how to make the song your own while still being truthful to the lyric.
+ how to color your journey through the song with the dynamics.
+ how to best use body language, blocking, and movement.
+ what to do with your hands and eyes.
+ when to sustain a note and when not to.
+ when to "sing pretty" and when not to.
+ how to relate to your audience whether in a performance or audition.
+ other important principles and techniques for great song performance.

I've been teaching kids and adults since 1996, in private sessions and in master classes and workshops at institutions around the country. I'm currently on the faculty of American Conservatory Theater's (ACT) Young Conservatory in San Francisco, and recently received ACT's Distinguished Artist Mentor Award.

I've been a professional singer since 1987, singing in Broadway productions, major regional theatrical productions, concert halls, clubs, cabarets, recordings, and even cruise ships and amusement parks (in the early days!). I studied voice with Stanford University Professors Gregory Wait and Evelyn Draper, with Halbert Blair at the University of Southern California (USC), and with acclaimed international voice teacher, Edward Sayegh in San Francisco, Los Angeles and New York. In New York City, I studied with Bruce Kolb, and with coaches Brad Garside, Sara Louise Lazarus, and Phil Hall. I studied music and drama at USC and hold a BA from San Jose State University.
...

Reviews

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Lori H. February 21, 2015
Singing · In studio
Verified Student
Pierce,

Has been a great help to my son in identifying the right songs for his upcoming audition. Pierce goes above and beyond to help his students.
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Myra G. August 13, 2014
Broadway Singing · In studio
Verified Student
My 16 year old daughter had the wonderful opportunity to take lessons from Pierce and he was outstanding as an Instructor. His energy and passion for music and teaching really comes through in his lessons and was an excellent vocal coach. Besides the singing aspect, my daughter loved his insights and tips on stage performance and auditioning. Pierce is a wealth of knowledge, an excellent teacher and most of all, a great person, who you would find friendly and full of integrity. I wholeheartedly recommend Pierce for lessons.
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Kuhoo E. August 11, 2014
Broadway Singing · In studio
Verified Student
My 12 year old daughter had the ability to sing but lacked everything else - technique, acting, strength, and stamina - That's where Pierce came in. He taught her how to emote when singing, how to control her expressions and how to sing with confidence. His care and commitment meant the world to my daughter - she had someone in her court that had a vested interest in her success. As a mother, that meant the world to me. Pierce is wonderful - he is upbeat, hugely talented, and a joy to work with. I would recommend him any and everyday.
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Pierce Peter B.

Pierce Peter B.

Menlo Park, CA 94025
(3)
starting at
$60 / 30-min
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Alexandra P.

San Mateo, CA

About Alexandra

Alexandra has been teaching harp around the country for fifteen years through her personal harp studio and the Salvi Showroom in Southern California. She has also worked as a sectional coach for the Orange County Youth Symphony, Asia America Youth Symphony, and Palos Verdes Regional Symphony Orchestra. Her students are currently attending Eastman School of Music, Columbia University, Barnard College, Harvard University, Boston College, University of Pennslyvania, Princeton University, Northwestern University, University of Notre Dame, Yale University and Purdue University among others. Her st
udents have also appeared on National television as well as playing for the Grammy Awards.

A strong supporter of the American Harp Society, she is currently the President of the Orange County Chapter of the American Harp Society, and serves as a Member of the Board of the American Harp Society Foundation. Alexandra is also co-chairman of the distinguished Anne Adams Awards Harp Competition where she has been a main Director for fifteen years.

Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.

Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.

Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
 
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).

In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eight years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she has also helped harpists from all over the world find their dream harps learn to care for them.

Apart from harp activities, Alexandra also enjoys coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys working on music startup companies.

*** Lesson Details ***

As a harp teacher, all of my
students play scales, arpeggios, and technical exercises in
their lessons. I believe having a strong technical base is the foundation for
every part of playing and you can't learn without it. I will set the repertoire
for students according to their technical progress and although I may
take into consideration a student's desires to learn a certain piece, there has
to be time and they have to be ready for it. I have both short term and long
term goals for each student that involve theory, technical ability, and
repertoire both orchestral and solo. Adult students still have to learn
technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before. 

I require all students make
at least an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods
at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I
have studied all techniques throughout my education and I find them all
beneficial for different reasons. I do, however, believe everyone is built
differently and the technique should help the harpist play and not hinder them
from achieving their goals. Everyone learns at a different speed, but as a
brand new musician, after six months practicing regularly, you should be able
to read music fluently, understand basic theory concepts, be able to play with
both hands and four fingers on each hand, play all of the basic scales and
arpeggios musically and be able to play at least one piece memorized.
Curriculum is based on the student's technical ability and issues and is
individually created – if you learn slower than someone else, don’t worry about
your pace. In the end, lessons are about you personally and not someone else.

*** Studio Equipment ***
I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources. 

*** Specialties ***
HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.
...

Reviews

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christina March 9, 2016
Harp · Online
Verified Student
Alexandra was an excellent teacher! She really makes you feel at home even if you are nervous at the beginning… I look forward to taking more lessons from her
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Carol M. September 30, 2015
Harp · In home
Verified Student
Alexandra was the most patient and caring teacher. She is very interested in going at the student's pace. She excelled my expatiations! Thank you Alexandra!
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Yana T. June 13, 2015
Harp · In studio
Alexandra Perdew is a one of a kind instructor. She not only pushes her students to excel, but I truly believe that she inspires greatness. She treats her students with the utmost respect and works diligently to provide them with every possible resource needed for learning. She is not a teacher who will let anyone get by with putting in half the effort. She motivates me to work and perform at the highest level possible.
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Alexandra P.

Alexandra P.

San Mateo, CA 94404
(12)
starting at
$40 / 30-min
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Olga C.

San Mateo, CA

About Olga

I am very excited to share great news: 2 of my students took Certificate of Merit exam this spring. Both passed with honors. They also did 99% and 100% in their Music Theory tests.

You can see Olga perform role of Cio Cio San in Madama Butterfly by Puccini with West Bay Opera (Palo Alto) in May 2016.
Described by critics as "flawless in her singing" (Cultural World Bilingual ), "natural singer with beautiful colors...sings wonderfully, communicating the excesses of passion and emotion, the quick contrasts of mood , with grace and conviction" (San Jose Mercury News); possessing “a pure, str
ong soprano with phrasing of sumptuous elegance” (San Francisco Chronicle), " dazzling high notes are piercing without being ugly" (San Francisco Classical Voice), "beauty of her voice is outstanding...it has power to set the theater ringing, but it also has a wealth of color... Her stage presence...is magnetic" (Peninsula Reviews), "Her mezzo tones...evoked memories of Maria Callas' spell-binding rendition" (San Jose Mercury News),
Olga was announced the Best Leading Female Singer in North East in season 2006-2007 by Opera Online.
A native of Russia, she appeared on the stages of the Bolshoi Opera (Maria in Mazeppa, Prilepa in Pique Dame, Brigitta in Iolanta, Anne Trulove in The Rake’s Progress, Musetta in La Boheme, to name a few), Kazan Opera Theater (Mimi in La Boheme), Stanislavsky Opera Theater (Micaela in Carmen), and Malmo Opera Theater in Sweden (Musetta) before emigrating to the U.S.A., where she appeared with Hawaii Opera Teater as Mimi in La Boheme, San Francisco Lyric Opera in title role of Aida, West Bay Opera and DiCapo Opera in New York in the title role of Manon Lescaut, Opera San Jose and Illinois Opera Theater as Tosca, and with Cedar Rapids Opera, Gold Coast Opera,Golden Gate Opera and Opera North as Cio-Cio-San in Madama Butterfly, with San Francisco Opera Merola Program and Tampa Opera as Musetta in La Boheme. In autumn of 2009 she appeared in Cairo as Tosca and, in spring of 2010 debuted it Italy at the Teatro Massimo in Palermo as Carlotta in Schreker’s Die Gezeichneten, where she returned following summer in the title role of Aida. From 2006 till 2010 Olga performed with touring company Teatro Lirico d’Europa all over United States in multiple performances of Madama Butterfly, Tosca, Aida, Carmen,La Boheme, Turandot, Le Nozze di Figaro, I Pagliacci, Cavalleria Rusticana. Olga appeared in title roles with local opera companies like Opera San Jose (Tosca),;; West Bay Opera (Manon Lescaut, La Forza del Destino), Livermore Opera (I Pagliacci), Martinez Opera (Madama Butterfly), Golden Gate Opera (Madama Butterfly, Suor Angelica, I Pagliacci, Cavalleria Rusticana), San Francisco Opera Company (Aida)
Olga appeared with Orchestra Sinfonica Romana at the concert stage of Santa Cecilia in Rome and Washington Center for the Performing Arts in Verdi Requiem, Quatar with Gala concerts, Opera Santa Barbara in an evening of music by Giocomo Puccini, DiCapo Opera (Rachmaninoff’s Francesca da Rimini), in Russia at the Nizhny Novgorod Concert Hall for Bach’s Mass in B-minor, at the Grand Hall of the Moscow State Conservatory for Mahler’s Sympony No. 4 and for Orff’s Carmina Burana, Moscow’s Cathedral Catholic Church for Bach’s Easter Oratorio, as a featured soloist for both the Notti Musicali Modenesi Festival and Costa Rica’s XIII Festival de Musica Credomatic; and as a featured soloist for the political-cultural event entitled “Days of Russian Culture in Bulgaria, jointly sponsored by the Russian and Bulgarian Ministries of Culture and attended by the presidents of both countries.
In 2002 Olga participated in San Francisco Opera Center Merola Opera Program for young singers and sang Musetta with Western Opera on tour.

Currently Olga devotes herself to voice teaching and performs locally."
...

Reviews

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Connie C. July 21, 2016
Vocal Training · In studio
Verified Student
Olga transformed my technique completely! She's got a lot of experience and knows exactly how to help me find the right technique using various ways to explain, such as the physical and physiological side, as well as more imaginative and creative explanations that I could easily relate to. I enjoyed the lessons very much because I felt I was achieving something new every lesson. Will definitely take more lessons with Olga in the future!
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Katya Ozherelyeva July 17, 2016
Singing · Online
Verified Student
Olga is an incredible teacher: encouraging, friendly and professional. I enjoy my lessons with her.
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Lourdes S. March 13, 2016
Vocal Training · In home
Verified Student
Olga has been teaching my daughter since December 2015. I asked my daughter what she thought of her teacher and she said she liked her a lot because Olga believes in her. Olga seems to know what music fits the personality of my daughter. I am so glad we found her.
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Olga C.

Olga C.

San Mateo, CA 94401
(13)
starting at
$40 / 30-min

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