Tony DiMito

Tony D.

Goodyear, AZ

Lesson Details



Tony delivers an exceptional lesson experience and ranks in the top 15% of our teachers nationwide.
Teaches students:
Ages 16+

Teaching since:

Hi. After a successful career as a composer and music editor for film and TV in LA and NYC, I settled down in Phoenix. I'm looking for students who are interested in learning music in-depth, including theory, acoustics, improv, and composition. After graduation from Berklee College of Music in 1987 with a degree in Music Production and Engineering, I helped to start the music school at Sam Ash Music in New York. From there I moved to LA and worked as a teacher, composer, and engineer. You can read some of my credits and hear music I wrote on my website, My principal instrument is guitar, but I'm fluent on bass, mandolin, banjo, and other string instruments.
I look forward to hearing from you.
Thank you!

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BM in Music Production and Engineering
Sep 1982 - Jun 1987
Berklee College of Music


Piano Technicians Guild
Jan 2013

The Piano Technicians Guild (PTG) is the world's premier source of expertise in piano service and technology. The mission of the Piano Technicians Guild is to promote the highest possible standards of piano service by providing members with opportunities for professional development, by recognizing technical competence through examinations and by advancing the interests of its members.

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Motion Picture Sound Editors
Jan 1987

Founded in 1953, the MPSE is an organization dedicated to improving the recognition of its members by educating the public and the rest of the filmmaking community as to the artistic merit of sound editing. The efforts of our talented and hard-working members can be heard every hour of the day all over the world.

MPSE members are the artists who sculpt dramatic sound effects and invent new sounds for imaginary worlds. In addition to sound effects editors, members also include Foley editors who edit the specially created sound effects performed to the picture that are so frequently taken for granted as a natural part of the scene, including footsteps, key jingles, leather jacket squeaks and so on. Dialogue editors are the craftspeople who painstakingly smooth out the production sound recorded on location. ADR editors help to seamlessly weave the re-recorded dialogue that replaces problematic tracks. Music editors work with composers and music supervisors to spot cues and stitch together a sonic tapestry from the original score and prerecorded music from various sources.

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